Barracuda masterfully deconstructs the harmonic tension of "Grind," proving that Alice in Chains’ signature sludge is actually built on a sophisticated modal foundation. This analysis brilliantly bridges the gap between raw grunge energy and high-level music theory.
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Reacting to "Grind" (Alice In Chains) | Dan Barracuda
Added:Hey Shannon, I'm excited to check this out. I don't think I've ever heard the song before. Grind by Allison Chains.
Here we go. [music] [music] [singing] >> [music] >> I know sometimes they're in drop a half step, but this is nice. [music] They're just E standard. I think that's a really good reference for the minor third. That's the minor third right there. [music] It can be bluesy. It's very rock like [music] right always using rock [music] very simple but but Jerry Kro's like really holding that minor 7 [singing] [music] it's Dorian that's the the major six.
Look at that. [music] [music] Nice.
[music] Oh my god.
I love that. That symbol crash. Listen to that. [music] It It's changing between ears. Very cool. Watch right here.
[music] >> Right there. Right there. [music] I love that, man. It's just like [singing] It gives like a very spooky vibe when you do the minor 7 and the major 6.
It kind of sounds like American Woman there.
[music] >> Man, they're so good with their vocal processing. Like the way he says come in the morning light like it's just him and then it's like it's a see-through sh.
[music] [music] >> Oh my god. Like in the middle of a sentence it'll just be like sick. so heavy.
[music] That lead guitar though is like adding so much to like just the creepiness to the vibe. It would be very different if it wasn't there.
[music] >> Whoa. [laughter] [music] [music] >> Now what?
>> [music] >> Let the sun never let me sleep [music] so much.
You hear a [music] sound voice inside.
That was wild.
That was awesome.
>> [music] >> That is so beautiful, man. It goes so they're like an E minor, right?
[music] And they just go they like go to F# major.
Let the sun never blind your let [music] me sleep so my And it's like and then they go which is like a frigian dominant move because instead of just a major scale [music] because they play that G here it goes.
So it sounds like you know like Egyptian or like Arabic or something. [music] Let me sleep so [music] [singing] >> Oh my god.
[music] >> That's like their Beatles like influence.
>> And [music] then Yeah. So like we're like in like a dreamy state. [singing] So then when we go back to it's like an instant modulation key change back to E minor and it makes it like so much heavier as if than if that section was also an E minor and they went to like another another [music and singing] chord. The fact that they like change keys to like F# [singing] and then what is like it almost sounds like Incubus or something and then [music] so heavy [music] tritone.
Don't you [music] love the game? In truth, your lies [music] become one.
>> Oh my god, his vocal f [groaning] [music] [music] >> there is. I can set you free.
>> Hear the sound [music and singing] of your body breaking as I take you down.
Yeah.
>> Wow.
Now watch this. They go back to that [music] [music] >> man. the the Jerry's harmony.
Let [singing] the sun blind your eyes.
>> My god. [clears throat] [music] [singing] [music] >> Oh my god.
[music] Sick. I love the texture of what Jerry's doing with that lead guitar right there.
[music] >> Oh my god. He's like he's like a [music] Oh my god. It's cool because we're like playing [music] F# minor, but he's outlining he's outlining F. We're playing F# major, [music] right?
But he's outlining F# minor.
A nice contrast.
There [music] sound [singing] [music] awesome.
[music] [music] I I I really love this actually. [music] like a new world from from the very different.
[music] It's like Middle East.
Back to [music] it.
[music] [music] You do what I adise not to [music] my funeral.
>> It's really cool because in the beginning of the song the guitar was going.
So it's going [singing] [music] it was doing but now it's going like [singing] and this is the perfect fifth. So [music] that's normal. But then they go, which is that's like the tritone. That's like the devil's note. And so it's like the song has gotten like darker [music] dark.
There we go.
[music] Okay, he's back to that. Nice.
Sun [singing] never bright [music] your eyes.
>> Let me sleep so my teeth [singing] won't hear [music] a sound from my voice.
[music] [music] >> This part is amazing. [music] Let me sleep [singing] so my teeth won't [music] hear a sound from her voice inside.
[music] [music] Is that what he's doing? That part is sick.
>> [music] [music] >> That man, this song is insane. Let's start to hear it again. [music] Oh my god. Right away, just like the bleeding of the wall.
[music] It's like falls in like a door [music] opens and slime pours out everywhere.
[music] [music] [music] There it is.
>> [music] >> In the darkest world, [music and singing] >> look how the vocal change to plan my funeral for the body and then die.
Very awesome vocal and vocal [music] processing. The vocal production is awesome.
[music] [music] Very creative, man. What a cool song.
[music] [music] [music] All right, there.
[music] >> Wait, what? Whoa. How do they exit this?
[music] Oh my gosh. So it's like [music] [singing] the sun and then it goes [music] and then it [singing] goes and it's like a quick E seven chord and then [music] [singing] and then it goes down.
[music] >> [music and singing] >> So you never in truth you're like [music and singing] [music] that is so sick.
>> [music] >> I could set you free. [music] Rather hear the sound of your body breaking as [singing] I take you [music] down.
Yeah.
[music] Let the [music] sun [singing] never break your eyes.
[music] Let me see.
[music] The sound [singing] of my voice [music] stays here.
>> [music] [music] [music] >> I love that whammy bar play though.
[music] >> [music] [music] >> You do well and adise not to [singing and music] let my funeral for the body die. [music] Yeah.
Woo. [music] Let the sun never [music and singing] let me sleep so my teeth won't.
>> Oh man, the grind. I feel like that's like so bey >> and the incubus [music] >> back to E minor. [music] >> Sorry, not yet. Oh, they double it.
your [music] eyes.
Let me see. [singing] [music] There a sound [singing] from a voice [music] inside.
Here we go. Back to E minor.
[music] [music] Yeah.
That part is sick. That cuz he's just doing that's the the minor 7, but then oh man like the minor third and the major third just like so dead and it lands on the major 6.
[music] That was a real treat. Thank you for that, man. Wow.
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