When harmonizing a major scale, instead of using different triad shapes for each chord, you can use the same chord type (such as 7-5-6 voicings) throughout the scale, which works for all positions except the 3rd and 7th chords; this technique can be applied to simple melodies, fills, and even bass grooves, and you can practice by asking what chords a single note can belong to as a top note (such as minor 7, major 7, 6 chord, sus 9, or various inversions).
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Do I Like Bass Chords? Livestream Highlights
Added:playing chords while improvising, harmonize a major scale. What I think is cool to practice with harmonizing a major scale is instead of always harmonizing stuff with triads, uh, you know, like these classic triad shapes, I mean, you should know these, of course, before you start talking about what I'm talking about, but like, uh, you can harmonize notes with the same chord type. That's super fun.
>> [music] >> So this is like C major scale but all 156. So check it out.
[music] This is really fun to practice.
[music] So like harmonizing your major scale with one voicing is super cool. And then if you're playing fills, you can use the voicings as fills, which is super fun [music] [music] like that voicing.
[music] So yeah, I think uh that's really fun.
Pick a voicing like 7, five, [music] six and try play your whole major scale [music] with one voicing.
[music] I hope that made sense and is somewhat helpful.
even like a 159. [music] That's you can kind of put that voicing in so many parts of your major scale.
Everything except the three chord and the seven chord. You can play that voicing [music] and it's going to work. [music] >> [music] >> which is very cool. So, I think in terms of chords, uh, I'm really into that. And then in terms of harmonizing a melody with chords, something really fun is like play an insanely simple melody.
Like for instance, [music] even just that, and try harmonize it.
Even [music] one chord type can sound cool.
or or or two [music] or or then you can play those as fills.
I mean, I can go so deep on that. I really like that stuff.
And then even if you're playing like yeah a kind of bass groove, you can throw those uh throw throw those in. Even if it's kind of like pretty out sounding stuff.
I'll try do it really slow.
[music] >> [music] >> etc., etc. You can you can kind of like put a drum groove on and then practice seeing if you can harmonize melodies like in real time with cool voicings.
You know, [music] once you find like a bunch of really strong voicings, you can get away with like an insane amount of stuff.
ending a melodic sentence with a chord.
Do you mean like playing a fill and then doing something like that? So, [music] I'm ending a fill with a chord [music] like that.
Cuz yeah, you can apply the same concepts [music] if that if that's what you're asking.
Yeah. So, yeah. [music] Take the classic fills you play or like try playing a fill and at the end of it [music] harmonize the top note.
[music] So I can harmonize this note like [music] so yeah. [music] if that's what you mean. You just need to know like that top note.
Uh what note does that what chords does that one note belong to? And there's a lot and you need to sit and work those out. [music] There's so many chords that one note can belong to. So, it's kind of fun, I think, to practice that you you play a note [music] and then ask yourself [music] How many chords can this note be at the top of? So yeah, like there, [music] let's say I take this note. It can be a top of a minor 7, top of a major 7, top of a six chord, top of a sus 9, [music] top of a sus 9 sharp 11, top of second inversion, B major, second inversion, B minor, D flat 7, sus, C major, 7 sharp, 11, B. It could be the top note of all of those chords, which is pretty crazy.
And and a lot more. But yeah, [music] [music] how to memorize the modes faster? That's a good question. Something that might help you is there's three major modes and four minor modes. So it's like cool if you know C Ionian is C major.
Then Lydian is exactly the same. It has a sharp four. Okay. So you already know Lydian. Lydian is the major scale with a sharp four. And mixelyian your other major mode because it has a major third is the major scale with a flat 7.
So you already can say you know that. So your three major modes Ionian is the major scale. Lydian is just major scale with a sharp 11. Mixelyian is major scale with a flat 7. Yeah.
My glorious dog is here.
And then your minor modes. Think about it. Okay.
Go in order of lightest to darkest.
Dorian is just got that flat three and flat 7.
[music] Next is aolon which is a natural minor scale. Maybe you already know. So then you're just adding in the flat 6.
[music] So one note darker.
Frigen is one note darker than that. So you just add the flat two.
And lock is one note darker than that.
Everything is flat except the fourth. So it can help to separate your modes into the three major modes and the four minor modes.
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