Effective jazz guitar learning involves analyzing specific phrases from jazz legends like George Coleman, understanding their harmonic context (such as D7 sus4 and F7 progressions), and verifying transcriptions against personal hearing to ensure accurate musical comprehension.
Deep Dive
Prerequisite Knowledge
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Where to go next
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Deep Dive
I Promise Things Publicly So I Actually Do Them
Added:Yeah, I'm already deep diving into Herby Hancock's Made Mo. This is a George Coleman lick.
It's a B, not an A. [laughter] I have been writing it down so sloppy. I can't read my own notation after I nearly strangulated myself yesterday with a chump robe. I'm making such a fool of myself doing those single uners. I'm back with my guitar which feels much safer and I'm starting to work on the main voyage webinar. So if you are freelancer as well for me it's really so good because I already have been selling some of the courses. So I need to get started. I sort of always misuse my audience if you didn't figure it out by now just to have deadlines.
You know, I promise stuff and then I have to deliver. So now I'm going to sit down and just start with possibly watching some YouTube tutorials, looking for inspiration, looking for some nice like lines that you can play over main voyage and analyze them, but also like more general concepts, you know me, so that you can also do your own thing.
Yeah. So now I'm already in the weeds. I um have been working on the PDF starting with the rhythm, right? Because that's super important in this tune. And then I started I actually wanted to practice and then I thought I would just like quickly find a phrase on Maiden V, but there's so much in it. And then I already found something that's very interesting because you know it has those long stretches of four bars D7 sus 4 F7 and then of course you can play D mixelyian or Aorian how you think about it. So, but then I wondered what else is happening because I already heard some Bbop language and then I found a phrase from George Coleman where he is sort of segueing into the B part with a secondary dominant and with a very typical Bbop line. And so I've been working on the iPhone and then to slow it down there is really like a pain in the ass. So now I have to stop. I'm going to put the recording on my iPad. I'm going to find this phrase in any tune pro and then I'm going to check the transcription against my own earring hearing. Even so I think it's correct, but I just need to make that make sure that I understand it the right way. And I can only understand it the right way if I have the right notes. So that's what I'm going to do. for [music] as This is good. [music] >> [music] [music] >> Mind is Eastern. Come on.
Yeah.
Yeah.
[music] [music] Hey, hey, >> [music] [music] [music] >> hey.
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