Indian family novels draw inspiration from Russian literary traditions like those of Tolstoy and Dostoevsky, particularly in their exploration of complex characters and psychological depth, while uniquely representing the specific contradictions of Indian society including linguistic diversity, post-colonial identity tensions, and the interplay between Western influence and traditional values.
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Why The Complex Is Being Compared to Russian Classics #shortsfeed #trending #viralAñadido:
Surprisingly, reviewers keep reaching for Tolstoy and Dostoevsky. Yeah, good for me.
>> [laughter] >> Like somebody called it Dostoevskian.
Somebody said there's a constant sense of danger lurking beneath the story.
Uh and your course that you teach is called Innovations in Indian Literature, isn't it? I mean But the architecture of this complex feels very 19th-century European in some way, you know? I mean How do you reconcile those traditions and what do you think the Indian family novel can do uh what it can do that the Russian family novel couldn't?
>> Ah, that's a very deep and difficult question to answer quickly.
The thing that I like about the setting of Indian family novels is just that India itself, the backdrop, is such a confusing place, right?
Especially like the 1940s to the '80s.
I'm not writing about the post-liberalization period, you know?
Because you have this tremendous force of English and the West bearing down on a certain class of society. People are Anglicized.
And then you have a wide swathe of people who obviously are living in great poverty.
And so the characters have to carry a huge number of contradictions in their heads as they're walking around. And they're not always aware of how privileged they are.
They are talking to each other in multiple languages. So I have to find a way to represent that in English, right?
The tones of Punjabi, [clears throat] of Hindi. Um and also they have a very distinct relationship with the West because on the one hand we have a post-colonial complex at that time, which is that we like things from the West, but on the other hand, understandably, we have a great deal of resentment.
Those things, that configuration feels more specifically Indian or South Asian to me than the Russian novel would have that is from Tolstoy's era or Dostoevsky's era. What I like about Dostoevsky specifically is that his characters feel Indian because like us Indians, they're a little bit irrational, they talk a lot, they shout a lot. [laughter] And so I, you know, I like that.
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