This video depicts a space mission that returns with mysterious circumstances, where explorers encounter an unknown force beneath the Earth's surface. The narrative explores how isolation, fear, and the unknown can lead to psychological breakdown and survival challenges. The film demonstrates that in extreme environments, the human mind can create monsters and fears that may be more dangerous than physical threats, highlighting the psychological toll of being trapped in confined, dark spaces without escape.
Deep Dive
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Deep Dive
A Space Mission Returns With A Terrifying Secret | Classic Sci-Fi Adventure |4K| Alien 2 Sulla Terra
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[music] [music] Testing. Testing audio and video. 1 2 3 1 2 3 Okay, ladies and gentlemen, good morning. This is Joe Daniels reporting to you from the flight deck of Admiral Karling's flagship here in the Pacific Ocean. The space capsule is estimated to enter the stratosphere at exactly blah blah blah. Okay. And I'll take it from there when the time comes. Hey, can you hear me?
>> Can you hear me? Rig 14, the helicopter is ready for the res operation. Can you get a shot of it >> on screen now? Hey, Joe. How are the Dudes doing?
>> How the hell do I know? We got a job to do.
>> All right. Already.
>> Well, go inside the capsule now.
>> Okay, that'll do. Make sure you superimpose the stock footage sign or the audience will think it's lied. Keep this footage on at all times. If something goes out during the show, we can always put it up. Got that, Sam?
Sure thing, boss.
Okay, give me the studio. Studio in camera 3.
Joe, I'm getting worried.
>> I mean, hell, nobody's seen the guest.
What do you What do you figure to use if she doesn't show up? Wing it. You'll have to make do without her help.
Heat.
Heat.
Radio contact with the space capsule has been lost.
>> I'll be late.
>> This is contact with the dense layers of the >> worry. The capsule begins its re-entry into the Earth's atmosphere. Splashdown is scheduled for 9:45 Pacific Standard Time. Weather conditions in the splashdown zone are clear and the Navy is standing by to recover the capsule as soon as it hits the target area.
>> Temperature above normal.
I want [music] [music] [music] heat. [music] >> [music] [music] [music] >> Heat. [music] [music] [music] Heat.
[music] Heat. Heat.
[music] Thank you.
[music] [music] Heat.
[music] [music] [music] Heat.
[music] Heat. Heat. [music] [music] [music] >> [music] [music] >> Sergeant.
>> Well, well, it ends well. I'm afraid we have no time to rehearse. Just sit there.
>> You ready with that boom?
>> Bet your ass.
>> Just give me a second with the meter.
>> Gentlemen, did you bring those lights at the cave?
>> Of course. I almost forgot them here.
>> All right, get them over to the projector. Mary, get the powder puff for a touchup.
>> I'm way ahead of you, honey.
>> Oh, that's all right. I've got some Kleenex in my purse.
>> Hey, hold on a sec. Let me get that stuff out of the shot. Your jacket, miss.
>> Yeah, sure.
>> Okay.
>> Me, too.
>> You ready to go?
>> Uh, hi.
>> Not high, right?
>> Joe, give me a signal for the splash down. All right.
>> So, I don't interrupt. Okay, we're ready here.
>> Good enough.
Slides to the cave. Get him on.
Go, camera one.
We're on the air.
[clears throat] Hi there. While we wait for the space capsule to splash down, we're going to investigate that little known part of our world that lies beneath our feet.
The wonderful world of caves and caverns, stelagmmites and stelactites.
Now, as you know, the space agency spends millions of dollars every year to probe the outer reaches of our solar system. But perhaps what most of you don't know is that dedicated amateurs carry on constant research beneath the Earth's surface.
Today in the studio, we have a very special guest, an eminent speliologist, and that's a person who explores caves, Miss Thelma Joyce. One, two, go.
>> Hello, Thelma.
Tell me, what is it that makes an attractive girl like you decide to go exploring underground?
>> Well, to begin with, there's not so much traffic down there. [laughter] >> Tell me, on your last expedition, what did you discover?
>> Well, we made many important discoveries, >> but I think the most important one was Well, we've just come back from a cave in Colorado. As you can see from that picture up there, it's a magnificent cave estimated to be about two million years old.
>> Two million? That really makes it rather old, doesn't it? Two million.
>> Yes, it took us two weeks to find >> and it was a very hard climb downwards.
>> Do you do this alone?
>> No, I'm one of a group. But um unfortunately, the others are playing a bowling match.
>> Well, say hello to them.
>> Hi.
>> Well, uh tell me, how many feet below sea level is this cave?
Below >> below sea level. How many feet below below sea level is the cave?
>> What the hell's happening there? Zoom in on two.
>> Ladies and gentlemen, we'll be back with you in a few seconds, so stay with us.
>> Uh uh for this important message from our sponsor.
>> No commercial cut studio. Put up standby film. Go. Okay, Don, you're off.
>> Right, come over here.
>> Okay, cameraman, stay where you are. We could be back in the air any second.
Jeff, stay with your boom. Huh? And John, don't you go too far either.
>> Delma, what is it?
>> That happened again.
>> Get out the astronauts. Yeah, right.
It's on which band. God damn it. I told you to get that stock footage overlay card on this. Everyone's going to think it's live, you schmuck.
>> The hell is it?
>> I don't know. It just happens.
>> Get her back.
Would you like a drink?
>> No thanks. It's It's passed now. I I'll carry on if you like.
>> Joe, we begin again.
>> No thanks. I think that'll be all.
>> You know, Thelma is telepathic and when something happens, she senses it even at a distance.
>> You feeling better now?
>> Yes. I'm sorry, Mr. Raymond.
>> You just take care of yourself. Goodbye.
>> Okay. Bye.
>> Goodbye.
>> Thank you very much. Thanks.
>> You're welcome.
>> Okay, mobile unit, you all set for the live spot. Go now. Stay on that parachute and hold it till it opens out.
[music] [music] [music] [music] >> [music] >> Flash down. Okay. We'll proceed to make contact.
Okay, boys. This is it. We're about to begin rescue and lift operation.
Heat. Heat.
[music] [music] [music] Peter.
>> Here.
Peter.
I'm coming over.
>> [music] [music] >> go hey.
[music] >> [music] [music] >> Hallelujah.
[music] >> [music] >> Thanks, Manny. I'll call you later.
>> Hi, Emma.
>> Hi.
>> You okay?
>> You yourself create these monsters that are frightening [music] you.
>> So, what do I do?
>> Nothing. Keep them to yourself as the rest of us do.
>> Thanks a lot.
>> But without getting too upset about it.
Oh, I better put these on.
[clears throat] Huh? Where's the boyfriend?
>> Waiting for me in the car.
>> Does he help you? Not much, huh? Even he can't kill the [music] monsters. Look, you're not the only one with problems.
You've got to learn to live with them.
>> Yes, I know.
>> If it happens again, what am I supposed to do?
>> Uh, look, it's getting late and I've got to go. Sorry, honey.
These fears that come upon you all of a sudden, these monsters that you feel surround you, maybe they're there, maybe they're not there. At any rate, real or imaginary, they'll be with you the rest of your life.
>> Mommy. Mommy, look. What is it?
>> Oh, a blue stone. That's very pretty, Tommy.
Hey brother.
>> Hi.
>> Hey brother.
>> Hi.
>> Hi.
>> Tell them I seen you on television. What happened?
>> Nothing.
>> H. Where are friends? Say who?
>> Our friends. Where are they?
>> They're down there.
>> Thanks.
>> Thanks.
>> Yeah.
>> I see.
>> Hi Thelma. How does the lactite still growing?
>> Like Matt. In 2,000 years they'll be a foot higher.
>> Still together you two.
>> Jealous, huh? You better believe it.
>> I hit 200.
>> Hey, what's happening?
>> Ron's losing. Still a frame to go.
>> Never say die again.
>> Hey Watch this and weave. Don't make me laugh.
>> I have a head on this.
>> Let's go double or nothing. All right.
>> 100. You got it.
>> All right. 10 bucks ahead. 10 10 10 >> Delma.
>> Delma, >> Delma.
>> 100 bucks. Stand back.
>> Yeah. Yeah.
Can I >> Hey, come on. Give me my share. Hey, >> I got left.
[ __ ] drunk.
>> How come you spend all your time dying a hole in the ground?
>> Cuz I met cuz it's spooky down here.
>> Hey, Cliff. Is it very far from here?
>> 600 700 miles.
>> Why do you care anyway?
>> Yeah, the walker do you [laughter] want to take a well earned?
>> Everyone okay? I still think I deserve >> I have the bag of my neck, doctor.
>> Developing claustrophobia.
>> No, we have to find you a very big case.
>> Oh, listen. Stop by Hamlets for a minute, will you?
>> Yeah, you will.
>> Why?
>> Something I got to pick up.
>> Hurry up. Huh?
>> Yeah, I won't be long. Now, >> I'm going to get out and get some fresh air. You >> feeling bad, honey?
>> No. No. Honestly, I just want to get some air.
Mel, where are you? Oh, hi.
>> Hi, Bird. What can I do for you?
>> Those candles, they must have come in by now, huh?
>> Here you go. Straight from Italy.
>> Great. How much are they?
>> 20 bucks.
>> Seems to be an awful lot.
>> When the new pope was elected, they went up cuz there was a run on them.
>> Here you are.
>> Anything else?
>> No, that's about it.
>> Hey, how's the new book coming along?
>> Just another 2,000 pages.
Heat.
Heat.
No.
>> Belma, >> what do you want?
>> What do you want, >> Belma?
Come on. Come on.
Hurry up.
Move, will you?
Hey, what's with you?
Everyone's waiting for you.
>> Let's go. Huh? Are you all right?
>> I don't know. I >> Come on.
Now I showed you allow Lucy, Lucy, Lucy, where are you?
Lucy, it's time to go home.
Lucy, come on. Lucy.
Lucy.
Lucy, where are you? Lucy.
Lucy.
Lucy.
Lucy.
Lucy.
What? What's happened?
What's the matter, honey?
Lucy, why are you crying?
Come on, sweetheart. It's time to go home.
[screaming] Despite the unbelievable fact that when the broadband opened the capsule, there was no trace of the astronauts who only 40 minutes before had reported that everything was aok. Okay.
[music] >> Will [singing] you stop making fun of me? Don't forget that I'm a man and a man who loves you so much.
What have you got to lose if you just decide to stay?
Please don't go. Sit down and have a thought [music and singing] before.
And please have a thought before.
as an emotal [music and singing] journey. Yes, I think that will be [music] the best. Just you and me sitting by the sea. We can [music] solve our problems there as anal journey. And I think that [music and singing] will be the best.
Just you and me sitting by [music] the sea. We can solve our problems there.
[music] You're trying to put [music and singing] me down and I don't know what to do.
You got a funny way to show up. He had swelling speaking your ears.
>> You need something? Something to eat.
>> We need everything. Everything we usually need.
>> You're going to deter cave.
>> N the same one we went through last week, but we didn't get a chance to finish it then. It's enormous. Mu grande.
Just a minute. We're in here.
>> Hey, hurry up, will you? Come on.
>> Will you move it?
>> I'm bursting.
>> So, hold it. Find a fire hydrant.
>> You're really something else, Bird.
>> [music] [music] >> Okay, kids. Let's go.
>> Hey, Bill. Did you lay in the provisions?
>> No, I did. Don't worry, Dale. Let me sit next to you or I'll get car sick.
>> Oh god, there he goes again.
>> What do you mean?
>> Hey, stop. What are you doing? You want to leave without me? Say so.
>> Yeah, you may something there. It is.
>> Well, you find it by a sense of humor, honestly. Yeah, laugh. Go ahead. Well, look what I did find.
>> Oh, let me see.
>> Hands off. Got it for you. It's a real jewel, isn't it? Soon as I saw it, I >> It's beautiful.
>> I thought you'd like it.
>> Where did you find it?
>> Where'd I find it?
>> I found it where people find things.
>> Okay. Okay. So, you gave my girl a pretty straight >> Oh, you don't have to be so long-winded about it.
>> Of course, Bird's a writer. He's going to write a book about it.
>> It's a fake if you ask me.
>> Listen to the jealousy out of you.
Come on. How could they have disappeared? Two astronauts locked sealed into the capsule and they disappeared.
>> Well, you heard it, too.
>> Yeah, but I don't believe it.
>> Well, maybe the Russians have found a way to empty the capsule on the fly.
>> That they steal our astronauts. Why?
>> I think it's all a big hoax. The media are behind it.
>> Oh, sure. They always say that.
Okay, here's the entrance. Let's get going inside.
>> Yes, our Jeep Master Everyone can kiss Careful.
Okay, here we are. This is as far as we got last time. What do you think? How many feet down?
>> Say about 150. I'd say more.
>> Bill, hand me the flashlight. I believe.
>> Let's get the lines ready.
[music] [music] Heat.
[music] Heat.
[music] [music] >> [music] [music] [music] [music] >> Heat up here.
>> [music] >> Heat.
[music] Heat.
[music] Heat.
[music] [music] [music] Heat.
[music] Heat.
[music] [music] Heat.
[music] Come >> [music] [music] [music] >> on.
Make sure it's not going to collapse.
[music] [music] Hey, Bird.
Bird, everybody's getting ready to go to sleep. Come on.
>> You just have to put up a tent. What's the big deal?
>> Do I have to do it?
>> Come on. I'm writing.
>> All right.
How come you always type by candle light?
>> Because the light it gives is sweet and romantic, [clears throat] >> and I'm inspired by it.
And there's another advantage, too.
>> What's that?
>> It's also convenient.
>> Convenient?
>> Because everything I write is such garbage and it burns in an instant. Good system, huh?
>> Yes.
What's the matter?
I wish I knew.
Call it paranoia, but I feel so alone.
You think there are monsters inside all of us.
>> Family, you can't ruin every second of the day like this. If you go on, honey, something's going to snap pretty soon.
End up in the nut house. Come here. Are you Okay, kids. What's the program?
Exploration by teams. We'll all meet back here in 2 hours. Right.
>> Great.
>> I'm coming with you.
>> Got a camera?
>> Yeah.
>> Hand me the spot, will you, Bill?
Hey, >> beautiful.
>> Fabulous far out.
>> Cliff, come here.
Ron, you got the Polaroid? Sure thing.
This is something, ain't kids?
>> Come on up. It's terrific.
Bill. Hey, look over here.
>> Jill, don't lag.
Hey guys, that looks like a camel.
>> That's true.
>> Come on, Bedawin. Charge.
>> Run. Let's take a picture. Huh?
How'd it turn out?
>> There's too much light.
>> How can there be too much light down here?
>> Try again. Smile everybody.
Don't move them. Why? What is it?
Stone's moving. What are you talking about? The stone's moving.
Roy.
Bill, where are you?
>> Something's happened. That's Thelma.
Come on.
>> Hurry, please. Somebody hurry. Roy Bill, answer me, please.
Where are you?
All right.
Boy, where are you?
[screaming] Answer me.
>> We're coming. WE'RE COMING.
>> OVER HERE.
>> What happened?
>> What's the matter? It's horrible. It's It's that piece of rock Bird got. Where is Jill?
>> She's fallen.
>> What do you mean falling? Where is she?
>> I don't know. Her [laughter] face is gone. It's gone. I ran away.
>> Ron, Marine, get the stretcher. Cliff, first aid kit. B, find the Soners. And Bill, the ropes. Hurry. Maybe we can save her. Go on. Move it.
It's all right, honey.
Take it easy. Don't worry. We'll get her. Do you think you can remember where you've been? Okay.
All right. Now, we're going to try to retrace your steps. Got that?
>> Can you do it?
>> Yes.
He's still alive. Get that suspension down here quick and get out the block and tackle and set it up. Right.
Get the stretcher out.
Is it very bad? Well, her face is intact. That's helps birth, right? Have to be careful how we move her tight. She had on a helmet, broke her fold.
She looks all right. Could be something broken. We'll have to take her to a doctor. Come down. We need help.
You stay up here. I'll go down.
>> Hello.
Stop. Don't move it.
Got the bells ready.
Now there's no internal hemorrhage.
Obvious injuries.
>> Okay, hold her good and steady. I'll go hook up the stretcher. Be ready.
>> Okay.
Ron, set that tackle solid. You knew it.
>> There. That should be tight enough.
Good. I think we're ready.
That's okay. Yeah.
Look it up on the other side.
>> It's incredible.
I saw her before. I swear it her face was all was all bloody.
It's not possible.
How you doing? You ready?
Yeah. Are you? Yeah. Hook it up.
Okay.
Go on. Pull.
Wait a second. Okay.
[music] Heat. Heat.
>> [music] >> 1.
>> [music] [music] >> Everything okay? Yeah. You can all come up now. I'll free the lights for you.
Heat. Heat.
[music] >> [music] [music] >> Hey, if you guys are going to Stay down there. You better hold on to the rope.
>> I knew Jenny was coming up. There's something wrong with a block. It's not feeding.
>> Okay, I'll play up the line if I have.
[music] [music] >> [music] [music] [music] >> Heat. Heat.
Yeah, [music] [music] Heat. Heat.
[music] [music] [music] Hey.
[music] [music] Heat. Heat.
[music] Wow.
[screaming] [screaming] Oh.
A [screaming] no.
[music] [music] out of here. Come on. Come on.
>> Hold it. Hold it.
>> Impossible.
>> Okay, kids, stop panicking. Question is, how the hell are we going to get up again?
>> Not that way, that's for sure.
>> Got to find another way out.
>> But without the ropes, what can we do?
We just another 100 ft or so. We'll run out of oxygen pretty soon.
>> God damn it. Look, we still got one possibility. personas. We use them correctly, we should be able to pick out the way we came and get out that way.
>> Of course, I left them in my knapsack.
>> Oh god, no.
There's no way out.
>> Wait for me here.
>> What are you trying to Are you crazy?
>> I'm the one who left him there. Let go of No.
Perfect.
[music] [music] >> [music] [music] >> No, It's me.
>> He did it.
>> Here they are.
>> Burton and Moren, start checking out the south path. Okay.
>> Okay.
>> Roy and Thelma, head west towards the Subterranean River. Bill and I head north. Let's check out the sonors first.
>> Yes. Please hurry. I can't stand it in here any longer.
>> This one's okay.
>> Thank God.
>> Ours, too. Good. Let's not waste any more time. Let's go. See you later.
>> Hey, Felma.
>> Yes.
>> I think I found a passage.
>> Great. There's nothing down here.
>> Come on up.
>> Here. Give me a hand.
>> No, I'm okay.
This must have been the bed of an underground river millions of years ago.
>> Yes.
>> And if it is, it'll eventually lead us to the sea.
>> But boy, the ocean's 300 miles away from here. I know, but with luck, we'll find a way to the surface long before that.
>> I hope so.
>> Anyway, we have no other choice.
>> I wish I understood what's going on.
>> Forget about what's going on. Let's just find a way out of this place.
How could those astronauts disappear?
How [snorts] could they, Roy?
>> I wish I knew. It's weird. Could there be some connection with a stone? H, >> it's all so strange.
>> You think there is, don't you?
>> It seemed like a mineral. Then it suddenly came alive.
Poor Jill.
>> Probably what saved you was that it must have sensed that you had a stronger mind. Who knows? It could have something to do with all those monsters of yours, Roy.
I'm afraid. You know, I was attracted to it. It was like it, >> you know, maybe it it was trying to communicate with you through you. That's why you were left off.
>> This mist is really weird.
>> We could be getting somewhere pretty close to the Cave of the Winds.
>> Better push on, Marine.
This was once an underground lake.
Come on, babe. We're going to make it.
The signal keeps changing. Look, something's happening to it.
>> What's going on?
>> [screaming] >> Is it okay? Huh?
>> The antenna's broken.
Oh god. Now what are we supposed to do?
Oh no.
Come on, Marine.
I'm not going to turn back yet.
Hey, who's there?
>> It's us, >> Roy and Thelma.
>> Yes.
>> Don't you find anything?
>> We might be able to get out down there.
How about you?
>> Not a damn thing.
>> What about Burton Marine?
>> Yeah, we lost contact.
>> So did we. We better go look for him, >> right? Let's go.
Hey, Bird. There's some kind of passage over there.
>> Doesn't look like it.
>> I'll go check it out. You look around the other side.
>> Okay.
>> [music] [music] [music] [music] >> Heat.
[music] [music] Heat.
Heat. Heat.
[music] [music] [music] >> [screaming] [screaming] >> Fire in. A fight.
My leg.
>> Hey, let me have a look at it.
>> Easy, easy.
>> Well, nothing seems to be broken. Try to get up.
>> I can't put any weight on it.
>> Don't worry. We'll stop and take a rest.
>> Now, hold on. Let me try to walk. Let me just try.
>> Wait a while.
>> You stay here and I'll go on ahead and uh look for Pen Mor. Phil, give me a hand.
Hey, put him down here.
Got the walkie-talkies. We're keeping constant in touch with each other.
>> Okay, I guess I'll be going.
>> Okay. Okay.
>> What if you can't find the others?
>> Then I'll come back and we'll all decide what to do next.
>> I'll find Belma, can you hear me?
>> Yes, Cliff.
>> Think I found the way.
>> Proceeding.
>> Cliff, don't.
>> It's a strange feeling being out here all alone.
>> I think you better come back. Don't worry.
[music] Selma. Thelma. She following me.
Answer me.
Answer me.
Answer me.
Help.
>> Cliff.
>> Thelma. What do you see? Concentrate.
Try to concentrate on Cliff.
Guide him.
>> I can't.
>> A stronger force is holding me back.
Try.
[music] [music] [music] Heat.
[music] >> [music] [music] >> Concentrate.
Answer me.
Answer me. Cla.
[music] It's immobile.
Wait, it's above your head.
[music] There's something there.
That's clear.
>> Stop.
>> It's not clear.
What are you doing?
What are you doing?
Who are you?
You're not Cliff.
Answer me. Who are you? You're not Cliff. You're not. You're not. You're not.
Heat.
Heat.
[music] Heat.
[music] [music] Heat. No [screaming] [music] >> [music] >> I'm dead.
over here and get down this way.
Come on.
This is the way we came.
>> Give me a hand.
>> Yeah. Come here.
Let's go.
>> Stop.
Heat. Heat.
Look, a police car.
>> Thank God for that.
Hey, anyone around?
Strange >> now. What do we do?
>> You got to be around somewhere.
Hey Isn't anyone here?
Hey, wait just a second.
Let me try this. Hello. Can you hear me?
It's dead.
Let's go into town.
Consuel.
Canuel.
Canuel.
Hey, anyone here?
Consuel.
The hell's going on?
Where is everyone?
Let's go outside and try the phone.
>> Good idea.
>> Got change?
>> Yeah.
>> Hello, operator.
>> Operator.
>> No answer.
>> Hello.
Nothing. The lion's dead.
[music] >> [music] >> Just wasting time here. Let's go.
>> [music] [music] [music] >> Frank Oh, machines are running. They must be >> Frank.
I'm going to go take a look around.
Heat. Heat.
Elmo.
No.
Rolly.
Nat.
Roy >> [music] [music] >> Come on.
Come on.
A [screaming] Yeah.
[screaming] Heat. [screaming] Heat.
Heat.
Heat. Heat.
Help!
[music] Help!
Help!
Help me. Please answer me. [music] >> [music] >> Happy birthday.
[music] [music] Yeah. Heat.
[music] [music] >> [music] >> Heat.
[music] Heat.
[music] >> [music] >> Heat. Heat.
[music] Heat. [music] [music] Heat.
[music] Heat >> [music] >> up here. [music] Heat. [music] [music] [music] Heat.
[music] Heat. Heat.
[music] Heat.
[music] Heat.
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