Chavi’s shift to long-form content offers a refreshing look at how non-human narrators help us see our own humanity from the outside. It’s a smart, thoughtful break from the usual superficial book reviews found on social media.
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books with non-human narrators (hyperspecific book recs)Added:
Hi, my name is Chavi and thanks for watching my YouTube video. That's really kind of you. I've been posting book reviews on Instagram for a few years now and I really enjoy reviewing books, but I've actually come off Instagram and TikTok because just short form content short form content doom scrolling is just not sitting right with me at the moment. It just feels a bit evil and I just know that there's a room full of people who are way clever than me that sit there trying to design how they would keep my attention trapped on these screens. I feel so much better for it, but the one thing that I do miss is posting book reviews and talking to people about books and the little little tiny book community that I had on Instagram. Just those occasional moments of oh my goodness, I read that and I thought the exact same thing or if you love this, you would love this. Even though posting a YouTube video feels a lot more embarrassing than posting a book review. Please bear with me if I'm bad at this at the start. I think I will get better, but basically I only consume book content on YouTube and so I thought if I'm looking to talk about books with like-minded people, I'm way more likely to find them here on YouTube where I'm hanging out anyway. So something about my reading taste, I kind of read across all genres. I don't have specific types of books that I like. So when I was thinking what kind of books would I talk about in my first video, I thought that I should come up with an idea that kind of cuts across all genres. Something I always appreciate in a book is an unusual narrator. And by unusual narrator, I don't mean the person's a bit weird or eccentric, though I do love that too. I mean the narrator isn't even human. And so in this video, I'm going to talk about some books which are narrated by the non-human. And I hope you enjoy it.
So here are the books. That's quite a few. I obviously don't know how long these things take so I think I should talk through them quite quickly. First of all, I feel like it just would be wrong not to start with The Book Thief by Markus Zusak. It was published in 2005 and it's set in a fictional town in Germany during World War II. This is one of these books that I didn't read for ages even though everyone kept telling me it was amazing. And then as soon as I read it, I was like why didn't I read that earlier? Why did I think I wasn't like other people? And it's got an inscription in it from my boyfriend. I think a book with an inscription is the nicest gift you can give to anyone. Here is a small fact. You are going to die.
1939 Nazi Germany, the country is holding its breath. Death has never been busier. Liesel, a 9-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. But the narrator in The Book Thief is Death, which sounds really sinister, but actually Death feels very kind and wise in this book. It allows the author to tell the story of these atrocities in a way that can be extremely detached to capture the huge scale, but can also zoom in on very tiny details because Death is kind of this omniscient character that can transcend time and space and he's seen it all. I think it's a he. Am I just imagining that Death is a he? I thought I would give you a little flavor of what Death's narration is like. I can introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices you to say that at some point in time, I will be standing over you. As gently as possible, your soul will be in my arms.
A color will be perched on my shoulder.
I will carry you gently away. Sometimes it's a bit funny. So, some of you are most likely thinking that white is not really a color and all of that tired sort of nonsense. Well, I'm here to tell you that it is. White is without question a color. And personally, I don't think [clears throat] you want to argue. Like, I'm not going to argue with Death. I think the fact that Death narrates this changes this book from just another book about World War II into something much more profound and moving. The way that Death observes the cruelty that's going on with this kind of weary, compassionate detachment. I mean, that's why it's an international bestseller. That's why it's a modern classic.
It's so good. Read it if you haven't already. You are like other people. You will enjoy it.
Okay, the next book is The Island of Missing Trees by Elif Shafak. And this book is in parts narrated by a tree, a fig tree.
It's 1974 on the island of Cyprus. Two teenagers from opposite sides of a divided land meet at a tavern in the city both call home. The tavern is the only place that Kostas, who is Greek and Christian, and Daphne, who is Turkish and Muslim, can meet in secret, hidden beneath the blackened beams from which hang garlands of garlic, chili peppers, and wild herbs. In the center of the tavern, growing through the cavity in the roof, is a fig tree. This tree will witness their hushed happy meetings, their silent surreptitious departures, and the tree will be there when the war breaks out, when the capital is reduced to rubble, when the teenagers vanish and break apart. Okay, let me try and find you a section from the fig tree. This afternoon, as storm clouds descended over London and the world turned the color of melancholy, Kostas Kazantzakis buried me in the garden. In the back garden, that is. Normally, I like to hide among the lush camellias, sweetly fragrant honeysuckles, and witch hazels with their spidery flowers, but this was no normal day. I tried to cheer up and see the bright side of things, not that it helped. I was nervous, filled with apprehension. I'd never been buried before. This book is just so beautifully written. Listen to this. It's not from the section of the tree anymore. She could detect other people's sadnesses the way one animal could smell another of its kind a mile away. I think that's really sweet. I really like this book.
It's quite slow-paced, but in kind of a peaceful escape in some kind of way. But if you're someone who loves a thriller and really need a kind of page-turner, this isn't going to be for you. The fig tree's narration contributes to the plot, but also adds some elements of nature, and there's kind of a theme about rootedness and being uprooted, which obviously the tree knows all about. This book also raises some really interesting discussions, which I think is kind of emphasized by having the narrative of the tree in there. So, one of them is whether human suffering should be viewed as more important and something we should strive harder to avoid than nature's suffering. Another one is kind of how different generations of a family process history and trauma differently, and whether trauma can be inherited. And there are actually studies that show that trees kind of have a hereditary memory. So, if one tree has experienced physical trauma, its offspring trees will have this kind of memory to protect against that specific trauma.
If I'm going to be completely honest, I didn't absolutely love the ending. I feel like sometimes authors try and add a surprising ending just so that it's a clear way to finish the book, and I don't think it needed that, but I do think this book is still really worth a read. The next book is the book that I'm currently reading, so this isn't going to be a thorough review, but I thought it would be worth mentioning because it fits the category so perfectly. So, this is Maps of Our Spectacular Bodies by Maddie Mortimer, and it was published in 2002. This book also has an inscription because my cousin George bought it for me, and he described it as Marmitey, but he hopes it's positive Marmitey for me.
And you know what? So far, it's really positive Marmitey, but I'm not that far in. This book is about a family of three, a mom, a dad, and a daughter, and we find out very early on in the book that Leah, the mom, has had cancer, and it's back. The reason that this book is in this video is because part of the book is narrated by cancer. This is definitely the most shocking narrator in this video. I feel like cancer feels a lot more sinister than even death did.
Here's a little this is from the perspective of cancer, and it's on the very first page. It is perhaps inevitable that after all this time I've come to feel a little dissatisfied with the fact of my existence. And then a bit later down, "Today I might trace the wrongs of her larynx or tap at her trachea like the bones of a xylophone, or cook up or undo some great horrors of my own because here is the thing about bodies. They're impossibly easy to prowl without anyone suspecting a thing.
Until, of course, they do. And then, of course, they aren't." That is just so horrible. The way that the mother-daughter relationship is written and the way that the kind of love that you can feel between the members of the family is so gorgeous that makes it nice to read, but it makes the cancer sections even more horrible.
Cancer describes itself here as "hollow, hidden, smug as a god."
I don't enjoy that. Here's the next excerpt of the mother-daughter relationship.
Down at breakfast, Iris, who's the daughter, announced, "When we grow up, we should get matching tattoos." Iris is in the habit of using we a lot. "You think?" "Yeah, so on our elbows."
"It'll probably be quite hard to tattoo an elbow." "Well, on yours, yes, because it's so scaly and saggy."
Leah wanted to laugh, but found that she couldn't. Iris knew she'd been cruel.
She tried to be funny, but it had come out cruel. She felt overwhelmingly annoyed with herself. It was always so hard to come back from, so hard to warm the cool atmosphere that came rippling through the kitchen after one of her careless comments. She dipped her head down and kissed Leah's elbow. "It's my favorite elbow ever," she said very quietly. And Leah wished she hadn't, for the only thing that made her stomach ache more than the ease of Iris's brutality was her stunning self-awareness. At 12 years old, she was perhaps the wisest person Leah had ever known.
So, that's Maps of Our Spectacular Bodies. Again, haven't finished it yet, but it seems like it's really good.
Okay, the next book I actually don't have with me, but I'll put a picture on the screen. And it's also quite random, but it's The Host by Stephenie Meyer.
Yes, as in Stephenie who wrote Twilight.
I appreciate that she is not the best ever writer in the world. However, I actually do think [laughter] that The Host is quite an interesting book.
Premise is that Earth has been invaded by aliens who think that humans don't deserve to run Earth anymore because we're too violent.
Which like is a bit paternalistic of the aliens, but like we are too violent.
Don't know. Not taking sides. These aliens are kind of like these 3-in long glowing worm things that have these tentacles. And what they do is they basically go to different planets, and then they can climb into the brains of the creatures that live on those planets, and then they can inhabit them. And the alien is experiencing human life from their alien perspective.
The Host is primarily narrated by one of the aliens who's aptly named Wanderer, who takes over the human body of a woman called Melanie. And normally when these aliens get in the body, the original person who was inhabiting the body is gone. They just get evicted. But Melanie is clinging on, and she is not going anywhere. So, when Wanderer realizes that Melanie's there, Wanderer is trying desperately to like get Melanie out of her own body, and she's trying to fight Melanie away, and also fight away all the memories of this guy that Melanie's in love with, who Wanderer starts having all these feelings for because she's just seeing how like great and wonderful he is. So, that's the premise.
Essentially, it's would you still love me if I were a worm in a book that's 600 pages. If you don't want to read that, I don't know what's wrong with you. I think you should. Okay, the next book is Remarkably Bright Creatures, which is written by Shelby Van Pelt. After Tova Sullivan's husband died, she began working the night cleaner shift at the aquarium. Keeping busy has helped her cope for over 30 years, ever since her son Eric mysteriously vanished on a boat.
One night, she meets Marcellus, a giant Pacific octopus living at the aquarium who sees everything, but wouldn't dream of lifting one of his eight arms for his human captors, until he forms a remarkable friendship with Tova. Ever the detective, Marcellus deduces what happened the night Tova's son disappeared, and how he must use every trick his old body can muster to unearth the truth for her before it's too late.
So, part of this book is narrated by Marcellus the octopus, and he has this very cool, logical, unbothered I'm cleverer than you, I'm better than you energy, which is just very, very fun to read.
Okay, here's an octopus section. Day 1,299 of my captivity. Darkness suits me. Each evening, I await the click of the overhead lights, leaving only the glow from the main tank. Not perfect, but close enough. Almost darkness, like the middle I lived there before I was captured and imprisoned. I cannot remember, yet I can still taste the untamed currents of the cold water. Darkness runs through my blood. Who am I, you ask? My name is Marcellus, but most humans do not call me that. Typically, they call me that guy. For example, look at that guy, there he is. You can just see his tentacles behind the rock. I really, really like this book, and as well as the octopus sections written from the perspective of Marcellus, the rest of the book is written in third person and primarily follows Tova, a 70-year-old widow, who I just really enjoy as a character. Just quickly want to mention Fox 8 by George Saunders, which was initially published as an ebook in 2013, but in 2018, they released this hardcover book, which is illustrated.
There's one of the illustrations. Okay, so this is a short, dark, comic story about the dangers of us taming the natural world. So, this is written from the perspective of a fox, and that fox has sat outside houses listening to children being read bedtime stories, and from that, he's kind of learned to speak human language, but it's told in this really cute way cuz he can't really spell, cuz he's just a fox. It sounds so dumb, but it's actually quite profound, because basically the fox learns that they're building this shopping mall that is going to cut off his pack's food supplies. So, he kind of has to go into like suburbia to try and fix it, which is obviously dangerous for him, cuz he's just a little fox. This is how he speaks.
"Dear reader, first I may say sorry for any words I spell wrong, because I am a fox. So, don't write or spell perfect.
But, here is how I learned to write and spell as good as I do.
One day, walking near one of your human houses, smelling all of the interests with snout, I heard from inside the most amazing sound. Short, sweet, heartwarming, funny, silly, has a good message. What's not to love? Go read Foxy. Okay, also written by an animal, not cute, not fun, not funny, deeply distressing is Grief is the Thing with Feathers by Max Porter. And this has actually been made into a film, maybe it already has, with Benedict Cumberbatch in it. Once upon a time, there was a crow who wanted nothing more than to care for a pair of motherless children.
In a London flat, two young boys face unbearable sadness at their mother's sudden death. In this moment of despair, they are visited by crow, antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him.
So, it's basically like the crow is Nanny McPhee, and the crow is like, "I'm going to come, and I'm not leaving until you want me, because you've learned to accept me and my lessons." I don't know how Max Porter would feel about that comparison. "Whole place was heavy morning, every surface dead mom, every crayon tracked a coat woolly, covered in a film of grief." "Down the dead mom stairs, blinkety blink, curled claws down to Daddy's recently mom and dad's bedroom. Here he is, out, drunk for white. I bent over him and smelled his breath, notes of rotten hedge, bluebottles. I prized open his mouth and counted bones, snatched a little on his unbrushed teeth." So, the crow has quite a chaotic energy, but he means well, sometimes. It's really good book, really sad. The back it says, "Sad and strange and splendid."
Yeah.
I approve that message. Okay, another book I don't know if it's told from the perspective of an animal is actually the first book I ever read that was narrated by a non-human and I think it was published in 2007 and I remember it so viscerally because it scarred me because it broke my little heart when I was eight. Born to Run by Michael Morpurgo and it's told from the perspective of Best Mate who's a greyhound. For Best Mate, being rescued is only the start of his adventures. From unwanted burden to favorite companion and from pet to champion race dog, this remarkable greyhound proves that it's not just cats who have more than one life. Cast aside catnapped or living rough on the street, Best Mate can always find a way to survive. But will he ever find a real home? It's mainly in third-person but it occasionally shifts to Best Mate's perspective when it really wants to eviscerate you. It's not This is actually not really a recommendation. I just want you to know what I went through and if you want to make yourself or like a a really young child upset, you could buy them this. Next we have another George Saunders book and this is Lincoln in the Bardo which won the 2017 Booker Prize. This book is told from the perspective of a cacophony of ghosts. If that sounds weird and chaotic, that is exactly what it's like to read it. So this book takes place after the death of Abraham Lincoln's son and there were historical reports that Abraham Lincoln used to go to the cemetery to visit his son all the time. So from that kind of historical information, George Saunders spun this whole book about when Lincoln goes to the cemetery and the kind of chorus of ghosts there and all the different things that they say and do.
The Bardo is a Tibetan Buddhist term for the in-between life and death, that kind of intermediate state and most of this book is set in the Bardo. As well as being told from the perspective of the ghosts, there's also kind of historical sources interspersed throughout the novel. Some of them are real, some of them are fiction. It is predominantly a conversation between the ghosts like this and I'll read you a little excerpt of the conversation.
I will be brief. I doubt it. Mrs. Blast, please. Everyone will get up once at the Christmas side. Papa took us to a wonderful village festival. Please don't crowd, simply stay in line. All will be accommodated. She yips and yips and must always be first in all things. How, please tell me, does she merit such? You could learn a thing or two from her, Mr. Blunt? As you can see, there's a lot of different voices going on. I couldn't really commit to the voices like I should have. The style is a bit weird to get into it first, but once you kind of tune into it, it's so fun, it's so witty, it's not like anything I've read before, and I just really, really, really like it. I also kind of think that this is one of those books that would be even better on a reread, so I might read it again this year. Okay, another George Saunders book, the third one in this video. He's really nailing the non-human narrators. But this book is called Vigil. It was published this year, and it's about Jill, who is a ghost or person in the afterlife or the in-between, and her kind of role or purpose, as she sees it, is to comfort people as they pass. So, she has comforted 342 different people when they're on their deathbed. She kind of goes and helps their death go more peacefully and easier. And now it's her 343rd time, and she's going to comfort this guy on his deathbed, but it turns out he's like the worst guy ever. He basically was a massive climate denier oil guy, basically ransacked the global south with his antics. And as he's on his deathbed, all of these people whose lives he ruined and all of these communities who he decimated are kind of sending stuff to come and mess with him in the afterlife, kind of be like, "Can you repent for all of the hurt that you caused?" And like, "You should not go smoothly. You do not deserve to go smoothly." But Jill is affronted because she's like, "Hey, I'm comforting him. Like, let me speak to my charge. I need to make sure he goes smoothly." And there's this random French guy who's like, "Why would he go smoothly? He's a nightmare." And it's kind of about the passing of this really bad guy.
And I actually went to see George Saunders speak with Richard Ayoade about this book, and he said that there's this speech that was done in maybe the 1980s about climate change, which is now thought to be one of the most irresponsible speeches ever because it was so manipulatively climate denying that the events that came as a result of that speech have been so horrendous. He was basically saying that how could somebody do such an irresponsible concerted evil speech? And I think that the idea then came to him of this evil guy on his deathbed. Okay, so Jill is a ghost and she doesn't completely remember what went on in her life. And certain words which are more kind of human words are in quotation marks to kind of show that Jill's like saying them with a bit of distance and a bit of confusion. Near the golden statue was what I knew of the instant to be auto. I myself I record had in that previous realm driven several autos, the first of which had been Chevelle.
Chevelle, packed with girlfriends as well as my cousin Steve, would be positioned so as to face a movie film on scrolling upon a distant wall of white.
There's also this other thing that goes on when Jill goes to things that kind of evoke strong human memories in her. It really upsets her and she gets a bit stressed and she's like, "No, no, this isn't good for me. I need to get back to my duties of comforting people." So, at one point she goes near a wedding and she sees, you know, the happy couple and all the emotions of the family and that's just too much for her. I just think it's great.
Really worth the read. Okay, the next book I don't have with me, but it's Colorful by Eto Mori. And it was initially published in 1998 in Japan and it's kind of still regarded as a classic coming of age novel in Japan. There has been films made, radio shows, manga. It was translated into English in 2021. So, the narrator in this book is an unnamed spirit who doesn't remember the spirit's own life. And the spirit is given a second chance of life in the body of a 14-year-old boy who has recently taken his own life. So, when inhabiting the teenage boy's body, the spirit is kind of observing human life and the mundane with this kind of baffled but also nostalgic or just like tenderness. Because it was first published in 1998 and it's obviously about mental health, a lot of it doesn't land quite how you'd want it to land in 2026, but it is a really interesting book. Okay, next up is The Seven Moons of Maali Almeida by Shehan Karunatilaka.
This book also won the Booker Prize. It won in 2022, which shows that the Booker Prize also loves a non-human narrator.
The narrator in this book is a ghost, again. You could argue this one is the least non-human narrator because it is a human who completely remembers his life.
So, what's the difference between someone on their deathbed looking back at their life and someone who's just died? Like, you could say, you know, maybe that shouldn't go in the non-human video, but first of all, it's obviously my video. And second of all, because he's a ghost and because he's not bound by time and space, you still get this perspective that goes beyond the boundaries of what a human perspective could be. This is set in the chaos of the Sri Lankan Civil War, and war photographer Maali Almeida wakes up dead, and he finds he has seven moons to figure out how he died and to smuggle some of the photographs he took to the living before he completely fades away.
It's kind of written in second person, like Maali is speaking to himself and trying to piece together what happened.
It's extremely chaotic, and basically, I don't know if you've heard of the concept of the inconsistent triad, which is basically one of the most damning arguments against the existence of God, which says, "If God is all-powerful and all-knowing and all-good, then why is there suffering?" And one of the responses to that is like, "God is all-knowing, he is all-powerful, he is all-good, but he's just like absolutely terribly organized." Like, the guy does not have his admin down. And this book It explicitly comments on that. Kind of like in this really bureaucratic, red-tapy, shadmin-filled afterlife.
There's a quote about that. Epicurus thought God was either impotent or malevolent. If he's willing and able to stop evil, why doesn't he? But there is one possibility unexplored by the great Greek. God is incompetent. He is willing to prevent evil, he is able to prevent it, but he's just badly organized. His writing is ambitious, dry, philosophical in the best way, and I love when I'm reading a book and I can just tell that the author is like a hundred times cleverer than me. I do just want to flag that this is quite a difficult read. It requires quite a lot of commitment, and I would save it until a time when you can read it in quite big chunks because especially at the start, dipping in and out of it can be quite confusing. Okay, the final book that I want to recommend in this video is The Raven Scholar by Anthony Hodgkin, published in 2025. This is a fantasy book and it has a magic system which is rooted in the eight animal guardians. Raven, fox, tiger, ox, bear, monkey, hound, and dragon. There are associated magical abilities and values with each of the kind of different guardians. At 16, citizens choose to affiliate with one of the guardians that they feel matches their personality. Kind of like a Hogwarts house or like your faction in Divergent.
Ravens are scholars, foxes are mischievous, bears are warriors, that kind of thing. Every 24 years, the emperor has to step down by law and then each of the animal groups sends one person to compete in a series of trials to be the next emperor. Before the first trial even starts, somebody gets murdered. So, it's a murder mystery within a competition within an epic fantasy. Some of the best parts of it are narrated by a very impatient, lovable, non-human narrator. And I'm actually not going to say what the narrator is because I think it's a spoiler. It does have a bit of a romance in it, but it's not like, "Oh no, 18-year-old girl falls in love with 300-year-old man. She's so feisty and pure and he's so, I'm the most powerful guy in the realm." And then they have the craziest miscommunication ever which is pretty impressive that someone who's been alive for 300 years hasn't worked on better communication styles. This isn't like that at all. Nima, who's the main character, is in her 30s and she's brilliant but quite socially awkward.
She's a little bit weird, but we love her and she's got this love interest who is kind of like really playful, witty dialogue. They're a bit snarky, there's good layers to it. They've had a falling out, but it's over quite a substantive moral issue where you can actually kind of see the two sides to the debate. No like childish tantrums or miscommunication, it's just two intelligent adults behaving like two intelligent adults. I found that very refreshing because I don't think that's what the publishing industry feeds us that often. I think it's kind of like Priory of the tree meets The Hunger Games meets folks eight. I really strongly recommend it. And finally I just wanted to mention two other books aren't recommendations. Par and the sun by Kazuo Ishiguro is told by a humanoid companion named Clara. From her place in the store Clara and artificial friend without standing observational qualities watches carefully the behavior of those who come in to browse and those who pass in the street. She remains hopeful a customer will soon choose her. When the possibility emerges that her circumstances may change forever, Clara is warned not to invest too much in the promises of humans. In Clara and the Sun Kazuo Ishiguro looks at a rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question. What does it mean to love? The reason this is not in the main part of the video in my head is because I hated it.
I despised it. It really annoyed me. But I know that loads of people think it's good so I wanted to include it so that you have it as an option because I'm thorough. Why did I hate this book?
Thank you for asking. I just feel like if you're trying to make a book focusing on like could an AI ever replicate human like it's not a philosophy I said. I get that he doesn't need to kind of solve that problem. But you do need to offer something a bit more robust than just kind of skirting around this topic. It felt a bit like it was clickbait. So I guess I should give you a little humanoid narration. In those early days at stray moments I'd often look out the highway going over the hill or at the view across the fields from the bedroom rear window and search with my gaze for the figure of a distant artificial friend before remembering how unlikely a prospect that was so far away from the city and other buildings. I didn't like it. I hope you love it though. The final book I wanted to mention I haven't read but it's Three Bags Full by Leonie Swann and it's told from the perspective of a flock of sheep whose shepherd has been murdered. It was published in 2005 in German and then translated to English.
Premise is that the flock of sheep are trying to solve the murder of the shepherd. And it's coming out as a film with Hugh Jackman called The Sheep Detectives. So I'm mentioning it because if you want to read it before you watch the film then you should get on that soon. That's all the books that I wanted to talk about so thank you so much. I hope you enjoyed this video. And if you have any books that are written by non-human narrators that you think I might like, please let me know because I would love to hear any recommendations.
And also, if there are any other categories of books that you'd like me to talk about, also, please let me know.
Okay, thanks. Bye.
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