Chaney elegantly demonstrates how the functional relationship between relative keys can be leveraged to engineer a profound emotional transition. It is a concise masterclass in the narrative utility of harmonic structure.
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Yes with Jeremiah Chaney
Added:[music] [music] [music] [music] [music] >> Will your heart and soul >> [music] >> say yes?
Will your [music and singing] spirit still say yes?
There is more that I >> [music] >> require of thee.
Say yes.
Will your >> [music] >> heart and soul say yes?
>> [music] >> Now will your heart and soul say yes?
>> [music] >> Will your heart and [singing] soul say yes?
>> [music] >> Will your spirit >> [singing] >> still say yes?
>> [music] >> See, I've been running for a long, long time.
>> [music] >> There is more that I require of thee.
>> I've been [music] holding on to the world when I know that I need you, you, you, you.
>> [music] >> Will your heart and soul say yes?
>> I've got to say yes.
I've got [music] to say yes. I've got to say yes.
Yes, Lord. Yes.
I'll say yes.
>> [music] [music] >> Oh, yes.
>> [music] >> Yes, yes.
Yes, yes.
Yes, yes.
Yes, yes.
Yes.
>> [music] >> See, I will bless you, Jesus.
>> [music] >> I will I will bless you, Lord.
>> [music and singing] >> This time I have >> [music and singing] >> made up in my mind.
I've made up in my I'll say yes.
>> [music] >> Yes.
Yes.
Yes.
>> [music] >> Yes.
Yes.
>> [music] >> I'll do whatever you need to do, Jesus.
I'll go where you >> [music] >> need to go, Jesus.
Yes.
>> [music] >> God, I want you to rip your heart and tell the world we [music] are.
When I surrender and tell God yes. And tell >> [music] >> God yes.
Yes.
Thank you, Jesus.
My soul says yes.
>> [music] >> My mind My mind says yes.
>> [music] >> My heart says yes.
>> [music] [music] [music] [music] [singing] [music] [music] [music and singing] [music] [music] [music] [singing] >> What's going on everybody? My name is Jem at Genie here with another VA music ministry video and if you haven't done so already please like, share and subscribe. Um, first things first if you didn't get my disclaimer um, cuz I started it at the beginning of the video but I don't know how Vincent's going to edit this yet. Um, I never heard this song like that. Uh, I want to be very very clear about this. When I say I've never heard it, I mean I walked in here. He was like, "Hey, you should do a tutorial to this song."
Then I'm thinking it's just a regular Shekinah Glory, yes, all of that stuff.
Great. Perfect. Cool, I can do that. I don't know who produced that but they deserve a raise. That was great. That was cool. So, clap to them.
So, I want to make sure I say this. I'm not teaching none of that.
>> [laughter] >> However, I'm going to get you through this song. I'm going to teach you this song as I know it, which is very very familiar with what or very very similar to what was recorded on what I just played.
Uh so, >> [laughter] >> I don't know if I've did my video thing yet, but yeah, I'm Jermaine Griggs here with another VA music ministry video. If you haven't done so already, please like, share, and subscribe. Cool.
So, uh before we get started, a word of prayer.
God, thank you for allowing us to be here. Thank you for waking us up this morning and starting us on our way. Now, I ask that you allow us to retain what you've given me to give to your people.
In Jesus' name, I pray. Amen. Uh before we get started, I want to make sure I explain something in great detail. So, um people ask me, Vincent asked me, "What key is this song in?"
Cool.
And a lot of people get confused. So, let's break it down real quick. Before I even break down the song. So, the song itself is in two different keys. Oh, by the way, the version of this song is from Harmony Harmony Dobson. Yes, Harmony Dobson. That's her name. Cool. Love it and her.
But, um cool. So, um there's two things happening here. You have E flat minor, which is the >> [music] >> All right, cool.
That's E flat minor, which can is or which is most closely related to F sharp major, which is the second part of the song.
>> [music] >> Grab my sustain pedal. It's It's getting away from me. Hold on.
Uh-oh.
Uh-oh. Uh-oh. Uh-oh. Come back to me.
Come back. There it is. All right, it's back.
All right, cool.
So, but there are two things happening.
So, the the easier way to call this song would be F sharp major. However, in my opinion, the beginning half of the song is in E flat minor.
All right? And again, uh let's use this analogy.
Major, happy.
All right? Minor, sad.
>> [music] >> All right, cool.
Does that make sense?
Good. Anyway, let's get into it.
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