Black Culture, White Vulture | Class 57

Hinzugefügt: 2026-05-11

[00:00:00]IS THE STORY OF THAT'S WHY WE know God take >> you see if you believe in the father up above then you will know that I have no control over the color he made me so don't bring the thing down to that because why Ricky I I didn't know what to say.

[00:00:30]I'm disappointed in you because that's sad.

[00:00:33]>> Yo, hey, David.

[00:00:35]>> You are now in tune to the most intriguing podcast in the universe hosted by the scientist Leon Marshall.

[00:00:47]Are you ready for Marshall's melanin podcast?

[00:00:58]I am fully fully energized. Class is in session. You going to learn today.

[00:01:04]>> I found it really enlightening like educational as well. I there were a lot of things I didn't know especially with melanin and like all the benefits of melanin. So I found that very interesting. I love it. There's so much information you know it's entertaining and it's just facts after facts after fact.

[00:01:20]>> This is the podcast where science is made simple and learning is fun. Welcome to Marshall's Melanin Pot Class.

[00:01:29]Now, here's your host, the scientist, Leon Marshall.

[00:01:35]>> Yo, Marshall.

[00:01:38]>> Yes.

[00:01:40]Greetings, family.

[00:01:43]My name is Leo Marshall and you're tuned in to Marshall's Melanin podcast.

[00:01:49]Big up everyone who's tuned in right now. Family, let's check the sound. Put some ones in the chat if you can hear me clearly, family.

[00:01:58]and let me know where you're tuned in from.

[00:02:02]Mic check one, two.

[00:02:05]Am I coming in clear?

[00:02:08]Yes, indeed. Large up the family in the building.

[00:02:15]Large up the family inside and outside of London.

[00:02:21]Big up everyone who's listening overseas.

[00:02:27]Bristol heart for sure in the building and large up my overseas posy as well.

[00:02:40]Live from the DR big up.

[00:02:45]So we're going to be talking about culture and the vultures around our culture family tonight. It's going to be a big one.

[00:02:57]And as always later when I open up the floor, I want you guys to ask your questions, share your comments, or just tell me what's on your melanin mind. I don't mind what you say. Just be a part of tonight's class.

[00:03:12]Now, I've created this podcast so we can all truly understand melanin once and for all.

[00:03:18]What it is and how it works. We must change the narrative around melanin if we're ever going to understand it.

[00:03:27]And that change happens right now.

[00:03:30]So, let's go.

[00:03:32]>> I've been to quite a few and I've heard Leon talk at other events and as usual, you do come away learning something.

[00:03:37]>> Listen, I am fully fully energized.

[00:03:40]>> That is brilliant. It's just so informative, mindblowing. Um, it's something that, you know, it's just put me on a journey of knowing thyself. It's just fantastic.

[00:03:52]>> It happens every single day. People steal our style. They steal our culture.

[00:03:56]They steal our words. They steal how we dress, how we feel, what we drink, what we eat, everything. And we can't allow that to be a point where it's like, oh man, we ain't getting the credit. It's almost like you got to be like, oh [ __ ] we got to do it even harder. Like everything that we do, we move the needle >> and we got to continue to do that.

[00:04:17]People love the culture from black people and then when they see black people go through the worst injustice ever, they're quiet.

[00:04:25]>> Exactly.

[00:04:26]>> It's like we need that love. We need that. Give us that credit by standing with us so we can stand together all nationalities. But you see us going through it. Say something cuz uh we're here. We're giving the world our sauce and all of that. And it's like if you if you want to take that sauce or whatever you want to call that thing we give out to the world then be there with us.

[00:04:47]Speak up against us in now. Isn't that clear family? N and LeBron speaking the truth in regards to culture. Culture vultures. If you're going to love our culture, which everyone does, you got to we got to hear your voice when we're going through stuff. You can't be silent. Do you get what I'm saying? when we're going through stuff, we we don't hear from you. But then when you want to have fun and enjoy our culture, all of a sudden we see you and we hear from you. No, man. That's a one-way street. That don't that don't feel too reciprocal. Do you get what I'm saying? But that's what we're going to be talking about tonight.

[00:05:23]Black culture, white vulture. And in particular, we're going to be talking about entertainment. Yeah. C culture as opposed to entertainment. Cuz our culture comes in all different forms. It could be entertainment. Culture can come in food. Culture can come in art. But tonight we're going to be talking about specifically entertainment. And anytime we start talking about this subject, you know, black culture, especially when it comes onto, you know, white vultures or anything to do with, you know, the white establishment, we always have to go back to that rword that people don't like to talk about.

[00:06:07]The rword is racism.

[00:06:10]And in the UK, they don't like to talk about it. In the UK, they like to practice racism very covertly. Yeah. So, we're going to be talking about that R word that a lot of people don't like to talk about when it comes onto subjects like this. And anytime we talk about that Rword, I have to bring in the master teachers. When it comes on to the subject of racism, these two books help me understand it thoroughly deep down.

[00:06:38]Yeah. When I started reading these books over 15 years ago now, probably nearly 20 years ago, the ISIS papers which is by Dr. Francis Crest Wilson and the book on the right is by her her mentor Dr. Francis Crest Wilson's mentor Neely Fuller Jr. and his book is called the United Independent Compensatory Code System Concept. Yeah. His book is a compensatory counter racist code. So they both talk about following a code.

[00:07:17]They both believe that the racist they follow a code when it comes onto this system. So in order for us to counter it, we need to follow a code. Yeah. We need to follow a counter code, should I say. So these two books help me truly understand racism from a very deep perspective. So when things like what we're going to talk about tonight happen in the media, you can see it clearly.

[00:07:42]Yeah. And the fact that Neilie Fuller has written a code and no one's following it means that when it comes on to these situations, we all fall for the same tricks. And this is one of the reasons why for well since about 2018 I I haven't run it in the last couple of years but since 2018 I've been delivering a course called the hidden science of white supremacy the truth about racism cuz I found that those two books were so powerful but no one was really teaching people in a course sort of format about these books and how to follow the code.

[00:08:22]So I created this course back in 2018 2019 and I've been I was delivering it physically and then when the pandemic hit I was delivering it online just to explain and break down the code to everyone. Yeah. So we don't fall for their tricks.

[00:08:41]The the racist, the white supremacists, whatever you want to call them. I call them the usual suspects. They're very deceptive. So you need to understand their code. So, I created this course so we could understand the code cuz a lot of people don't even understand racism.

[00:08:56]They really don't. Yeah. And as Neie Fuller himself says, >> if you do not understand white supremacy, which is racism, what it is and how it works, everything else that you understand will only confuse you.

[00:09:12]Only confuse you. Only confuse you.

[00:09:15]>> So, Neie Fuller Jr., that is one of his famous quotes. So, if you do not understand white supremacy, which is racism, they're one and the same thing.

[00:09:24]What it is and how it works, everything else you understand will only confuse you. The more I understand racism, the more I find this quote to be very, very true. Now, I'm going to be taking a couple quotes out of his book. So, big up the people that do have his book. I'm going to be taking a couple quotes out of his book. Here's one of the quotes and it says that Fero observed that contrary to most present thinking there is only one function in racism in the known world. White supremacy. Yeah. And he this is his definition of what it is.

[00:09:56]So he says racism is white supremacy.

[00:09:57]White supremacy is racism. There's no other type of racism. There's no black supremacy which they try to call Dr. Francis Crest Wilson a black supremacist. There's no such thing. You can't have two supremes. If someone is supreme then you can't have another person who's supreme or some group who's supreme and another it doesn't make sense. Supremacy means you are the one.

[00:10:18]You are supreme over others. So according to Neie Fuller Jr.

[00:10:24]white supremacy is a system designed to dominate and mistreat people of color in all nine areas of people activity. Why?

[00:10:32]For fun, glory, and material gain. And for those of you who are not familiar with Neie Fuller Jr's work or the nine areas of activity, here they are here.

[00:10:43]Economics, education, entertainment, which we're going to be covering tonight, labor, law, politics, religion, sex, and war. According to Neie Fuller Jr., Because of the way the system is set up, people of color are dominated and mistreated in all of these nine areas of people activity.

[00:11:05]Now, I'm going to take a couple definition. Well, just one actually. I'm going to take a definition that I got from his book, and I've I've shared this information on my podcast before, so this will hopefully just be a tuneup for people who may have forgotten. But he has definitions in his book, like he makes up his own terms. Yeah.

[00:11:23]In his book, he's got a term called racist suspect.

[00:11:28]Now, what is a racist suspect? According to Neie Fuller, a racist suspect is a white person who is able to be a racist. In a system of white supremacy, we are duty bound to suspect any white person of being a racist. This is Neie Fuller Junior's words. Yeah. And if you want to hear it come out of his mouth himself, here's a clip, just a little audio. And by the way, rest in rest in peace cuz he did transition. I think it was last year or the year before Neely Fuller Jr.

[00:12:02]transitioned. He was well into his 90s when he transitioned. But he used to be on radio every week for decades talking about this subject. And listen to him breaking down his own term racist suspect.

[00:12:16]>> Well, the code requires me And I decided a long time ago to adhere to it. This is what the code says. If a person who is classified as white in the system of white supremacy, which is the only real government on the planet, a person who is classified as white, is classified as white and acts like a white person and says that he or she is a white person in the system of white supremacy.

[00:12:52]I am duty bound as a victim of white supremacy. This is a duty to suspect that that white person is a racist if he or she is able to be one. That's the only criteria. Why? Based on logic.

[00:13:16]When you're in a system of white supremacy, somebody's got to be a white supremacist.

[00:13:22]So now let's ask some questions. How do you know who the somebody is?

[00:13:28]Where is the master list of everybody who is a white supremacist and everybody who is not? Is there a reference book? Is there a computer that you can go to? Is there a website that you can go to and you can scroll down and say you know I met this white guy today or this white lady today and and uh she doesn't seem like a racist to me and uh you know I mean you know we get along fine and you know and we have conversations I mean they're always very helpful and all like that and so uh her name is uh uh Helen shows let's just say that for an example or Helen Smith or or Mary Jones and it's this nice white lady down the block and uh so I'm going to my computer and I'm going to see if her name is on the racers list and uh I don't think you'll find uh you know any website that lists all of the white supremacists on the planet and lists everybody who isn't white supremacist cuz that's really what we need so there will be what clarity no confusion but right now I'm confused and the code says confusion is deadly in the system of white supremacy. So if I'm a confused black person, prisoner of war, and I don't know who is a white supremacist and who is not in a world that's dominated by white supremacists, then I am in grave danger for lack of knowledge. So that means I have to be cautious about every white person who I think might be able to be a white supremacist.

[00:15:12]Now I hope that makes sense. I hope that makes sense cuz I've been doing this for quite a few years now and I remember when I used to do this course physically and some people still didn't get this point. you know, these days, and um not to offend anyone, but these days, uh a lot of black people, they have white people in their family. So, when I did the course, there are there were black people on the course that had white people in their family, and they couldn't get around this. What is he saying? That they're all racist. No, he's not saying that they're all racist.

[00:15:46]He's saying that we should suspect that they all well not that they all whoever whatever white person you meet they could be. They are able to be. So you shouldn't be surprised if two twos you find out that person is a racist.

[00:16:02]I wonder if the family understands this this term racist suspect. You suspect that they could be. Now, one of the things that um a past student said to me is um suspecting people of of being a racist is is not a is not a good thing.

[00:16:20]And I decided a very long time ago to adhere to the code. So, I'm just following the code because Needy Fuller Junior is the only one that's written a counter racist code. We live in this racist system which they follow a code.

[00:16:36]We need to counter it by following a code. So, I just follow the code. This person, I'm not going to name any names, but this person was like, "That's bad to suspect every white person of being a racist." Yeah. Notice that they do that to us, though. Notice that pretty much every black person is a suspect when it comes on to criminality. We're always suspected of doing all types of crime.

[00:16:59]Yeah. Not just in crime. We're suspected of doing all types of foolishness in every activity that we're involved in, whether it's politics or whatever. So they're always suspecting us of doing stuff. Yeah. Whether it whether we're guilty or innocent, we're always suspects. So what he's saying is to counter that and you and to literally protect yourself, you should suspect that they all could be. In other words, you're not saying that they all are white. All white people are racist.

[00:17:30]You're saying, like he said in that clip, there's no master list to tell you who is and who isn't. There's no master list. If there was, then it'd be easy.

[00:17:38]Like he said in that clip, he'd be like, "Okay, what's your name, Jennifer? Okay, let's see if Jennifer's on the the list of uh racists." Oh, Jennifer, you're not on the list. You're cool. No, we don't have a list. So, he says, "In order to adhere to the code, you should suspect that they could be."

[00:17:59]All right. Now, let's see if people understand that because again, this was on the course and even when I did it online, a lot of people couldn't get around this point and they couldn't get around the fact that he's not saying that they are all racist. He's not saying that. Yeah.

[00:18:15]But let's let me test the people in the chat. So, if you understand this this term, I'm going to show you a a couple examples and you guys just put yes or no in the chat as to whether they're a suspect. Yeah. So, yes or no. I'm going to show you a couple examples and you tell me in the chat yes or no. Is this person a suspect? Let's start with Jane Elliot.

[00:18:44]Jane Elliot is the white woman who's um she's an activist in America.

[00:18:52]She always talks about racism.

[00:18:55]A lot of black people love her. Oh, I love Jane Elliot. She's always talking about the system if I'm being honest. Is she a suspect?

[00:19:06]Is she a suspect? A lot of black people love Jade Elliot. Like, oh, I love Jade.

[00:19:10]She tells the truth. She talks about racism and she remember Jane Elliot was the one who done that famous experiment back in the 80s where she had the blue-eyed children and the browneyed children in the classroom and then she treated the browneyed children like they were black people and she treated the blue-eyed children all very nice and then all of a sudden the blue-eyed children and the browneyed children started to kind of fight each other at recess and all that. Is Jane Elliot a suspect? A lot of people saying yes.

[00:19:42]Okay. All right. What about Tim Wise?

[00:19:47]Tim Wise is like he's like the male version of Jane Elliot in America. Tim Wise, he he talks about racism. When you hear him, he's very articulate. He breaks it down. You know what I mean? Is he a suspect?

[00:20:04]H All right.

[00:20:06]That's in America. Let's Let's bring it closer to home. Let's come to the UK.

[00:20:11]What about Tim Westwood? Yes or no?

[00:20:17]Tim Westwood is a hip-hop DJ.

[00:20:21]How could he be racist? He's a hip-hop DJ for crying out loud. He Do you know how many black people Tim Westwood has put on? Tim Westwood has put on so many black people. So many black people.

[00:20:33]Like, oh, I love Tim Westwood. He put us on. If it weren't for Tim Westwood and his hip-hop show, his rap show on Radio One, where would the culture be without Tim Westwood? A lot of people saying yes, he's a suspect. Yes, he's a suspect. A lot of people saying yes.

[00:20:50]Oh, and yeah, Shan saying, "Oh, and he's been he's not just a racist suspect.

[00:20:58]Change the C to a P." You know what I mean? He's not just a racist suspect.

[00:21:02]All right. What about a lot of people saying yes, by the way, for um Tim Westwood. What about David Rodigan?

[00:21:13]David Rodigan's like a over here in the UK, he's like a pioneer when it comes on to reggae music. Oh my gosh, David Rodan's like a pioneer. If it weren't for David Rodigan, where would the culture be? A lot of people still saying yes, he's a suspect. Again, we're not saying the code doesn't say that he is racist. The code says he is a suspect, though. In other words, if we found out, let's say we found out in a couple years time that David Rodigan was a racist, we shouldn't be surprised if you're following the code. But I guarantee you if there was ever a clip of him saying the N word or something and that came out, so many black people would be like, "David, not David Rick." They'd be so surprised. That's when you know they're not following the code. You should not be surprised. Okay. Okay. Here's another one stick sticking with the DJ theme.

[00:22:10]What about this DJ, Charlie Sloth? And for those of you who don't know who this is, this is a another hip-hop DJ here in the UK. A hip-hop DJ here in the UK. And some of you who are on social media probably know where I'm going with this.

[00:22:26]Is he a suspect?

[00:22:29]H is he a suspect? Well, you know what's interesting? The other day he put out he posted a video of himself in an afro pretending to be a church pastor. And that didn't go down too well with this sis called Elaine the Pain.

[00:22:50]Now Ela the Pain, she's on social media, very vocal on social media.

[00:22:56]And listen to what Elena Payne said about Charlie Sloth.

[00:23:01]>> Take a look at this.

[00:23:03]>> AND I ASK, WHY CAN'T WE HAVE NO HIP-HOP IN A VISA? WHY? LORD, BELIEVE ME, WE NEED IT.

[00:23:11]>> Even just ONE NIGHT. JUST ONE NIGHT.

[00:23:14]LORD, IF YOU HEAR US, OUR FATHER, SHOW US A SIGN. NOW, CHARLIE, we know you put on your black skin sleeve every time you want to sell blood cluck tickets, but this >> Oh, and by the way, she is very vocal and she's her language is strong. So, just a disclaimer, she is going to swear. The language is quite I wouldn't even say quite strong, it's very strong.

[00:23:41]Yeah. So, I'm just putting a disclaimer out there. She is Yeah. She goes in with the language >> is absolutely taking the piss. Do you understand? I don't know where you get the caucassity from to to make an AI video. Yeah. And stand up there and think that it's okay to put a [ __ ] afro on your HEAD TOP AND CALL IT entertainment where you're selling tickets. You're bright and you're RUDE AND YOU DON'T GIVE A [ __ ] about black people. But I'm not even really mad at him. I'm mad at black people. Yeah. Because you MAKE THEM FEEL LIKE BLOOD CLUCK GODS. YEAH. When they're in our culture. And none OF THEM [ __ ] MEN IN THE INDUSTRY CHECK THESE SKIN SLEEVE [ __ ] ABOUT IT. But me, I have the BALLS TO STAND UP IN A DJ'S FACE AND SAY, "YOU'RE TAKING THE PISS OUT OF BLACK PEOPLE. HOW DARE YOU?"

[00:24:47]HAVE YOU EVER noticed that all of these DJs going from David RODIGAN WEST RIGHT DOWN to the blood cluck CHARLIE SLOTH?

[00:24:55]HAVE YOU noticed that they feel like they can come up in OUR CULTURE, DO WHAT THEY WANT TO DO, SAY WHAT THEY WANT TO SAY, AND JUST BECAUSE WE'VE HELD THEM UP AND GIVE THEM A LITTLE RECOGNITION, THEY FEEL LIKE, YEAH, THEY can play in our faces. Have you ever noticed that when they go back to their own community, they're mediocre as [ __ ] Yeah. Because white people don't GIVE A DAMN, BUT WHEN THEY COME UP in our culture, they're seen to be blood cluck kings. Why don't you DEPICT HENRY VIII? YOU LOOK MORE LIKE HIM AND NOT A BLACK AMERICAN PASTOR. YOU KNOW WHY, CHARLIE? BECAUSE IT WOULDN'T GO BLOOD clot viral. CUZ NO ONE GIVES A [ __ ] ABOUT HENRY VII. Here's another one for your head top.

[00:25:40]>> You tired of going to a visa, not hearing ANY R&B OR HIP-HOP? ARE YOU TIRED OF THE BUM BUM BUM BUM BUM BUM BUM BUM BUM? Do you just WANT TO PUT ON YOUR BEST CLOTHES AND FLEX FOR ONE NIGHT? OF COURSE YOU DO. WHAT HAVE I GOT? YOU KNOW, IF YOU GO TO HIS PAGE, everyone's commenting saying that this ain't it, Charlie. You need to take it down, Charlie. But he doesn't. I wonder why.

[00:26:00]Don't give a damn about black people.

[00:26:03]And I don't care how many black artists he's put on or pulled up or played. He don't care about us and our culture and our history. Wake up. No, >> family. Hey, is the video still playing?

[00:26:19]Everyone good?

[00:26:22]>> No one gives a damn about us and our pain and our hurt and what we've been through. Do you understand? They come into our culture, leech it off, and then walk away. And what's even pissing me off even more is that he feels like he can do it with Christianity.

[00:26:40]Try do that with the Prophet Muhammad.

[00:26:42]You'll see the Muslims light him up. And all you black men in THE INDUSTRY, GROW A BACKBONE AND CHECK THESE [ __ ] Do you understand? I shouldn't have to DO A VIDEO TO DO THAT.

[00:26:56]And the black friends that Charlie rolls with, they should have a backbone and tell him to take THAT [ __ ] DOWN BECAUSE THAT'S NOT WHAT THE BLACK culture is about. Check your [ __ ] white friend so I don't have to.

[00:27:12]Now, now family, is she right? Is she right?

[00:27:19]Again, very strong language, but is she right? Is she right? Yeah. And she was saying, check check your friends cuz this Charlie Sloth guy, uh, a lot of you in the chat were saying you've never heard of him. He's one of the biggest DJs in the UK. Look, look on the right there. This is his Instagram. He has 2.2 2 million followers. Again, he's a hip-hop DJ here in the UK.

[00:27:47]Um, and yeah, he is very popular. Very, very, very, very popular. Yeah, he was on I think he was on One Extra for a few years. But yeah, a white DJ, you know, making money from black culture and that sort of stuff. Has a lot of black friends, of course, you know what I mean? And obviously because he's been in the industry and he's higher up in the industry, he has put quote unquote put some black people on, you know what I mean? So he's got a lot of black friends who probably think to themselves, "Oh yeah, no, Charlie Softy is safe, man. If it weren't for Charlie Sloth and all that." So a lot of people saying, "Yeah, for sure she's right." Okay. Well, check this out.

[00:28:29]After she posted that, cuz remember she went on his um Instagram and she was like there were people in his comments saying, "Take this down." But he weren't taking it down. Obviously after this post, it went viral. Yeah.

[00:28:42]And guess what Charlie Sloth ended up doing? Yes. He said, "When Ellie and talk everybody start blog clon."

[00:28:51]Yeah. Know your place, Charlie. And take it the [ __ ] down. I'm glad your black friends checked you. And that is how you get [ __ ] done as a leader in the black community and as a pro black person. You understand? You check [ __ ] who are not in the culture like that. The [ __ ] And we're waiting on an apology, Charlie, and a sponsor to a black charity. Hurry it up and try. No, we still don't [ __ ] with you cuz you try violate. But Elaine's here to be on your blood cut head top if you ever try that [ __ ] again.

[00:29:33]Pat the [ __ ] up.

[00:29:36]Now say what you want about her delivery. She does hit on things that need to be said. So this is the same sis who was talking about black people need to boycott um South Asian shops, you know, the hair shops and all that cuz they're exploiting black women and that sort of stuff. So she does speak up. She speaks. She hits on things that need to be said. But you know what's crazy?

[00:30:00]Since she said what she said about Charlie Sloth.

[00:30:04]Guess who's been in her comments running up their mouths defending Charlie.

[00:30:10]Guess who's been in her comments defending Charlie? You know, since I did that Charlie Sloth video, there's been bare raccoon black men coming up in my comments defending him. Yeah, I've come to realize that the majority of black men are the weakest link. And I'll tell you why.

[00:30:37]>> Wow, she right on that. God damn, that's harsh. majority of black Yeah. I've come to realize that the majority of black men are the weakest link. And I'll tell you why. We have created a culture and a tradition Yeah. of amazing music worldwide.

[00:31:07]And the fact that a white man can come in and be the biggest DJ in a genre that we created or that we were a part of. That tells us everything we need to know that's wrong with our community.

[00:31:25]>> Is she right, family? Does that tell us everything we need to know that's wrong with our community?

[00:31:35]I don't know. cuz she was talking about, you know, the gatekeepers and it's the black men who are the gatekeepers. One, I'm not in the music industry, but I could just hazard a guess that the black men are not the gatekeepers of the culture, unfortunately. Yeah, the black men are not the gatekeepers. It may look that way, but we're not. We're not over here, and we're not even in America. If you go to America, a lot of the gatekeepers, especially when it comes on to the hip-hop culture, like the ra who runs the radio stations and all that sort of stuff, the hip-hop radio stations, they're Latino, they're Hispanic. They're not even black people. Do you understand?

[00:32:19]So over here, I don't think again, regardless of her delivery, I don't know if she's hit the the the nail on the head here again because I don't think black men are the gatekeepers in the music industry.

[00:32:35]But I do like her point when it when she was talking about why is it she called them raccoons in her comments defending Charlie Sloth. Who are these black dudes defending Charlie Sloth? One thing we need to stop doing, yeah, and this is part of the code as well. This is why everyone needs to read those books and understand the code. You as a black person, you don't need to defend your white friend in a system of white supremacy.

[00:33:02]They are fine. Your white friend is fine in a system. They don't need your defense. Do you understand? But as usual when something like this happens and again when you know understand the the system that we're in and you understand the code you knew I knew someone would make a video defending Charlie Sloth. So not even just guys jumping in her comments defending Charlie Sloth. You had to make a video. So guess who made a video? One of the most popular social media DJs DJ AG. He wanted to tell the world about Charlie Sloth.

[00:33:42]Listen to this.

[00:33:43]>> Let's talk about Charlie Sloth. Now listen up my people. As you may or may not know, I go outside on the streets and promoting artists, being with the community. And obviously that costs money, right? Cost money. I rely on sponsors. I rely on brands. Like I just rely on help to enable to power it. It's very expensive. Now Charlie, big him up 10 times. Listen, last year booked me for the orchestra. These times when I'm outside, I'm not really showcasing my DJ talent. He did not have to book me to do a DJ set at the orchestra this year. Met with Snoop Dogg. That wasn't because of me or my team. Like that was because of Charlie like and his team saying, "No, AG, yo, come listen.

[00:34:28]We're going to get you um transport, come to AU, do a set, meet with Snoop."

[00:34:34]Listen, when I got there, done a done a set after Snoop went upstairs and they were doing their thing and I was like, "Boy, you know what? I don't think I'm going to get to speak to him." Charlie comes out. I'm like, "Bro, Charlie, I beg, bro, can I just get one minute with Snoop just to make a clip?" As Snoop walks out, Charlie's like, "Yo, like Snoop, yeah, listen, this is one of the hottest UK DJs. DJ AG gave me that time.

[00:35:00]He could have said, bro, I just want you to do a set. you were still with him downstairs. That's enough. He went out of his way to make that moment happen to the point where people are like, "Oh yeah, like AG like when's Snoop coming on your platform outside? When can we do it?" Like we got the moment this year man's trying to get me bookings for his set at Eden doesn't have to do it. So when people say, "Oh, like how's my man helping the culture?" First of all, bro, like you got to look at everyone. What's everyone doing for the culture? Where are the feet on the ground? Where are they? Cuz I'm just see people sitting down talking. We're just sit. Why you sitting action? The brother's good, man.

[00:35:38]>> And that was a finger wag at black people who were going at Charlie Sloth.

[00:35:43]He was well into defense. Boy came out for his friend.

[00:35:47]>> Good guy. That's my experience. I would say as content creators, people make mistakes, right? People make mistakes.

[00:35:54]You might post something, it doesn't resonate or it angers people. And then you got a choice. Ra, do I keep running with that? Or >> people make mistakes. Yeah, but notice they don't bloody jump in front of a bullet for us. Notice that. Notice that there everyone's talking about this Michael movie, the Michael Jackson movie. Yeah. Do you know how many Jewish friends Michael Jackson had? Did you see any of them defending him when he was going through what he was going through?

[00:36:21]Yeah. You think any of Michael Jackson's Jewish friends would jump out and say, "No, don't go at Michael." No. Ah, they left him to go for it by when Michael Jackson was accused of anti-semitism because he said in a tune ji he said in they don't really care about us. He said ji sue me something like that. Did you see any of his and the ADL came for his throat? The whole Jewish community whole Jewish community came for Michael Jackson's throat. Did you see any of Michael Jackson's Jewish friends defending him? No, it's only us. It's only black people that want to defend white people. I don't understand it, fam. I don't understand it. But let's listen to AG. People sitting down talking. We're just s Why you sitting action? The brother's good, man. Like, good guy. That's my experience. I would say as content creators, people make mistakes, right? People make mistakes.

[00:37:20]You might post something, it doesn't resonate or it angers people. And then you got a choice. Ra, do I keep running with that or do I just take it down? I have made that mistake at least three or four times. I post thousands of content and sometimes I'm like, you know what, actually, no, it's upset people. Let me just take it down. And you take it down, you move on, it blows over, and you keep it stepping. Sometimes people make mistakes. Like the post that was taken down or whatever's happened to that post, I put fire emojis. It didn't impact me, but that's me. I didn't think nothing of it. I was just like, "Yeah, just content. Keep it stepping. You're promoting your thing." For other people, you may have been upset by what you may have seen, but the guy's a good guy, man. like he's come up from nothing.

[00:37:58]He's worked hard. He's grinded irrespective of color. Like he's still putting people on. He's still trying his best. That's my exp.

[00:38:07]>> And irrespective of color. If you know AG's um yeah, his babe mother. That's the reason why he's so defensive. Yeah.

[00:38:15]>> You may have been upset by what you may have seen, but the guy's a good guy, man. Like he's come up from nothing.

[00:38:20]He's worked hard. He's grinded irrespective of color. Like he's still putting people on. He's still trying his best. That's my experience of Charlie.

[00:38:29]So, big up Charlie Sloth. Keep going, my brother. Keep pushing, man. Let's go.

[00:38:33]>> All right. Now, here's my thing about this. Everything he said is probably true.

[00:38:39]Everything he said is probably true.

[00:38:41]Charlie Sloth helped him meet Snoop Dogg. Great. Charlie Sloth has been putting on black people. Great. That doesn't negate the fact that he's still a suspect. That's what we don't seem to understand. And that's when I know people ain't following the code. He's still a suspect. And again, when you're following the code, you don't have to defend them. We live in this system, fam. The system defends them. You don't have to defend them. Now, if especially if no one asked you, no one asked you your opinion. Like, why you why do you feel the need like, oh, let me make this post about my friend Ch. No. If someone asked you, hey DJ Ag, what do you think about this Charlie Soft situation? Then I can understand when you'd come out and say, "Let me tell you about Charlie Sloth. Charlie Sloth is safe. Listen to what he done for me." I'd understand that. But no one asks your opinion. You took you you took time out to make this video to defend your friend when he didn't need no one's defense. Yeah. And we see it all the time. Who remembers WY? Remember WY um the Ela the Payne is talking about ah she um she's talking about black men are the weakest link. Wy went at the whole system. People forget that WY got cancelled not too long ago. Remember what Wy said about Ed Sheeran?

[00:40:05]>> What went wrong between you and Ed between now and when you worked with him?

[00:40:10]>> Because I listen when I was working with Ed I was working for him to do it for him. When it was time to do it for me, he didn't want to do it. When it was time to do it for me, he didn't want to stand up to his label. He folded.

[00:40:23]>> So you sh >> You see that? And that's exactly what they do. You want to jump in front of a bullet, jump in front of a train for them. But when you when you ask for the the favor to be returned, they're not going to do it. Wy said when he worked with Ed Sharon, they worked on a tune together for Ed Sheeran's album. Then when WY turned around and said, "Okay, let's work on a a tune for my album now." Ed Sheeran and his team were like, "Nuhuh. No, we're not doing that." Can you imagine?

[00:40:51]>> When it was time to do it for me, he didn't want to do it. When it was time to do it for me, he didn't want to stand up to his label. He folded.

[00:40:59]>> So you shouted, you shouted him for a tune.

[00:41:01]>> Ralph, listen. We helped that guy get into the picture. I done something for him. That tune. You It's on his album, isn't it? So when I went to do my one, I was getting told, "You can't do this. Ed can't do the video. You can't use Ed."

[00:41:15]Basically one big privilege saga. And I said, "You know what? I knew life wasn't fair, but I didn't know it was not this fair." So I just carried on my time.

[00:41:24]Everyone thinks I'm mad. I'm not mad.

[00:41:26]I'm not mad. Ed Sheeran knows what I'm talking about.

[00:41:29]>> Are you mad at Ed Sheeran on behalf of the crime scene then? Or or for your own issue with him? I'm mad at Ed Sheeran because he said, "You need me, man. I don't need you." And just before he goes to retire, go and start his family of his wife. Guess what he did? He used something that belongs to me. He uses saying you need me man and I you don't need whatever he says means that you are not allowed to come back and bread storms and get a Spyro remix and use grime. You're not. You're not allowed to use grime. You know why? because we're not allowed to use you or anything that you do. Have you noticed all the people talking about we're on a tune with Ed, we're number one. It weren't even their version that went number one. They used the Spyro version to tip that one over.

[00:42:16]So, they got used again.

[00:42:18]>> Ed's had so many number ones.

[00:42:21]>> HE'S HUGE.

[00:42:22]>> STOP, STOP, STOP, STOP, STOP, STOP.

[00:42:23]YOU'RE GOING WRONG. You've been brainwashed.

[00:42:27]Now, for people who don't know the backstory, cuz again, this is like a young people thing, but Wy, some people call him the godfather of grime. Yeah.

[00:42:36]Why? A lot of people consider Wy the godfather of grime. Yeah. And what Wy was saying was Ed Sheeran when he was coming up or not when he was coming up cuz Ed Sheeran was actually big when Wy and Ed Sheeran worked together. But Wy said, "Let me work let me work with you and um you know make you more appealing to my audience." In other words, the grime audience. Wy said, "Let me work with Ed Sheeran." Cuz Ed Sheeran wanted to work with WY. Okay, I will work with you. We'll make a song for your album and and make you more appealing to the Grime audience. But you know how this thing goes. If you could help me, you know, make a we make a tune together and you can help me appear or appeal more to the pop audience, then you know what I mean, reciprocity. So why helps him with a tune and then when it came on to the reciprocity part, Ed Sheran's label said no and Wy saying Ed Sheeran should have said to his label, nah man, we while he helped me, I'm going to help him. So that's the story behind it. But just to give you a backstory cuz I'm going somewhere with this. Ed Sheeran after saying no to why Wy when Stormy bus and became the biggest thing in grime, Ed Sheeran went and worked with Stormy and they got a number one together. Yeah. A number one tune together. And that rubbed Wy up the wrong way cuz Wy was like hold a second you were supposed to work with me. Yeah. And your label was like nah nah nah. even though I helped you out and now it looks like you're just clout chasing because now all of a sudden Storms is the biggest thing in Grime. Now all of a sudden you're back on Grime and you're working with Stormsy. Guess who had an issue with with WY about this? Guess who had an issue with WY talking about Ed Sheeran?

[00:44:27]Stormsy.

[00:44:28]This is the reason why them two clashed for those of you who are aware these two had a big falling out. These two clashed and it was some big beef between them over Ed Sheeran, over a white dude. Do you see how dumb it is when you when you try and defend your white friends? You're going to defend your white friend and then two twos you got two black people going at each other. It makes no sense in a system of white supremacy. They do not need defending. Even if everything you're saying is correct. Again, what DJ Ag said about Charlie Sloth. Oh, he's a great guy. Probably correct. Yeah. Ah, he helped put me on. Probably correct.

[00:45:10]It doesn't matter. It doesn't need to be said. We live in a system of white supremacy. They don't need your help, fam. Why do you feel like you need to defend for them? Yeah. So, because uh Wy went at Ed Sheeran, Stormy had an issue with it. Now, two them two end up in a beef. Yeah. It makes no sense, Re. It makes no sense. But again, we don't understand the code. We're not following the code, so we do things that are off code. Yeah. I remember back in the day when people were calling Tim Westwood a culture vulture and bare people in the hip-hop community, bare black people were like, "No, Tim Westwood ain't a culture vulture." Tim Westwood put on this person and if it weren't for Tim Westwood and Radio One and that show, where would hip-hop be in the UK? Well, guess who you've been defending? Yeah.

[00:45:58]Again, allegedly he's a rapist suspect.

[00:46:05]So, he's a racist suspect and a rapist suspect. That's who you guys have been defending. Yeah. This is why we need to follow a code and Neie Fuller Jr. is the only one that's written a counter racist code and that is the reason why I created that course for everyone to understand it.

[00:46:24]Yeah. Now going back to the um Ela the Pain because of everything that happened with Charlie Sloth and her voice and her post made him take his post down and all that sort of stuff. She started to get a lot of, you know, positivity in her comments or in her DMs of people saying, "Oh, you're such a big inspiration." And it made her a little bit emotional.

[00:46:48]Listen, >> you know, I've just been going through my DMs on Instagram and there's so many messages that people send me and they're like, Elaine, we're so proud of you. Thank you for speaking out. Um, you're a beacon. You're a voice. And I'm just like, why aren't there more of me?

[00:47:16]Why aren't there more people speaking out? Why aren't there more people that have my energy?

[00:47:24]I'm a bad girl. This is the only time you will ever see me get emotional.

[00:47:29]So, in that post, she was kind of saying, "Why am I the only one now family? Is she correct on that? Is she right? Is she the only one? Is she the only one speaking up?"

[00:47:41]Now when it comes on to understanding this system that we that we are in in order to understand it today you have to understand it yesterday. In other words you have to know your history. Now all due respect to Ela the pain. Yeah. All due respect again um not talking about her delivery but her message is very powerful. But she ain't been the only one.

[00:48:07]Have we forgot how other people I'm not even going to mention myself and my course and what I've been doing that they've been coming after me so much I don't have a website. They came after me so hard they took down my website. But I'm going to take me out of it. We're talking about even 10 years ago and more. A car's been going at these people's throats especially when it comes on to culture vultures and cultural appropriation.

[00:48:31]Have we forgotten what Aala used to say about these folks? black person putting out the music and the message that you have have the same um how can I put it the same you know support same >> and why would that be then >> of course not we live in a racist country man the idea that racism only affects the jobs market you know even between me and you if I walk into a job maybe if I didn't have an afro this picky head lets me down but if I walk into a job and you walk into a job who knows you know maybe I look less threatened than you I'm lighter skinned than you are you know what I mean maybe people perceive me as a little a bit less. I don't know.

[00:49:07]>> But we live in the real world where people are judged by the way they look.

[00:49:10]We can't pretend we don't. And we live in a country that has a long racist history. And there was report after report after report showing that in the jobs market, in the criminal justice system, in all these other areas, there is still serious racial discrimination.

[00:49:24]The idea that it doesn't affect the music industry is beyond ridiculous, you know. So when you have, as I said before, I commented on it, everyone got upset. Professor Green makes a video like Jungle Jungle calling people hungry apes. And Professor Green is a hip-hop UK hiphop um rapper or UK rapper. Does he do grime? Where's Where's my um Where's my UK hip hop connoisseurs?

[00:49:49]Professor Green. Is he hip-hop or is he grime? But yeah, he's talking about Professor Green who's this white UK rapper.

[00:49:57]>> Discrimination. The idea that it doesn't affect the music industry is beyond ridiculous, you know. So, when you have, as I said before, I commented on it, everyone got upset. Professor Green makes a video like Jungle, Jungle calling people hungry apes and it's played on daytime TV. No one accuses him of promoting violence. Operation Trident are not shutting down his tours. You know, he's not looked at the way So Solid or gigs were looked at. Why? We have to ask ourselves, you know, what's the difference between him and So Solid and gigs? It's an obvious difference, but no one wants to call it because they don't want to say it. And it's not like he's showing white people's violence.

[00:50:31]There's plenty of white people in that are violent or Queens Cresant or Camden.

[00:50:33]No, it's a particular black male niggerized narrative that now white artists are even promoting, but they're not going to have to bear the consequences of. So riots are going to come. We're going to get the blame for it. Our culture caused them to riot apparently, right? But when they make violent videos, no one calls them to account >> and we're going to sit here and take it cuz we're mugs.

[00:50:52]>> We chumps as hatred Brown used to say.

[00:50:55]So yeah, again, Elena Payne, I love her passion, but you're not the only one that's been speaking out even today or yesterday.

[00:51:06]There's been a lot of people. Yeah, to be fair, you're the only one or one of the only ones who are doing it on social media and going viral because of, you know, your passion and and shouting into the the camera, shouting into your phone, respectfully, but other people have done it in different ways, like a Cara, he does it in his own way. He does it in a very articulate, educational way, but he's kind of like saying the same things that Ela the Payne is saying without shouting. Yeah.

[00:51:37]So, in this clip, um, they talk about black music being appropriated. And listen to what he says. Listen to the sense that he's making.

[00:51:45]>> Someone enjoying another group of people's culture, there's nothing perverse about that, unless they have perverse opinions about the same group of people whose culture they're claiming to enjoy. So, for example, if I don't respect your culture, but I enjoy your music, if I don't respect your struggle, but I enjoy your music, that's a little perverse. So, if we look back in history at segregated clubs in America where the only black person allowed in the venue was the black person on stage, that's a bit problematic. And for me, you can't have black culture without black people.

[00:52:08]I think Notting Hill Carnival has become an example of that where they've sort of turned it into Reading and Leadeds Festival. There's nothing wrong with Red and Leadeds Festival. They're great festivals, but Notting Hill Carnival was set up directly in the wake of a racist murder of a man called Kelso Coline to promote and celebrate Caribbean culture.

[00:52:22]It's about asking why this festival that was set up for specific purposes has been appropriated. There's a particular type of performed blackness that people are willing to engage with. There is certainly a condition of I want to cherrypick the bits of blackness I'm willing to listen to and hear and I don't really want to engage with the wider issues and I certainly don't want to deal with uh what went into creating grime cuz grime is an offshoot in many ways of hip- hop even though many grime artists would admit that hip-hop is an offshoot of the traditions that come before it. So many even the artists themselves can feed into this shallow depiction of the culture.

[00:52:55]>> All right. So, everyone has their way of addressing it, but people have been addressing this. But yeah, there needs to be more of us. Do you get what I'm saying? There needs to be more of us. I come from an educational aspect as well.

[00:53:08]There needs to be more of us speaking up about this stuff because this is our culture. And if we don't do anything, these vultures will just take it away.

[00:53:17]They'll just literally take it from us.

[00:53:19]Yeah. Listen to what Akala says in this one. And by the way, these um these clips are from like 10 years ago. Yeah, this clip you can see from his hair.

[00:53:29]This clip is very old. Over 10 years ago, he was talking this. Listen, when I look at what I do, this isn't something I learned from MTV or listening to American rap records. Yes, that was an influence on me, but I grew up on an African Caribbean sound system. I grew up hearing certain tales and certain rhythmic stories. This is my culture.

[00:53:46]It's not something I learned from watching television. Um, and so in that sense, I very much view what I do as as practicing our culture. That doesn't mean other people can't be part of it.

[00:53:56]Doesn't mean people are not African Caribbean. You know, I practice a Chinese martial art. I don't feel like I have to beg Chinese people's permission.

[00:54:02]But I do have to acknowledge it's a Chinese martial art. I can't pretend it's a half Jamaican, half Scottish martial art just cuz I do it. It isn't.

[00:54:08]>> All right. Now, let don't let that go over your head. I think that's a very important point cuz there might be people watching this saying, "What?

[00:54:14]White people can't participate in our culture. You can't have a white DJ playing black music. Listen to what he says here. This explains it to a tea.

[00:54:22]>> Our culture that doesn't mean other people can't be part of it. Doesn't mean people are not African Caribbean. You know, I practice a Chinese martial art.

[00:54:28]I don't feel like I have to beg Chinese people's permission. But I do have to acknowledge it's a Chinese martial art.

[00:54:33]I can't pretend it's a half Jamaican, half Scottish martial art just cuz I do it. It isn't. You know, and that's what I see with a lot of hip-hop fans. This weird >> like, oh no, it's everybody's music.

[00:54:42]Yeah, it is. It's everybody's music to the same extent that Chinese martial arts are everybody's martial arts. Yes, all human beings can practice these things. But if we respect the people's culture, we should acknowledge >> where it comes from and that is a product of a particular group of people's culture.

[00:54:55]>> It's like even in uni, you have to source where you get your information from when you do your dissitation essay.

[00:55:01]You have to source it. You can't quote it as your own.

[00:55:03]>> Precisely. Yeah. And and to me, what happens a lot with rap music is all forms of African Caribbean music and African-American music is that record labels that are not owned by African Caribbeans and African-Americans co-opt the music and the moment they can put a white face on it, you know, it sells more records and then it gets co-opted.

[00:55:21]We think of rock music today as middle class white music even though the early rock musicians are all African-American.

[00:55:28]Not only African-American, they're African-American women. you know, Memphis Mini, Sister Rosetta Fop, and the Rolling Stones and Led Zeppelin.

[00:55:34]Even though Led Zeppelin stole a load of people's songs, they acknowledged Pink Floyd are named after two blue singers, Pink and Floyd. So, these people acknowledge who their influences were.

[00:55:42]But today, if I pick up a guitar and start making rock music, black people will tell me I'm trying to be white.

[00:55:47]It's incredible the level to which they've managed to market this as something has nothing to do with black people. So, the point that black people would tell me if I make rock music tomorrow, it's incredible.

[00:55:55]>> Dissociation of actual history.

[00:55:57]>> It's incredible. The ignorance is incredible. And To make it even worse, the guitar in and of itself came to Europe via the Moors, via Africans and Arabs occupying Spain. So on both levels, whether you're talking about ancient history, you're talking about modern blues music, on both levels, we should be playing rock music still, but we're not because we believe it's not our culture. Well, I see the potential for rap and grime to head in the same way where 20 years from now, at first they were saying it's everybody's music, everybody's music, everybody's music.

[00:56:23]Then eventually all the faces are white and then they say, "Oh, was it's white music now." And I don't listen, I'm not saying white artists shouldn't participate in the music. They should, but they should say what Eminem said, you know, to do black music so selfishly and use it to get myself wealthy or let's do the math. If I was black, I would have sold half. I ain't have to graduate from Lincoln High School to know that. Cool respect. You're one of the greatest rappers ever, but you can still acknowledge the facts of the racism of the society you live in. I'm not saying you can't rap cuz you're white. Of course, you should rap if you love rap. But don't feel the need to deny where this culture comes from. I don't feel the need to deny that Shakespeare was English just cuz I read his work.

[00:56:58]You know what I mean?

[00:56:59]>> Yeah. So, what a family think about that. So, that point that he made at the end was a very good point. Like Eminem admits that he if he was black, he wouldn't have been as successful. Not because of his talent. Literally because of his skin color and the system that we live in. Yeah. But if you was to speak to any of these DJs, you know what I mean? Like the Charlie Sloths or the Tim Westwood. No, I worked hard. You can't tell me nothing. I work my way up to Yeah. But we do live in this system that would help you. We do live in this system. Yeah.

[00:57:32]So, we got to understand this culture thing because if we don't, the vultures will literally take it from us. Yeah.

[00:57:42]The vultures will literally take it from us. I mean, I'm going to show you something. What ITV London said about David Rodigan.

[00:57:51]Yeah.

[00:57:53]David Rodigan. Look at what ITV London called David Rodigan.

[00:57:58]The godfather of reggae. The godfather of David Rodigan. The godfather. This is what happens when we don't stand up for our own culture. They will literally take the mickey with us. Yeah. ITV London called David Rodigan the godfather of red day.

[00:58:20]Are you mad? Fam, are you crazy? Yeah.

[00:58:26]And this is why I do what I do cuz I've been praying this stuff for many, many years. And instead of just again, respectfully, instead of just going on social media and shouting about it, I made this event for everyone to come down and learn the truth. Do you understand? So, this is the hidden science of reggae and that is Saturday the 20th of June. Family, this is next month. through. But this event is going to be huge. Yeah. So we can break down this thing, reclaim our culture. We're going to do some cultural correction at this event. Do you understand? So big up all the people that have got their tickets for this. Big up all the people that are coming down. This is how we reclaim back our culture. You understand? All right. With that being said, I'm going to open up the floor. If anyone's got any questions, by all means, raise your hand. You can ask your question live or you can put your question in the Q&A section.

[00:59:20]or your comments, whatever you want to do. Ask your questions, make your comments, or just say what's on your melanin mind. So, family, raise your hand if you want to go live or ask your question in the put your question in the Q&A.

[00:59:36]And like Akala was saying, you know what I mean? You can participate in the culture. We're not saying that white people can't participate in the culture.

[00:59:44]It's respect. It's like when you invite someone who's not your family to your yard. Yeah. You're coming into the yard now. Yeah. Now you got to take off your trainers. Yeah. Yeah. Yeah. Just respectfully take off your trainers.

[00:59:55]Leave them outside. No. You can't come in with your trainers. And now when you come in, you have to be respectful of the place that you're in. All right. No, no, no. You can't go upstairs. You can't can't use a toilet upstairs. Use a toilet downstairs. Do you understand?

[01:00:06]This is a family home. You can't go upstairs. It's only family that can go upstairs. Don't put your foot on the stairs. You can't go upstairs. It's just respect, fam. Yeah, but what tends to happen is because we give them so much leeway, they'll come in your yard and then two twos, they'll take over your yard and then two twos kick you out of your own yard. Now, when you're looking around, you're like, "Hold on a second.

[01:00:29]I'm outside of my own yard." Yeah. So, that's where it comes down to. And when it comes on to these culture vultures, Yeah. Yes. We have to be very vocal about it, but then we have to do things about it with regards to gatekeeping our culture. And that's something we're not very good at. We are not very good at gatekeeping our own culture. Again, we're a loving people. We allow any and everyone to just come in and, you know, I mean, participate in the culture. We allow any and everyone to just come in and participate in the culture. And sometimes that's to our detriment. We need to get to a point where we have to be gatekeepers of our own culture.

[01:01:13]And you know what I mean? Like they do in the movie Sinners. You when someone when the the culture vultures, which are the vampires, when they come knocking, can I come in? No, you can't come in.

[01:01:24]No, you cannot come in. It's as simple as that. Yeah. And with regards to this event, family, let me just go back to this. We've got some special guests coming. And I was going to play our new video, but I'm gonna share I'm gonna wait until Tuesday to share it because on Tuesday, family, I'm going to be the special guest speaker on the Hidden Truth Show. So, big up the Hidden Truth family. I'm going to be on the Hidden Truth Show and I'm going to be talking about the deliberate eraser of Caribbean culture on TV. This is going to be fire, family. So, make sure you tune in to that one. Yeah, you can register now.

[01:02:08]You see the link there on the screen, the investigator.org.uk/events.

[01:02:14]Make sure you register for that one. And guess who's going to be a special guest on the same show? Leo Muhammad from the Real McCoy family. You don't want to miss this. This is going to be powerful, powerful, powerful, powerful. I'm going to be talking about deliberate erasia.

[01:02:30]Again, for some of you who've been following the podcast, I've been noticing this for many, many years that it seemed to be deliberate that they slowly just erasing all the positive TV shows, black TV shows with us in it.

[01:02:44]They've been erasing them. Yeah. And I believe it's deliberate. So, I'm going to be talking about that on Tuesday, family. And on that show out, we will reveal the the new um video ad to promote our event, the hidden science of reggae. So, big up all the people that have registered for that. I will see you on the hidden truth platform on Tuesday.

[01:03:08]So, yeah, this is the event family. This is where we take back our culture. We take back, you know, do some cultural cor uh correction.

[01:03:17]Very powerful event. And to extend it, you guys can get your rooms. It's I'd highly recommend getting your rooms for the weekender. In other words, staying from Friday to Sunday at the hotel cuz the event is going to be at the Radison Red Hotel. But if you get your rooms, then you can either stay from Friday to Sunday or you can get your room just for the Saturday night. I highly recommend getting your room for the Saturday night because we've got the afterparty. Yeah.

[01:03:46]And again, I really want to tell you who's playing at the afterparty. Tune in on Tuesday. Tune in on Tuesday, uh, the Hidden Truth platform, and I will reveal who's going to be playing at the afterparty.

[01:03:59]Big things are going on. Big big people.

[01:04:02]All right. So, this is the Reggae Weekender five-star hotel. You get obviously entry into the event and the afterparty and obviously you get access to the facilities, sauna, jacuzzi, uh steam room, gym, swimming pool, all that sort of stuff. Plus, there's going to be a massage therapist specifically for the weekender attendees on the Friday and the Sunday. Yeah, very powerful event we've got coming up, family. We'd love for to see you guys down there. We'd love to get your support. This is the Hidden Science and Reggae family. The biggest event of the year, >> the hidden science of reggae 2026. What impact has reggae music had on UK culture? Can melanin be activated by the low bass frequencies in roots reggae? Is the Windrush scandal a deliberate attempt to erase the powerful influence of Caribbean culture from British society? And what really happened to Bob Marley whilst he was in exile in London?

[01:04:59]All will be revealed at the most mind-blowing, historically informative, culturally relevant event of the last decade. The Hidden Science Academy in collaboration with Hidden Truth and New Initiatives Catering presents the Hidden Science of Reggae. Saturday the 20th of June, 2026 from 12 to 8:00 p.m. at the Rison Red Hotel, Heathro. This event is an unbelievable exploration of reggae music, Caribbean culture. Come and experience an educational conference like no other. Speakers dropping the knowledge on the day include Robin Walker, the Black History Man, Andrew Muhammad, the investigator, Leon Marshall, the scientist, Lady Adele, the hidden truth queen, Culture Mark from Black History Study, and some very special guests. This event is not to be missed. Get your early bird tickets today by visiting the investigator.org.uk/regga.

[01:05:51]or extend this experience by booking a room at our reggae weekender. The investigator.org.uk/regga Weeender. Let's celebrate our culture like never before. Don't miss out. Get your tickets today.

[01:06:08]>> Yes, family. When it comes on to this culture vulture thing, they are not going to stop. They are not going to stop. That's basically how it works.

[01:06:14]First of all, just like the vampires in the movie Sinners, first of all, they're very polite. They come to the door. They knock on the door. Oh, can we come in?

[01:06:24]We heard some great music coming from this juke joint. Is it okay for us to come in? Yeah. And by, you know, some of us will be like, "No." But then some of us will be like, "Yeah, come on in. Come on in." And then when they come in, all of a sudden they start to take over and then tutus. If you've seen the movie Sinners, you know what happens. Whole thing bun down. That's literally what they do with the culture. A Carala was talking about how again that that was over 10 years ago that those clips I was showing from Aala, he was talking about how um grime in a couple years time you might see grime um turn into white faces. If you look at grime now, one of the biggest grime or drill artists, his name is Central Sea. He looks like a white dude. Some people will say he's from wherever he's from. He's mixup or something. He's not black though. But it came true. Exactly what A Carlo was saying. Yeah. Grime, this thing that wy originated. Most people will believe that he's the godfather of grime. Now all of a sudden, he gets cancelled because, you know, I mean, people were saying, "Oh, the what he was saying was anti-Semitic." Notice he didn't get any um support from his Jewish friends. And he did have Jewish friends. His bloody manager was Jewish. Yeah. Notice he didn't get any support from them. And now 2's grime and drill, the biggest artist, then non-black. And just give it a couple more years and look what happens. Yeah. So, big up everyone for staying right to the end. If this is your first time joining, this is Marshall's Melanin podcast. We do this each and every Sunday. If you are on social media, you can follow me at Leon Marshall Online. I'm on Instagram.

[01:08:06]That's Leo Marshall Online. Large up everyone for staying right to the end.

[01:08:12]Enjoy the rest of your week, family. One love.

[01:08:16]>> Genius.

[01:08:17]>> If you do not understand white supremacy, what it is, and how it works, >> wow.

[01:08:24]>> Everything else that you understand will confuse you.

[01:08:29]>> In all of these nine areas of activity, anywhere on the planet, minute by minute, day by day, all of the time.

[01:08:40]My name is Leo Marshall and that concludes the end of this podcast.

[01:08:44]Thank you everyone for being a part of this. You're a part of history, trust me. And just remember, be the light you seek. Just shine, man. More light, more love, more life.

[01:09:00]One.

[01:09:01]>> Thanks for listening to Marshall's Melanin podcast.

[01:09:06]If you like this episode, share it with your friends and family. To watch previous episodes, search Marshall's Melanin Podcast on YouTube. And if you're on Instagram, follow the scientist at Leon Marshall online.

[01:09:23]Tune in next week for another explosive episode. And remember, keep shining.

[01:09:32]Yeah.

[01:09:42]Heat. Heat.