This video offers a clear and insightful look at how Baroque composers used harmonic shifts to create tension and resolution. It manages to make sophisticated music theory feel both intuitive and deeply relevant.
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Passagalia in A minor part 2 | AM shortsAñadido:
Hi guys, I'm back with part two of Pasagelia in a minor by George Frederick Handel.
And guys, be sure to watch part one first before watching this entire short and it it'll make more sense. But basically, I'll show you what part two will look like.
So basically we're going to start with the third degree of A minor and we're going to change like modally. So this would basically be C major and in part one like the melody sounded more like this.
And it does explain more further like in the beginning part.
But for part two, we're going to do something similar, but this time we're going to do like backwards. And what I mean by that is like this. So I start by C like this. And then I go like this.
And then I just start the melody like this.
And then I change modally to B and then back to A. So it sounds something like this.
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