Vignola proves that true mastery lies in making complex jazz harmony as accessible as a simple pentatonic scale. He successfully strips away academic pretension to focus on practical elegance rather than over-complicated theory.
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Frank Vignola Zoom Jam Sunny Softly Stars FellAñadido:
A little teeny tune, Sunny, A minor.
G minor C7F to E7.
Again, basically over and over like that. So, for soloing, this is a great song to think about the simple pentatonic. A minor pentatonic works over all the changes.
Right?
So, just using the pentatonics is a great way to approach this solo because you have your real solid landing tones.
And then you have your, you know, extensions with the major seventh and the major nine on the F chord becomes the sharp nine and then the root for the E7 chord.
All right, sorry about that.
Okay, let's see what this sounds like here.
Okay.
Repeats, let me see. Not that many times.
Nice and easy on the tempo.
A little slower.
Do that.
Do do do do do do. Take out that fake nylon string guitar.
Okay. Here we go.
The whole melody is the pentatonic as well.
One more time.
All right, you got it.
>> I'll try one.
>> Would you try a little?
Take one chorus each.
Eight measures each.
>> Four measures each.
And the melody.
All right.
I like that one.
Softly as in the morning sunrise will be next.
Great songs, just great songs.
Nice slow swing.
Perfect.
Okay, here we go. C minor.
You got it.
>> You got the next one.
>> Trade eight measures each.
>> fours And the melody the last thing.
Fantastic.
Now I just got to figure out what the next song is.
I guess I got to look it up here.
I know it began with an S.
Oh.
No.
No.
Okay, here we go. It is right there.
Stars fell on Alabama, of course.
Speaking of which, I saw the great Jean Bertoncini last night at the age of 89.
I recorded this with him.
Okay, we'll go uh four times through, one each.
I'll take the first one.
Oh, let's get a little different uh groove here. We'll get the slow swing.
And we'll add in the piano a little bit, I think.
It'd be nice.
All right.
That was a nice tempo, however.
Okay, here we go.
Key of C.
1 2 3 4.
A little bit better of a mix here. A little more, there we go.
Okay, one more time.
>> You got it.
>> All right, I'll take the next one.
>> You got the last one.
Back to the melody.
>> All right. Wow, what a nice way to end that session.
Okay, we'll see you next week.
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