He Married Doris Duke. Then Barbara Hutton. Then He Crashed His Ferrari in the Bois de Boulogne.

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[00:00:00]On the morning of July 5th, 1965, a silver Ferrari 250 GT Cabriolet traveling west through the Bada Bologn clipped a parked car, locked its steering, crossed the pavement, and struck a horse chestnut tree headon. The driver had fitted the car with a wooden racing steering wheel, the kind used in competition, because it looked right and felt right to a man who considered himself a racing driver. The wooden wheels shattered on impact. The steering column drove into his chest. He was 56 years old and the night before he had won the coupe to France, the polo championship of France, the pinnacle of a sporting career he had pursued at the highest competitive level for three decades. He had been celebrating at Jimmy's nightclub in Montanas until sometime after 6:00 in the morning, and the road home to Mand Locket took him through the park where he had played polo for 17 years. within sight of the club where the trophy had been awarded and within two miles of the Long Shamp Racecourse, a passing ambulance found him at the roadside and took him toward the hospital. He died before reaching it.

[00:01:09]A French newspaper offered what became his permanent epit. Had he been wearing his seat belt, nothing would have happened to him. But if he had put on his belt, he would not have been Pfiio Rubio.

[00:01:22]In today's episode of Old Money Allure, we trace the life of the most celebrated international playboy of the 20th century. a Dominican diplomat who married the two richest women in the world in consecutive marriages. served a murderous dictator for 30 years, raced Ferraris at Lemon, played polo into his mid-50s, seduced a catalog of women that reads like a casting directory of mid-century Hollywood, and died behind the wheel of a sports car in the most beautiful park in Paris with nothing left in his estate but personal effects and a name that Parisian waiters still use for the largest peppermill on the table.

[00:02:03]The life at its height. In the years between his divorce from Doris Duke in 1948 and his marriage to Barbara Hutton in 1953, Pfiio Rubosa existed in a condition that most human beings never experience and that he inhabited as though it were the only state he had ever known. Total, unchecked, magnificently funded freedom. The stories behind figures like Rubar Roza, the fortunes they extracted, and the lives those fortunes consumed receive extended treatment in our free Substack newsletter, where the personal and financial wreckage too complex for documentary format reveals what these legendary lives actually cost the people who lived them and the people who loved them. The Rubarosa saga belongs in that company. His primary residence was a 17th century townhouse on the Rud de Belshass in the 7th Arondismo of Paris.

[00:02:57]a street of embassies and grand private hotels particular a few minutes walk from the muse dosay given to him by Doris Duke as part of a divorce settlement that also included a commercial fishing fleet operating off the coast of West Africa multiple sports cars and a converted B-25 Mitchell bomber that he named Laganza and learned to pilot himself his polo team SBA combining the name of his home region in the Dominican Republic public with the Argentine pamper where he had served as ambassador, competed at the highest level on the European circuit, winning the gold cup at Doville in 1951 and playing regularly at the Bagotel Polo Club in the Bada Bologna. He raced Ferraris at Lemon, competed at the 12 hours of Sebring, [music] drove the Carrera Panameana across thousands of miles of open Mexican highway, and entered a Formula 1 event at the Grand Prix de Bordeaux in a Ferrari 500, the same model that had won Alberto Escari back-to-back world championships.

[00:04:02]The documented list of his romantic liaison reads like a roll call of midcentury female stardom. Eva Peron, Ava Gardner, Marilyn Monroe, Kit, Veronica [music] Lake, Rita Hworth, Dorothy Dandridge, Kim Novak, Judy Garland, Joan Crawford, Jane Mansfield, Dolores Del Rio, Tina Onases, and Zaja Gabbor, who became something close to a permanent fixture across multiple marriages on both sides. Frank Sinatra was a close friend along with David Nan, Peter Lofford, Sammy Davis Jr., and Ted Kennedy. Truman Capot described his anatomical fame in terms that circulated through the gossip networks of two continents with the velocity of a wire service bulletin. And Parisian waiters at Maxims responded by naming the restaurant's oversized pepper mills Rubioas, a usage that spread through every restaurant in the city and then beyond, and that remains in use today.

[00:05:03]The only monument to Pfiio Rubio Rosa that requires no explanation and will never require maintenance. A piece of restaurant slang that has outlived the man, the dictator who employed him, the aireresses who funded him, and the entire social world in which a mixed race Dominican diplomat could move through the drawing rooms of Europe, collecting women and settlements [music] and diplomatic incidents with the ease of a man whose passport granted him immunity from everything except a horse chestnut tree. He had married the dictator's daughter, the most famous actress in France, the richest woman in the world, and the second richest woman in the world in that order, and the combined settlements from the last two marriages alone [music] had funded a life that most people could not have sustained on 10 times the income. He had never held a job. He had never needed to. [music] and the fact that he had never needed to was itself a kind of achievement because sustaining a life of that scale without earned income required a set of skills that were in their own way as demanding as any profession. The ability to marry wealthy women and extract settlements from them without alienating the social world that provided access to the next wealthy woman. the ability to maintain the physical condition and competitive commitment that polo and motor racing demanded. And the ability to project at all times and in all settings the kind of effortless masculine confidence that made other men want to be his friend [music] and women want to be the focus of his attention.

[00:06:37]And the man who made all of it possible.

[00:06:40]the dictator whose patronage had provided the diplomatic passport, the immunity from prosecution, and the introduction to the world of wealth that Rubosa would spend three decades extracting, was about to be assassinated on a seafront highway, [music] and everything Rubio Rosa had built on that foundation was about to collapse.

[00:07:03]The boy from the Chiba Pfiio Rubio Rosa Arisa was born on January 22nd, 1909 in San Francisco Democoris, a provincial cacao trading city in the Chiba, the fertile agricultural heartland of the Dominican Republic's northeast.

[00:07:20]He was the third and youngest child of Pedro Maria Rubio Rosa and Anna Ariza Al-Manzar, a family whose lineage was the kind of creole mixture that defined the Dominican upper middle class. His paternal grandfather was Pedro Ravirosa, a Catalan immigrant, while his maternal grandfather was a member of the provincial elite. His father, Don Pedro, embodied a particular Dominican archetype known as the Tigare. A word that combines predatory charm, ruthless self- advancement, and irresistible social ease into a single concept that does not translate cleanly into English, but that describes with considerable precision the qualities his son would deploy at the highest levels of international society for the next five decades. Don Pedro was in his early years a general of a government-backed militia in the mountainous Tibau region, a position that gave him armed men and political access if not institutional legitimacy. And he was also by multiple accounts [music] a notable womanizer whose son watched with awe and admiration as he used seduction to move through a world where social position was fragile and personal magnetism was the most reliable currency available.

[00:08:35]The elder Rubio Rosa proved effective enough as a political operator to advance from the militia into proper diplomacy, serving first at a posting in St. Thomas before being appointed chief of the Dominican embassy to Paris in 1915.

[00:08:52]Portfiio was 6 years old. The family settled in Paris and for the next 11 years from age 6 to 17, the boy who would become the century's most celebrated playboy was formed entirely by the most seductive city in the world.

[00:09:08]This was not a tourist's Paris or an expatriot's Paris of nostalgia. It was the paris of drawing rooms and ambassadorial receptions of the grand boulevards and the fashionable Aondismos of five course lunches and the theater and the bard bologn on Sunday afternoons.

[00:09:27]Don Pedro's diplomatic position granted the family entry into the highest social registers and his son was educated in French schools, absorbed the language and manners of the French upper bourgeoisi and developed fluency in five languages with the ease of a child whose social world demanded it. He was taught to ride, to box, to ski. He picked up the guitar and bongos, developed a passion for polo on the fields outside the city, and cultivated the kind of effortless physical confidence that is almost impossible to acquire in adulthood. Paris did not make rubosa glamorous. It gave glamour a grammar, and he memorized every conjugation.

[00:10:08]In 1926, at 17, Don Pedro sent his son back to the Dominican Republic to study law. The experiment lasted barely a term. Rubio Rosa sat in lecture halls in Sto Domingo, found the books profoundly uninteresting, failed the balorat examination, and enlisted in the military instead, rising with unusual speed to the rank of captain by 20 and securing the additional title of captain of the Dominican National Polo team. It was Polo that organized his social life, directed his ambitions, and brought him face tof face with the man who would determine the trajectory of his entire adult existence. Because Polo in the Dominican Republic of the early 1930s was not a private amusement, but a social stage. And the audience that mattered most was the man who had just seized absolute control of the country and was looking for young men whose talents he could use.

[00:11:06]the dictator. The encounter that changed everything happened in 1931 at a polo match or in some accounts a country club afterward when the young army captain caught the eye of Raphael Leonidas Truillio Molina, the military strongman who had seized the Dominican Republic in a coup the previous year and was in the process of installing one of the most brutal tyrannies in the Western Hemisphere.

[00:11:31]Trujillo had been trained by United States Marines during the American occupation and had risen to command the army before overthrowing the civilian government through a combination of fraudulent elections, brutal intimidation, and the systematic elimination of opponents. He would hold absolute control of the country for 31 years. He saw himself in the young polo captain immediately. He is good at his job, Trujillo would say of Rubio Rosa in later years, because women like him and he is a wonderful liar. The next morning, Trujillo summoned Rubio Roza and promoted him on the spot to lieutenant of the presidential guard, an extraordinary act of spontaneous patronage whose implications Ruba understood perfectly. The dictator had just handed him the most valuable commodity in the Dominican Republic, which was proximity to the man who controlled everything.

[00:12:24]One of Rubio Rosa's first assignments was to receive Truji's eldest daughter, Flor Deoro, at the airport upon her return from studies in France. She was 17, freshly Parisian in manner, and beautiful. Rubio Rosa greeted her in French, attended the presidential ball held in her honor, violated every protocol of his position by monopolizing every dance with the dictator's daughter, and was decommissioned for his presumption within days. Trujillo had him exiled from the capital. Rubio Rosa fled to the family coffee plantation in the countryside where he waited 8 days until Fioro reached him with a message.

[00:13:03]She wanted to see him. They met in secret. She proposed. He accepted.

[00:13:09]Trujillo was furious enough to ban the match entirely. But Fioro launched a hunger strike to force her father's hand. and the dictator who had maintained absolute control over a nation of millions but could not control his own daughter relented.

[00:13:25]They married on December 2nd, 1932 in a ceremony that Trujillo declared a national holiday. The marriage lasted approximately 5 years, marked by what contemporaries described as turbulent domesticity and Rubio Rosa's spectacular, wholly undisguised infidelities during a diplomatic posting to Berlin. where he attended the 1936 Olympic Games and moved through Nazi high society with his customary ease.

[00:13:54]Feo filed for divorce in 1937 and what followed was the most revealing moment in the entire Trujillo Rubio Rosa relationship. Rather than punishing his former son-in-law, the dictator offered him his choice of posting anywhere in the world because Rubio Rosa was useful as a social asset, as a seducer of useful women, and as a field operative for the regime's darker requirements, and losing an operative of his caliber would have been costlier than the humiliation of a broken marriage. Rubosa requested Buenosares, the polo capital of the world. He was appointed Dominican ambassador to Argentina and the pattern that would define his entire diplomatic career was now established.

[00:14:40]Trujillo provided the title and the immunity. Ruby Roza provided the charm and the social access and the arrangement continued regardless of what happened to the marriages, the affairs or the moral complications that accumulated around both men like sediment around a reef.

[00:14:58]The divorce from Floor barely registered as a rupture between the two men. Their relationship continued long after the marriage formally ended. Throughout Rubio's next three marriages, he and Flo maintained an intermittent affair. And Fioro herself would go on to marry nine times in total, living in multiple countries, always marked by the weight of her surname.

[00:15:24]the shadow work. Behind every diplomatic posting lay a second unofficial career that the champagne and the polo ponies were specifically designed to obscure.

[00:15:34]The clearest instance came in April of 1935 when Sergio Benosme, a Dominican exile organizing opposition to Trujillo among the community of political refugees in New York, was shot to death in the apartment he shared with a fellow exile.

[00:15:50]The gunman had been hunting a different man, Dr. Angelo Morales, another opposition figure, and Ben Cosme was killed in the wrong room. A New York City grand jury indicted Rubio Rosa's first cousin, Luis De Laente, for the murder, and testimony established that Rubosa himself had been in New York in the weeks immediately prior to the killing, departing just before the shooting occurred. He was never charged.

[00:16:14]The suspicion never dissipated. When Trujillo's assassination in 1961 stripped Ruby Rosa of diplomatic immunity, Manhattan District Attorney Frank Hogan announced his intention to interrogate Ruby Rosa about the 1935 killing and about the 1956 disappearance of Jesus de Galindes Suarez, a Basque nationalist intellectual and Colombia University law professor who had written a doctoral dissertation denouncing the Trujillo regime, walked into the 57th Street subway station in Manhattan on March 12th, 1956 and vanished from the Earth. Investigation established that Galindez had been kidnapped by agents of Trujillo's military intelligence, rendered unconscious, transported by ambulance to a private airfield on Long Island, flown to West Palm Beach for refueling, and taken to the Dominican Republic where he was killed. The American pilot who flew the plane also subsequently disappeared. Rubio Rosa was questioned about both cases in January of 1962, denied involvement in both, and was never charged. His wartime years in occupied Paris added further layers of moral complexity. He had set up what appears to have been a sideline operation, selling Dominican visas to Jewish refugees desperate to escape Nazic controlled Europe, pocketing the payments. An enterprise that saved lives as a byproduct of profit, but whose primary motivation was financial.

[00:17:46]Without F deorro's support and temporarily outside Trujillo's favor, Rubio Rosa needed money. He was interned by the Vichi government for 5 months under circumstances never fully clarified and a jewel affair in which he agreed to use his diplomatic passport to retrieve a wealthy jeweler's inventory from Spain and returned with roughly $160,000 in missing valuables was attributed by Rubio Rosa to an armed robbery on the road from Madrid that investigators noted had left not a single bullet hole in his car. The missing jewels were never recovered. The affairs were never prosecuted. The diplomatic passport that shielded him from all of it was the gift of a dictator who understood exactly what kind of man he was employing [music] and valued him precisely because the qualities that made Rubio impossible to trust in personal matters. The charm, the deception, the physical courage, the willingness to cross any line that the situation required were the same qualities that made him indispensable as an operative. Trujillo ran the Dominican Republic for 31 years through a combination of state terror and personal magnetism. And Rubio Rosa was the embodiment of the personal magnetism side of the equation. The man whose smile opened doors that the dictators firing squads could not. whose social fluency granted the regime access to European drawing rooms and American aeryses that no amount of political coercion could have provided. The relationship was symbiotic in the most precise and most damning sense.

[00:19:25]Truhillio gave Rubio Rosa immunity and Rubio Rosa gave Trujillo respectability or at least the kind of social access that in the diplomatic world of the midentth century functioned as a substitute for respectability that was close enough for government work.

[00:19:43]The cost of this arrangement was borne by the people Truhelio killed and the people whose money Rubio Roza extracted and the arrangement continued uninterrupted and unexamined for 30 years.

[00:19:58]The actress, his second wife, was the most purely glamorous person he ever married, which given the competition is saying something. Danielle Darrow was born in Bordeaux in 1917 and had become by the time she met Rubio Rosa the defining face of French cinema the dark eyed exquisitly composed Parisian whose career spanned from [music] the pre-war romanticism of the 1930s through the Max Oul's masterpieces of the 1950s and would continue astonishingly until she was lending her voice to Marjan Satrappy's animated Pepilolis in 2007 dying in 2017 at the age of 100. They married on September 18th, 1942 [music] in the middle of the German occupation in a city where collaboration and resistance were not always distinguishable from the outside.

[00:20:49]Dario's wartime activities attracted criticism that never fully dissipated.

[00:20:54]She was among a group of French film stars who participated in a promotional tour to Berlin organized by the Nazi propaganda apparatus in 1942 attending functions at the heart of the regime.

[00:21:08]Her defenders maintained that she was coerced that the trip was the price negotiated for Rubio Rosa's release from Vichi internment and the story gave her a partial shield against the worst accusations of the postwar purge. Though the shield was imperfect and she remained a figure of ambivalence for French cultural memory.

[00:21:28]In 1944, as the liberation approached, the French resistance ambushed Rubio Rosa and Darier in the street near their Paris apartment, firing on their open car in the belief that his wartime entanglements made him a collaborator.

[00:21:44]In a striking act of physical courage, Rubio Rosa threw himself across Dario's body as the shots came in and absorbed three bullets near his kidneys. He survived.

[00:21:55]The couple went into hiding at Dario's farm in the countryside where Rubio Rosa conileles by milking cows and tending sheep, narrowly evading capture on at least one occasion when German soldiers searched the farm and they hid in a neighbor's barn. When Paris was liberated, they emerged from hiding and made their way to Rome, where Trujillo's surviving diplomatic network was regrouping in the grand hotels of a city being rebuilt from the ruins of one Europe into the foundations of another.

[00:22:26]It was in Rome in a hotel lobby in 1947 that a tall American ays arrived to interview Danielle Daru for Harper's Bazaar, looked across the room and found her eyes meeting those of Danielle Daru's husband. Her name was Doris Duke.

[00:22:42]She was the richest woman in the world.

[00:22:46]The marriage to Daru ended officially in May of 1947.

[00:22:50]And according to Duke's biographer, by the time the divorce proceedings began, Duke had already agreed to pay Daru $1 million to release him. A figure that has never been independently verified, but that has never been convincingly denied. The kind of arrangement conducted entirely informally with no paper trail. In a world where the transfer of a million dollars from one wealthy woman to another in exchange for a man they both wanted was the kind of transaction that did not require documentation because all parties understood that discretion was more valuable than a receipt. Darra divorced Ruby Rosa, married the French businessman Gor Mitsinkes the following year and went on to a career of extraordinary longevity, still appearing on screen in her 90s, lending her voice to Marjine Satrap's animated procepils in 2007 and dying in 2017 at the age of 100, having outlived the man she gave up, the woman she gave him to, [music] and the entire social world in which the transaction had made sense.

[00:23:55]The marriage to Daru had lasted 5 years, the longest of Rubio Rosa's first four unions, and it was the only one in which the decisive moment was not financial, but physical. The resistance bullets near his kidneys, the body thrown across hers in the car, the months on the farm, where a man who had been accustomed to ambassadorial receptions milked cows while his wounds healed.

[00:24:19]Whether Darrow loved him when she let him go is a question her biographers have never satisfactorily answered. But the speed with which she remarried and the completeness with which she erased him from her public biography suggest that the million dollars, if it was paid, purchased not just a divorce, but a decision to stop looking back.

[00:24:42]the richest woman in the world. The meeting had the quality of a stage managed farce, except that no fiction writer would dare contrive it. Doris Duke, working as a part-time fashion correspondent for Harper's Bazaar at a salary she described as roughly $50 a week, had traveled to Rome to interview Danielle Daru for a profile the magazine had commissioned, and the reporter arrived at the hotel suite where Darrow and her husband were staying, sent word of her arrival, and a man opened the door. Their eyes met. Within days, they were inseparable. Duke was born on November 22nd, 1912. the only child of James Buchanan Duke, the tobacco baron who had created the American cigarette industry through his American tobacco company Monopoly and endowed Duke University with a substantial portion of his fortune. And when Buck Duke died in 1925, 12-year-old Doris inherited approximately $100 million, a sum equivalent to several billion in modern terms, and was immediately dubbed the richest girl in the world by newspapers that had little else to call her. By 1947, she had survived one disastrous marriage to the ambitious socialite James Cromwell, built the extraordinary Islamic art museum at her Shangriila estate in Honolulu, and was living in post-war Paris with the journalist's credentials and the discrete freedom that money purchases. She was 34. She was, her biographers agree, desperately lonely. Rubber Roza was 38, broke by his own standards, and possessed of that particular quality of total attention, the ability to make a woman feel that she was the only person in the world who existed. That was his most dangerous and most cultivated talent. Duke's wealth was so vast that the United States State Department itself became involved in drafting the prenuptual agreement. And when Rubar Rosa was presented with the document and confronted with the full accounting of Duke's net worth, property by property, holding by holding the tobacco trusts and the utility interests and the real estate and the Newport mansion and Shangrila, he reportedly fainted. Whether the faint was genuine or diplomatic, he recovered, was revived with water, and signed. They married on September 1st, 1947 at the Dominican consulate in Paris.

[00:27:09]Duke wearing an anklelength emerald green Dior gown selected by Harper's bizarre editor Carmel Snow surrounded by what one attendant memorably described as a battery of legal talent. A phrase that captured with economy the fundamental nature of a marriage in which the prenuptual agreement was a more important document than the vows.

[00:27:32]Duke arrived at Laaguardia airport on an Air France flight from Paris in November of 1947, greeted by her mother, telling reporters she was on her way to join her husband.

[00:27:44]And for a brief period, [music] the marriage appeared to function in the way that marriages between extremely wealthy women and extremely charming men sometimes function beautifully on the surface, with the mechanical operations of attraction and financial extraction running smoothly beneath.

[00:28:01]The marriage lasted 14 months. His infidelities were serial public and included a resumed affair with his first ex-wife Fioro that Duke discovered in the most direct way possible, reportedly catching the two of them together.

[00:28:17]The divorce finalized on October 30th, 1948 produced a settlement of extraordinary generosity, $25,000 per year in Alimony until he remarried the commercial fishing fleet off West Africa, multiple sports cars, the converted B-25 bomber, and the 17th century townhouse on the Rude de Belshass that would serve as his Paris headquarters for the next 17 years. He had been married for just over a year.

[00:28:46]He had never worked a day in his life, and he now owned a bomber, a fishing fleet, and a house on one of the finest streets in Paris.

[00:28:57]The poor little rich girl, Barbara Woolworth Hutton, was born in New York on November 14th, 1912, exactly 8 days before Doris Duke, [music] to Franklin Lors Hutton, a Wall Street broker, and Edna Woolworth, daughter of Frank W.

[00:29:12]Woolworth, the five and dime magnate whose fortune was one of the largest in America. Her mother took her own life when Barbara was four. She was raised largely by nurses, governnesses, and a succession of inadequate relatives, and her childhood was marked by a loneliness so profound that vast quantities of money could not paper over it. The press dubbed her the poor little rich girl, and treated her emotional fragility as a subject for mass entertainment. She had been married four times before Rubio Rosa. To Count Alexis Medivani, a Georgian prince of questionable pedigree who spent her money enthusiastically.

[00:29:49]To Count Kurt Hugvitz Hardenburg Revent, a Danish nobleman who gave her one son and treated her with violence. To Carrie Grant, the only husband who refused her money and whose self-sufficiency utterly baffled her. and to Prince Igor Troubetskcoy, another title in search of a bank account. By 1953, she was 40 years old, in unreliable health, and looking, as she always was, for something that kept turning out to be a man. The courtship was conducted in Rubioa's most theatrical style. He serenated her with a full band outside her hotel room window, sent enough flowers to fill a florist, persuaded mutual friends to carry letters, and appeared at every social gathering she attended, devoting his total attention to her with the same focused intensity that Trujillo had identified and praised decades earlier. There was a complication.

[00:30:46]Rubio Rosa was simultaneously entangled with Zja Gabbor who had been understood within their social circle to expect that he would marry her once her divorce from George Sanders was final.

[00:30:59]When Rubio Rosa pivoted to Hutton instead, Gabbor's fury was considerable and very public, and Sanders named Rubi Rosa as co-respondent in his divorce suit, ensuring that Rubio's name appeared in divorce proceedings on two continents simultaneously.

[00:31:16]The wedding took place on December 30th, 1953 in a 10-minute civil ceremony at the Dominican Council General's residence at 1100 Park Avenue.

[00:31:27]Before the ceremony, Ruby Rosa told the assembled reporters, "In my country, her wealth is hers and mine is mine. I do not require her fortune. I possess my own." a statement that was almost universally admired for its audacity and universally disbelieved for its content.

[00:31:47]Hutton had been granted Dominican citizenship by special presidential decree from Truhilio 2 days earlier, allowing the marriage to proceed under Dominican law. He reportedly spent the wedding night with a showgirl.

[00:32:01]The marriage lasted either 53 or 75 days depending on whether the count runs from the wedding date to the separation or to the final divorce decree and either figure is adequate to convey the scale of the disaster. The settlement was by several measures more spectacular than Dukes. a coffee plantation in the Dominican Republic, a second B-25 bomber, eight polo ponies, a reported $2.5 million in cash, and a full wardrobe of 40 suits and 20 pairs of shoes. He had been married for less than 3 months, and the combined settlements from his third and fourth marriages had set him up for a life that most people could not sustain on any salary the working world could offer.

[00:32:46]The press, which had been tracking both Duke and Hutton since childhood as the gold dust twins, noted with undisguised fascination that Rubio Rosa had now married both of them, moving from one to the other in what gossip columnists treated as a collector's completion.

[00:33:06]The years of glory. The years between the Hutton divorce and his fifth and final marriage represent Rubosa at the absolute peak of his public mythology, funded by the accumulated settlements of two aeryses, free of any professional obligation and sufficiently renowned that the world's most interesting people sought him out rather than the reverse.

[00:33:28]His polo team competed seriously throughout Europe, and the quality [music] of his play was genuine. He was not a dilotant who bought his way onto a team, but a player who had trained since [music] childhood, who rode with the physical confidence that Paris had instilled in him at six, and who competed at a high goal level into his mid-50s with a dedication that his friends described as the only sustained commitment of his adult life. His racing career ran in parallel with equal seriousness. His first lemon came in June of 1950 co-driving a Ferrari 166M [music] with Pierre Legoni and though they did not finish the entry itself was a genuine competitive commitment. He returned to Le Mo in 1953 in a Ferrari 250mm, again without finishing, competed at Sebring multiple times and drove the Carrera Panameana in Mexico, the most dangerous road race in the world, across thousands of miles of open highway. When he drank, he took out his guitar and played, "I'm just a jigalo." Not with irony exactly, but with a kind of amused self-awareness that charmed everyone in the room. And when Tucky Theodor Aopoulos wrote about him in Vanity Fair, he described a man whose friends adored him not because of his conquests or his wealth, but because of his company, his guitar and his bongos, his stories, his total lack of affectation, and his absolute indifference to the judgment of anyone outside his immediate circle. He made each woman feel that she was the most important thing in the world, one friend told Vanity Fair. And the observation captured what made Rubio Rosa simultaneously irresistible and destructive. The attention was real while it lasted, and it never lasted because the quality that made him so effective as a seducer, the ability to focus his entire being on a single person with an intensity that felt like love, was a talent rather than a feeling. And talents can be redirected at will. and Rubio Rosa redirected his with a frequency that left the previous recipient standing in an empty room wondering what had changed. The paradox of his reputation was that the men who knew him best, the men who played polo with him and drank with him and watched him operate at close range for decades described him with a warmth that his treatment of women would seem to make impossible.

[00:35:55]Sinatra adored him. Nan found him irresistible company. Cassini considered him one of his closest friends and wrote about him with the kind of detailed, affectionate precision that suggests genuine intimacy rather than social performance. None of these men were easy to fool, and none of them were in the business of admiring people for their reputations alone. What they saw in Rubio Rosa was something that the gossip columns and the tabloid coverage and the peppermill jokes could not capture. A man who was genuinely physically brave, who played polo with the commitment of a professional athlete, who drove racing cars at speeds that could kill him and accepted the risk as part of the cost of doing business, and who treated his male friendships with a loyalty and a warmth that he was constitutionally incapable of extending to the women he pursued.

[00:36:48]The men got the real Rubio Rosa. The women got the performance.

[00:36:54]Ole Cassini, the fashion designer who was one of his closest friends, offered the most precise portrait of his daily routine in these final years. wake around 9, [music] breakfast in the garden, 30 minutes boxing in the private ring he had installed at the house, then into jodpers and boots, drive a Ferrari into the bard de Bologn to work the polo ponies at Bagotel, lunch at one of the good restaurants on the right bank, dressed for the evening, [music] and then the nightclubs, jimmies in Montanas, Reines, the Calvados, wherever the evening took him, never before midnight, sometimes not until morning.

[00:37:34]Odal. After the Hutton marriage collapsed and the Gabbor entanglement resumed its semicontinuous orbit, Rubio Rosa found himself in a condition his friends had never witnessed, and that his biography to that point would not have predicted, genuinely, involuntarily in love.

[00:37:51]He met Odil Roda in Paris sometime in 1955 or 56, accounts differing slightly on the exact date. She was 19 years old, a drama student and aspiring actress, small and dark-haired and possessed of a composure that her admirers attributed to intelligence and her detractors to youth. He was 46, the most notorious romantic predator on two continents. A man whose four previous marriages had collectively lasted less than 3 years in total. The asymmetry was extreme and apparently irrelevant. He pursued her with a seriousness that his friends found baffling and his ex-wives would not have recognized. They married on October 27th, 1956 in a ceremony near Paris, and a press conference at his home the following day produced one of the few photographs in which Rubosa appears genuinely happy rather than performing happiness.

[00:38:47]What distinguished this marriage from all the others was the quality of feeling Rubosa described in the rare moments when he spoke about his private life at all. "All my life I have controlled women," he told at least one interviewer. "Every woman I have ever met, except this one. She is under my skin." The admission was startling from a man who had always projected absolute control, and his friends confirmed that it reflected something real. Odal did not defer to him, did not fear him, and was not impressed by his reputation in the way that earlier women had been. She held her position with the confidence of someone who had nothing to prove, and it worked on him in a way that all the wealth and glamour and desperate adoration of his other relationships had not. They settled into domestic life in a 17 room country house at Man Locket, a chic residential suburb southwest of Paris. Rubio Rosa kept his polo horses at Bagotel and his Ferraris in whatever garage could accommodate them. He flew, he drove, he played polo, he attended parties that lasted until dawn. He came home to Mand Lacquette. For 9 years, Odal was there when he returned. The marriage outlasted his four previous marriages combined. On the morning of July 5th, 1965, he drove home from one party too many and did not arrive. Odil survived him. She was 28 years old when the silver Ferrari struck the horse chestnut tree, and she had been married to the most famous womanizer of the 20th century for 9 years, longer than his four previous marriages combined, a duration that suggests either extraordinary patience on her part, or something in the relationship that the outside world, which had spent decades cataloging Rubio Rosa's conquests, could not see from the outside.

[00:40:38]What his friends observed in the years of the odal marriage was a man who came home. He still played polo, still raced, still attended the parties that lasted until dawn, still exercised the social magnetism that had organized his entire adult life. But he came home which was something he had never done for Flora de Oro or Dario or Duke or Hutton. And the fact that Odal was the one person in his life who had the effect of making him return to a fixed address at the end of the evening rather than continuing to the next woman and the next room and the next city was the closest thing to a transformation that Pfiio Rubioa ever experienced.

[00:41:18]It was not enough to save him. Nothing was going to save a man who drove a Ferrari with a wooden racing steering wheel through the Bologn at 8:00 in the morning after drinking until 6.

[00:41:30]But it was in the specific and limited sense available to a man of his particular construction, something that resembled love, and his friends said so.

[00:41:40]And Odal's [music] presence in the final years of his life gave the story an ending that was sad rather than merely inevitable.

[00:41:50]The diplomat's twilight. The assassination of Rafael Trujillio on the night of May 30th, 1961 was conducted by seven conspirators who intercepted his blue 1957 Chevrolet Bair on the Malacon Highway and left his body with 27 bullet wounds. The weapons having been supplied by the CIA through a contact operating under the alias Plato Cox and an American expatriate who delivered the gun parts. concealed in specially marked food cans. For Rubosa, the news arrived like a sentence, everything he possessed, his diplomatic title, [music] his immunity from prosecution in two countries, his unique position as inspector of embassies, a role created specifically for him that required no fixed residence and no specified duties, and amounted to a salary in exchange for his social performance around the world.

[00:42:42]All of it derived from a single source that had just been extinguished on a seafront road.

[00:42:48]His first instinct was political survival. Ramfist Trujillo, the dead dictator's son and Rubarosa's closest friend, [music] took temporary command and executed most of the conspirators in retaliatory killings that shocked even the regime's supporters. Rubosa threw his support behind Ramface and traveled to Washington to lobby the Kennedy administration to recognize the new government. A White House oral history later revealed the nature of the reception.

[00:43:18]Rubosa is not a friend of the presidents. A Kennedy aid told interviewers, "He is a buddy of Steve Smith and the ambassador, an old social friend. The president knocked him." The lobbying failed entirely. By November of 1961, the Trujillo family had been pressured into exile in Spain. In January of 1962, the new government terminated Ruby Rosa's diplomatic appointment. The mathematics of his existence became stark without the title and the subsidy.

[00:43:50]The alimony from Doris Duke had been terminated when he married Odil in 1956.

[00:43:57]The Hutton settlement had been spent.

[00:43:59]The fishing fleet had been sold. The coffee plantation in the Dominican Republic was an illusion of income in a country undergoing upheaval.

[00:44:08]What remained was the house at man's lacquette, the Ferraris, the horses, and the social architecture of a world that was beginning to find his particular kind of man anacronistic.

[00:44:20]Rampus, exiled and broken, crashed a sports car on December 17th, 1969, and died 10 days later at 40 years old. The two men who had been the most glamorous players in the Trujillo world, both killed behind the wheels of fast cars before they reached 60. Some of Rubio's friends thought they detected something beneath the performance in his final months, a flatness, a slight withdrawal of the famous total attention that had been his most effective social instrument. Cassini later questioned whether the crash that killed him was entirely accidental or whether something else, depression, fatigue, and unconscious indifference to the outcome had played a role. The question has never been settled, and the people who knew him best were divided on the answer. Some believed the crash was simple fatigue and alcohol operating on a man who had been awake for 24 hours and driving a car whose wooden steering wheel was designed for racing circuits rather than pre-dawn commutes. And others believed that something in the last years, the loss of the diplomatic title, the dwindling of the money, the growing awareness that the world he had been built for was evolving into something that had no particular use for his skills, had produced a condition that was not quite despair, but was close enough to it that the difference between survival and catastrophe had narrowed to a margin that a horse chestnut tree on the Avenue de la Margarite could [music] fill. What is certain is that he was 56 years old, still playing polo at the highest competitive level he had ever reached, still married to the only woman he had ever loved in any way that his friends recognized as genuine. And still, after everything, driving too fast.

[00:46:14]The crash. On the afternoon of July 4th, 1965, Rubio Rosa's team Siba La Pampa won the coupe to France at the Bagotel Polo Club in the Bad Deoin, the polo championship of France, the prize his team had been contending for throughout his career. It was the pinnacle of his sporting life, a genuine competitive achievement earned over decades of serious play by a team he had founded, named, funded, and captained. He was 56 years old. It was the best day of the last years. The celebration moved from Bagotel to dinner and then to Jimmy's nightclub in Mont Panas where the party for the championship continued through the night. Taki Theodora Copulos, the gossip columnist and polo player in Rubio's circle, was present and later described the scene. He left at approximately 3:00 in the morning to catch a train to Nice for a tennis tournament. And at the moment of his departure, Rubio Rosa was at the center of the room, still going. The last person who spoke to Rubio Rosa appears to have been his friend and fellow polo player Henrique Jales, who was at Jimmy's until the party finally ended.

[00:47:23]Rubio Rosa walked out into the morning sometime after 6. The streets of Montanas were empty. He drove his silver Ferrari 250 GT Cabriolet West through the 15th Arondismo toward the Buologn heading for the bridge at Suren and the road home.

[00:47:42]The route took him through the park itself along the Avenue Delaren Margarite, a broad treelined avenue within sight of the Bagotel Polo Club where he had played for 17 years. At approximately 8:00 in the morning, the Ferrari clipped a parked car. The impact jammed the steering and with the wheel locked, the car crossed the pavement and struck a horse chestnut tree head on.

[00:48:05][music] The wooden racing steering wheel shattered and the column drove into his chest. A passing ambulance found him at the roadside and took him toward the Hopital Fosch in Surenes, the same hospital where his friend Prince Ali Khan had died 5 years earlier after his own crash. Rubio Rosa died in the ambulance before reaching it. The New York Times ran the story on its front page. Porfiio Rubio Rosa is killed as auto crashes in Paris. He was buried at the Cimemetia demands Lacquette, the village cemetery of the suburb where he and Odil had lived. He left no children.

[00:48:42]He left almost no money. The house on the ru deellas had been sold years before. The horses, the Ferraris, the bombers, all gone. What his estate contained amounted to very little beyond personal effects. He had consumed everything as he went, converting inherited patronage and extracted wealth and physical charisma and five languages. And a gift for making women feel seen into a life that produced no durable assets, no institutions, no foundations, no endowments, no buildings with his name on them, and no children to carry forward whatever it was that he had been. The life itself was the product. The Ferraris and the bombers and the polo ponies and the fishing fleets and the houses in Paris were not investments or trophies, but fuel consumed as fast as it arrived. And when the supply stopped, the man who had built an entire existence on the assumption that the supply would never stop discovered that an existence built on consumption has the structural integrity of smoke. Odal was left with the house in Manlac Coette and the memory of nine years with a man whose friends described as the most charming human being they had ever encountered and whose biographer Sha Levy arrived at a conclusion that is both accurate and somehow insufficient.

[00:50:02]There will never be anyone else like Pfiio Rubio. And indeed the really amazing thing is that there ever was.

[00:50:12]The ghost in the peppermill. The cultural afterlife of Pfiio Rubio Rosa is larger and stranger than the man himself because the qualities that made him famous were absorbed into products, characters, and brand identities [music] that stripped away his origins while preserving his aesthetic. Ian Fleming died 11 months before Rubio Rosa's crash at the same age, 56, and never confirmed or denied that Rubio Rosa had inspired James Bond. The circumstantial case assembled by forensic historian Daniel J. Vulkar and elaborated by actor Chris Rivas is genuinely compelling. Both were multilingual operatives who served their governments as intelligence assets during the same wartime years. Both were polo players, race car drivers, and pilots. Both moved through the same casinos and hotels and social circles.

[00:51:03]And Fleming set his novels in the Caribbean precisely because he knew it from his own experience as a naval intelligence officer, fictionalizing the exact world Rubio Rosa inhabited.

[00:51:15]The reason Fleming never publicly acknowledged the debt, if debt there was, is not difficult to identify. Rubio Rosa was a mixed race Caribbean man in an era when the British cultural apparatus required its heroes to be white, Anglo, [music] and unambiguously metropolitan. And as Rivas observed, race and ethnicity almost certainly prevented any public acknowledgement.

[00:51:38][music] Harold Robbins's 1966 novel, The Adventurers, featured a character named Dax Zenos, a Latin American diplomat playboy that was immediately universally and correctly understood to be a Roman a cleft version of Rubio Rosa. Keeping a fictionalized version of his legend alive for an audience of millions who had never heard the actual name. Ralph Lauren launched his Polo line in 1967 and incorporated as Polo Ralph Lauren in 1968, 3 years after Rubar Roza's death, naming the brand not after a sport, but after a world, a specific image of effortless masculine elegance that the sport evoked. And Dominican scholars have argued that the polo player on horseback that became the brand's most enduring visual signature carries in spirit the ghost of a Caribbean man of color whose aesthetic became one of the most commercially successful brand identities in American fashion history with his identity thoroughly laundered in the process. And the peppermill remains at Maxims and at every restaurant that inherited the usage. The largest peppermill on the table is still called a rubio. The most intimate and most absurd cultural remnant of a life that was lived from beginning to end at a velocity that the wooden racing steering wheel of a silver Ferrari was not built to sustain.

[00:53:02]The crash site on the Avenue de Laren Margarite [music] is unremarkable today.

[00:53:07]A tree among trees, a curve among curves, a patch of Paris that reveals nothing about what happened there at 8:00 on a July morning. The Bagotel Polo Club still operates in the Bah de Buloon.

[00:53:21]The Long Racecourse still holds meetings in the spring. The road still runs through the morning. Before this video, had you heard of Pfiio Rubio?