He Sold His Soul for Eternal Youth... His Portrait Paid the Price (1970 Horror)

[00:00:02](lamp squeaking) - [Man] That's impossible.

[00:00:05]- Impossible?

[00:00:07]- [Man] Oh my God, my God.

[00:00:10]Forgive me.

[00:00:11]What have I done?

[00:00:13]- Stop it!

[00:00:14]What are you praying for?

[00:00:15]- [Man] Shut up.

[00:00:16]You've already done enough in your life, Dorian.

[00:00:19]- It's your fault!

[00:00:20]You and that bloody, stinking portrait!

[00:00:22](dramatic music) (eerie hissing music) (gentle music) (panting) (tense music) (scary music) (gentle music) (fire crackling) (people chattering) - Good evening, ladies and gentlemen.

[00:04:40]My name is Beau.

[00:04:42]I hope you're going to enjoy the show.

[00:04:44]And the first number I'm going to this evening is straight dance movement.

[00:04:47]So off we go, thank you.

[00:04:48](lively player piano music) (audience laughing) - [Man] Watch yourself, Jack, watch yourself.

[00:05:25]Hot shot.

[00:05:26]Come on, come on.

[00:05:41](audience applauding and laughing) - I can't see this going down in your aunt's old folks home, you know.

[00:05:50]- Might be exactly what they need.

[00:05:51]Stimulate the old boys and the old girls.

[00:05:53](Dorian chuckles) - [Audience] Ooo. (cymbals crashing) - Let's go.

[00:06:00]I don't think Aunt Joy would be awfully amused, do you?

[00:06:02]- [Alan] Yes, let's.

[00:06:02]- That'd be far to camp for her.

[00:06:05](drum rolling) (audience applauding and cheering) - We have been round half the clubs of London and it's not exactly my cup of tea either.

[00:06:17]I'm going home.

[00:06:18]- Yeah, me too, I wanna start early tomorrow.

[00:06:19]9:00, okay?

[00:06:20]- Oh you're a great help.

[00:06:21]What are we going to do for the entertainments?

[00:06:23]- Why not try a taste of scotch?

[00:06:25]- Oh.

[00:06:26](Basil laughs) In clean glasses.

[00:07:13]- [Romeo] Break.

[00:07:15]It is the east and Juliet is the sun.

[00:07:16]Arise fair sun and kill the envious moon who is already sick and pale with grief.

[00:07:22]- [Juliet] Oh Romeo, Romeo, wherefore art thou Romeo?

[00:07:27]Deny thy father and refuse thy name and I'll no longer be a Capulet.

[00:07:34]'Tis but thy name that is my enemy.

[00:07:38]Thou art thyself but not a Montague.

[00:07:43]What's a Montague?

[00:07:45]Oh be some other name.

[00:07:47]What's in a name?

[00:07:51]That which we call a rose by any other name-- - [Sybil And Dorian] Would smell as sweet.

[00:07:57]- Who are you?

[00:07:58]- I'm the audience.

[00:08:00]- You're a bit early, aren't you?

[00:08:02]The show doesn't start for two days.

[00:08:04]I'm only rehearsing.

[00:08:06]- I'm sorry.

[00:08:06]- Don't go.

[00:08:08]Are you an actor?

[00:08:10]- (chuckles) No.

[00:08:10]- You ought to be.

[00:08:12]You're really good looking.

[00:08:13]- I'd never remember a line.

[00:08:16]You must have to rehearse a lot.

[00:08:18]I'd better let you get on with it.

[00:08:20]- You can stay if you like as long as you're not a critic.

[00:08:23]- No, I'm a student.

[00:08:24]- Good.

[00:08:26]I think I'll have a little break.

[00:08:31]Do you want some?

[00:08:32]- [Dorian] Thanks, I'm hungry.

[00:08:34]- Here.

[00:08:38]- Aren't you?

[00:08:40]- I'm a starving actress.

[00:08:41](gentle music) (both laugh) (moving to upbeat music) - [Romeo] By love that first did prompt me to inquire.

[00:10:38]He lent me counsel and I lent him eyes.

[00:10:41]I am no pilot.

[00:10:43]Yet, wert thou as far as that vast shore washed with the farthest sea, I would adventure for such merchandise.

[00:10:50]- [Sybil] Thou know'st the mask of night is on my face, else would a maiden blush bepaint my cheek for that which thou hast heard me speak tonight.

[00:10:58]Fain would I dwell on form.

[00:11:00]Fain, fain deny what I have spoke.

[00:11:04]But farewell compliment!

[00:11:07]Dost thou love me?

[00:11:07]- [Romeo] Oh, aye.

[00:11:08]- [Sybil] I know thou wilt say aye, and I will take thy word.

[00:11:12]Yet if thou swear'st (gentle music) thou mayst prove false.

[00:11:16]At lovers' perjuries, they say, Jove laughs.

[00:11:19]Oh gentle Romeo, if thou dost love, pronounce it faithfully.

[00:11:24]Or if thou think'st I am too quickly won, I'll frown and be perverse and say thee nay, so thou wilt woo.

[00:11:31]But else, not for the world.

[00:11:34]In truth, fair Montague, I am too fond, and therefore thou mayst think my 'havior light.

[00:11:42]But trust me, gentleman, I'll prove more true than those that have more cunning to be strange.

[00:11:48]than those that have more cunning to be strange.

[00:11:57](horn honking) - No!

[00:12:06](both laughing) My virginity shocked you, didn't it?

[00:12:10]- Mmm, surprised me, yes.

[00:12:13]- Lots of girls are virgins.

[00:12:16]- Well, I suppose they have to be to begin with.

[00:12:19](Sybil chuckles) - They just pretend they are.

[00:12:23](Dorian laughs) - Why, why me?

[00:12:30]- Well, you are beautiful, but I don't think it was only that.

[00:12:36]Maybe because you, maybe because you obviously wanted me and didn't try to get me (giggles).

[00:12:42]I don't know, but I'm glad.

[00:12:45]I hope you are.

[00:12:48]- Yes, I am, I'm very glad.

[00:13:01]- This is where I live with my mother.

[00:13:04]- But you said you lived out of town.

[00:13:06]- I wanted to keep you with me.

[00:13:10]- [Dorian] You're very honest.

[00:13:12]- Let's always be honest with one another whatever we have to pretend for the rest of the world.

[00:13:16]- Yes, oh yes.

[00:13:29]She's not only beautiful, Basil, she's talented, too.

[00:13:34]- I'll bet she is.

[00:13:36]- [Dorian] You should see her act.

[00:13:38]- Oh, I'd love to, old boy.

[00:13:39]You know I've always adored strippers.

[00:13:41]- Damn you!

[00:13:42]She's not a stripper.

[00:13:43]- No, she's a great tragic actress.

[00:13:46]- She strips for you I hope.

[00:13:49]- [Dorian] Don't talk like that about her.

[00:13:51]- Honestly, Dorian, you're just not believable.

[00:13:53]Your sheltered education or something has made you the last truly innocent man in the world.

[00:13:59]- Sybil is absolutely unique.

[00:14:02]She's fantastic.

[00:14:05]She's divine.

[00:14:07]I wish you could meet her.

[00:14:09]- Yeah, she sounds like a nice little girl and I'm very happy for both of you.

[00:14:15]I can't get these lips right.

[00:14:18]Stand still please, look at me.

[00:14:24]I can see that we're not getting much work done today.

[00:14:27](horn honking) - [Dorian] Who are they?

[00:14:34]- Oh Mr. Business and Miss Pleasure, Henry Wotton and his sister.

[00:14:40]Break for coffee and business.

[00:14:42]We'll try again later.

[00:14:43]- Never mind.

[00:14:44]I'll go take a shower.

[00:14:45]I've had enough.

[00:14:50]- These pictures are beautiful, aren't they?

[00:14:52]- Dear little sister, don't try so hard.

[00:14:54]Everyone knows you hate paintings but adore painters.

[00:14:58]Basil, I'd like to reserve some of these for the gallery, is that all right?

[00:15:03]- [Basil] If reserve is dealer's jargon for buy, you're on.

[00:15:06]- Henry!

[00:15:07]Look at this!

[00:15:08]Even I can see it's beautiful.

[00:15:13]- I'd rather you didn't look at that yet.

[00:15:14]It's, it's not finished.

[00:15:22]- This is the most remarkable thing you've ever done, Basil.

[00:15:26]I didn't even know you did portraits.

[00:15:31]- [Basil] I don't often, it's one of the few.

[00:15:33]I did it because the subject is unique, an extraordinary combination of pure beauty and male virility, incredibly sensual, timeless.

[00:15:41]- [Henry] And eternally youthful, hmm?

[00:15:45]- I don't know about eternity, but he'll certainly do for the moment.

[00:15:49]- [Henry] I must have it for the gallery, Basil, please.

[00:15:51]I know it'll bring you the most fantastic success.

[00:15:53]I'll see to it.

[00:15:54]- [Basil] I don't want to exhibit it.

[00:15:57]- Why ever not, dear boy?

[00:15:58]- I just don't that's all.

[00:16:00]It means too much to me.

[00:16:02]- Oh really?

[00:16:03](laughs) - The painting, Henry, purely the painting.

[00:16:05]I haven't changed my tastes in other respects.

[00:16:08]Somehow this fascinates me and I don't know why.

[00:16:13]I'm just not ready to sell it yet, that's all.

[00:16:15]- [Henry] Oh well, we'll just have to hope the market's still open for it when you're ready.

[00:16:19]- [Basil] On this one I'll take that chance.

[00:16:20]- He really is too much, isn't he, Henry?

[00:16:22]- [Henry] You could say that.

[00:16:24]- [Gwendolyn] The way he moves?

[00:16:25]- [Henry] Hmm?

[00:16:30]I see what you mean.

[00:16:32]Who is he?

[00:16:33]- [Basil] His name's Dorian Gray.

[00:16:36]- [Henry] Dorian Gray.

[00:16:37]- [Basil] You probably know his aunt, Zoe Brandon.

[00:16:42]- Oh yes, of course.

[00:16:45]I really think we should meet him.

[00:16:51]- All right, come on, I'll introduce you.

[00:16:56]Dorian, this is Henry Wotton and his sister, Gwendolyn.

[00:16:59]- [Dorian] Hello.

[00:17:04]- Your aunt has talked about you.

[00:17:05]- [Dorian] Without much kindness I imagine.

[00:17:08]I'm not doing too well on her charity committee.

[00:17:10]- Mrs. Brandon really is indecently preoccupied with charity.

[00:17:13]- Why not?

[00:17:14]It helps suffering I suppose.

[00:17:16]- You really think so?

[00:17:17]There's something terribly morbid about the young sympathizing with pain and suffering.

[00:17:22]- Ignore him, Dorian.

[00:17:24]Henry fights conventional reactions as a sort of intellectual habit.

[00:17:27]It helps him protect his own vices.

[00:17:30]- What is vice anyway?

[00:17:32]Simply pleasure without shame.

[00:17:34]- Here we go, the epigrams of Oscar Wilde-- - [Henry And Basil] Badly edited by Henry Wotton.

[00:17:41]- Basil, come to dinner.

[00:17:42]- I don't think I want him to dinner.

[00:17:44](Basic and Gwendolyn laughing) - Dorian, Basil's coming to dinner.

[00:17:48]Please come, too.

[00:17:49]- Thanks, but I can't.

[00:17:52]- Dorian fell in love yesterday.

[00:17:53]He's probably getting married tonight or at least going on his honeymoon.

[00:17:56]- Better to have the honeymoon before.

[00:17:58]Marriage spoils everything.

[00:17:59]- Why marry?

[00:18:02]Men marry because they are tired of life.

[00:18:04]Women because they're curious, but both are disappointed.

[00:18:08]- And love?

[00:18:09]- What about it?

[00:18:11]Usually, it becomes a brutal battle for possession.

[00:18:15]Ideally, one should enjoy everything and possess nothing.

[00:18:19]Difficult, Dorian, but you should try it.

[00:18:23]Olive?

[00:18:29](lively rock music) - [Mother] Oh turn that damn music down, Sybil.

[00:18:59]- All right.

[00:19:09]- Jim!

[00:19:13]Jim, don't go.

[00:19:17]Kiss.

[00:19:20]You're jealous.

[00:19:21]- But you don't even know who he is.

[00:19:23]- I will in time and meanwhile I'll love him.

[00:19:26]He's my Sir Galahad.

[00:19:28]- You're hopeless, Sybil.

[00:19:29](horn honking) - Bye, Jim.

[00:19:33]Sir Galahad is waiting for me.

[00:19:34]- [Jim] Don't be late.

[00:19:36]- Bye.

[00:19:39]Back for supper. - All right, dear.

[00:19:52]- Did she tell you anything about him?

[00:19:54]- No, it's a great big secret.

[00:19:57]So romantic.

[00:19:59]Oh, what are you so worried about, James?

[00:20:01]Nat just have to have her admirers.

[00:20:02]I had dozens.

[00:20:04]We're indecent, James.

[00:20:27](sheep bleating) - Where are we going?

[00:20:40]- Surprise.

[00:20:46]This is Selby Cottage.

[00:20:47]- [Sybil] Oh, is it really yours?

[00:20:49]- My parents left it to me.

[00:20:52]Come on.

[00:20:56]This way the land reaches right to the sea and over there to the wood.

[00:21:00]- [Sybil] My God, Sir Galahad, you're a landowner.

[00:21:05]A filthy capitalist.

[00:21:07]- [Dorian] It's not worth much you'll see.

[00:21:13]- But there's nothing here.

[00:21:14]- I told you it's almost falling down.

[00:21:19]- It must've been beautiful once.

[00:21:23]It's sad.

[00:21:23]- I have a surprise for you.

[00:21:25]Look!

[00:21:34]- You've had girls here before!

[00:21:36]- Never.

[00:21:37]- Liar!

[00:21:39]Find yourself another idiot for your dirty weekends at your worthless, crummy cottage.

[00:21:44]- Sybil!

[00:21:46]Sybil!

[00:21:47](gentle music) Sybil, wait for me!

[00:22:09]- You have to catch me first.

[00:22:29]- [Sybil] Now you must ask me to forgive you.

[00:22:32]- [Dorian] No.

[00:22:35]- [Sybil] For asking me to marry you.

[00:22:38]- [Dorian] All right, Mrs. Sybil Gray.

[00:22:41]- [Sybil] But I want to act.

[00:22:45]- [Dorian] You shall, my darling.

[00:22:49]- [Sybil] You mean you don't want me to give up my career?

[00:22:56]- [Dorian] Not if you come home to me every night.

[00:23:01]- [Sybil] Oh, Dorian.

[00:23:10](upbeat romantic music) - Alan, come on, give me a hand.

[00:23:42]- All right.

[00:23:44]- Be careful.

[00:23:44]- Dorian, give me (people chattering) the telephone number of that friend of yours, the painter.

[00:23:49]The other lounge needs painting.

[00:23:52]- Aunt Zoe, Basil's not a house painter.

[00:23:55]- I'm sure he'd be able to manage it all the same.

[00:23:58]- Give her the number.

[00:24:01]Charitable people have no humanity or humor, Dorian.

[00:24:05]- Oh, Mr. Wotton, you finally decided to support my cause.

[00:24:10]- I'd rather just give a donation.

[00:24:11]- Oh.

[00:24:13]Oh you cynics are all so warmhearted.

[00:24:18]Thank you.

[00:24:19]- You see what it's costing me to see you again.

[00:24:23]- You know Dorian, of course.

[00:24:25]- Yes we do.

[00:24:26]- He's avoiding all his old friends.

[00:24:28]Basil fears he'll never finish that portrait.

[00:24:30]- I've been very busy.

[00:24:31]- So I hear.

[00:24:32]- Now, Dorian, write that number down nicely and legibly.

[00:24:36]And Mr. Wotton, now come and see our new home.

[00:24:40]We're building a new dormitory with all the special fittings required by the aged.

[00:24:47]- [Henry] All of them?

[00:24:47]- Yes, all.

[00:24:48]- How very convenient.

[00:24:50]- Aunt Zoe, Aunt Zoe, I'll show Henry around.

[00:24:52]All right? - Exactly, Mrs. Brandon.

[00:24:53]I should feel desperately guilty if you had to stop your work on my part.

[00:24:57]Come, Dorian.

[00:24:58]Show me the house.

[00:24:59]Thank you.

[00:25:00](people chattering) - [Zoe] No, no, Edna, don't put those-- - How does one get out of this mortuary?

[00:25:07]- This way, Henry, please.

[00:25:08]- [Zoe] Do I have to do everything myself?

[00:25:11]Now, with these all here-- - (sighs) We haven't seen each other for a long time.

[00:25:15]Cigarette?

[00:25:16]- No thank you.

[00:25:17]- How have you been?

[00:25:18]- Very well.

[00:25:19]- Good.

[00:25:20]This um, Sybil, um-- - Sybil Vane?

[00:25:24]- Hmm, she's not a very well-known actress is she?

[00:25:28]- She will be.

[00:25:29]I really believe she has genius, Henry.

[00:25:33]- Beware of women of genius.

[00:25:34]They can be dangerous.

[00:25:36](Dorian chuckles) You mustn't throw away your youth, Dorian.

[00:25:43]It's the only thing in the world worth having.

[00:25:45]You must enjoy it totally without reserve.

[00:25:49]God, if he exists, has been very generous to you, but he takes back his gifts very quickly.

[00:25:54]You only have a few years to live.

[00:25:55]- A few? - Really perfectly and fully I mean.

[00:25:59]You mustn't waste them on, on others.

[00:26:03]You must be your reason for living.

[00:26:08]One day you'll be old, wrinkled, and disgusting like these poor creatures.

[00:26:12]Your face will no longer please.

[00:26:16]The world belongs to the young and beautiful.

[00:26:18]It's yours, Dorian.

[00:26:19]You can have whatever it offers.

[00:26:21]- Is that our purpose in life, to get what we want?

[00:26:25]- The purpose of life is not our business.

[00:26:27]All we know is that we are stuck with it so why fight the desires and the needs we have?

[00:26:35]Every year that passes brings us nearer to this.

[00:26:40]The pulse dies down, we degenerate into hideous puppets haunted by the memory of what we've missed, hounded by regret for not having had the courage to yield to temptation.

[00:26:55]Youth lasts such a short time, Dorian.

[00:27:00]It lasts such a very, very short time.

[00:27:21]- There, finished.

[00:27:49]- He's fallen in love with your painting.

[00:27:52]- Or with his own beauty.

[00:27:53]I don't think he realized before.

[00:27:56]- Incredible isn't it, Dorian?

[00:27:59]One day, when even you've become an old and hideous puppet, this will still be beautiful.

[00:28:07]- Well, Dorian, what do you think?

[00:28:10]- [Henry] What's the matter, Dorian?

[00:28:13]- Why should I get old while this stays young?

[00:28:17]- Oh, don't ask me, I'm a painter not an alchemist.

[00:28:23]- Why can't it be the other way around?

[00:28:27]I would always be young while this grew old.

[00:28:31]My hideous puppet would be up there and I would never change.

[00:28:39]- Nice idea.

[00:28:39]Why don't we patent it?

[00:28:41]Drink anyone?

[00:28:45]- I would do anything to stay like that.

[00:28:48]I would give my soul to stay like that.

[00:28:56]- You see I was right.

[00:28:58]He is in love with himself.

[00:29:06]Oh, for God's sake, Dorian!

[00:29:09]It's a painting that's all.

[00:29:12]- I should never have let you do it, never!

[00:29:15]- All right then, to hell with it.

[00:29:19]- Are you mad?

[00:29:20]- It's a picture, Dorian, canvas and paint.

[00:29:22]I made it and I can destroy it!

[00:29:24]- No, it's part of me now.

[00:29:31]I don't know which part, but it's me.

[00:29:38]And it's mine.

[00:29:40]- All right, then, as soon as you're dry, you shall be varnished and framed and sent home and then you can do what the hell you like with yourself.

[00:29:51]- Of course, dear boy.

[00:29:53]I shall buy it for you as a present.

[00:29:55]As Basil says, he's only a painter and painters can only be paid.

[00:29:59]What happens after that we shall see.

[00:30:10]- We can't.

[00:30:11]You'll be late for the theater.

[00:30:12]- I don't care.

[00:30:13]I always wave to him from here when he goes away.

[00:30:16]There he is!

[00:30:17](bells tolling) Jim, Jim!

[00:30:25](boat puttering) (ominous music) (moving to somber music) This time he'll be away for a year.

[00:31:05]I'll miss him.

[00:31:06]- You're almost like lovers.

[00:31:07]- He brought me up really.

[00:31:09]My mother was hardly ever there.

[00:31:10]She kept working in the theater.

[00:31:12]- So your brother had to look after you.

[00:31:13]- Mmm, I think he'd kill for me.

[00:31:16]- Oh, charming.

[00:31:17](both chuckle) - He's madly jealous of you.

[00:31:19]- Then let's get out of here before he comes back to save you from me.

[00:31:22](chuckles) - You can't save someone who wants to be loved.

[00:31:31]- [Dorian] A little more to the right.

[00:31:33]That's it.

[00:31:35]- Dorian, how much longer are you going to be?

[00:31:40]I can't wait forever.

[00:31:42]We're late as it is.

[00:31:43]- [Dorian] Can't you see I'm busy?

[00:31:47]You'd better tell Aunt Zoe I can't make it.

[00:31:49]- In that case good bye.

[00:31:54]- Thank you, Mrs. Leif.

[00:31:56]What do you think?

[00:31:58]- My darling, I think the portrait is lovely.

[00:32:01]But no human being is that perfect.

[00:32:04]Sooner or later-- - Never.

[00:32:06]I'll never change.

[00:32:08]- You must admit you have to.

[00:32:11]My darling, you must change-- - [Dorian] Sybil, please, just forget it.

[00:32:15]- What's the matter, Dorian?

[00:32:17]- Nothing.

[00:32:21]- You've changed, you know.

[00:32:23]Something's changed you.

[00:32:25]- Oh no, Sybil.

[00:32:26]I'll never change.

[00:32:29]He may, but not me.

[00:32:34]- I don't like that idea at all.

[00:32:36]I'll get old and ugly and you'll stay eternally young and beautiful.

[00:32:40]You'd leave me.

[00:32:42]- I hate to think of you getting old.

[00:32:44]- You would leave me, wouldn't you, Dorian?

[00:32:47]If I weren't young and beautiful, too, you'd forget me no matter what I was like inside.

[00:32:54]- (chuckles) Inside?

[00:32:56]Who wants to know what filth is inside.

[00:33:00]Beauty is what we see, nothing else.

[00:33:07]Sybil, I can't make it to the theater tonight.

[00:33:11]- [Sybil] Henry Wotton again?

[00:33:13]- (chuckles) He wants me to meet some people.

[00:33:17]- Rich and influential ones of course.

[00:33:19]- Of course.

[00:33:21]Just rich, influential ordinary people who may be ghastly inside, but who look beautiful on the outside.

[00:33:28]- Please yourself.

[00:33:31]- I intend to.

[00:33:33](upbeat orchestral music) (people chattering) They are now.

[00:33:49]- There's our boy swimming easily into a few million pounds.

[00:33:52]- Mmm, even our hostess admires your style.

[00:33:57]- Well, here's to the death of innocence.

[00:33:59]- Mmm, what a lovely way to die.

[00:34:02]- What a marvelous party, Mrs. Ruxton.

[00:34:04]- Thank you, Basil.

[00:34:05]Enjoy yourself.

[00:34:06]- I will.

[00:34:08]- So nice of you Americans to buy up our status homes.

[00:34:10]We didn't know what to do with them.

[00:34:13]- Where's Henry, my dear?

[00:34:15]- Oh, if it's information about Dorian Gray that you want, maybe I can help you.

[00:34:20]- I'm sure you could, darling, but a man like Henry always knows more about men than women do.

[00:34:35]I would like Dorian.

[00:34:38]- Violent guns are firing and sell them volumes of plane, Dorian.

[00:34:42]War is good business, ghastly as it is.

[00:34:45]- Not as ghastly as bad business.

[00:34:47]- Quite, quite.

[00:34:47]- War is horrible, Jeffrey.

[00:34:50]You shouldn't make money out of it.

[00:34:53]Anyway, I support the Korean Refugee Fund.

[00:34:58]- Never marry a charitable woman.

[00:35:00]They're sentimental and expensive to run.

[00:35:03]- Clouston is a true businessman.

[00:35:04]Like a real killer, he makes war while the enemy talks peace.

[00:35:07](Clouston laughs) Dorian.

[00:35:11]- Yeah?

[00:35:13]- Patricia here wants to talk peaceful business with you, peaceful but profitable.

[00:35:18]You'll find she's a most surprising woman, aren't you darling?

[00:35:21]When her third husband died, her hair turned quite gold from grief.

[00:35:25]- (laughs) Oh, that's not true (mumbles), no, it turned auburn, titian to be exact.

[00:35:32]- Anyway, she's enormously enterprising.

[00:35:34]She develops property.

[00:35:35]So I told her about Selby.

[00:35:37]- Yes, it sounds perfect for a luxury hotel.

[00:35:41]I can see vacation cottages, pools, squash courts, the lot.

[00:35:47]Do you want to sell it, Mr. Gray?

[00:35:49]- Well, I'm very fond of my house.

[00:35:52]- (laughs) Oh that.

[00:35:54]Of course you can keep it.

[00:35:56]- I don't think it'll do any good, Patricia.

[00:35:57]I know he's already turned down half a million for the place.

[00:36:02]- Well, we rich people aren't interested in money.

[00:36:05]So dull, don't you think?

[00:36:06]- (chuckles) Everything I've found has its price.

[00:36:12]- Indeed, but sometimes one simply hasn't got it, Patricia.

[00:36:15]Enjoy your business conference, darlings.

[00:36:19]- Okay, he's a good friend, but we both know that Selby isn't worth that much, don't we?

[00:36:28]- I think if you want something desperately it's worth whatever you've got.

[00:36:35]- I've got a lot, Dorian.

[00:36:37]So why don't we have a quiet little talk about it together sometime?

[00:36:42]- Yes.

[00:36:45]Why don't we?

[00:36:46]- All right, come to see me tomorrow.

[00:36:49]That suit you, Dorian?

[00:36:51]And we can discuss everything that will, uh... Dorian?

[00:36:58]Dorian?

[00:36:59](lively orchestral music) (people chattering) - Dorian, Dorian?

[00:37:50]Where are you?

[00:37:53]- I'm here.

[00:37:55]- Let's go somewhere and finish these.

[00:37:56]- Unless it's really exceptional I'm not moving.

[00:37:58]- Well, I've got the most marvelous idea.

[00:38:00]- Oh good.

[00:38:01]- Well, what is it?

[00:38:02]- [Sybil] Oh comfortable Friar!

[00:38:04]Where is my lord?

[00:38:06]I do remember well where I should be, and there I am.

[00:38:10]Where is my Romeo?

[00:38:12](Patricia yawns) - I hear some noise, lady Come, come away.

[00:38:17]Thy husband in thy bosom there lies dead, and Paris too.

[00:38:21]The watch is coming.

[00:38:22]Good Juliet, I dare no longer stay.

[00:38:26]- [Sybil] Go, get thee hence, for I will not away.

[00:38:33]What's there in my true love's hand?

[00:38:43]Poison, I see, hath been his timeless end.

[00:38:47]Oh churl, drunk all, and left no friendly drop to help me after.

[00:38:52]I will kiss thy lips.

[00:38:55]Haply some poison yet doth yet hang on them... - [Woman] To make me die.

[00:39:00]- To make me die with a restorative.

[00:39:13]- [Woman] Thy lips are warm.

[00:39:14]- Thy lips are warm. - Why don't you learn your words?

[00:39:16](audience coughing) - [Watchman] Lead, boy.

[00:39:19]Which way?

[00:39:20]- (gasps) I hear a noise.

[00:39:22]- [Audience Member] Learn your lines.

[00:39:23]- Then I'll be brief.

[00:39:25]Oh happy dagger.

[00:39:26]- [Audience Member] Use the bloody thing.

[00:39:28](audience laughing) This is thy sheath.

[00:39:30]- [Audience Member] (clapping) Yeah.

[00:39:31](screams) (audience member whistles) - [Woman] And let me die.

[00:39:35]- [Sybil] There rust and let me die.

[00:39:42]- Poor little thing, she really hasn't a clue. - Search about the churchyard.

[00:39:44]Pitiful sight!

[00:39:46]Here lies the county slain.

[00:39:47]- Why don't we go to the go the Talk of the Town for a dance and a drink?

[00:39:50]- Oh God, no.

[00:39:52]Henry, let's all go to our place.

[00:39:56]- [Watchman] We see the ground whereon these woes do lie. - All of you can go.

[00:39:59]- [Watchman] The true ground of all these piteous woes.

[00:40:01]- Join us later.

[00:40:02]- [Watchman] Without circumstance descry.

[00:40:05]- [Prince] Seal up the mouth of outrage for a while, till we can clear these ambiguities and know their spring-- - She really is very lovely.

[00:40:15]Cheer up.

[00:40:16]- [Prince] And then will I be general of your woes, and lead you even to death.

[00:40:23]Meantime forbear, and let mischance be slave to patience.

[00:40:27]- She's just a little off this evening.

[00:40:29]Better to see the show another night, Dorian.

[00:40:33]We'll wait for you outside.

[00:40:35]- [Prince] The sun, for sorrow, will not show his head.

[00:40:37]Go hence, to have more talk of these sad things.

[00:40:40]Some shall be pardoned.

[00:40:43](Sybil laughing) - What the hell was wrong with you?

[00:40:48]Are you ill?

[00:40:54]- Oh God, what a fiasco.

[00:40:57]- You think it's funny.

[00:40:59]- I don't care about anything except us.

[00:41:02]Don't you see, I don't care.

[00:41:04]To hell with the theater.

[00:41:06]- You want me to be pleased?

[00:41:08]- Of course.

[00:41:09]Look, before the theater was everything to me.

[00:41:13]And then we happened.

[00:41:15]Suddenly I'm living it all, love, being love, happiness, jealousy, it's all really happening.

[00:41:23]I don't have to act it anymore.

[00:41:26]But when I saw you with those carnivorous women tonight, the theater finally died on me.

[00:41:32]- I see.

[00:41:32]Because you were stupidly jealous, you made a fool of me in front of my friends.

[00:41:41](horn honking) Look at the situation you've put me in.

[00:41:46]You're a bourgeois sentimental bore.

[00:41:49]- Dorian!

[00:41:50]Dorian! - May I borrow him for a moment?

[00:41:53]- Oh, be my guest, please.

[00:41:55]I'm leaving.

[00:41:56]I don't like you or any of your friends here tonight.

[00:41:59]Good bye.

[00:42:05](Patricia laughs) - More temperament than talent there, I'm afraid, Dorian.

[00:42:11]Now, about our deal, I think-- - Excuse me.

[00:42:22]Sybil!

[00:42:23]- [Sybil] Please, leave me alone.

[00:42:25]- Wait.

[00:42:27]Look, it's a misunderstanding.

[00:42:29]- Oh no, Dorian, it's an understanding.

[00:42:32]I'm beginning to understand what really makes you happy and I think I want to be sick.

[00:42:37]Go back to that revolting old woman.

[00:42:39]She'll give you what you want.

[00:42:40]I can't.

[00:42:43]- Look, you little fool.

[00:42:44]She's offering me a deal for half a million dollars.

[00:42:46]- I should've thought you'd have been worth a little bit more than that.

[00:42:49]Maybe I should tell her.

[00:42:50]He's not only beautiful, Mrs. Ruxton, but he's got the biggest-- (slap thuds) (Sybil grunts) (Sybil crying) (bus bell rings) Dorian!

[00:43:20]Dorian, don't leave me!

[00:43:31](bus bell rings) (horns honking) (tires screeching) - Well, I suppose one only learns by bitter experience.

[00:44:02]It's quite obvious she was becoming impossible.

[00:44:05]Premarital wives are unforgivable.

[00:44:08]And Sybil was no exception.

[00:44:13]- It's strange how things which you once believed were important, suddenly have no significance whatsoever.

[00:44:22]- It's life's way of proving that nothing is really very important at all.

[00:44:26]- (chuckles) You're right, Henry.

[00:44:28]You're almost always right.

[00:44:30]- (chuckles) How unbearable.

[00:44:31](clock bell rings) - Henry, say good night to Gwendolyn for me, will you?

[00:44:37]- Wait.

[00:44:40]She says it far better herself.

[00:45:04](gentle music) (clock ticking) - Who's there?

[00:47:10]Oh, it's you, sir.

[00:47:11]Good morning, sir.

[00:47:14]- What is it, Mrs. Leif?

[00:47:16]- You're up early this morning, sir.

[00:47:18]Shall I bring you a nice cup of coffee?

[00:47:21]- No, get out of here.

[00:47:23]I wanna be alone.

[00:47:25]Shut the door.

[00:47:37](creamer clanking) - The paint's normal.

[00:47:52]It doesn't have any type of corrosive in it.

[00:47:54](phone buzzing) - And the canvas?

[00:47:58]- No traces of mold or anything that could have damaged it.

[00:48:01]- [Man] Hello.

[00:48:02]- But why do you want this analysis made?

[00:48:05]- I found a crack in the painting and I, I don't want it to spread.

[00:48:10]I thought there might be some chemical explanation that's all.

[00:48:15]- Chemically it's quite normal, Dorian.

[00:48:17]I don't know what to suggest.

[00:48:20]- Alan.

[00:48:21]- Yes.

[00:48:22]- Can I ask you something?

[00:48:23]- Anything.

[00:48:24]- Do you think that the seen world can be influenced by the unseen world?

[00:48:29]- You mean the material world by what used to be called the spiritual?

[00:48:34]- Yes.

[00:48:35]Do you think it's possible for an object, any object I mean, to be changed.

[00:48:41]Can physical changes result from good or bad actions?

[00:48:46](horns honking) - They do all the time, don't they?

[00:48:49]I mean, every action produces a reaction.

[00:48:53]The chemistry of all organisms is affected by the way they live.

[00:48:58]But at a moral level I really couldn't say.

[00:49:00]You see, I'm a scientist.

[00:49:04]What's the matter, Dorian?

[00:49:06]- Nothing.

[00:49:07]Thank you for your help.

[00:49:08]- Not at all.

[00:49:09]- [Both] Bye.

[00:49:13]- [Woman] I never know how many-- - [Woman] Can I have a stamp?

[00:49:15](people chattering) - Urgent, please.

[00:49:18]- Miss Sybil Vane, 13 Court Road, London NW1.

[00:49:21]Forgive me for yesterday.

[00:49:24]Please come back to me.

[00:49:28]All my love, Dorian.

[00:49:29]Four shillings please.

[00:49:31]Thank you.

[00:49:32](woman and Dorian chuckle) - Henry.

[00:50:12]- I'm so sorry, Dorian.

[00:50:14]- Is Gwendolyn upset?

[00:50:16]- Gwendolyn?

[00:50:17]Why no.

[00:50:19]That girl of yours, Sybil Vane.

[00:50:21]- Huh, that's no problem, Henry.

[00:50:24]- I thought you'd be in a terrible state.

[00:50:25]- I was, but I decided I'm going to marry her.

[00:50:29]I'm calling her now.

[00:50:29]- You mustn't, listen.

[00:50:30]You obviously don't know.

[00:50:31]Sybil is dead, Dorian.

[00:50:36]- Dead?

[00:50:38]How?

[00:50:40]- Last night.

[00:50:43]- I don't believe it.

[00:50:44]- She threw herself... It's too horrible.

[00:51:00]- Where would they have taken her?

[00:51:02]- There'll be an inquest of course.

[00:51:04]So far your name hasn't been mentioned.

[00:51:05]Please keep out of it, Dorian.

[00:51:07]It's too painful.

[00:51:09]You must try and forget it.

[00:51:12]- Why should she do such a thing?

[00:51:15]We agreed not to own each other!

[00:51:18]- Well, she wanted to own and to be owned.

[00:51:21]When women fail in their desperate game, they often destroy instead.

[00:51:27]- I knew, yes, I knew, she was unstable.

[00:51:33]But to do such a thing to me!

[00:51:36]- It's not your fault, Dorian.

[00:51:38]- [Dorian] Are you sure?

[00:51:39]- Of course I'm sure.

[00:51:39]If a hysterical girl tried to-- - No, you don't know anything.

[00:51:42]Something's happening to me.

[00:51:45]Something terrible.

[00:51:49]Why should it be my fault because a girl kills herself because she was disillusioned?

[00:51:54]I was disillusioned too.

[00:51:57]What was I supposed to do?

[00:52:00]- Now, Dorian, keep your head.

[00:52:03]It's nothing to do with you.

[00:52:05]Look, we are all responsible for our own lives and nothing else.

[00:52:10]You understand me, Dorian?

[00:52:11]Ourselves and nothing, nothing else.

[00:52:15]Everything is yours, take it, enjoy it.

[00:52:20](somber music) Someone has killed herself for love of you.

[00:52:24]I envy you.

[00:52:26]The people who've loved me, very few but there were some, were obstinate and lived.

[00:52:31]They've become fat and boring and when I meet them they go in for reminiscences recalling the past.

[00:52:37]That's retched.

[00:52:39]- [Dorian] I don't feel the pain I ought to feel about Sybil.

[00:52:42]I honestly don't.

[00:52:45]I feel sorry, of course, but that's all.

[00:52:58]- [Henry] You were already tiring of her.

[00:53:00]You deserve more out of life than Sybil could bring you, much more.

[00:53:05]You deserve much, much more.

[00:53:14](horse whinnying) (dog barking) - And this is my notorious Prince Charming there.

[00:53:27]Good boy.

[00:53:28]- Why notorious?

[00:53:31]Is he dangerous?

[00:53:32]- Oh no, not as long as he taken to stud regularly and that tends to keep all you restless boys happy, doesn't it?

[00:53:38](chuckles) - It seems rather unfair that the owner of the stallion should collect the horse's fee.

[00:53:43]- (chuckles) Oh, he doesn't care.

[00:53:45]No, he'd much rather have a basket full of oats and a mare in heat (chuckles).

[00:53:52]- [Dorian] We other restless boys aren't so easily pleased.

[00:53:57]- (chuckles) A little direct, aren't you, Dorian.

[00:54:02]- I think we both prefer it that way, don't we?

[00:54:06]- Mmm, Harding, Harding.

[00:54:09]The check for the deposit on the Selby Estate please, come on.

[00:54:14]- It's all ready Mrs. Ruxton.

[00:54:14]- Thank you, thank you very much.

[00:54:15]You can go, you can go, Harding. - Yes.

[00:54:17]- That's it.

[00:54:18]Ah, I want to show you the best horse of them all.

[00:54:26]Come on.

[00:54:28](chuckles) (dogs barking) (grunts) Oh!

[00:54:57]Oh!

[00:55:00](pants) (dog barking) Oh.

[00:55:17](pants) - Afternoon, madam.

[00:55:26]- Afternoon.

[00:55:33](eerie music) (boat whistle tooting) (lighthearted music) ♪ Da da ♪ ♪ Da da da da da da da ♪ ♪ Da da da da da da ♪ ♪ Da da da da da da da da da da ♪ ♪ Da da ♪ ♪ Da da da da da da ♪ - (chuckles) Yeah, Henry.

[00:57:16]Have you ever seen anything like it?

[00:57:20]Look at this.

[00:57:21]Why do they put him in the papers all the time?

[00:57:23]Is he a genius?

[00:57:25]- Why not?

[00:57:27]- Today, beauty's more important than genius.

[00:57:44]♪ Da da da da ♪ - What an appetite.

[00:57:47]He must've gone through the lot here.

[00:57:49]Everybody.

[00:57:52]- Including your wife?

[00:57:53]♪ Da da da da ♪ ♪ Da da da da da da da ♪ - Hold it.

[00:57:59]- I decided I had to see her again.

[00:58:00]- [Woman] And, of course, you did.

[00:58:02]- [Esther] Dorian.

[00:58:03]- That's right.

[00:58:04]- [Woman] Well, what was she like?

[00:58:05]- Her heart stopped when she went by.

[00:58:07](people chattering) - [Dorian] No really, it's okay.

[00:58:12]- [Esther] Do you know why?

[00:58:13](lively music) ♪ Da da ♪ ♪ Da da da da da da da da ♪ ♪ Da da da da da da da ♪ ♪ Da da da da da da da da da da ♪ ♪ Da da ♪ ♪ Da da da da ♪ (romantic music) (lively music) (eerie music) (buses rumbling) ♪ Da da ♪ ♪ Da da da da da da da da ♪ (camera clicking) ♪ Da da da da da da da ♪ (woman giggling) - Keep going, woo!

[01:02:21](woman giggles) (camera clicking) ♪ Da da ♪ ♪ Da da da da da da da da da ♪ ♪ Da da da da da da ♪ - How's this?

[01:02:39]- Yes, that's it up.

[01:02:43](camera clicking) - [Woman] Oh you're kidding.

[01:02:47](people laughing) - I think this is what we agreed.

[01:02:51]I hope it makes her famous.

[01:02:54]- With my face on a two-page spread Julia will have to fight off the contracts.

[01:02:59]- ]Julia] Jonathan, come and look.

[01:03:01]- Yes, dear.

[01:03:03](people chattering) - Adrienne's a perfect voyeur.

[01:03:06]She's only excited by what her camera sees (chuckles).

[01:03:09]- When I took this one five years ago in Miami, she was quite beautiful.

[01:03:14](metal clanking) - Who's that?

[01:03:17]- This the German, Candace, taken against the Berlin Wall.

[01:03:21]- Oh no, really?

[01:03:22](people laughing) - Alan!

[01:03:27]- Hello, Dorian.

[01:03:28]- It's been such a long time.

[01:03:30]So much has happened.

[01:03:32]- To you certainly.

[01:03:33]A large whiskey, please.

[01:03:34]- What are you doing here?

[01:03:36]- I'm on my honeymoon.

[01:03:39]- Oh, very touching, at last.

[01:03:40]Congratulations.

[01:03:42]Where's your beautiful bride?

[01:03:43]I'd adore to see her.

[01:03:46]Is that her?

[01:03:48]- (chuckles) No.

[01:03:49](Dorian chuckles) No.

[01:03:51]I'll introduce you to her.

[01:03:56]- Alice, Alice, this is Mr. Gray.

[01:04:00]We were at university together, believe it or not.

[01:04:03]- How do you do, Mr. Gray.

[01:04:05]- How do you do?

[01:04:06]- You certainly don't look like Alan's contemporary.

[01:04:09]- You're right.

[01:04:11]I'm a year older than him.

[01:04:13]You must be my guests tonight.

[01:04:14]- I'm sorry but I can't.

[01:04:16]- Alan, you must.

[01:04:18](slow dance music) (lively dance music) (people laughing) - Hey, you know what, it's almost dawn.

[01:04:57]It is the first time I've ever been up so late.

[01:05:01]- Why don't we go Nunlou's house to watch the sunrise.

[01:05:03]- Yes, it's the best view in the coast.

[01:05:05]- And the best champagne.

[01:05:08]- Thank you very much, but we're leaving tomorrow and Alan ought to sleep.

[01:05:14]He isn't really used to drinking so much.

[01:05:17]- Who said so?

[01:05:18]Ha, I just feel great!

[01:05:21]- Sure, I'll take you back to the hotel.

[01:05:26](Alan giggles) Don't worry about your husband.

[01:05:31]You just enjoy yourself.

[01:05:33]I'll get him home.

[01:05:34]- (laughs) You stay, I'll be all right.

[01:05:35]- No, Alan, really.

[01:05:37]- Go on, darling.

[01:05:39]Why should you miss the fun because of me?

[01:05:41]Come on, smile (laughs).

[01:05:44]- All right.

[01:05:48](people chattering) - Won't be long now.

[01:05:59](glasses clinking) (gentle music) Come on.

[01:06:06](slow dance music) - Where are they going?

[01:06:13]- They're going to watch the sunrise.

[01:06:16]We can see it from inside.

[01:06:32]- I want to go back to the hotel.

[01:06:35]- When did you meet Alan?

[01:06:38]- I was his secretary.

[01:06:42]- Classic.

[01:06:49](chuckles) That was classic, too.

[01:06:53]If I go on what would you do?

[01:06:55]Throw yourself out of the window?

[01:07:04]- Mr. Gray.

[01:07:07]Mr. Gray!

[01:07:16](gasps) Have you gone mad?

[01:07:51](tense rhythmic music) - Take me to the House of Pleasure.

[01:08:06]Here's five pounds.

[01:08:07]- No, mate, no, won't take you there for nothing.

[01:08:09]- All right, 10 then, but take me to The House of Pleasure, please!

[01:08:28](dynamic rock music) (people chattering) - [Mrs. Brandon] I don't understand it.

[01:09:39]- Don't bother, Mrs. Brandon.

[01:09:41]Today one just buys what everyone else is buying.

[01:09:45]- Incredible phenomenon this Oriental art.

[01:09:50]- Not as incredible as your nephew.

[01:09:52]How does Dorian stay so young?

[01:09:56]- You should know that, Henry.

[01:09:59]I sold my soul to the devil.

[01:10:02]You introduced me to him.

[01:10:05](chuckles) Basil, I heard you were going to Paris.

[01:10:09]- Everyone else started their career there.

[01:10:10]I'm thinking of ending mine.

[01:10:12]- What time is your plane?

[01:10:14]- You know me, the more firma, the less terra.

[01:10:17]I'm taking the midnight train.

[01:10:19]My bags are at the station already.

[01:10:37]- Excuse me.

[01:10:39]- That's all right, Mr. Gray.

[01:10:41]- [Dorian] You know me?

[01:10:43]- If you weren't away all the time, we would've met long ago, wouldn't we, Henry?

[01:10:49]- Unavoidably.

[01:10:51]Gladys's husband is the doctor who tries to cure all our senile ailments for an outrageous price we're all prepared to pay.

[01:10:58]Another eminent youth preserver.

[01:11:01]Dr. Monmouth, Dorian Gray.

[01:11:04]Dorian.

[01:11:08]- How do you do?

[01:11:10]- See you later at the house.

[01:11:19]- How many years have they been married?

[01:11:21]- Five years, very happily.

[01:11:25]- Five years with him is longer than eternity.

[01:11:30]- Henry, don't you think they would love to come to Selby?

[01:11:33]- Yes, I'm sure they would love to.

[01:11:37]For shooting perhaps?

[01:11:40]- Perhaps.

[01:11:42]- Look, Dorian-- - No, not now.

[01:11:49]Why don't you drop in before you leave?

[01:11:58]So what if I have an affair with her.

[01:12:02]- Destroy a perfectly happy family?

[01:12:05]That's exactly what I mean, Dorian, that kind of compulsive behavior that the whole world knows about.

[01:12:10]- [Dorian] And is jealous of.

[01:12:12]- The Monmouths have two children, Dorian.

[01:12:15]- [Dorian] Not a very impressive score for a specialist in rejuvenation.

[01:12:18]- You're beginning to sound like a pseudo version of Henry Wotton.

[01:12:24]- [Dorian] (sighs) Basil.

[01:12:26]Go and cool off in your train.

[01:12:28]- Dorian, there must be some limit.

[01:12:30]- Limit yourself.

[01:12:32]Leave me alone.

[01:12:33]- [Basil] You corrupt and destroy everyone who comes in contact with you.

[01:12:37]Gwendolyn, Clouston's wife, that young boy.

[01:12:40]- I hate moral lectures.

[01:12:43]Stop it.

[01:12:45]- The Monmouths are friends of mine.

[01:12:48]Leave them alone.

[01:12:50]- (huffs) Are you threatening me?

[01:12:53]I do hope so.

[01:12:56]- Threatening you?

[01:12:57]With what?

[01:12:58]There's no degradation you haven't lived through.

[01:13:01]- You're so right, Basil.

[01:13:03]Wouldn't you like to see what I've lived through?

[01:13:04]Come on.

[01:13:05]- What are you up to?

[01:13:07]What are you doing?

[01:13:08]- [Dorian] Come one, huh?

[01:13:09]- [Basil] Are you crazy?

[01:13:10]- I want you to see for yourself.

[01:13:11]- [Basil] Dorian, where are we going?

[01:13:12]- [Dorian] This way.

[01:13:14]Come on, up the stairs.

[01:13:16]- [Basil] Dorian!

[01:13:20]Will... - Unveil my soul, Basil.

[01:13:26]- Dorian, are you mad or are you playing some awful game?

[01:13:31](Dorian chuckles) - Look at our work.

[01:13:37]See, what we've created together.

[01:13:43]- That's not my work.

[01:13:46]- You can see the signature quite clearly.

[01:13:50]That has never changed.

[01:14:09](lamp squeaking) - But, how did it happen?

[01:14:20]What does it mean?

[01:14:22]- [Dorian] Do you remember the day you finished it?

[01:14:29]- Yes, I remember, Dorian.

[01:14:32]But, but, that's impossible.

[01:14:37]- Impossible?

[01:14:44](Basil grunts) - Oh my God, my God.

[01:14:51]Forgive me.

[01:14:52]What have I done?

[01:14:53]- Stop it, what are you praying for?

[01:14:56]- Shut up.

[01:14:58]You've already done enough in your life, Dorian.

[01:15:03]- It's your fault, you and that stinking portrait!

[01:15:05](lamp squeaking) (Basil screams) (Basil grunts) (vase shattering) (eerie music) (scary music) (tense somber music) (fire crackling) (answering machine beeps) - [Woman] Adrienne is not at home.

[01:16:43]She will be at the Black Cock Club after midnight.

[01:16:46](answering machine beeps) Adrienne is not at home.

[01:16:47]She will be at the Black Cock Club after midnight.

[01:16:50](answering machine beeps) Adrienne is not at hom.

[01:16:52]She will be at the Black-- (clock tolls) (people shouting) (lively rock music) - I want a whiskey.

[01:17:47](phone ringing) - Hello?

[01:17:53]- You must come.

[01:17:54]I must see you immediately.

[01:17:55]- I'm sorry, I can't leave, I'm on duty.

[01:17:59]- Alan, for God's sake, won't you forget about your duty for once?

[01:18:03]- [Alan] Is it really important.

[01:18:05]- Very important.

[01:18:08]- (sighs) All right, I'll come.

[01:18:19]- Why don't you blow an old friend a little kiss before you go?

[01:18:24]Poof to you, too, Sir Galahad.

[01:18:31]- That's it. (Dorian grunts) I'm James Vane.

[01:18:33]- I don't know who-- - You used Sybil Vane.

[01:18:35]- Who?

[01:18:38]- I'm Sybil's brother.

[01:18:40]Don't tell me you've forgotten Sybil.

[01:18:42]- You must be mad.

[01:18:43]I don't know anyone called Sybil.

[01:18:44]- Oh yes you do, my friend.

[01:18:47]- It's not me.

[01:18:48]Look at me more closely.

[01:18:51](grunts) (boat horns tooting) Look at me.

[01:19:10]Are you convinced?

[01:19:14]- My God.

[01:19:15]I almost killed you.

[01:19:32](engine rumbles) - You won't get anywhere with that one, my dear.

[01:19:43]An evening wasted.

[01:19:44]- She's far too blown for us these days.

[01:19:47]- [James] Do you know him?

[01:19:50]- Everybody knows darling Sir Galahad.

[01:19:53]You would never ever guess how old that one is.

[01:19:57]God knows what he takes, but I'd like to have his secret.

[01:20:01]- I'm looking for a middle aged man known as Sir Galahad.

[01:20:04]- Well, who do you think he is, dear?

[01:20:07]He's got more go in him than a pair of stud bulls.

[01:20:10]Rich as creases and rotten to the core.

[01:20:14]Perhaps you'd get over him with us? - A drink?

[01:20:16]- What?

[01:20:16]- A little drink.

[01:20:17](James scoffs) Oh, him.

[01:20:19]- Why do you always put your foot in it?

[01:20:22]Hmm.

[01:20:23]Oh my God, look who's here.

[01:20:25]Hello, darling.

[01:20:32](car rumbles) (clock ticking) (doorbell rings) - What's so urgent?

[01:20:51]- How nice of you to come.

[01:20:54]- What do you want?

[01:20:55]- As a matter of fact, Alan, I killed Basil Hallward.

[01:21:00]His body's upstairs.

[01:21:02]Why I did it doesn't concern you.

[01:21:04](clock ticking) Your job is to get rid of the body.

[01:21:10]You have a large car, you're a chemist, you should do it very well.

[01:21:17]- You are insane.

[01:21:18]- I didn't ask you here for your psychiatric opinion.

[01:21:22]Get rid of the body!

[01:21:25]And then, as far as I'm concerned, get rid of yourself.

[01:21:34]Is that clear?

[01:21:35]- Look here, if this is a sort of rotten game, you've got the wrong playmate-- - No, Alan, you're the right playmate.

[01:21:45]That I can assure you.

[01:21:55]We're such good friends, Alan.

[01:22:00]Aren't we?

[01:22:06](Alan gasps) Basil's body's upstairs in the attic.

[01:22:40]You can't miss it.

[01:22:43](rifles firing) (dogs barking) (Dorian laughs) - See you're out of form today, Dorian.

[01:22:52]They were cinches.

[01:22:53]- I'm the perfect host, that's all, Jeffrey.

[01:22:55](Jeffrey laughs) - You watch me all the time.

[01:23:02]- I love watching you.

[01:23:03](dogs barking) - Why are you trying so hard to fall in love with me?

[01:23:11]- You know, it's the first time that feelings have been important to me.

[01:23:18]What about you?

[01:23:20]- (sighs) I'm looking for peace, Dorian.

[01:23:24](chuckles) And if I don't take these shoes off, I won't find any today.

[01:23:34](dog barking) - Logan, put the dogs in those bushes quickly.

[01:23:47](dogs barking) - [Logan] There's nothing here.

[01:23:50]Can't see anything, Mr. Gray.

[01:23:52](birds chirping) - What's wrong?

[01:24:03]Are you all right?

[01:24:14](Dorian panting) - You've been upset lately, Dorian.

[01:24:24]Is there anything that I can-- - I'm tired.

[01:24:26]For Christ's sake leave me alone, I'm tired!

[01:24:30]- All right, Dorian, so you're tired.

[01:24:33]Now, we all know.

[01:24:34](dog barking) - [Jeffrey] Oh hey look, there's the doe.

[01:24:46](tense music) - [Sybil] Stop!

[01:24:54]- No.

[01:24:55](gun firing) (Dorian screams) - [Jeffrey] My God, I've hit one of the beeches.

[01:25:01]- Something's wrong.

[01:25:02]- [Woman] Over there!

[01:25:03]- [Man] Oh my God, somebody's been shot.

[01:25:05](people shouting) (dogs barking) - Dorian, don't you think you should let Roger take a look at you? - Over there in the bushes.

[01:25:10]Quick.

[01:25:10]- Calm down, please. - Come on, this way.

[01:25:13]- [Man] Somebody get a doctor.

[01:25:14]- He's dead, isn't he?

[01:25:16]- Yes, sir.

[01:25:17]Caught the shot square in the chest.

[01:25:20]He's not one of ours, Mr. Gray.

[01:25:24]I've never seen him before.

[01:25:26](people chattering) (tense music) (somber music) - (sighs) Can't a man change?

[01:26:00]I'm tired.

[01:26:04]I'm tired of it all.

[01:26:07]- Aren't we all?

[01:26:09]There is no escape, Dorian.

[01:26:14]Gladys asked me why you hadn't called her.

[01:26:17]She gave me a letter for you.

[01:26:19]- Tear it up.

[01:26:21]- Turning down offers?

[01:26:23]How very unlike you.

[01:26:26]- I wanna be unlike me.

[01:26:28]I feel old and foul.

[01:26:32]I want to feel clean again.

[01:26:35]- And good, Dorian?

[01:26:36](chuckles) Come on, dear boy, you're just bored with the old game and looking for a new one, that's all.

[01:27:02]They're still speculating on Basil's disappearance.

[01:27:08]- What do you think happened to him, Henry?

[01:27:11]- Oh, he'll turn up somewhere or other with a new girl or a new style.

[01:27:17]At his age, men are always in need of one or the other.

[01:27:20]- Maybe he's dead.

[01:27:22]- Basil's as healthy as a horse so long as he has a good rider (chuckles).

[01:27:26]- [Dorian] One of his rider's might have killed him.

[01:27:30]- Why?

[01:27:32]He wasn't exciting enough to have serious enemies.

[01:27:41]- I might have killed him.

[01:27:46]- An interesting thought.

[01:27:49]But for what reason?

[01:27:52](laughs) No, no, he'll turn up.

[01:27:56]He always has.

[01:28:05]Tell me, Dorian, tell me exactly, what does it profit a man to gain the whole world and lose his soul?

[01:28:15]- How should I know?

[01:28:17]- You must have done something quite as radical as that to keep so young.

[01:28:21]What's the secret?

[01:28:23]- Oh, forget about it, Henry.

[01:28:26]Even youth becomes boring.

[01:28:29]- (laughs) I'd give anything to be so bored.

[01:28:33]Anything that is, except get up early, and make love to women (chuckles).

[01:28:41]Oh, it's a dreary musical joke, you know, to look so old and feel so young.

[01:28:46]Very undignified.

[01:28:50]And frightening to remain alert in mind and observe the decaying of your body.

[01:28:58]One should grow stupid and senile and know nothing.

[01:29:03]Still, why should you worry?

[01:29:06]Nothing affects you, nothing changes you.

[01:29:10]Like an ancient myth you remain unalterable.

[01:29:14](chuckles) You are like an ancient myth, aren't you, dear Dorian?

[01:29:19]A lovely, lovely old young dream-- - Why don't you shut up?

[01:29:29]- Oh well.

[01:29:32]Another dream broken.

[01:29:39](somber music) - [News Anchor] The 27-year-old bearded leader described himself as a socialist.

[01:30:31]A tragedy in southwest London. (people chattering) Dr. Alan Campbell, noted for his anti-pollution theories, was found dead in his office by cleaners this morning.

[01:30:40]Dr. Campbell was 43 years olds and controlled chemical research for International Petroleum.

[01:30:47]Death was due to an overdose of sleeping tablets.

[01:30:51]The United States command in Vietnam announced today, that 85 Americans were killed in action last week... (dramatic music) - (grunts) Oh, no, oh.

[01:31:18]No.

[01:31:18](dramatic drumming music) (dramatic piano music) (Dorian screams) (somber music)