Liberal Why You Look Younger Than Your Age: 5 Deep Truths Explained by Carl Jung

本站添加: 2026-05-25

[00:00:00]There are people moving through this world [music] who carry something that time simply cannot seem to touch.

[00:00:07]You may be one of them. Someone looks at you, >> [music] >> really looks, and something inside their mind pauses.

[00:00:16]Not because of anything you said, [music] not because of what you are wearing, but because the number attached to your name >> [music] >> just does not seem to match what they are seeing or feeling when they are near you. They ask, "Wait, [music] how old are you actually?" And when you tell them, they go quiet for a second.

[00:00:38]That flicker [music] of disbelief settles on their face. That expression that says the math [music] is not quite adding up.

[00:00:46]Maybe that has happened to you more than once.

[00:00:50]And maybe when it does, you brush it off. You say something like, "Oh, it is [music] probably just genetics." Or "I drink a lot of water." You laugh. You deflect. [music] But somewhere underneath that, there is a quiet sense that it is something else, something you cannot fully name, but have always sensed was there.

[00:01:15]Something running deeper than anything you can buy or apply or schedule. And here is the truth >> [music] >> that most people never actually say out loud.

[00:01:27]Some people do not just look younger than their age. They are younger in a way that time genuinely struggles to reach.

[00:01:35]Not on the surface. Not in the mirror.

[00:01:38]But in the way they carry themselves [music] through a room, in the quality of their presence, in the way they still feel the world rather than simply endure it. Carl Jung, [music] one of the most significant psychological thinkers of the 20th century, believed be profound about the aging process.

[00:01:58]>> [music] >> He believed that how a person ages is not simply a biological event.

[00:02:04]It tends to be a psychological one, an emotional one, possibly even a spiritual one. The way you process what life brings you, the relationship you maintain with your own inner life, the degree to which you remain genuinely alive to yourself, these factors, [music] Jung suggested, may shape the aging experience in ways that go far deeper than anything a routine or a product [music] could address. And today, that is exactly what we are going to explore together.

[00:02:40]Five real reasons you look younger than your age. Not the reasons people expect.

[00:02:47]Not the ones you have already read about. The ones that tend to live just below the visible surface.

[00:02:54]And when you finally see them clearly, something in how you understand yourself tends to shift. In this video, you are going to discover what psychological and emotional patterns [music] may actually be influencing the way you appear and feel in the world over time.

[00:03:12]You will explore why bitterness can age a person faster >> [music] >> than almost any external force. How the relationship you carry with your own inner child could be more visible than you have ever realized.

[00:03:27]>> [music] >> And why authenticity, that quiet, unselfconscious realness, may be one of the most quietly powerful things >> [music] >> keeping you young. You will also look at the connection between internal calm and the face you present to the world.

[00:03:45]And why choosing to keep growing, even quietly, even invisibly, tends [music] to do something a person that the years simply cannot undo. If you are still watching this, you are already part of the [music] rare few who are willing to face what most people spend their entire lives running from. 97% of people [music] scroll past content like this.

[00:04:12]Not because it does not [music] reach them, but because it reaches them too deeply.

[00:04:17]If this is already moving something inside you, >> [music] >> subscribe to Carl Jung Psychology right now and turn on notifications. What you are about to hear does not just explain why you look younger than your age.

[00:04:32]It will permanently change >> [music] >> how you see yourself.

[00:04:37]So, let us begin with the first [music] reason.

[00:04:40]You did not allow life to harden you.

[00:04:43]This one deserves real attention because it is [music] something most people will never be fully honest with themselves about. There is a specific kind of hardness >> [music] >> that tends to accumulate in people over time, and it is something entirely different from strength. [music] Strength is something you build through experience. Hardness is something that builds up around you, usually without your conscious permission.

[00:05:12]Usually without you even noticing the process happening. It arrives [music] gradually, one disappointment at a time, one betrayal, one plan that collapsed, [music] one version of the future that quietly stopped being possible. You can see it in people.

[00:05:31]You can feel it [music] when you are in the presence of someone who has allowed life to close them off. It is there >> [music] >> in the tightness around their eyes. It is in the way they respond [music] to inconvenience, to small failures, to the ordinary disappointments of being alive.

[00:05:50]It is [music] in an exhaustion that has nothing to do with how much they slept.

[00:05:56]Life kept arriving and instead of [music] finding a way to move through it, they slowly learned to wall themselves in.

[00:06:05]To stop feeling quite so freely, to protect themselves by gradually closing.

[00:06:11]But here is the thing, you went through things, too. That >> [music] >> is important to acknowledge because this is not about the idea that you had it easier >> [music] >> or that pain somehow skipped you.

[00:06:25]You have been hurt. You have been let down.

[00:06:29]There may have been periods where >> [music] >> something in you genuinely broke, at least partially. But somehow, through all of that, you did not fully allow it to solidify you. You still laugh.

[00:06:44]Not the performed kind, the real kind.

[00:06:48]The kind that catches you off guard before you have a chance to manage it.

[00:06:52]You still find something [music] to smile about in an ordinary Tuesday.

[00:06:57]You still feel the small things, the specific warmth of a good conversation, the way light [music] moves late in the afternoon, the particular quiet pleasure of something simple [music] going exactly right. That is not an accident >> [music] >> and it is almost certainly not luck.

[00:07:18]It tends to reflect a choice, one you likely [music] kept making without fully realizing you were making it. Jung [music] wrote about this in terms of how people relate to their own suffering. He distinguished between a person who integrates their experiences and a person who simply accumulates them.

[00:07:40]When something difficult [music] is genuinely integrated, metabolized, processed, allowed to become part [music] of the fuller story of who you are, it can become wisdom, depth, [music] even a particular kind of warmth that only comes through having been tested. When it is not integrated, when it simply sits there undigested and [music] slowly crystallizing, it tends to become bitterness. And bitterness may age a person in ways [music] that have almost nothing to do with the year they were born.

[00:08:14]You have probably observed this.

[00:08:16]Someone who is 25, [music] but carries the emotional weight of someone much older, always bracing, [music] always a degree of irritation just beneath the surface, always tired [music] in a way that sleep cannot seem to repair.

[00:08:33]And then, someone else, possibly older in actual [music] years, who has this quality of lightness about them. They feel easy [music] to be near, not naive, not uninformed about how difficult life [music] can genuinely be, but somehow still open, still soft [music] in the way that matters, still here in the present rather than carrying every old wound into every new moment. That is emotional flexibility. And it tends to show on the face. It tends to live in the eyes. People [music] feel it from you even when they cannot articulate what exactly they are responding to. The softness you chose [music] to preserve.

[00:09:19]That may be one of the most real explanations for what they are noticing.

[00:09:24]Take a moment right now. [music] Be honest in the comments. Are you someone who managed to stay [music] soft, or did life gradually construct something harder in you over time? There is no judgement in either answer, just honest [music] reflection.

[00:09:42]And sometimes naming it out loud is where something [music] quietly begins.

[00:09:48]There is something else worth saying here because this idea of integration of genuinely processing >> [music] >> rather than simply accumulating what life delivers is something Jung returned to repeatedly throughout his work. And it deserves more than a passing mention.

[00:10:07]He observed that the people who carry their suffering with a particular kind of grace >> [music] >> tend to share one quality.

[00:10:15]They did not try to eliminate the difficulty. They did not insist [music] on pretending it had not happened.

[00:10:22]And they did not allow it to become [music] the defining totalizing story of who they were. Instead, >> [music] >> they allowed it to pass through them, not painlessly, not quickly, but genuinely. [music] And what tends to remain once something has actually been processed rather than frozen in place by denial or hardness is not the wound itself, but the knowledge that you survived to the wound. And that [music] knowledge, quiet, settled, not performed for anyone, may be part of what people are reading on your face without knowing that is what they are seeing. There is a particular quality of depth >> [music] >> that only seems to arrive in people who have genuinely been through something >> [music] >> and come out the other side still recognizably themselves, >> [music] >> still present, still capable of warmth and depth in a face >> [music] >> does not tend to read as old. It tends to read as real. And real [music] has a way of being quietly, inexplicably compelling in a world where most of what people encounter has been carefully managed. [music] The second reason, you are not perpetually at war inside your own mind. This one is subtle, but it tends to leave marks on the face in ways that accumulate before most people ever recognize what is happening. There is a particular kind of stress that has nothing to do with how occupied your calendar is >> [music] >> or how demanding your responsibilities are. It is the kind that lives inside [music] the mind even when the external situation is completely still.

[00:12:08]The loop of what if, the constant low-level simulation of outcomes that may never arrive, the replaying of conversations that already ended. Some people [music] are genuinely depleted before they even rise in the morning, >> [music] >> not from what they did the day before, but from what their mind was already running through [music] while they were supposedly resting. And the face eventually reflects that.

[00:12:38]The body holds [music] it. Tension tends to settle in specific places, the space between [music] the brows, the jaw, the way the shoulders carry themselves.

[00:12:50]There is a look that certain people develop over time, [music] a quality of perpetual bracing as though they're always slightly prepared for something to go wrong. And with enough years, that bracing posture becomes the resting face.

[00:13:07]But you, you may still have a complex [music] and active mind. That is not the point.

[00:13:15]The point [music] is something more specific.

[00:13:18]Somewhere along the way, you developed some version of the understanding [music] that not every thought deserves to be followed. Not every worry earns the full weight of your attention.

[00:13:31]Not every uncomfortable feeling requires an immediate response or a complete resolution. [music] You have some capacity for this. You can allow certain things to simply pass.

[00:13:43]>> [music] >> You can feel something, acknowledge it, and release it without constructing an entire [music] project around the discomfort. Jung explored this in the context of what he called the [music] tension of opposites, the idea that the psyche is always holding multiple, sometimes contradictory truths simultaneously, and that a certain psychological maturity may involve learning to sit [music] with that tension rather than urgently trying to eliminate it. The person who can hold uncertainty without being overwhelmed by it tends to carry [music] themselves differently. It can appear in the softness around their eyes, even under pressure, in the [music] openness of their expression, even when life is complicated and unresolved. Genuine calm is not emptiness.

[00:14:41]It is not a form of indifference or withdrawal from the complexity of being alive. It [music] tends to function more like a deep internal steadiness, a quality of not being entirely swept [music] up in every passing current. And that steadiness, over time, may look different. It may feel different to the people around you. There [music] is something in a truly calm person that others often respond to without [music] fully understanding why, a sense that being near them quiets [music] something in themselves that they could not quiet on their own.

[00:15:18]If you have developed that even partially, you likely already know what this means in your body. And here [music] is what is rarely said about it.

[00:15:29]That inner calm may not just be how you feel internally.

[00:15:34]It can be visible. It tends to live [music] in how your face rests when no one is watching.

[00:15:40]When nothing is being [music] performed for anyone. And here is the part almost no one talks about openly.

[00:15:49]That [music] quality of inner calm is not simply something you either have or do not have. It tends to be something that can be cultivated slowly, imperfectly, through accumulated choices about what deserves your energy and what does not. Every time you chose not to carry something that was never yours to carry in the first place. [music] You were building something. And that building may show in ways >> [music] >> you have never fully given yourself credit for.

[00:16:21]Stay with this because what comes next may be the most quietly emotional of all five. If [music] this is already landing somewhere real, subscribe to Carl Jung psychology right now. What we explore here [music] has a way of finding you at exactly the moment you are ready to hear it.

[00:16:43]The third reason, your inner child [music] is still genuinely alive in you. Jung introduced the concept of the inner child not as a sentimental metaphor, but as a real [music] psychological entity, a living dimension of the psyche that holds [music] the original capacity for wonder, spontaneous curiosity, genuine [music] playfulness, and uncalculated joy. He believed that one of the most quietly significant things that can happen to a person, one of the more invisible losses is [music] the gradual suppression of this part of themselves in the name of becoming a functioning adult. [music] And it is something that tends to happen without ceremony, without anyone formally giving permission.

[00:17:33]Life accumulates [music] weight, responsibilities multiply, seriousness becomes the default mode, and at some point along the way, the person stops [music] asking questions purely out of curiosity. They stop finding things genuinely delightful for no practical [music] reason. They stop playing, not just literally, but in the deeper sense [music] of engaging with life openly, without a predetermined outcome in mind. And when that happens, something in their energy begins to age in a way that precedes anything physical. But you, there is still something in you that has not entirely gone along with that trajectory. There is [music] still a part of you that laughs at something unexpected, and laughs genuinely from somewhere unguarded, that gets quietly excited about something small, and allows itself [music] to show it.

[00:18:35]That notices beauty in places where efficiency-minded people stop looking.

[00:18:40]That still [music] feels life, not just observes it from a managed distance, but actually [music] feels it. And that is genuinely uncommon, because most people do not [music] age physically first.

[00:18:55]They age internally.

[00:18:57]They stop being curious. They stop being moved.

[00:19:02]They stop being present in that alive, open, childlike way that has nothing to do with being young in years, and [music] everything to do with how consciously a person chooses to inhabit their own existence. And here is what makes this visible [music] in ways that most people never fully account for. The face, when it expresses [music] genuine delight, uses different muscles than the face working to maintain appropriate composure. The eyes, when they actually illuminate over [music] something, carry a quality that is almost impossible to manufacture.

[00:19:40]When someone still has genuine access to that [music] playful, curious, wondering dimension of themselves, it tends [music] to appear in their expressions in real time, in how their face [music] naturally moves, in the spontaneous quality of their reactions before [music] the social filter has a chance to intercede. That particular spark [music] does not tend to age in the same way.

[00:20:08]It does not settle into the face in the same way that tension [music] or bitterness or chronic guardedness can.

[00:20:17]You may have encountered someone considerably older who carried [music] this quality, someone who had that particular energy about them, who made you feel, without being able to fully explain the mechanism, that simply being around them was easy, that something in you relaxed [music] in their company, that they had somehow held on to something.

[00:20:43]The majority [music] of people surrender quietly and without realizing it was happening.

[00:20:49]That [music] is the inner child in the Union sense, not immaturity, not an avoidance of the genuine weight of adult existence, but [music] that foundational quality of still being openly, curiously alive to the experience >> [music] >> of being a person in the world and in you it is still present.

[00:21:11]People register [music] that even when they cannot name what they are responding to. It is worth [music] being specific about this distinction because it is one that tends to get [music] confused. Keeping the inner child alive does not mean avoiding responsibility.

[00:21:28]It does not mean refusing to grow up in the ways that genuinely matter. It does not mean treating seriousness [music] as an enemy or pretending that difficulty is not real.

[00:21:41]What it tends to mean in the sense [music] Jung was pointing toward is that even in the middle of a fully adult life with all the weight and [music] complexity that entails, there is still a part of you that has not agreed to stop [music] noticing things. That still pauses at something genuinely beautiful without requiring it to be useful.

[00:22:04]That still allows itself to be moved.

[00:22:07]That still finds certain things funny >> [music] >> not because laughter is strategic but because something in you responded [music] before the filter had a chance to arrive. And that part of you, that's still alive, [music] still noticing, still responding quality, it tends to be visible in the face in [music] a way that very few things are because it is not something you can manufacture on command.

[00:22:35]It either lives in you or it does not.

[00:22:38]And in you [music] it does.

[00:22:41]The fourth reason, you are not performing a version of yourself. This [music] one requires a particular kind of honesty because it is something most people will not examine too closely about themselves. There is a specific and very real exhaustion that accumulates from consistently managing the impression other people carry a view, adjusting [music] how you speak in certain rooms, suppressing dimensions of yourself that [music] do not align with the version you are attempting to project, maintaining an ongoing [music] performance of who you are supposed to be, what you are supposed to want, how someone like [music] you is supposed to respond to things. And for many people, this process begins [music] so early and runs so thoroughly through everything that it eventually stops registering as performance. It simply becomes what living feels like. But the body tends to keep a record.

[00:23:42]And the face, [music] in particular, carries a quality of honesty that tends to surface over extended time. A person who is consistently performing >> [music] >> carries a specific tension that is very difficult to fully conceal.

[00:23:59]>> [music] >> It lives in the slightly forced quality of certain expressions, in the almost imperceptible over-construction [music] of reactions that are designed to communicate something rather than simply felt [music] and expressed naturally, in a general quality of management, [music] a sense that something is being controlled rather than [music] just experienced. Jung named the social mask the persona, and he was careful to note that there is nothing inherently wrong with having one. Every person [music] adapts to different contexts.

[00:24:36]Every person calibrates how they present themselves to different situations. That is not [music] deception.

[00:24:43]It is functional social intelligence.

[00:24:47]But when the persona grows so dominant, so comprehensive, [music] that the real person underneath it is barely living, when the authentic [music] self has been so consistently subordinated to the managed version, that, >> [music] >> John observed, may be where something important begins to erode.

[00:25:08]Not just psychologically, >> [music] >> but in the visible quality of how a person carries their life. And here is what tends [music] to become apparent in people who have done some version of the work of setting that mask down.

[00:25:22]Not permanently, >> [music] >> not in every context, but in enough spaces and with enough consistency that something real begins to breathe.

[00:25:31][music] There tends to be a visible relaxation, not just emotionally, >> [music] >> but quite literally in the face and in how the body holds itself. Something that was being sustained releases, and what emerges >> [music] >> is a quality that people frequently describe without quite having the language for what they are seeing.

[00:25:53][music] They say things like, "There is something easy about you." or "You seem comfortable in your own skin." or simply, "I don't know."

[00:26:04]"You just seem real." That is authenticity doing something that cannot be purchased [music] or performed, and it may be one of the quietest but most [music] consistently visible things a person can carry.

[00:26:19]Because it is not [music] effortless to witness. It does not create the subtle friction that comes from sensing something [music] managed or constructed. It simply feels like a person who is actually present.

[00:26:33]And that quality tends [music] to register in some deep and genuinely difficult to articulate way as [music] aliveness. And aliveness tends to read as young, regardless of the number on the calendar.

[00:26:49]You are not perfect. You are not always showing your [music] most carefully curated self, but you are more genuinely present than most people allow themselves to be, and that without requiring any additional effort [music] from you, tends to be visible in ways you may never have given yourself full credit for.

[00:27:10]The fifth reason, you are still becoming. [music] This may be the most understated of all five, but it may also be the one that carries the deepest [music] truth. There is a specific kind of psychological settling that can occur in a person, not physically, but in terms of how they relate to their own life and their own identity. A conclusion, not always conscious, not always formally decided, that who they are is now essentially fixed. That their view of the world >> [music] >> is more or less complete. That there is not a great deal more to discover about themselves or about existence. [music] And when that happens, when the movement of inner growth arrives at something like a full stop, >> [music] >> something in the person's energy changes in a way that is surprisingly apparent to people around them, even when no one can fully describe what shifted. Jung called the ongoing movement in the opposite direction [music] individuation, the lifelong process of becoming more fully and consciously yourself, of integrating the different, sometimes contradictory, dimensions [music] of your inner life into something more whole, more self-aware, more genuinely alive. He believed this process [music] may never reach a complete conclusion. He believed there is always more to become.

[00:28:42]And [music] he observed, across decades of clinical work, that >> [music] >> the people who remained genuinely open to this process tended to carry a vitality that the passing [music] of years alone could not account for or diminish. Because growth tends to be connected to aliveness >> [music] >> in a way that goes beyond metaphor.

[00:29:05]When something is still genuinely growing, >> [music] >> it is still in motion, still responsive, still open to the world arriving differently than it [music] did yesterday. When something stops growing, even if it continues to exist [music] and function, something in the quality of it changes.

[00:29:25]A certain [music] rigidity appears. The world tends to get smaller rather than larger.

[00:29:32]Experience [music] starts to confirm what is already believed rather than genuinely expanding [music] it.

[00:29:39]But you, you are still in the process of becoming.

[00:29:43]>> [music] >> Maybe not dramatically. Maybe not in ways that are easily narrated or that announce themselves [music] clearly to the people around you. Maybe it is simply the quiet fact that your [music] perspective today carries something different in it than your perspective carried two or three years ago. That something genuinely shifted in how you understand yourself or the people you [music] love or the things you thought you were certain about. That [music] you respond to certain situations differently than you once did.

[00:30:17]That you chose peace somewhere that you once [music] chose the chaos of staying and fighting. That you let go of something that >> [music] >> used to feel essential and discovered there was more room in you than you had known.

[00:30:34]That [music] is growth and it is moving through you even in the moments when you cannot [music] see it operating.

[00:30:42]And here is what that quiet movement tends to [music] do.

[00:30:46]Not just to your inner life, but to how you register in the world. There is something about a person who is still genuinely unfolding that carries a quality others recognize as young. Not because they are unfinished [music] or uncertain in an uncomfortable way, but because they are still moving, still open, still genuinely curious about what might be discovered [music] next.

[00:31:15]Still, in the deepest and most honest sense, alive to the possibility that they have not yet seen everything they will see or understood everything they will come to understand.

[00:31:29]And that particular quality tends to be felt by people who encounter you, even if the language for [music] it never quite arrives. Now, let us sit with all five of them together for a moment, because taken individually, each of these things might seem like a small observation. But together, [music] they tell a different story.

[00:31:52]When someone pauses after you tell them your age, when that familiar [music] flicker of disbelief crosses their face, what they are responding to is not [music] simply a collection of favorable physical features. They are experiencing [music] something.

[00:32:09]They are feeling the softness you chose to protect even when life was actively working to take it from you. They are feeling the calm you cultivated >> [music] >> even when everything around you was running at full noise. They are responding to the curiosity that never fully went quiet inside you, even after all the years that tend to silence [music] it in most people. They are registering the authenticity that makes [music] you genuinely easier to be near than most people ever allow themselves to become.

[00:32:44]And they are sensing, [music] without being able to articulate it, the movement of someone who is still becoming, still open, still in motion, [music] still not finished with what this life has to offer. [music] These are not small things. They are not coincidental, >> [music] >> and they are almost certainly not the result of luck or favorable heredity, whatever you may have told people when they asked. They are a reflection of how you have chosen, sometimes deliberately, often without knowing you were choosing, to move through your time here, which means something important.

[00:33:26]These qualities are not [music] fixed traits you either possess or lack. They are expressions of a way of being, [music] a way of relating to your own experience, a way of choosing, in both the significant and the apparently [music] trivial moments of a life, how to show up to what arrives. And >> [music] >> if you made those choices before, if they are already visible in you, already felt by the people around you, you are capable [music] of continuing to make them. And here is perhaps the most quietly important thing to understand about all five of these reasons.

[00:34:05]None of them required [music] perfection. None of them required that you have your life entirely in order, or that you never struggled, or that you moved through difficulty with grace [music] every single time. The softness that stayed in you probably coexisted with moments of real hardness that came and went. [music] The calm you carry was almost certainly earned through periods of [music] anything but calm. The inner child that is still alive in you >> [music] >> survived years that tried in their way to convince you that wonder was a luxury you could no longer afford. [music] The authenticity you embody likely came after years of trying on versions of yourself >> [music] >> that did not quite fit. And the growth that is still moving through you has probably included long stretches of feeling completely stuck.

[00:35:05]None of that cancels what you built.

[00:35:07][music] None of that undermines what is visible in you now.

[00:35:12]If anything, the fact that these qualities exist in you in [music] spite of everything that tried to take them, that may be the most accurate description of what people are actually sensing [music] when they look at you and cannot reconcile what they see with the number you have been alive.

[00:35:31]Right now, in the comments, I want you to drop a number.

[00:35:36]Drop 528 if what moved through you most was your authenticity, the quiet recognition [music] that somewhere, somehow, you chose real over performed.

[00:35:50]And you can feel what that has cost and what it has given you. Drop 777 [music] if more than one of these five found you in a place that felt genuinely personal.

[00:36:03]If [music] this was not just content you consumed, but something that arrived at the right moment.

[00:36:10]And drop 11 if the one that reached you most was growth. If the recognition that you are [music] still becoming landed somewhere in you that knows [music] it was true before you ever heard it described this way.

[00:36:26]Because 11 has always belonged to the people who understand >> [music] >> at some level they cannot always fully explain that the process does not [music] end. That there is always more.

[00:36:39]That they are not finished. Subscribe [music] to Carl Jung psychology right now if this has opened something you want to keep exploring.

[00:36:49]Turn on notifications because what we go into in this space >> [music] >> is built specifically to arrive when you are ready for it. And if this one landed, there is more here that was made for exactly where you are.

[00:37:05]Maybe you have been calling it genetics [music] for years.

[00:37:09]Maybe you told yourself it was just luck, but you lived in a way that kept something [music] inside you genuinely alive.

[00:37:20]And that changes the entire picture because it means it was never random. It was never something that simply [music] happened to you.

[00:37:28]It was you.

[00:37:30]The way you think, the way you feel, the particular way [music] you have chosen, even quietly, even imperfectly, to [music] move through the days and years of your life. And if you made those choices once, you can keep [music] making them.

[00:37:47]So perhaps you are not aging more slowly than other people. Perhaps you are simply >> [music] >> living differently than they do.

[00:37:57]And the truth that is very difficult to argue with is this.

[00:38:02]Not everyone finds their way to that path, but somehow, in your [music] particular way, you did. And that may be the only real explanation [music] for why there is something about you that time simply cannot seem to fully [music] reach.

[00:38:59]>> Mhm.