These were the 5 GREATEST gay films from the 90s!

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[00:00:00]The '9s laid the brick work for what LGBTQ cinema would become in the [music] decades that followed. But which movies were the best gay movies of the '90s? In this video, I'll be rounding up the five best gay movies of the '90s based on reviews and critical responses, of course. [music] And if you don't know by now, these top five videos are brought to you proudly by my Patreon members. If you don't know, I also have a Patreon where I show you stuff that I don't show on YouTube. So, if you want to check it out, I've got a link in the description of this video. With that being said, let's head over towards Rainbow and follow the yellow brick road. [music] >> Follow the yellow brick road.

[00:00:39][music] >> Why would Mr. Wheeler and the others behave so outrageously because they found out Andy was sick?

[00:00:45]>> It's not answering your question.

[00:00:47]Perhaps [music] >> Philadelphia, Jonathan De's powerhouse film that opened on December 22nd star Tom Hanks as Andrew Beckett, a lawyer fighting AIDS discrimination alongside Denzau Washington's skeptical attorney.

[00:00:58]>> Who'd you get? [snorts] >> What did you find? A lawyer?

[00:01:03]>> I'm a lawyer.

[00:01:05]>> It was a mainstream breakthrough we all craved. Bruce Springsteen's title track sealed it, turning personal loss into a rallying cry. It was a box office hit at $260 million worldwide. But the real win was bringing the epidemic into multiplexes, forcing America to look our way. If you snuck into the theater as a teen, tissues and ant, it felt like a validation wrapped in tragedy.

[00:01:28]>> Mr. Collins, sexual orientation has nothing to do with this case. [music] >> Please have a seat, Miss Ken.

[00:01:37][music] >> Just talk to me.

[00:01:39]>> Some things are just hard to say.

[00:01:42]>> I know that >> you think I'm too young. It's just a face.

[00:01:46]>> 1996 was a strong year for gay theme films that explored love, loss, and identity. Beautiful Thing, directed by Hedi McDonald, premiered in the UK on June the 21st, 1996, and told the story of two teenage boys discovering their feelings for each other on a London housing estate.

[00:02:04]>> Do you think I'm queer? Don't matter what I think. Based on Jonathan Harvey's play, it captured the sweetness of first love amidst working-class challenges, offering a hopeful narrative that resonated with audiences seeking positive gay stories. Critics praised it for its engaging slice of light drama and deceptive depth. And Roger Eert, who was a go-to guy for film reviews back in the day, noted it as essentially a fantasy, but special for its quirky supporting characters. while other critics highlighted its warmth, tenderness, and subvertive portrayal of working-class gay life in the post that era.

[00:02:38]>> I like the lad Jamie, but he hasn't seen any life.

[00:02:43]>> He's good to me.

[00:02:45]>> Is he?

[00:02:48]>> Yeah. [laughter and snorts] [music] >> I hereby christen this budget Barbie camper Priscilla, Queen of the Desert.

[00:03:01]The Adventures of Priscilla: Queen of the Desert detonated across festival audiences in 1994. And not because it was subtle, but because it was joyous, a road trip movie about two drag performers and a trans woman traversing the outback. It married the spectacle of drag to real tenderness. And it made anatic moments out of costume reveals and bus stops. And the Oscar goes to Lizzie Gardner and Tim Chapel for The Adventures of Priscilla, Queen of the Desert.

[00:03:28]The film won major designing awards and is still remembered for the theatrical costumes that look like sequins from confessional booths.

[00:03:36]>> YEAH.

[00:03:39][applause] >> YEAH. RIGHT.

[00:03:50]>> It also moved the idea of drag from marginal stage to global cultural conversation. The film's aesthetic is a giftful visuals. The lavender pink bus, explosive costume reveals, and the kind of soundtrack that makes audiences clap in the middle of a scene.

[00:04:04]>> The Adventures of Priscilla, Queen of the Desert.

[00:04:17]>> Oh, you climbed up the P. [singing] Okay, our next movie is one of the entries this weekend in the 33rd annual New York Film Festival. It's called The Celluloid Closet, and it's an amusing and perceptive documentary about homosexuals in the movies during nearly a century. The Saloid Closet is a documentary exploring how Hollywood has depicted LGBTQ plus people from the early days of cinema through the late 20th century. Based on a satellite closet by Vito Russo, it combines film clips with interviews from actors, directors, and writers to reveal the patterns of censorship, coded characters, and stereotypes.

[00:04:53]>> Well, you got very good at uh projecting subtext without saying a word about what you were doing. Uh the best example I live through was uh writing Ben her.

[00:05:06]>> The documentary shows how queer identities were often hidden, villainized, or treated as tragic. It also highlights the rare moments of more honest representation, demonstrating how film history both reflected and shaped societal attitudes towards LGBTQ plus communities. The importance of the film lies in how it clearly connects media representation to real world perception.

[00:05:26]By documenting decades of misrepresentation, it reveals how Hollywood helped to construct harmful ideas about LGBTQ plus people, often portraying them as deviant, laughable, or simply just doomed. These portrayals didn't just stay on the screen. They influenced how audiences understood LGBTQ plus identities, reinforcing stigma and silence. The documentary also gave language to experiences many LGBTQ plus viewers already felt but couldn't easily articulate. Seeing patterns of erasure and stereotyping laid out so plainly, validated the idea that representation is never neutral. It showed that invisibility can be just as damaging as negative portrayal because it denies people the chance to see themselves as normal, complex individuals. It remains influential because it not only documents the past, but also challenges the future of representation.

[00:06:14]>> My name is Josephine. I'm Dany.

[00:06:17]>> Mhm. I thought my top lip was a little thin, so every time I'd stop talking, I would.

[00:06:26]>> Those balls are [music] more or less like our fantasy of being a superstar, you know, like the Oscars or whatever.

[00:06:32]>> Paris's Burning is one of the 1990s most important cultural documents. This documentary brought the New York ballroom scene created by and for black and Latino, queer, and trans people into a documentary form. It preserved the language, the performances, the politics, and the community. Paris's burning didn't just show voguing. It gave faces and stories to subculture that has been overlooked for years, and it's still referenced today by artists, activists, and academics. Its impact on queer history is profound. The film opened discussions about intersectionality, shedding light on how various aspects of identity intersect and affect individual experiences. The film fostered empathy and understanding amongst wider audiences. It encouraged conversations about gender identity and expression. It also celebrated queer culture and showcase the importance of chosen family within the LGBTQ plus community. By elevating these voices, the film helped to humanize LGBTQ plus experiences in 1990. Always know where I am by the way the road looks. Like I just know that I've been here before.

[00:07:34]>> Cinema 1991 was where queer artists flicks risk an imagination. The year's film landscape proved two things. Queer filmmakers were experimenting in form and content, and mainstream cinema still couldn't fully reckon with queer desire, but the undercurrents were getting louder. One of the most important queer films of 1991 was My Own Private Idaho, which was directed by Gus Vans. The story follows two friends and hustlers, Mike played by River Phoenix, and Scott played by Kiana Reeves as they drift across the Pacific Northwest searching for connection, love, and some sense of belonging. The film became a landmark of the new queer cinema movement in the early '90s. It was raw, poetic, and unflinching in its depiction of queer desire and marginalized lives. More than that, River Phoenix performance, especially in the campfire confession scene, remains one of the most moving portrayals of queer love in mainstream film history. These films were milestones for gay representation and film. But have you seen the films with the worst representation of gay men? You can watch that video next by clicking on the link that will be popping up on your screen in a moment. Thank you very much for watching this video. If you enjoyed it, give me a thumbs up. Uh, I really appreciate it and it also helps my channel to grow. [music] I'm trying to reach 50,000 subscribers by the end of this year. So, if you're not subscribed yet, what are you waiting for? [music] It cost you nothing, but it it definitely helps my channel to grow.

[00:08:50]Once again, thank you very much for watching and I'll see you in the next video.