Gutman masterfully bridges the gap between Barry Harris’s timeless jazz theory and modern synthesis, proving that harmonic depth is the ultimate cure for digital sterility. It is a sophisticated reminder that true innovation often requires a deep dialogue with the masters of the past.
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Deep Dive
I Made A Chord Patch That Actually Isn't LameAdded:
When you think of chord patches, you know when you like hit one note and a whole chord plays, what comes to mind?
Probably something really stupid, right?
But what if I told you that it could actually be really cool?
So, I made this patch for the Roly Cabo and Airwave. Actually, it's part of a whole bank of patches that I made that are now in Roly Airwave Player. And it's free if you already have Roly Airwave Player. So, if you download latest update, you'll get all my new patches.
Okay, so most chord patches either just play one kind of chord on each key, like major or minor or whatever, or it plays all the dietonic chords from a scale.
Neither one of these things is very cool or useful. But this is a chord patch that's actually cool, obviously, cuz I made it.
I named it Barry's Air Harmony because it's based on some music theory by the jazz educator Barry Harris.
Specifically, a really cool thing he did with the chords of the Bbop scale. The jazz Bbop scale is a major scale with an added sharp five. And Barry Harris had a way of [music] harmonizing it where you alternate between major sixth chords and diminished seventh chords.
This has long been a staple of jazz piano chord voicing. And it turns out to be perfect for chord patches and particularly cool on the Cboard.
So, I've got alternating major 6th and diminished chords on every note of the Cbop scale. And any notes that aren't in that scale play a diminished chord.
Okay, so why did I decide to explore this? Well, the Cboard has some limitations when it comes to chords. You can definitely do some interesting things that you can't do on a normal keyboard, like bend one note of a chord or slide notes around. But other things that you're used to doing on a normal keyboard don't really lend themselves to the Cboard. In particular, switching between complicated chords very quickly.
But limitations are opportunities to do cool new things, right? And if I take some of the chord stuff that's harder on the Cboard and I make it into samples that I can trigger at the press of one key, then all of a sudden I can do a bunch of cool stuff with chords that I couldn't even do before on a normal keyboard. [music] And of course, all the air gestures do cool stuff. Raise brings in an overtone.
You can use tilt to bend into chords.
[music] and flex bends everything up an octave.
[music] Now, patches like this open up some interesting doors, but they're not without their limitations. The biggest one being that you are confined to a specific key. Like in this patch, everything you play kind of has to lead back to C major, or else [music] it's just not going to make sense. But hey, it's just a cool thing I'm experimenting with. So, feel free to comment telling me that it's lame or cool or dumb or ridiculous or whatever. So, like I said, these patches are part of a soundbank that I just got done making for the Roly Airwave. So, if you go and you download the latest update of Roly Airwave player, it comes with all my patches.
But, you probably want to hear all the patches rather than listen to me talk about them. So, click on this video next because that is where I just shut up and
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