Indonesian horror cinema, particularly from the 1980s, developed a distinctive style blending supernatural elements, social commentary, and fantasy, with Susanna emerging as its premier horror actress. Her films often featured themes of wronged women seeking revenge against oppressive male figures, reflecting broader societal issues. The documentary 'Susanna: The Queen of Black Magic' explores her career spanning from the 1970s to her final film 'Ghost Ambulance' in 2008, highlighting her significant impact on the genre and her status as a feminist icon within Indonesian horror cinema.
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Mrparka's Weekly Reviews and Update Week 468 (05.02.2026) (Vampire Time Travelers, Suzzanna)Hinzugefügt:
Hey guys, what's up? It is week 468 and I guess I should have prepared something a little bit more special than this because this is technically since I started this weekly show. I've been doing YouTube way before this weekly show thing, but this is uh the ninth year of the weekly show 46852* 9 and I've not missed the show. So, this 9y year anniversary, I feel like I got to do something special or change up the format when I hit year 10. Um, it's been a long I can't believe I've been doing this for 10 years. I started this when I was 30, the weekly show, and I'm almost damn near 40 now. So, we're getting there. Um, let's just jump right into uh the reviews. And the first one up is from 1962 and it's a double here. And this is double feature and this is the slime people and the crawling hand.
We're going to start with the Slime People from VCI. Um, the Slime People is a cover. I'm pretty sure a lot of people had seen this cover everywhere. It was a movie that I had was familiar with by title only. You know, I watch a lot of old horror movies, but somehow the slime people kind of skip me. I don't love this cover art, but the original cover art had the monster on the cover. But, you know, people say spoiler, but this movie does not worry about hiding the monster very much. So, what is that that Corman said? You hide the monster until the last 10 minutes or so. Keep suspense going. That's a successful way to make a monster movie. So, slime people opens up and in the first 30 seconds, first 5 seconds, the slime people are crawling out of the sewer and I was like, "What the [ __ ] man? This is complete opposite of a a typical monster movie that you see from the ' 50s or 60s." So, the slime people are crawling out of the sewer and they have spears and I was like I my immediate thought and this is ridiculous cuz I I know this is like a popular world movie, but I didn't know much about it. I was like, "Oh, it's going to be a guy in a suit. It's going to be a Scooby-Doo thing. This can't be a real slime person. It's got to have some sort of mystery element to it." But no, this plays like kind of your low-budget standard kind of a monster movie from the late 50s, early 60s. So, what happens is the slime people end up attacking this small town with spears.
They come out and they come with a bunch of fog and they've created this giant fog wall, if you will, and the military can't get through the fog wall. People have escaped from the town, but there's a couple people that are left behind.
One of the guys who runs kind of like a studio. I think it's a movie studio. And a couple like uh dereliks are hiding out in there as well. But the kind of main group of people that got left behind are a father, his two daughters, and this guy who's going to try to and a young another young guy. So the the both the daughters have kind of love interest. A leading guy is an actor that's appeared, you know, he was kind of a bigger guy than a lot of the other people in the movie. There is some cameos and everything of that nature. So this is a a bunch of cast and people in here that I'm not super familiar with. You know, um I know a lot of actors and stuff, but uh some of the bee movies, especially 50s and 60s and stuff, some of the actors skip skip me. I don't know them.
But uh the commentary and the special features sure go in depth on them and it's really great to have that kind of special feature on there. Tom Weaver had recorded interviews with all these people and whatnot in the day. So you hear a lot of that kind of stuff and I think Tom Weaver is actually one of the best I've heard. Love his voice, love his presence, love how he interviews these people and he has pretty much a a library of interviews with classic actors and people that made these movies. So that really helps kind of slime people. Slime people itself, you know, it's your standard thing. It does feel like stuff like later on like Night of Living Dead survival horror kind of deal where these characters, this is before though, 62, these characters are trying to survive in the small town running to place to place something like Day of the Tripids. Um, you know, um, Day of the Trips has to be around the same time maybe. I know the it was a book or a min something before the actual first movie by Freddy Francis and I can't think of the other director did that one, but uh, yeah, it does have similarities that, but it is very low budget. It has the humanoids from the deep kind of school where they say there's hundreds of these slime people, but you ever only see three at a time, so they definitely only created a couple suits and they reuse them a bunch of times. There's some fun kind of fight scenes with them where they they spear the monsters afterwards. Overall, this one is fun and silly and kind of lighthearted in a certain way when you watch it. Don't take it too seriously.
But, uh, it it does wear out as welcome.
It kind of became repetitive to me. This is definitely the the B end of a double feature. It's the B movie of the feature, right? It's not the A feature.
The crawling hand would definitely be the A feature. And these two pictures played a lot together. It looks really good. They cleaned it up well and VCI, you know, sometimes like I I have some complaints about some of the releases like the darkneted scarecrow 4K. Great commentary on that release, but um by with Amanda Reyes, but I I just didn't think that the it looked very good.
Sometimes these they they do what they can, but they do these kind of upscale weird things and it looks odd. But this I thought looked fantastic. I thought they did a good job remastering this one. And there's a bunch of features for both movies. But the unearthing the slime people conversation with Susan Hart on the line hourong archival interview with Susan Hart. Dr. Goldfoot and the bikini machine 65 ride the wild surf 64 pajama party by Tom Weaver. OG monster kid noted author and film historian. Yeah, that's great stuff. Ask a lot of questions. Pops in and gives some context to the the interview as well. I love seeing that kind of stuff.
And then uh we have a video. I'm not going to talk about the commentary. Um um the crawling hand, but we have the until we get to that video feature at rubber monsters real fears mid-century sci-fi classic drive-in uh sci-fi poster gallery. two two-sided sleeve with original art by Robert Kelly and retro art on the flip side. I'm going to be honest though, the monster uh effects look pretty damn good. Like the slime people, they're memorable monsters. I remember seeing them. Um and they stand out. Unfortunately, I think they show him too much. I mean, I don't know why they didn't kind of follow the old school way. It's very much in the kind of vein of like a Silus, like spawn a Silus kind of creature, except Silus looks a little bit, I guess, gnarier cuz he's made of toxic waste or waste or or some sort of like pollution or whatever the hell Silus is made of. But, uh, Silus is also just an all right movie.
So, I'm not saying like Silus is vastly superior the to the Slime People, but uh, this one is overall decent. Um, I like the kind of fun sci-fi like survival type movie. It's not incredibly graphic or anything of that nature, but Slime People, it's a good silly time.
It's definitely kind of a movie where you it's a background movie. It's a B movie kind of double header where you kind of half paying attention to it in the theaters and you stay for the A1 and this one comes out as the B picture and you kind of maybe you're getting some popcorn during Slime People, but uh great to see it remastered looking great. Okay, the next one on this double feature of creepy creepy creature double feature is the crawling hand. And this one is also I think they're both 63 actually. And this one I actually liked a lot more. I wasn't really sure where it was going to land here. Um, I I love these kind of stories, right, where you have the astronaut who goes to space, something goes wrong and they kind of crash land or something crash lands back to Earth and it's it's contaminated, it's nasty, it's whatever. Um, they mention this in the commentary and it's 100% in this style, the Quater Mass Experiment, which is, I think, one of the great sci-fi uh movies of all time and it was a miniseries thing before that. Quater mass has a long history, but great series of films. Uh, great original kind of sci-fi movie, but this one follows suit in a lot of those classic kind of sci-fi movies. Another one uh is that Caliki kind of like that where the guy comes back from space and he's kind of formed which is also very much like a quator mass kind of style movie. But so we have here is this uh this group of uh I don't even think they're NASA. I don't think they're NASA. I think they're like maybe they're like some sort of maybe they maybe they couldn't use NASA. I'm not sure. I feel like they're a little bit off the radar kind of deal and they're uh paying for these kind of uh you know people to be sh astronauts if you will. and one of them has already died and their second one they they basically counting down to where he's out of air. You know, basically he's dead. He's gone. And the guy who's running the project keeps wanting to push these guys into space without concern for their health. And these two guys actually care. And the younger guy is really kind of concerned about this and he's upset about it. So they get a a kind of a transmission from this guy and he should already be dead and he looks very zombified, very dark under his eyes, um ghostly. And he says, "Uh, I I I've been breathing without air for 20 minutes. Please kill me. Please kill me. it's in I'm in a lot of pain and he starts saying all these things and like that and uh he seems obviously demented. He's not himself and they basically hit the termination button and we kind of go to this small little town where main focus is kind of a I think a young Swedish girl and her boyfriend um the young Swedish girl her father is like a scientist of sorts and the young boy is kind of learn earn her love and everything of that nature. So um he he's familiar with scientific things of that stuff. So, um, when they're on the beach one day, he sees a severed arm, which is the astronaut's arm. We know it is. And instead of calling the police, he decides to take it home with him. Pretty realistic, huh? Right. That's what you do on a first date or a date. Um, when you see a severed arm on the beach, you take it home with you and put it down in the the food seller. [ __ ] nuts. But that's got you kind of have to buy that.
So, he lives in kind of like a a common uh place house, you know, where people share a room, they rent a room. Very more much more common in film and much more common back in the day than it is nowadays, I think. or maybe it's just not very common in my state, home state or city or anything of that nature. But um so what happens is uh this arm obviously is evil and we kind of get that classic take of the the moving limb, right? Um tons of movies, severed arm, body parts. So many movies have done this stuff where the the limbs are kind of alive, the hand demonoid, it never ends. You could keep going on and on and on, but uh this is a little bit different. So it does end up attacking some people and kills somebody. um kind of one of the fun comical characters of the film and it ends up possessing our young boy here. So now he has kind of the evil spirit or possessed from this space entity of this astronaut. I don't know how it works. The hand is also still alive, whatnot. The astronauts somehow track it because there's been a murder with those fingerprints that pop up. The sheriff gets involved. Alan Hail is the sheriff from Gilligans Island also. Um and uh the great movie there was a crooked man. Alan Hail pops up in a lot of stuff. a good solid actor, good sheriff, good small town, you know, uh 60s kind of 50s kind of sheriff that you'd expect in these small towns. Fills the shoes very well. Um so yeah, they're all after this kid and they don't realize that he's been possessed by a space entity while the astronauts are trying to stop them at the same time.
The one thing that I find really effective about this movie is it's fast-paced, the characters are good, it's a a standard story, but it's well, you know, done in a lowbudget kind of aspect, and I love that kind of stuff.
But there's one scene that I think is a little above where it where it sits, you know, in in the terms of its time. There is a character who runs kind of like, you know, a soda jerk or like an ice cream kind of place, right? And he's kind of a jerk to the kids. He's really bizarre. He gives him an ominous warning in the earlier in the film, but uh he has an encounter with uh our possessed team that knows him. And the the way that this kind of like uh attempted murder is kind of unfolds is, you know, uh he hits the jukebox and uh the lights are off and there's shadows and the music's coming on and they're struggling and I was like, "Oh, wow. This is such a good doing that diagetic music in this movie. It's it's I I don't know when that first was used, but I was like, this feels a little bit, you know, fresh for the time, and I was very happy with that. Again, looks really good, sounds really good for uh you know, one of these movies that's kind of a be lowbudget stuff. Um and they do on the special features here. I don't remember if it was the actual um uh the commentary or Tom Weaver said this. It's one of the the ones, but they basically run down and they talk about the video feature. I think Rubber Monsters Real Fans were this movie. It might have been the commentary by Tom Weaver or the hour interview talks about what this was paired up with and how long this movie had a shelf life. These these bee movies had a bigger shelf life than usual. You know what I mean? Um there was a commentary by Rob Kelly. He um artist reviewer, podcaster, and film buff extraordinaire. He he likes the movie.
He pokes a little bit of fun at it, but not too much. And I think that he does a serviceable good commentary on it with good information. But uh yeah, overall nice little release. And these movies are really easy to watch for me. It it's just kind of like comfort food, right?
where I pop in a a 50s or 60s movie if it's a Roger Corman double feature Beast from the Haunted Cave or whatever. And I think honestly I think that these are probably especially the Crawling Hand is a little bit above some of the Corman cheapy stuff and I love that stuff. You know what I mean? It's not as good as his, you know, Po adaptations, but those are much more expensive movies and not sci-fi. But his cheap B movies, I think that I think the Crawling Can is a little bit better than those. I actually thought it was pretty damn good. But uh yeah, recommended restored in 4K. They look great. So check it out from VCI.
Okay, the next one up is from Visual Vengeance and this is uh Visual Vengeance 26, number 26 on the side, and this is Vampire Time Travelers. And uh I I've seen a lot of the stuff that they I've seen every release that they've done, but some of the stuff I know of like they put out stuff that I'm familiar with that I'm very familiar with like cult movies like the Todd Sheet stuff or Abomination and I'm like, "Okay, that's great." Or Bodybuilder from Hell I've heard of. So, but every once in a while, I'd say about 25% of the time they put out something that I don't know what it is or if I've seen it, it's been very brief. This is V Vampire Time Travelers from 1998. And uh let me let me see this director's name.
Uh Les uh Skelkkey. Um and I I did not know of this guy, although I think I had seen some of his stuff before. I think I'd seen uh his alien conspiracy short that's in an anthology movie. Um I can't remember which one of those I seen. I've seen two of the three alien conspiracy movies, but okay. So let's jump into vampire time travelers and Okay. So that time frame, the sov lowbudget stuff here from 98, it's really hit and miss with me. Most often it's it's a it's a a miss. Um I like the transgressive weird stuff and I like some of the early stuff like Blood Cult. I I enjoy Boarding House. I enjoy then when we get real weird like the Hugh Gallagher [ __ ] Love that stuff. Or the um uh what was the uh the the you know like Spirit Lake and Wolf Lake and stuff like that. Uh Spirit I can't think of that. Uh Chris Pinion.
I've seen a couple of his movies.
They're intense. They're crazy. They're wild. um you know uh Scooter McCrae. I love that stuff. It's Tempy stuff too.
The super ambitious stuff like uh Ozone.
But when we get to this time frame, a lot of them I'm like I don't know how I'm going to feel about this. So I put this in and within like five minutes I was like this director is insane. Like I was like this guy is nuts. Um in the best way, not like certifiable. He's just not like any other voice I've seen.
And so when you you're dealing with so dirt cheap lowbudget movies, right? Um, oftentimes I personally, these are all personal opinions of course, uh, I think that directors and people make a huge mistake. I think that, uh, they go ahead and make a bad version of a great movie and then when you're watching it, you think, I'd rather be watching that movie than this. Um, but he's fallen, I think, the correct way. He in the commentary he says you just need a good story and you need uh you know need to be a fast-paced and and the right actors and stuff and everything will come together and it will rise above and and find its audience. And I think he's right in that in that terms because right away I was like this guy is not following anybody's rules. He's going out and making his weird wild movie. And the director paired up with a pair of producers that had put out a movie called Sority uh House Vampire I think. And this was supposed to be a semi-sequel, but as they started, they kind of got away from the sequel and he kind of took over and made it a little bit more zany and out to lunch, if you will. That one's for moods. But uh so this movie is just very wild and bizarre and a title like that, you could think, well, this could be bottom of the barrel stuff where they're just not trying and just trying to sound crazy on that. But no, I found myself really enjoying this and and it's incredibly low budget. Um but it has a lot of heart and the story is fun and it's very punny. So, this guy was a comedian in the 80s and you could tell he is uh ADHD um basically in a movie and ADHD I I'm ADHD so I don't mean that as an insult but the and it's like not self like diagnosed on the internet. I was on Ridland for years, but um the idea that you know that you have all these he's very quickwitted, so there's a joke every second. He he compares it some of his films to like the airplane style humor, right? Where there's a joke every second and they're all punny and and one joke might not land, but the next one will. So this basic plot is uh it mixes in the sority kind of stuff where this girl who's a sister of a woman who slayed a vampire is joining this fraternity and that's where her sister went. But the sister of the vampire who is slayed is is contacting her sister from beyond the grave. Very funny lines when they're like, "I'm undead beyond the grave." But you're already dead. So you're undead. You're dead and whatever.
They have this huge argument about it.
But she's contacting her sister Lauraai to go I think is it Laura or is it whichever I'm confusing the vampires, but go to kill her, kill this sister. So essentially um this this this uh sorority pledge has to kind of maneuver through a pledge night at the same time fighting off these advances of a vampire while this vampire has to gain her strength back because she was kind of condemned to this coffin by another faction of vampires. Really weird, right? Sounds convoluted, but it's pretty fun to follow. And uh she has to deal with all the weird other sorority sisters pledging the evil sorority lady.
And there's a point in this movie where I was like this is weird and bizarre, but there's a character that comes out called the closet man. And I was like, "Oh, this is not in a normal world. This is in its own world of weird random rules and whatever the hell they're doing." And that's when I I kind of like uh my I was like, "Oh, this is this is not playing in the same world." And there's a character, the closet man, that ends up helping some of the sorority pledges. It's really ridiculous and funny and bizarre and uh very very punny if if you love that, which I do. I think the acting is pretty damn solid in here. Nobody stood out bad. Uh they all stood out pretty well. And um at the same time like the director you can tell in the moments when he is kind of doing some like sh like like kind of uh basically making comments on things like uh he plays a character in the movie where there's a somebody that never returns your calls because this guy struggled in Hollywood for years and he goes to the commentary and explains all this stuff and I could tell immediately I was like oh he's definitely lashing out there and just kind of like not necessarily bitter but saterizing you know the real Hollywood system or how it hard it is to make a movie and all this kind of stuff like that. But overall, I found it incredibly enjoyable, incredibly fast-paced, incredibly weird and bizarre and zany is the word I would go with. So, Vampire Time Travelers, overall, I really enjoyed it. There's a bonus feature that I'm going to talk about too afterwards, but we have new director approved SD Master for digital tape elements, commentary director Leia Scazzley, good one. Director Liz Gidley interview on both films on here. Actress JJ Rogers interview, actress Angela Scott interview, director of photography Dennis Divine, and assistant director Steve Jarvis interview. short film, Not So Grim Reaper, which ended up getting popped into one of the alien conspiracy films, which I think Kevin Linden, who uh directed Vampires Under Stereotypes, uh actually had parts in both those movies. I think Tim Ritter even did one of those. I remember watching a couple of those way back in the day with Joel D. Wine Coop. And I remember being okay on them. I do not remember this short vividly on there if I did see it, but Not So Grim Reaper is pretty [ __ ] funny. Uh you know, the Grim Reaper basically giving people the lot on life and they're like Play-Doh and they're arguing with them. I found that very funny. And Vampire Time Travelers trailer. And then we have the bonus movie, which I'll talk about when we get into that. But overall, I would recommend this one. And remember, biter in the butt, region free. Uh, I mean, it's from a SD master tape element, so it's the best it can look. But, uh, overall, I thought it was enjoyable.
Nothing distracting on how it did. It says biter in the butt right on the cover there, which is a kind of a joke in the movie, but yeah, good stuff.
Okay, the next movie on the Vampire Time Travelers is I Know What You Did in Last English Class. What is it? I'm double checking here. I know what you did in English class from 2000 originally 2001 and it was shelves um finished in 2003 or something like that in shelves until now a same director same style and he tells a story about how he came across you know like dropping his daughter off at daycare and is really touching and he was like and that's when I realized and also how I didn't want to do this anymore and I I just moved back to Ohio and he continued his life with his family and everything of that nature finished editing his movie and hung it up and then uh he said Rob from uh you know Visual Vengeance It's wild. I contacted them and this is for this movie for Vampire Time Travelers and this one uh they had as well and they put it out first time it's been released and this was a [ __ ] wild movie, man.
The first five minutes is even crazier than Vampire Time Travelers and I was like what the hell's going on? What is happening? And he has this weird phonetic editing pace where it's just it's very chaotic and weird and cuts fast cuts weird stuff like the cutaways in like Naturalborn Killers, right?
Where it'll be like this and weird stuff. It's very much in that vein but comedic and bizarre. And he got the idea to make this movie because in high school him and he he basically was the bad kid in a class that tortured the hell out of this teacher, this English teacher, Mrs. D, um just tortured the hell out of her and he said he felt bad.
It's like, well, and they used to joke around the next year, him and a couple of his buddies about what if she came back and got revenge, which is kind of what you do in high school. I mean, I have stories like that from seventh and eighth grade in high school that I don't necessarily want to talk about because like you're just such a terrible kid sometimes in those kind of places like that. And I'm thinking of some of the stuff that we did where we make these inappropriate jokes and everything like that. And and 100%, you know, you and your buddy are in a class and you just make this teacher's life a living hell.
Sometimes they're good teachers, sometimes they're bad teachers, sometimes they're probably average teachers, and sometimes you probably don't even know what caliber of teacher they are because you're just being a dick. But, uh, essentially, um, and it's funny, too, because in this movie, he's now the main character is like married to a teacher. My mom is a teacher, so I kind of understood some of the stuff going on. But, so, not that I was married to my mom, but you get it. being a uh having a teacher as a mom and then knowing that you're being addict to teachers is a weird element. But so essentially what happens is this guy is has this weird dream where all his friends are grown up and his age in the dream, but it's like they're back in the high school class and they're just tormenting the hell out of this teacher.
Rapid cuts, weird cuts, and she's just clearly on the edge of a mental break.
And she ends up kind of snapping. And what happens is his friends start to die in really insane ways. they get caught in this weird kind of crazy scenario where she's like this all powerful Freddy Krueger type and kind of and and the reveal is that she's like in a Patrick style situation in a hospital, right? Um but she has these Freddy Krueger type powers. It it reminds me of like Patrick Nightmare on the street and Funny Man, which is another wild weird movie from 1994, a UK one, but it kind of reminds me of all these kind of weird mixed kind of deals, but uh low budget, incredibly low budget. But yeah, so these characters keep getting pulled into these weird scenarios with their families and everything and sometimes they can't control themselves, have some liar liar aspects going on and all this weird kind of [ __ ] like that and they get picked off until it comes down to our main guy and he realized he's got to he's got to try to stop her and and what happens with him is this great pun battle, right? Where every time they say these typical catchphrases, things will happen like that. He's like, "Oh, piece of [ __ ] car and his car will turn up.
Piece of [ __ ] or you know, stuff like that." and it goes on forever and they're battling back and forth until we have all these random crazy weird reveals. I thought this was really fun and weird and so different that I couldn't help but enjoy it. I guess another kind of movie that's in the my memory that I feel is kind of in the vein of this would be like Hey, stop stabbing me that Sean put out which I saw years ago and I haven't rewatched since the Blu-ray, but I did see it and I remember that being really weird and zany too. I doubt it's kind of like this but I just feel like the same vibes might be in it. Not quite anything like this guy's work, but I I thought this was enjoyable, too, and and and entertaining. And I think I might even like this one a little bit more, just because the aspect is just even [ __ ] crazier. But uh here's we go here. I know what you did in English class 2000.
English class commentary with director.
Director talks about the movie as well.
Dennis Deavine and production assistant Steve Jarvis. English class actor Der Russell Town interview. I know what you did in English class. Visual Bet's trailer, trailers, reversible sleeve, all that kind of stuff like that. Folded mini poster. But there's also some fun aspects where you know they talk about this guy had this like uh yeah that's comedy show that won ammys and stuff like so this guy was very talented in the humor and department. He did like a radio show afterwards. The guy's a ball of energy. He's super unique and you could tell that this guy had a you know entertaining quality about him and I I I really it did resonate when he basically said he was done with the movie stuff.
resonated, you know, because a lot of times I don't. He's tired of the hustle.
And there's a lot of people that do stop making movies that are very fun or good at it because they don't really get the chance to make something like huge and they they just are going to struggle forever and ever. And I'm always amazed, not that I'm saying that they're dumb or that. I'm just amazed that a lot of times they keep pushing forward a lot of these guys and keep making movies. It's like um like we talked about the Ponia brothers last week with Sorans, Sarians, and all the old movies they keep pushing on. anybody like Tim Ritter in his interviews and commentaries and stuff, you're like, man, this dude is driven.
Like I and I I love movies. So I had that drive to be involved with movies and I realized I'd rather talk about movies and watch movies and just look at them from a outside perspective than be involved with them like I was, you know, I just don't and I just couldn't I just can't do it. I I realized it it wasn't for me. I enjoyed watching them and talking about them and sharing them with other people more than I ever did making them or being in them, to be honest. But uh I I I appreciated his insights on this and I enjoyed this release and I thought this was a great release. See, I didn't care for Sarans. I love the background on Sarians, but this one I enjoyed the background and the movie itself. Vampire time travelers. Um again, they're shot on low like digital kind of stuff. That was how movies were made back then, especially low budget movies. So, if it sounds like up your alley, check it out. Vampire Time Travelers. And uh I'm always mixed on the Visual Vengeance stuff in terms of the film itself. The qualities of the releases are nice, but uh that one I would give a nice recommend especially if you like lowbudget weird, zany fun stuff. Yeah, check it out. Oh, I do want to mention about Vampire Time Travelers.
He said that he cut out some nudity and this is a newer version of it. There was mild nudity that he did cut out. I know that's going to be important to some people when they watch this. They want the usually Visual Vengeance has multiple versions. It did not have the nudity version in here. So, I know that might bother some people and I do think that's important to let people know. I know that like Goratica, the Hugh Gallaler one from Wild Eye was a different edited version. It was chopped up a little bit and I think that had to do with something with licensing rights.
I'm not 100% sure, but yeah. Um I know people do like to know that kind of information and it is important. So there we go. Okay, we're going to start a box set. Normally uh sometimes I like to tackle all of them at once, but uh this was a little bit a lot on my plate this week with I'm having dental surgery tomorrow, so I couldn't get to everything, but uh this is a Susanna Empress of Darkness. Susanna is probably the premier horror actress from Indonesia. And I was not too familiar with Susanna until I actually started my journey in the 80s. And I I caught a lot of Indonesian movies since the 1980.
I've watched a bunch. And Susanna and like Barry Prima, especially Susanna is the actress that kind of stands out when you're talking these movies here. So she um they originally had this documentary Susanna Empress uh what is it? Queen of uh even what is it called? I want a queen of black magic because she's the star of black magic with great excellent Indonesian horror film. But she um this was originally in the all haunts box set and then they also had Ghost with Hole aka Sundon uh Sund Bolong on it which is a good movie from 81. Um but this set actually adds uh that um has Queen of Black Magic on it and has five Susanna movies including her last film Ghost Ambulance. Now, I didn't watch all these, but we're going to we're going to start right here with the Queen of Blackmagic documentary and Ghost Ambulance, and we're going to move on to the next ones next week if we can get all four. Maybe we'll just get two. But, uh, yeah, great box set from Severign. I think Sever is probably king when it comes to box sets when they do those all haunts and the Christopher Lee sets and stuff. Just great stuff. But, uh, yeah.
So, Susanna, the Queen of Black Magic.
We'll start with that one. Um, this is directed by David Gregory, who's, uh, that runs Sever Films, but he also makes a bunch of award-winning documentaries, including The Clones of Bruce Lee and tons of stuff like that. Um, and listening to his interview on the disc, he was like, I wanted to do something that not many people know about or talk about. And I I appreciate that because I tend to watch a lot of movies that no one's talking about or you know, dig deep. And uh to do this and bring some shine some light on Susanna for the western kind of world is is is great to be honest. It's it's a great little documentary here. And it starts off, you know, talking a little bit about, you know, Indonesia as a whole. I think I can't remember exactly the the bits in order what it goes to, but they did tackle, you know, like how Indonesia's film market got started, how the Dutch owned it, and then after World War II, Indonesia kind of claimed to be like, you know, its own country and everything like that. And that's a lot of a lot of countries like you think Hong Kong, you know, was a a part of uh UK and all these places like that, but little different time periods and other stuff like that. Indonesia is a very unique kind of country. There's a lot of, you know, they mention a lot of people are Christian there, but there's a heavy Muslim influence as well. A lot of Muslims there. So, a lot of their films have these weird kind of uh, you know, ranges where they're they're they can be violent at times and and somewhat sexual and have a lot of myths and fantasy elements within them, right? Because that's kind of where the powers come from, magic and fantasy and all their own kind of urban legends and everything like that that aren't not from, you know, your typical Muslim or Catholicism or anything like that. But at the same time, they do have somewhat of a stricter thing, I would say, when it comes to nudity. In fact, in the early 80s, I don't think any of these movies kind of brushed against nudity except Sang Karang, which kind of surprised me when I saw it. And I'm watching some of these um when they get to the little more closer to the mid 80s, and I'm noticing that the sexual kind of stuff is being pushed to a certain extent, which I find kind of uh you know, different. And I'm like, "Oh, wow. They they are kind of progressing here." But this movie here, David Gregory talks about, you know, her early life, her first film roles, not him himself, but interviews with family and and old friends and co-stars and experts and Joe Anoir, who's the basically the face of Indonesian horror today. So, we go all through these different things, right, where um David Gregory has has put all these people together. His producer on here has got a lot of these people uh to to kind of comment on here. And I I was very impressed with the information on here. And of course, as it goes on, they talk about her rise in, you know, her first horror film in the early the mid70s or was it early 70s going all the way to the early 80s where that was kind of the big boom, right? Where we had the Queen of Black Magic in ' 81 and the Snake uh Queen trilogy from 80, is it 82, 83, and 86 and then all that kind of stuff like that and tons and tons of other movies up until the early 90s when she kind of retired from that. And again, the same kind of thing happened to the Indonesian film world as what happened to the Italian film world, right? a lot of these directors were pushed away and these actors were pushed away and the the import actors kind of left because it was going to television.
The same thing happened in Indonesia.
And then I guess in the early 2000s we kind of had a bigger boom in the Indonesian [ __ ] and they talk about bringing Susanna back and she has this big kind of thing and in 2007208 with her last film Ghost Ambulance and that's also included on this. We'll talk about that in a little bit different, but they go over her life and there's of course tragedy that strikes which is really sad and and she's this kind of feminist icon within the Indonesian films and if you watch any of the films early on, right, she has this woman who's wronged a lot of times who's treated poorly by males in society or rich people in society and which is very common in Indonesian horror films, right? the rich people or whatever or the bad people and there's greedy people and all that kind of stuff like that and they're going to be punished um and they're going to be punished by somebody who is wrong who has this magical mystery power or some sort of weird urban legend entity, right? Um and I've seen probably a couple dozen of these things and they all have that kind of same deal. Some of them are more horror than others, including Queen of Black Magic and Mystics and Bali and things of that nature and the Snake Queen, but others lean more into the the kind of urban legend or fantasy or these old kind of classic stories like Sarang. Um they also mentioned that she she met her second husband on Sarang when he was 17 and she was already 40. So like there's like her life is not without controversy, right? And she's still with uh as a as a clif uh I clif the actor who's in Sarang and he's also in a couple other ones as well still with him to this day. So um I thought the documentary was great. I thought it was, you know, sad at the end and I think that it's great to see kind of this legend, right? Um, and it was kind of like seeing like Coffin Joe, right?
Where Coffin Joe had got his western love and everybody knows who Coffin Joe is if you're a hardcore horror fans and he got his box set here and he had a box set before in UK and all that kind of stuff early on. But Susanna I don't think's had the kind of appreciation that somebody like Coffin Joe has got from uh Brazil and there's tons of different, you know, horror icons in different countries. There's tons of different horror movies, right? And I I watch anything from, you know, horror movies from certain time period, right?
And and I love discovering these actors and stuff like that. And I've got to the point now where I'm watching these Indonesian films and I'm like, "Oh, that's Susanna. That's Barry Prima."
And, you know, other actors as well, and I'm like, "Oh, that's the that's the character actor, the skinny gaunt guy from the Warrior and stuff and all these kind of people like that. So, I I'm getting to like know people by name and face that I normally wouldn't." And this documentary is a great little insight in how, you know, the Indonesian film market works and how the theater system works, too, where they have these big kind of almost festivals to watch movies and hang around and watch outside, which seems nice. But, uh, love the documentary. Highly recommend it. As far as the special features on the documentary, we do have a conversation with director co and co-producer David Gregory with the co-producer Eki Amajawa Amaja. Yeah, who uh talks about helping and getting these people together and all that kind of stuff like that.
Interesting for sure. And then David Gregory introduction at uh Jakarta Film Week screening October 2024. Also good stuff. Highly recommend it on the documentary. I think people will really enjoy the documentary, especially if you're sometimes like I'm more interested in the backstory of the movies than the actual movie itself at times and and seeing this adds a lot of context to great stuff. Great. Check this one out for sure. I I enjoyed the the documentary Susanna, Queen of Blackmagic. Great way to start the box set. Okay, this film on here is uh Ghost Ambulance from 2008 and this is her last film. Um I think she died within, you know, a year after this was made when she was like 65 when she made it. She died at 66, a tragic death, starring Susanna, Ghost Ambulance. And uh, you know, this feels kind of like a lot of the Japanese horror films that were coming out in the early 2000s and maybe some of the American more lowbudget stuff here. But, uh, Susanna has like an extended cameo. I think it's more than a cameo. It's a pretty decent sized role.
And she's not her typical evil, right, with those glowing eyes. She definitely is playing a more sad kind of character.
A character that does have some sort of mysticism about her. In fact, she actually eats like the jasmine flowers in the movie with the water, which is something that she did in real life, which some people thought gave her kind of a mystique about her. You know, she has a mystery quality about her. You know, she never was one to want people to pry into her private life. Um, she more wanted to talk about the films, but uh, yeah, she does have a mystery quality about her in the film. And we kind of have this, uh, weird element where this young boy is kind of going back to he's having a struggling with his his, you know, girlfriend and whatnot. And there's a father figure in here who's arranged a marriage for this guy's girlfriend. And that that stuff is crazy because we're watching a 1983 one that I I has Susanna in it for 83 and um it's like a period piece. I believe it's a period piece where um basically we have those arranged marriages then and this this horrible kind of you know uh male nominated rich kind of [ __ ] kind of society and even in this society right the father still I arranged a marriage for you in 2007 2008 so it's still in these movies. Um, but what happens what I in the film is these characters end up kind of going back to his hometown and one's directly tied to his past life which involves Susanna and other people which not necessarily spoiling it. her uh husband again pops back up in here and the first movie he ever did was 1982 Sang Karang which is like a kind of epic fantasy like ghost not ghost story but epic fantasy I think like almost I want to say like a story that ties into the mythos of of Indonesia right and it has that kind of I don't want to say like it would be like a typical biblical story for Indonesia but it's not you know Christianity but that story is something that's very you know uh maybe old predates that kind of stuff you know but a story like that and that's where she met uh her husband Cliff mantra I think it is and he's in this one playing her son again so he plays her son in that one too which has an incest story line so it's a really bizarre kind of kind of story there that one Sankarang but uh he plays her son here and he has like mental problems um and we kind of get this whole story that unfolds and we get this big reveal at the very end why their ghost ambulance is haunted and stuff like that and the title ghost ambulance is a very silly title right everybody's like what the hell like the movie uh that my friend Jorge did uh Hell Van right you hear something like that you're like what the [ __ ] is it Hell Van he did um there was a movie called Hell Van or uh I think it's hella bad to what he did. It's a wild weird movie, but Ghost Ambulance, right? So, it definitely feels very Japanese inspired, right? Um, the one thing I did notice to me, it felt a little repetitive in some of the stuff and it never really came together fully for me.
I did appreciate the ending and the reveal and stuff like that. The one thing I did find impressive like when you watch a lot of Jok Antwire movies from like 2000 like Satan Slaves, the the kind of remake sequel deal and his other stuff like that, genuinely great at making scares and this one does it as well. Like I think the scares are pretty well done and the the ghost and whatever you see are terrifying because they're kind of like wrapped in these sheets and they'll be standing behind you these blue faces and I think that's probably the most effective stuff in here. The quality doesn't look great. They kind of warn you in the very beginning that this is the best version they could get.
Overall I think it's very interesting to watch Susanna. I think she does a good job. Um and I think some of the scares are genuinely good and well done. But I think that a lot of the characters and a lot of the repetitiveness if you've seen a lot of ghost stories I think it does kind of wear out its welcome. Overall, I think Ghost Ambulance is an interesting piece, but not necessarily, you know, Susanna's greatest work or anything like that, but I don't think that's what people would expect from it. As far as the special features, we have the making of Ghost Ambulance, which is like 28 minutes long. Uh, kind of talks with interviews with Susanna, and you get a lot of background. You can kind of see.
Um, then you get showbiz on location interviews with the cast and crew, Ghost Ambulance, silent uh select interview with actress Susanna and Cliff Sra Sore.
Um, and this stuff is interesting because at one point they're like trying to po like she needs money, that's why she's coming back. So you could see the kind of reason why she she wanted to talk about the movies and not her private life because there does seem to be a little bit of a I guess sinister quality to the media but in in Indonesia which is probably everywhere you know what I mean that idea that they're trying to paint this story and Susanna is such a big star but uh it is very kind of heartwarming to see her come back to the spotlight before she passed away. You know bittersweet kind of deal here but overall nice start to the Susanna Queen of Black Magic box set.
Here's Susanna Empress of the Dark. The other uh four movies in here are Malam Sanchosuro, uh Kilwong, Friday Night, Pack with Forces of Evil, and White Crocodile Queen. I think Pack with the Forces of Evil is the 91 one was her last film before she went to TV. But yeah, nice set. Glad to have it. Nice hard box here. But love love these kind of sets like this. Great stuff. Okay, I'm going to be very brief with this one. Um and I'm going to talk a little bit about Guardians of the Galaxy Volume 3. So, um, you know, I always kind of complain a lot about the Marvel movies here and there and whatnot, but I I grew up being a big comic book fan and Marvel fan and superhero fan stuff growing up and stuff. I collected the cards and the toys and the comics and everything of that nature. Watched all the cartoon shows. I feel like we got oversaturated with them, but when they first came out, they were very fun and they put out some really crummy movies like the first X-Men and stuff. It was terrible. But uh I I came back to them eventually and watched stuff like the Avengers and the Deadpool movies and the Guardians movies and I realized I really like the Deadpool movies and some of the other ones and I really like the first two Guardians films. So I was like oh finish off the Deadpool movies enjoyed that. So I was like I'm going to check out Guardians 3 cuz I need something that you know it's just going to be something that's like I guess comfortable I guess you know and I think the Guardians films stand out a little bit more. I think James Gun's a fantastic director. I loved everything he directed except um you know I didn't watch the new Superman. That's not really my thing. Uh maybe I'll watch it. I just don't like Superman, but I love Super. I love Slither. I loved uh you know, all that stuff like that. And I like the Guardians movies. And I even liked his Suicide Squad quite a bit. So I was like, let's pop in uh you know, the Guardians volume 3. Of course, Chris Pratt and the same cast and crew comes back. Strax Destroyer played by Batista, you know, Rocket Raccoon, Bradley Cooper, Vin Diesel as Groot, and uh the other people that are in there like Mantis and Nebula. And I can never think of the actors actress who plays um gez, why can't I remember the actresses?
Uh, I [ __ ] can't remember her name, but the love interest from uh, you know, the the main kind of love interest of Chris Pratt. I can't think of the character's name, but she p she dies in one of the Avengers movie spoilers, but she's back and she doesn't have the same memory and all that kind of stuff. We bring back James Gun's brother in a bigger role, and we introduce Adam Warlock um, as kind of a comedic foil.
Weird weird kind of thing like that. I I don't really understand why, but maybe that's just how James Gun had to do it.
And Adam Warlock's a character that has been floating around in my mind for years. I've always seen him. Always remember him being incredibly powerful, but don't know all that much about Adam Warlock. That's probably why I like the Guardians movies because they're characters that I was vaguely familiar with, but I wasn't super, you know, I didn't know him like Wolverine or Spider-Man or Captain America or even the Juggernaut. So, it was like characters I knew in passing or Thanos, but you know, like these guys or space guys. I didn't know, you know, Star-Lord all that much. But, you know, obviously Star-Lord's heartbroken that he lost kind of the love of his life here. Um, and uh they kind of end up This is kind of Rocket's movie in a lot of ways. So, we have Rocket getting hurt in the very beginning of the movie and they're trying to save his life, but uh somebody from Rocket's past comes back, the high evolutionary, another character I knew by name and stats and things of that nature that he was incredibly powerful character and he is this uh character that wants to make the universe perfect.
And he is a terrifying villain. Kind of like the character in Deadpool vers Wolverine, Cassandra Xavier, Xavier's twin sister, also a terrifying villain.
Sometimes you get really scary ass villains and are almost like hard to fit in your movie because they're [ __ ] demented. He's like a space sinister apocalypse of something of that nature, right? Where he's doing all these genetic modifications, making these planets and stuff, and then destroying what's not perfect. Uh complete evil bastard that has no idea that he's he feels like he's a hero of the the universe, but he's actually a complete inhumane monster. Uh great villain, great portrayal of him, and he wants Rocket because Rocket was this one experiment that somehow thought beyond its means, and he doesn't understand why, and it drove him completely mad.
So, he's after them. He's in there after the Guardians, right? Um, and the Guardians has turned into like the kind of like uh family superhero group, right? Where they're very close and and at times it's very heartwarming and touching, but sometimes they cross that line where to me it becomes cheesy and it happens a couple of times. I just do not I can't take CGI, you know, characters dancing seriously. It's where it's like crosses the line where I'm like like even Baby Groot in the first one I'm like guys no like nah that what's that Jonah Jonah Hoger is like like that's me. I'm just like uh you know I'm a I'm a m miserable comedy police [ __ ] when it comes to that kind of stuff. But that's just too much for me. But uh the one thing I did like a lot of this movie and it's heartwarming and touching and incredibly sad and pushes the buttons. I it pushes the boundaries on the the PG-13 writing which I'm sure what I got because there's these experiments and characters die in really tragic sad ways and Rocket's a tormented character and I I ended up coming out liking Rocket more.
I'd always liked him but the guy who steals the show for me is Drex. And Batista, you know, I've seen him in other things and I don't think he's a [ __ ] amazing actor or anything, but I think he is tailor made to make Drax. I think James Gunn knows how to use Batista. I think he uses Drax perfectly.
And I think his his comic timing and everything like that is wonderful. And I think Drax is the most heartwarming, funny, great character, great portrayal by, you know, Batista as well, you know, because he's that character that doesn't have sarcasm. He can't figure that stuff out. And his interactions with Star-Lord are great, but his interactions with Mantis are even better. And I think Mantis is another kind of great funny character, that empa empathetic character. Nebul also fantastic in this one. Kind of steps up and steals a lot of the the spotlight from some of the bigger characters in the movie. And I think she's fantastic. Um the action's fun. Um and I don't think the CGI is overly fantastic when it comes to some of the villain violent monster characters because, you know, I don't think they want to make them ultra realistic because they're popping people's heads off and [ __ ] sometimes.
Um but yeah, I I think overall this is incredibly fun in in tons of aspects.
Easy to digest. Um never bored even though it's damn near two and a half hours long. Um, and again it fits in line with the other Guardians movies. I I liked it quite a bit. I I've enjoyed almost every James Gun movie I've seen and loved I would say a lot of them like Slyther and Super. I think the Guardians movies along with the Deadpool movies are my favorite of the Marvel franchise movies and I definitely would watch Deadpool vers Wolverine again and I would definitely watch the Guardians movies again. Um, very enjoyable and the Suicide Squad by uh, you know, it's a DC property of course but by James Gunn.
Um, liked it a lot and I would recommend it. Um, and uh, they open it up for more guardians, but they change some aspects around. Um, yeah, just just really enjoyed this one. Touching stuff here.
Uh, the scene where, you know, raccoon reaches in and all the raccoons crawl on him and stuff. It's just it's it's great. Um, and to me, um, I never really could get emotional watching the Avenger movies because I felt like they were too cold or too predictable. But the Guardians movies win me over. But sometimes they go to a little too far where it becomes cheesy and I'm like, I don't know about that. Um, of course, great soundtrack because it's directly incorporated with the film, you know.
Um, some movies you watch and be like, "Why are you doing all these [ __ ] needle drops? Why is there so many needle drops?" Like the uh Fear Street, the first one, I was like, "We had 12 needle drops in 5 seconds. I can't take that." But this movie, there's a reason for some of the needle drops. Although I don't hate the Fear Street movies, but the first one, the first 15 minutes like this [ __ ] terrible with the needle drops, but we're setting a stage. It's like, "No, you're it's driving me crazy." This one I felt like it was just um although sometimes it pushes it.
Overall, Thug Guardians uh 3 was pretty damn good. enjoyable stuff here. Uh, and of course I I'm trying to think of cameos and stuff. You have some of the original people from like the old James Gun movies that are pop up in here, which I definitely enjoyed seeing, but loved it. Really good stuff. Okay, we're going to get into those 1983 movies.
>> I have returned.
Okay.
Show me.
Where is the music down? The sound of laughter.
There was never laughter.
>> What's it like?
>> What's what like?
>> Screwing a psycho.
What the [ __ ] was that?
>> It's gone.
>> Those dead dogs. Just lay it in there.
>> Eat [ __ ] and die, Ricky.
>> Eat [ __ ] and live, Bill.
>> Yeah, Bill.
>> 31.
32.
32. Year of a man's prime. Loved by many women. He might still learn to swim. 32.
Going.
The kid was cut in half, aren't they? He had to scrape his legs up with a shovel.
Well, isn't that what you're supposed to do with [ __ ] Scrape it up with a little shovel.
>> One final moment of revenge. wondering what's real.
All of it is real.
>> You You want to see something really scary? You're dead.
>> Really?
>> Yeah.
>> Get the VIDEO DRONE. LONG LIVE THE NEW FLESH.
Have >> no choice but to kill the son of a [ __ ] Living on his entire life in a state of fear.
It is all I have ever known.
Fear.
>> Are you ready?
>> Okay, go ahead.
>> What are you doing?
Okay, the first up is more of a sci-fi movie. Sci-fi thriller I guess you call it. and it's directed by Dungus Trumbull uh who directed of course Silent Running but he did the uh visual effects on Bladeunner. So, he kind of had proven himself quite a bit. And this is Brainstorm, which I think was made in 80, 81, 81, I think, but not released until ' 83 cuz they had to do some re-shoots for MGM. Although, this is a Warner Brother now. They do some re-shoots because Natalie Wood, who stars in this movie, uh, died tragically. The whole story on the boat.
It's a very uh, you know, really dark Hollywood story. Uh, Christopher Watkins also in this. Luis Fletcher, uh, Cliff Robertson. Uh, Cliff Robertson, great performance. Luis Fletcher, great performance. Natalie Wood, also a comeback movie here. good performance and walking as his kind of very bizarre role as you know he was kind of known for and would kind of push forward here with stuff like this and Dead Zone the same year but uh yeah so uh he's like uh I I can't exactly figure out what the titles of Luis Fletcher and Christopher Walkan are but they're working on this deal this weird brainstorm thing that you can put this thing on and it could capture your emotions and feeling during like roller coaster or anything like that and they're going to try to manufacture this through Cliff Robertson is producing and paying for the whole damn thing and Natalie Wood is the ex-wife of Christopher Walkin and she's going to design the headset and they're going to work together. That's kind of the thing here. And they're doing all sorts of, you know, uh, testing and things of that nature. And then, uh, as their kind of arguments are heating up and everything of that, uh, Walkin starts to kind of use it to capture old memories that him and his Natalie Wood had. So, they're they're kind of love is kind of rekindling and everything like that while he's dating Luis Fletcher.
So, that's an issue here. Uh, Luis Fletcher is one of the all-time like great actresses, I think, you know, with her performance as Nurse Ratchet. Well, for Lucas Nest, she pops up in other things like of course, you know, u Invaders from Mars and she was in some bee movies and stuff like that. But, uh, yeah, Walkan's also a fantastic presence on screen here. One of the best actors I think of all time. I don't know if he's is the best performance in this one. One of the most memorable actors I would say. I love walking, but some people I think he's a acquired taste. A great performer though. Uh, dear a deer hunter and everything like that, but uh, yeah.
And Natalie Wood is good. You know, she's the actress that I've seen probably in a couple things. Not super familiar with Natalie Wood as I should be. you know, she's more of a classic Hollywood actress or in classic Hollywood stuff. But, uh, yeah, Cliff Robertson, I know from the Great Northfield, Minnesota, raid, good actor and, uh, what's it Malone? Is he the bad guy or Malone? Yeah, but I like Cliff Robertson. I think he's great in this role, kind of portraying that, right?
So, of course, you know, there's going to be some um, business kind of aspects or people come in that try to take the project away from our main kind of characters here. One of them is Donald uh, what is his name? Holland uh, from uh, One Dark Knight. Some other films as well. And that's that's kind of where we're at here. But uh Chris Walker's going to fight it and everything like that. And what really kind of is the turning point in this movie is somebody wears the headset when they have a massive heart attack and they can kind of see what that person saw in death and they kind of get that glimpse at the future, right? And the going into the afterlife, which is completely bonkers, weird, incredibly, you know, thoughtprovoking science fiction idea here, which I thought was cool. And this kind of reminds me of something like Looker, right, from 81, which has a lot of thoughtprovoking ideas in it by Michael Kiteon, you know, and I think it's kind of in vain with that. This movie kind of loses me in the third act because we start having to hack our computer system like scanners. And this was made originally 81. So that's the same time, right? Using your telepathy to get into the computer system. We have this weird hacking scene with Natalie Wood and Walking, which I'm like, I don't know what the [ __ ] science is going on here, but it doesn't really work for me. But uh and it kind of ends this big kind of, you know, extravagant kind of special effects little thing.
And it's okay. And overall, I think the movie's interesting. I think it's worth watching, but I don't think it's great.
There's no features on it obviously because the tragedy that struck on it. I think they probably try to want to avoid anybody talking about this movie.
Probably nobody wanted to talk about the [ __ ] thing. But it's an interesting sci-fi movie by a director that basically quit Hollywood after this one because of you know the dealings and all that kind of stuff like that. But Silent Running is a great movie and obviously the effects on Bladeunner are fantastic.
And this one's interesting worth a watch for sure. Probably could have been a better movie um if there was just you know the tragedy didn't strike but still interesting enough. Brainstorm. Um, this one from 83 is an Indonesian horror flick and is Ni Aan uh, you know, the decoy queen. And this is more fantasy than horror, but it does star Susanna, also stars Barry Prima and a couple other familiar faces that I think a lot of people would have seen. And this one is a definite kind of great uh, kind of one to watch while we're talking about Susanna because how she's like this feminist icon standing up to like the evil like rich old white guys and stuff like that of these movies marrying multiple brides and everything like that. this movie fits right in line with that. So, um, what we do have is Susanna in the very beginning of the movie, she's trying to rush, uh, home to her father in this massive storm and get to her and her father is the skinny gunk guy from the warrior, the evil kind of sorcerer guy. He's in a bunch of these movies and she's he's in primitives, I think, as well, but uh, he's she's rushing in the storm to get back and to her father and her father says, "Listen, I don't care about your mother. She's dying. I don't give a [ __ ] Leave me alone." and he's sleeping with his new uh kind of this woman and everything like that and tells her to go away. And she ends up going back to her sisters uh her family, her sister and her dying mother. And her dying mother tells her daughters, "Please have a kid even if the father won't stick around." yada yada yada. We kind of fast forward now.
The mother's dead. And the father is dealing with this rich guy who has multiple wives. He's like a plantation owner. Has multiple wives, I think. And and basically the father has pawned Susanna off to marry her. And this is basically your life now. you're marrying uh you know this man no matter what happens her sister has uh impregnated with a man that left uh left her so the father has shunned her hates her thinks she's trash treats her horribly because the father's a piece of [ __ ] as we have learned um so basically the the the guy is supposedly a nice kind guy treats his wife's well but on the wedding night she's not feeling well and she gets news that her sister is you know very sick and the scene how her sister got very sick is very nasty and pretty uh button pushing I think for this time in this country. But, uh, at the, you know, at the time, pretty gnarly stuff here. Um, and the sister is dying and he forbids her going. He's like, "You're got to have sex with me. Then you can go see her." Um, so she decides, "Fuck you. I'm leaving." And runs out and they track her. She ends up falling into a river and uh um barely surviving, but uh the the basically her husband falls into and dies. Um this kind of mystical person finds her, saves her, says, "Oh, not all men are horrible." Um, and she does have a runin with Barry Prima, who's a woodsman and ends up saving her from a gang bang, which seems to be a common thing in these movies, a gang rape, if you will. And, uh, she ends up going back and at this point her husband has died. And there's kind of a helper who's this evil kind of guy wants to take over and marry her and take her kind of assets and control her and everything like that, but she doesn't know. And she's kind of running this plantation much better than a lot of other people do. And this guy starts to pick off people with poison darts and and uh the help of another evil kind of magical character, which is very common in these movies, right? The bad guy needs help from an evil kind of magical entity. And uh he starts to pick off these people, anybody that interferes with him kind of taking Susanna. And that's uh where Barry Prima is this badass and they start to have a relationship. And of course, it's going to come to a head, right, where we're going to have this big magical kind of fight showdown where even Susanna gets down fighting all these women. And there's a funny scene in here where Susanna rips off the the, you know, breast, exposing the woman's breast. I was like, I've never seen that in the Indonesian movie. So 83, we're getting a little bit more explicit in the sexual natures and stuff like that.
We even blur out, you know, Susanna naked in this one. So I was like, oh, we're getting into that different time.
I guess they're allowing this stuff to be more explicit in there. But, uh, yeah, um, I think it fits well, um, within the, you know, Susanna documentary and, uh, kind of pointing out a lot of these things like that. But this one's pretty decent, uh, film. Not horrible. more fantasy than horror, but it does have a couple elements. You know, the flying head stuff, a cat crawling out of a midsection. And I enjoyed this one. A little wrong long, 100 minutes, but that's not too uh in terms of Indonesian films, but it fits about the run time. I'd say like 90 to, you know, uh you know, I would say 105 minutes is usually the run time on these ones. But overall, I'd recommend this one. If you're a fan of Indonesian flicks, I wouldn't start with this one.
I definitely would start with Mystics and Bali or Queen of Black Magic or The Warrior or uh you know, the Snake Queen.
one of those ones. Although Snake Queen 2 and three are much better, but I would start with those ones. I think those are a little bit more approachable than this one. But I think this one's decent, solid. Has your martial arts, has your horror elements, has your fantasy elements, has a lot of the magical uh things here and and what uh you're looking for in there. Although, you know, Barry Prima does end up having to save the day. So, it's not completely at that element, but it does have a lot of the stuff of Susanna, you know, being this kind of cultural icon in it. So, good stuff. Boy, this is a weird one here. And this is Carnal Games by Andrea Bianke Biani. And Andrea Bianci, of course, did Strip Nude for Your Killer, Burial Ground, he did the uh Fali Presents movie that I covered a couple weeks back, right? Massacre, and he did uh Manic Killer. So, he has a long list of bizarre movies here. And uh Andre Bianci is, you know, one of these kind of I I wouldn't he's not an A-list Italian director. He's done a lot of porno films and he's done weird horror films. And he never reached the heights of Burial Girl, I think, amongst horror fans. Carninal Games is a weird one because on the description it's basically two kind of guys that are traveling around go raping women or go on a rape spree. So you're like this is going to be a dark nasty ruffy because this movie is a hardcore sex film, right? I think the inserts are probably not the same people, right? The the hardcore inserts. But uh so right in the beginning of the movie, we have these two guys raping this woman. And I was like, "Okay, we have pretty explicit stuff." And as they go on uh they end up pulling over this this young girl and uh this not young, it's a woman. and uh the guy has dressed up. Um they ends up pulling up a trans uh you trans person and um they start to like almost have sexual relations with her and then realize that it's it's you know it's a you know a a male to them. So they scream and freak out and kick her out of the car. And surprisingly these guys are like that's just gross. Like it's so weird like you know like you in this typical like if it was an American exploitation movie they would have most certainly killed this person. But in this one they're just like that's gross.
And I'm like, "Oh, that's weird." It's like kind of relief that it didn't go super nasty. And this movie never quite goes like to the nasty extremes that you think it is. Although it does do nasty [ __ ] It never becomes like an actual roughy like forced entry or something like that where or or you know like where people are cutting up people and slashing people. But it is this weird kind of mixture. Um so the character, one of the characters gets the idea that maybe if I dress as a woman it'll be easier to get women to come into the car. And you get the idea that it's very much a fetish for him that he likes being dressed as a woman while they sexually assault these women, right? And that's kind of where it lands here. And the next person they do sexually assault is a young farm girl who ends up in the hospital. And we kind of shift gears at times to Serpa Lane who's in Leete and some other uh Borletch movies and she ended up having a tragic death and I think you know the '9s of HIV. Um I think that she basically said was from being in the porn industry at times. I'm not sure but I think that's where it is.
So, Serpa Lane is is kind of a major actress in this film. So, it's Weird Singer and stuff like the the Leete from like 1974 is Labete. It's been years since I watched that, but you know, that's kind of like a big art house kind of extreme popular movie, right? I wouldn't call it extreme or exploitative. I mean, it is exploitative, but is an art film at the same time. Weird director Bverity and Border I think is how you say it, but you know, strange uh uh strange life of Dr. Osborne and Dr. Jackekal and Mr. Miss Osborne, which is a great movie.
strange case of Dr. Jackekal the Miss Osborne. Um but you know his movies are strange. So Serp Lane being in this was weird to me you know I was like oh that's strange looking at the cast but she plays this doctor who is pretty gung-ho about you know giving rapists they're just desserts and she has this interaction with this police officer have this relationship. So we have a lot of this kind of you know um this this talk of ideology back and forth about punishing these criminals these rapists and everything of that nature right it's only a matter of time before these two people's worlds collide right very Brazilian in a lot of ways right of these movies right a lot of the Brazilian movies feel like that nature as well but we have these two ideologies of course these horrible disgusting rapist and this this woman who's says that rapist should be punished in extreme fashion she's talking speech and of course it's going to come to that moment right where these characters have a runin with each other on and the rapist are going to do what they've been doing the whole movie. But, uh, the revenge aspect is very short, but very effective and done for laughs and really [ __ ] weird. Um, this movie is bizarre in tone because it's it's like a light-hearted rape movie where they have like an uncle that they take around as well who's like peeping to uncle and you're like, what the [ __ ] is this? This is a completely on on PC kind of movie with the tone and everything of that nature, but ruffies and porn films often are, right? Um, especially stuff like the Pinky movies or or you know the Nikatu erotic films from Japan are very much not going to be uh very digestible for people that are going to be easily offended by this [ __ ] But this one again fits in that vein, right? where it's a comedic, light-hearted movie about a buddy buddy rapist that go around and rape women and everything like that and they run into the wrong uh person of course and uh the end scene is um like hilarious and just desserts in a way and you're just like what the [ __ ] But very much like if I say that it'll spoil it but I'm going to have to anyways. It's very much like a ladies club kind of style deal which I can appreciate. Uh balls in a martini glass.
There I said it. I'm going to show it in the [ __ ] essay for 823 anyways. But man uh Andre Biani, weird [ __ ] director and I've never seen any of his porno films. Maybe I have. I didn't remember. But uh damn, [ __ ] wild weird [ __ ] man. Carninal Games. Check it out if it sounds like it's up your alley. It's a weird one. Okay, this next one here is Bondage Angel and White. And this is uh you know, the assistant director of this uh movie actually directed the one from 82, the Boo one, where the group of guys run around and rape a bunch of women. that I found like really kind of uh [ __ ] up. Honestly, it was one of those ones where I was like, "This is darker and more twisted and more, you know, I guess gorilla style film making than I expected. So, seeing this one was one that popped up on my radar and I didn't have access to it originally when I did the 83 and it popped up and I was like, we're going to check it out." Bondage, Angel, and White. And this one I I feel like kind of a sad movie. Not as good as a sad movie. Not as good as that other movie from 82E. There was impactful, but it's a bizarre one that fits in line with a lot of these kind of ones that aren't from kind of the major studios. They're like subsidiary of a major studio or just kind of independent kind of deal here. So, what we have here is this nurse who is almost sexually assaulted by this. She's assaulted but not actually fully raped by this guy. Um, and she gets away and she goes up to the nurse and every the she goes back to work and we realize she's a nurse. She has this relationship with a doctor who likes to use cactus or cacti, if you will, in the sexual kind of scene. So, I know somebody mentioned that uh in the letter box and it predates this movie and I can't remember which one was Sada movie with the cactus upset, but it does not predate Expensive Taste from Taiwan Hong Kong. Uh that movie definitely the killer uses cactus in his sexual exploits from 82, which is a wild [ __ ] weird movie, too. And uh but the the doctor here is is like has this fetish where he likes to hurt people with the the cactus and you know, you eat it afterwards cuz it's good for you and whatnot. But uh yeah, it's just like every man in this movie is a piece of [ __ ] Kind of like the the Susanna movies, right? every guy that she encounters besides like one is a bad guy. So, she's having this relationship with the nurse uh with this doctor this nurse is and obviously does not seem like a great one, a healthy one, but who am I to judge? Um I'm watching these movies after all, right? Uh so, the uh the rapist here ends up having some sort of nerve damage and he ends up collapsing outside. He ends up in the hospital, right? And um you know this guy is infatuated with the nurse um that he tried to molest and it turns out that she looks exactly like a shoe she's a shoehorn in for this this this guy's sister. So there's this incest aspect right where he's like my sister was a nurse and you look just like her and he's trying to have sex with her while it's like nerves are collapsing. But of course other characters come in and there's random sex scenes because this is kind of that deal right this is a softcore movie where we have to add in a sex scene every 10 minutes or five or 20 minutes and everything like that. But uh yeah, the end up the end movie ends up being kind of like in another kind of rape scene here, but uh you know, the nurse kind of gets slight revenge. I don't want to spoil absolutely everything, but I don't think this one's as deep or as intelligent or is you know, it's hard to say what's intelligent when you're talking about these movies. But I do think sometimes like stuff like the Angel Guts movies will cross that line and be like, "Oh, wow. That's kind of compant or or kind of saying a lot of things." or even the nicatu erotic films can sometimes be like these good movies made by directors but they have to add porno in them and they say these [ __ ] up twisted things that are in people in psych psychology.
This one attempts it. I don't think it ever gets to a s level or a nicatu erotic film level on the those better ones. Some of them are this is better than some of them. But I do think it's interesting. I think it's short enough to uh warrant a watch, you know, 64 minutes, but interesting one. Not necessarily horror, but definitely um it it's fringe horror. I don't think it's as good as something like serial uh murder serial murder rapist or something from 83. I think that one's kind of the standout when you're talking these kind of movies like that from this deer for sure. But uh interesting enough bondage Angel and White. Okay, the Patreon pick is not Pieces. I've covered pieces in depth for the 1982 video with a bunch of great guys. But uh it is the special feature on here. 42nd Street Memories all new feature documentary containing interviews with Sam Sherman, Bill Lustig, Larry Cohen, Frank Heneladder, Barry Gina Vanzo, Jeff Lieberman, of course, John Skip, Lyn Lowry, Terry Lavine, and many other exploitation icons directed by Caleb Caleb Widell who did a cannibal holocaust docu which I would like to see. But yeah, this is a great documentary. It's not the first time I've watched this one. Uh I don't remember the run time on it. I think 20 is it 2014 this bad boy came out but yeah uh I don't know how much more in depth I could talk about this but I just it's not necessarily uh just a talking heads documentary um but it does I mean it has a lot of the people in here talking about it talking heads to a certain extent but there's cuts in images of 42nd Street footage from 42nd Street in there as well um but uh has a you know one of the MVPs of this release uh this doc is of course 42nd Street Pete who is a 42nd Street historian and he has probably the craziest stories right being stabbed on 42nd street, you know, hooking up with prostitutes on 42nd Street, all that kind of stuff like that. And uh just he seems to have lived 42nd Street and he's, you know, kind of talked about this uh you know, this this time and this place and he seems to be one of the authorities on it. And I would agree. I mean, he's also a highly intelligent guy when it talks talks movies and, you know, a good guy as well. But uh as far as I could tell, you know, it has small interactions with him and seeing him on social media and stuff like that seems like a solid guy and of course knows his [ __ ] Had magazines and loops and stuff, all sorts of stuff. But also, it has tons of people that were filmmakers at the time talking about 42nd Street, their experiences on there, and they're fun to watch, right? Of course, uh, all these people that you've seen talk about other things are here.
Lloyd Kaufman and Joe Dante and Larry Cohen, all just like legends. And so many of the Sam Sherman and these guys that had passed away, movies that they had produced and ended up on 42nd Street. Um, like Terry Lavine who had an office on 42nd Street talking about how dangerous it could be, but he misses it.
He loves it. And Terry Lavine was a tough [ __ ] from Aquarius Pictures. But I think he was one of these guys that was a boxer and everything like that. So, you know, all these movies that he produced and stuff.
And he said, "When you saw that Aquarius picture logo, you know, people are going to go nuts because we're going to give you the the goods." So, there's just so much good information here that you have to hear from these people talking about it, right? And I remember like some historians have complained when people call themselves I would never call myself a historian. I'm just a fan of these movies, right? Because um I didn't like and somebody said they were a 42nd Street historian. I remember uh 42nd Street Pete. I don't remember it was a documentary interview or something like that complaining about that. He's like, "Man, if you if you didn't jerk off or spill come on the seats of 42nd Street, I don't think you can be a historian." I always found that uh very memorable line that he said. But yeah, it just seems like an incredibly wild time. And of course, um film fans are going to be nostalgic for it or put rose tinted glasses on the thing because they're seeing all these movies dirt cheap and everything like that. But a lot of the same people combat the dangerousness of 42nd Street saying, "Hey, I was a 14-year-old kid and I went there a million times and I was perfectly fine."
Right? Um, but they mentioned how much drugs were there and it ran rampant with crime and drugs and all these things like that. But at the same time, it was a paradise for film fans because you could see a triple header of three movies or any different kind of movies.
Any kind of movie you would want, anything that you would want is on 42nd Street here. I think that uh uh Wadell did a great job on this one. I think it's tons of information. I think this is a time piece even for that time in the 2014 capturing all these people, a lot of which are no longer with us, including uh you know, Terry Leavine's not with us. Uh um Larry Cohen's not with us. Who else is on this back of this damn thing is still no longer with us. Um you know, Liverman's still there.
Buddy's still there. Sam Shep Sherman, I don't know if he's still alive. I think he might be alive. I know some of the stuff just got released by Sever Films, but don't quote me on that. But it's interesting seeing this, especially the guys who actually had movies produced and played on 42nd Street is also really nice, too, right? because they can talk about their personal experiences seeing movies and then see uh their movies on there and see how people reacted to that kind of stuff as well. But uh overall a great little doc and I don't want to call it little and belittle it. That's not what I'm doing. But a nice little uh supplemental a big great supplemental feature for pieces which is an excellent release from Grindhouse video when we get to 4K. I hope it I hope it gets ported over. But love the movie, love that little bonus feature on there. You can watch it on Nightflight if you don't have this release of you know pieces.
But uh great great documentary. Um, I would highly recommend it. Uh, if for fans of 42nd Street, fans of pieces, check it out. All right, let's get in these questions, comments, and concerns.
And I know I'm recording this a bit early, so if your comments lost in the shuffle and it doesn't get read, please do not take offense to it. I'm getting oral surgery tomorrow on Thursday, and I cannot uh do it after the oral surgery because I know that I probably won't be able to talk very well and it'll probably be quite some pain. I should be okay. I'm not trying to be overdramatic, but you know, it is what it is. So, we have uh signins 5708. What's air Rogers doing? You're not the first guy to call me Aaron Rogers, and you probably won't be the last. Um, it is what it is. Uh, Jean Swag, has anyone ever told you that you resemble Matt from Dinosaur Dracula and the Purple Stuff Podcast? No, I do not know who that is. I looked them up and I can see some of the similarities in the face. I I would say so. Uh, Gabe Gabriel gives me an awe. Thank you. What the flick? I love Inner Space. I've always tried to get my wife to watch that. Nothing but trouble in the BBS, but she has no interest. I've been waiting for someone to release The Ugly on Brewway. Blue Bruay. I turn in the bill for mobile code red. I'm I wish we should start calling Brew Race. I didn't like the Black Blood, but still an awesome flick. Love ugly. Um she's got to watch the BBS. Get divorcer. I'm just kidding. Don't do that. Um but uh Nick from Flanders, thanks for your honest review of Cut Shoot Kill is an acquired taste in a postcreen world. We've seen it all. I guess lead actor Alex Hurt.
William Hurt son is better in Larry Fesend's Blackout. I wanted to see cut back when it was released because I do like uh Burket Turn uh Turnon's work. I recently played Sleazy Cousin and Darren and Oz Good Perkins Keeper and he will star in his next one, The Young People.
Did not like Keeper at all. Thought the Cousin was a decent performance. Uh, hate the lead guy and keeper. Don't like that movie really. I kind of hated it.
Zetter is due to arrive taking in account another strike at the post office. I think I'll like it after having enjoyed House with Laughing Windows. Standing haunt you. Also, I'm really starting to enjoy the zombie genre. At least the ones you recommend, Sensei Dave. Thank you. Yeah, I I mean I love zombie movies and I don't watch a lot of the new lowbudget stuff, but uh for the most part I think I have pretty good taste when it comes to zombie films. Uh questions. Were there scary rumors about someone in your neighborhood that kept you up at night?
The little old lady that used to live near me was said to be a child devouring witch. She did have an evil looking cat and aggressive uh pet geese plus an actual boil on her chin. No, I can't think of any uh neighborhood villains. I mean, there were some that we kind of gave a hard time, but I wouldn't call them villains. They were bizarre. But uh we had this uh babysitter that lived down the street that her name was Carolyn. Uh but uh she sounded just like um Zelda Rubenstein. So it was funny that she would say like so every time we referred to it be like Caroline. Uh so that's that's pretty much it. Not I don't know if a neighborhood uh boogeyman but still uh uh somebody that we would make a villain out of. How shocked were you when the final moments of laughing windows were rolling? Uh fairly shocked. Same about as Zetter. I think that both endings are quite tremendous. Uh three. Would you recommend uh Lo Capalino's other horror film, The Bloodstained Shadow. Man, have I seen The Bloodstained Shadow? I'm not sure I've seen that. I don't know if I've watched it. If I did, it's in vague memory. Uh if I have a review of it, check it out. Some of the That's a movie that I bought a couple times that I don't remember if I've ever actually watched. I I think I bought the DVD from Anchor Bay and then I probably have the uh Blu-ray upgrade. Is it 88 films that did it? And that's one that I I definitely need to remedy if I haven't watched it. Till next week, God willing, avoid houses with laughing windows or crying doors for sure. No More Room in Hell podcast. What's up, Mike? I need to give Inner Space a rewatch. It's a movie I remember, but don't remember if that makes sense. 100% how I felt about it.
Way up, dude. Thumbs up. Thank you. Uh kjhore.com. Uh this guy has probably one of the best VHS collections of all time.
Check his channel out. I love Sorry. I have Sorry. It's on VHS, but I never watched it. I recently watched reccon game, and it was a lot like a couple of movies you described today. Yeah, for sure. Right. It's just like I don't know if this is for me, but it's probably for somebody. Um, thanks for commenting, Mr. Gization. Thank you for the take, Tom.
Mr. Beautiful, thank you for the comment. Uh, what is this? Uh, that's a hard word. Gray Rojo. When I was about six or seven years old, this happened around 94. There was a Spanish pizza chain collection of Spanish pizza chain that worked on a national scale that was making promotions for certain orders.
One of these promotions was a collection of VHS movies, and one of those was Innerpace. I remember watching it with my younger sister, and we were like, "Whoa, this is amazing. We still have it, but I'm not sure if it will play on our old VHS system." Oh, that's cool.
Thank you for bringing it up. Cheers.
Cheers. Uh, Steven Leblanc 4677. You've never seen Fantastic Voyage, 1966. I thought you were straight. It's It stars Raquel Welsh prior to Arnella Muda and Flash Gordon 1980. She's got to be the hottest woman in sci-fi. And I'm not even straight. That's funny. Uh, yeah.
Let's get into uh the update. I I guess I got a remedy watching Fantastic Voyage here. Uh, I Raquel Welsh. I've seen a few of her movies, you know, but yeah, let's get into the update. All right, let's start with this update. Let's not bury the lead. Uh, first up, we got Faces of Death in 4K. This is a what is this? A Vinegar Syndrome archive. It's an archive. Warning, this future contains graphic depictions of autopsies, dismemberment, physical cruelty, human combustion, and electrocution should not be viewed by children, the elderly, or the squeamish.
That's right. Faces of death. A classic here. Uh, yeah, I've definitely uh rewatched that one. It's been years.
Then we have, how do you say this, man?
It's French. Tanner Francis. Uh, that's not right. But, uh, what do we have here? We have K uh, London Leans and Secret. [ __ ] you for putting it in French. You did that on purpose. Uh, yeah, I'm terrible with French. These are French thrillers. Uh, we got uh, Clauskinsky in there. And I think I've actually heard of some of these movies, but uh, definitely look to checking out.
VSL line here.
Then we got this bad boy here. Euro crime rarities volume one. Love this.
Love this. Love this. Um, which line is this? VSSL as well. And we got uh Labana Delka, El Commissioner Deloro, and General Del Corba Cobra. Uh, that's Day of the Cobra. These movies have alternate names that are more common to us, you know, Westerners. I can't remember. Day of the Cobra is one that I probably imported a Blu-ray of, but never got a chance to watch. We got Tomas Malon there, Frank Nero, and that's Beretszo Merly, Meritzio Merly.
So, you got three heavy hitters from the Euro crime movies, probably the three biggest ones. Uh then next up we got uh Vinegar Syndrome 4K Mutant. It's been years since I watched Mutant. Remember it being pretty fun. Wings Hower. That's all I remember. Bo Hopkins, I think. Is that Bo Hopkins in this bad boy? It's a 4K here. I think that's 84. I look forward to re-watching that one. And then we have the Escape from Death Other Slip cover here. Another of course uh one of the Luchio Faulty presents line.
Um this one I have not seen and I think this one's pretty popular. I love that cover art because I'm a pervert. You got a a melted face on there and uh they definitely made that butt shine. Shiny butt covers. Every cover should have a shiny butt on it, right? Walking in the moonlight butts. Um, yep. That should be a podcast. And then we have one from Bleeding Skull, House of Dreams.
This looks [ __ ] wild.
Uh, Savage Vows from Saturn's Core.
This is one that I probably had on a DVD but never got a chance to watch.
Upgrading them SRS's. Huh. And then we got Foust. Um, and this, what line is this? This is uh I can't even read their side. Kim Shim.
And I think I've actually heard of this film. I think this is one from 90s. Is that a Young Funk Meer movie? Uh, stopotion guy, right? Oh, I can't even show this. This is a little naughty.
But, uh, yeah, this thing is damn. What company is this? This is Delirium. This is just Franco. Satanic Sisters. That looks like Lena Rome. Boy, I can't show any of this, but uh you get the point.
It's a naughty movie. Naughty bits on there that I can't show on uh YouTube.
And then we have a couple 4Ks from Imprints. Um Indicator. Gez, I got Imprint and Indicator mixed up. This is The Grapes of Death by John Roland, 1978. Great movie. Uh very fun. Uh good stuff. Uh more horror oriented and violent for Roland than his typical stuff. But yeah, I love these deluxe editions of his movies. And then last but certainly not least, so happy to have the 1982 top 10 for me, The Living Dead Girl. Uh yeah, great stuff here. Uh John Roland again, Dead or Alive, very tragic, sad one. Again, one of his more violent films. But that does it for the update, guys. All right, guys. Thank you very much for watching and as always, have a good one.
What the [ __ ]
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