This episode of the classic Western series 'Daniel Boone' depicts the historical frontiersman's conflict with British authorities during the colonial period, where Boone is charged with treason against King George III and sentenced to hanging. The narrative explores themes of colonial rebellion, frontier justice, and the complex relationships between American pioneers and British military forces. Boone's story illustrates how frontier figures often operated outside official legal systems, creating tensions between colonial authorities and independent settlers who challenged British rule.
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Daniel Boone Full Episodes 2026 đ€ The Traitor đ€ All-time Greatest Western ClassicAjoutĂ© :
But father, if I'm to be married to an army officer, >> then you've got to learn how to take orders.
>> You've never seen men die in battle, Julia, and I hope you never do.
>> I've already told you I agree with your father.
>> Army officers, I can see there's no point in arguing with you two, >> but things will seem awfully dull in Salem.
>> Buying a truso preparing a wedding. D.
What kind of girl are you? Oh, you've got a lot to learn about me. Left hand Drake.
>> I'll be riding into Salem within a month. Goodbye, darling.
We've been through a lot together. As soon as our mother died, I don't know. It's It's not an easy thing to raise a daughter.
>> You've done a first great job, sir. I admire a woman with spirit.
>> President Drake.
>> Sir, you'll inform me as soon as the gallows are ready.
>> Yes, sir.
[music] [music] >> [music] >> Daniel Boon. Daniel Boon. What a doer.
What a dream come trueer was he.
From the [Â __Â ] skin cap on the top of old Dan to the heel of his raw high shoe.
The redest fightest man the frontier ever knew. Oh, Daniel Boom was a man.
Yes, a big man with an eye like an eagle and as tall as a mountain was he. Oh, Daniel Boom was a man. Yes, a big [music and singing] man and he fought for America to make all Americans free.
[music and singing] Daniel Boom was a doer. What a dream come trueer was he. [music] Daniel Boom.
Daniel Boom.
>> [music] [music] [bell] [music] [music] [music] >> Ah. [screaming] [music] Enter up.
Wait outside.
>> The gallows will be ready in a few minutes. Now, Boon, >> I detest waste.
The idea of swinging at the end of the rope doesn't make me too happy either.
>> But it doesn't have to happen.
>> Why? Have you changed your conditions?
No.
>> Well, then what are we talking about?
>> Enter.
>> Everything is ready. Sir, >> I'm willing to drop the condition that you arrange a treaty between us and the Shaune.
You still expect me to tell my friends and neighbors that I was wrong when I advised them to fight for their rights?
>> A public retraction of your treasonous statements against the crown is essential >> and impossible.
Corpro, escort the prisoner to the gallows.
[music] Daniel Boone, you've been found guilty of treason against his royal majesty, King George III. The penalty by order of the commodant of this post is death by hanging.
>> Sergeant.
>> Sir, >> proceed to carry out the sentence.
>> Yes, sir.
>> Junior.
She might still be alive. They can't have gone far. Select your men.
>> Corporal Tomkins. Sir, >> former squad.
>> Yes, sir.
>> Sergeant Reynolds.
>> Sir, take care of these men.
>> Yes, sir.
Colonel, all you're doing is supplying them with more targets. Any men you send out will end up just like those.
>> Advice, Boon, from a traitor. I suppose you'd forget about that girl out there.
>> I understand your concern for your daughter, Colonel, and I share it. But the lieutenant's way, well, I doubt seriously if you'll ever see your daughter alive again. Squad's formed and ready to march, sir. Good luck, Lieutenant. Thank you, sir.
Right turn forward. [screaming] March.
The lieutenant's probably right about one thing.
It's my guess your daughter is still alive Shaunie eraser.
>> Shaunie, if you'd arranged that treaty, >> wouldn't have made any difference at all, Colonel, one way or the other, but Nango never has and never will sign a treaty with anyone.
It's my guess he's holding your daughter prisoner for bait.
>> Bait?
>> Bait for British scouts. The men you just sent out, the men you'll send after them when they don't return.
>> How many men do you think Panango has?
>> Enough. It'll seem like hundreds to Drake. He doesn't know anything about fighting Indian style.
>> He may not have to.
I've never heard of an Indian yet. He couldn't be dealt with if he was given enough.
>> Can you give him back his wife and two sons killed by the British at the Battle of Stone Creek?
And you think you can do what a squad of British regulars can't?
>> With their help as decoys, I think I can.
>> And besides, uh, I have very little to lose.
>> Sergeant Reynolds.
>> Sir, >> give Boon everything he needs. Rifle, shot, powder.
>> Yes, sir. And >> Sergeant, you'll go with him.
>> [music] [music] [music] >> Well, are you ready, Bone?
>> I am, but you're not, Sergeant. You're going to have to get rid of that red coat.
>> But that's against regulations. And besides, the Colonel will scare me alive if I do. Well, the Shaunie will scalp you if you don't. Take your choice. That coat will draw Indians like flies to honey.
Bye. Get me that old pair of buckskins over there that our scout once wore.
>> It's a nice looking pair of boots you got there. It took me about an hour to put that shine on them.
>> No, not my boots.
>> The woods are full of dead leaves and pine needles. Indians have keen ears. If you wear those boots, you're going to sound like a couple of grizzlies rrestling in a dry bush. I put on something like this.
>> Now, you tie good care of my uniform until I get back here.
>> What's going on here, Boon?
Sergeant Reynolds is a British soldier.
>> That's right, Colonel Panango's looking to kill British soldiers.
>> Sergeant.
>> Sir, >> if it only seems as if Boon is trying to escape, shoot him. Shoot to kill.
>> [music] [music] [music] [music] >> Heat. Heat.
>> [music] [music] >> Walk, woman, or I will kill you here.
>> Those men, you just murdered them.
Murdered them. Yes, I murdered them and I will murder many more.
>> Now walk.
Oh, Tommpkins.
Sorry. This is where they ambushed the carriage.
I'll look for signs ahead, sir. You two men, fan out. Look for signs of the trail.
Here, sir.
>> There's been a scuffle here, sir.
>> All right. On the double.
Heat. Heat.
[music] [music] >> [music] >> From now on, Sergeant, you better stay behind me.
Break single trail make less noise that way.
And remembering what your colonel's orders were, my back will make you a nice big broad target.
In our born, General Bradock could have used the likes of you.
>> You were with Bradock.
>> I mean, he left at Worm.
>> We were a thousand, but only a handful of us survived. The Indians outwitted us.
We walked right into it.
>> That's what your lieutenant's trying to do.
Thank you.
[music] [music] [music] >> [music] [music] >> Heat. Heat.
When you are no longer of use to me, I will have much pleasure killing you.
We go Hold it. Rest a moment.
>> Lieutenant, what?
>> It's Julius. She's leaving a train.
What you doing? Heading east, sir.
Couple be alert for any other signs.
Have the men proceed.
>> Hold in then.
[music] [music] >> I can't I can't go any further.
>> Wigglings like all the women of the whites. soft and useless.
[sighs] >> Some wood, please.
Please.
[music] Maybe when you learn to butcher deer, gather wood, and look after Paneno's needs, I will let you be my squad.
[music] Soon you will whimper like child.
>> [music] >> cle girl. She'll lead us right to those murdering savages. Forward straight ahead.
>> [music] [music] >> Look at them. They're walking right into that trap.
>> Looks peaceful enough.
>> You're not using your eyes, Sergeant.
There's only one engine down there.
Probably to close the trap from behind.
>> Well, there better be one. Not just yet.
Panango's using Julia as bait [music] to trap Drake, and we need Drake as our own piece of cheese.
Don't worry, Sergeant. We're [music] going to leave the back door open for your men. I'll probably pick up something I need later. Come on.
[clears throat] [music] >> [music] [music] [music] [music] [music] [music] [music] [music] [laughter] >> We do not want red coats to lose your trail.
>> [laughter] >> We go.
>> [music] [music] [music] >> Lieutenant coming >> just like [music] he was invited for tea.
Well, >> if this works, we'll get him out of our hair.
>> I don't believe I understand.
>> You will. You just keep an eye out for Penango Scouts.
Ain't listening for sounds like that.
[music] >> [music] >> Let's duck over here and see if the lieutenant picks up the other trail.
[screaming] [music] >> [music] >> I I sure thank you for that, Mr. B.
Indeed, I do.
>> [panting] >> You'll make a fine engine fighter, Sergeant.
She's still leaving a trail.
Look, another sign.
They seem to have changed direction, sir. To the north.
>> That's strange.
>> Very well, Tomkins. Have the men step up the march.
[music] It worked.
I [music] wear the red coats.
Why did you not follow?
Have they forgotten you so soon?
>> There she is.
I The poor Ash looks like she's been through hell. I'm sure she has.
>> It's going to take some doing to get her out of there.
>> An angle.
>> [music] [snorts] >> Stupid red coat to a lost. I had to send my braves to lead them to my trap.
>> Sergeant, we've got only one chance [music] to try and save her. Under the circumstances, we better wait till night to do it.
>> [music] [screaming] >> Ultra fire forward on the double.
>> [music] [music] [music] >> Oh.
Do you see them Tomkins completely lost sir? [sighs] All right. Have the men fall in and we'll proceed. Yes, sir. Following men.
>> Well, there's less than an hour of sunlight left. Better try to work [music] our way up behind him.
>> B. There's the lieutenant. And he's hit it right again.
Now we'll have to get closer.
[music] [music] Heat. Heat.
[music] [music] [music] Heat.
[music] Heat.
[music] >> [music] >> walking into a lion's mouth with her eyes wide open. Now they've got to be warned. That's just what I'm going to do, Sergeant.
Take cover.
[music] >> What the bloody boom? I suggest you lower your voice.
>> What do you think you're doing?
>> I'll tell you when we move your men out of here.
>> The corp will place this man in irons.
>> Begging your pardon, Lieutenant. But the Indians are waiting an ambush for you right over the null.
>> How did you get here, Sergeant? Why are you dressed like that?
>> Please, sir, we're under orders from the colonel, and I suggest that you do what Mr. Boon says.
>> I'll tell you when we move you into safer cover.
>> Squad. Quietly, Lieutenant.
>> [music] [music] [music] >> All right, hold it here.
Now, I demand an explanation.
>> Well, Lieutenant, before you and I start talking, I suggest you send a couple of men out there in the trees in case Panango saw our move.
>> Tomkins, sir, thank Simon Jennings.
>> Yes, sir.
>> Mr. Boon, I had those Indians on the run.
>> That's what they wanted you to think.
>> You were walking into a pel of errors, Lieutenant. A trap.
You said something about orders, Sergeant.
>> Yes, sir.
I assume you're aware of what these say.
>> Mhm.
>> The way I read them, this only delays your execution.
>> That's right. Unless the colonel's daughter is returned safely to the fort.
Unless you are responsible for saving her life.
>> Well, I expect the colonel will take your word for that, Lieutenant, if we manage to rescue her.
>> There's more in there than that.
>> I can read, Mr. Boon. The Colonel clearly states that I and my men are to take orders from you.
>> That's right. I figure if you and I fight Panango instead of each other, we might have a chance. Might we?
>> I already said I understood the orders, Mr. Boo.
>> Good. Let's start by moving out of here.
Panangle will be wondering what happened to you.
>> All right, men. Form up.
Those red coats.
We're going to have a full moon tonight.
[music] Heat. Heat.
[music] [bell] [music] [music] They are waiting for us. A herd of stupid cattle.
>> [music] [music] [music] >> Look, see your red coats?
After we kill him, I will let you see the taking of their scouts.
Then [music] Heat.
[music] Heat.
[screaming] Yeah.
Heat.
>> [music] [music] >> I suppose I should thank you for saving my life.
>> It's not necessary, Lieutenant.
>> Redstone.
Look at it. Gerald, your woman will make good squango.
Lieutenant, come [screaming] save your woman from Penango.
We are waiting.
>> It's Jul.
Don't be a fool, Lieutenant. Come back.
It's a trap, Lieutenant.
>> Lieutenant, you can't do that girl any good, Dad. Going after is exactly what Panango wants you to do.
>> I'll challenge him to open battle face to face. We beat them once.
>> That's because he took you for fools. He won't be that careless again.
>> I'll meet him under a flag of truth.
Surely these savages must have some sense of honor.
>> Well, some do, these don't. All Panango is interested in is killing red coats.
He doesn't care how. This is his country, and he makes the rules.
>> All right, Mr. Boon. We'll do it your way. The Colonel's artist don't give me any other choice. But if your way fails, I'll take great pleasure in saving the hangman the trouble of killing you.
>> [music] [music] [music] >> Good work, Coral.
Let's get rid of these.
That's fine.
Good work.
You're still shining in the dark, Lieutenant. Better help yourselves more of this mud.
Well, now don't be shy, Lieutenant.
Here, let me help you.
>> If they could see me now at the Royal Military College at High Wickham, I'd probably be shot.
>> It's not exactly spit and polish.
>> You want to take that pig sticker, Lieutenant?
>> Of course.
>> We're going to be crawling through some underbrush. You may hang on something and rattle at the wrong time.
>> Mr. Boom. This saber is a part of me as much as your rifle or that cap is a part of you. The colonel's orders do not give you dominion over my weapons.
>> Well, don't get tested. You can keep your saber, Mr. B. Let's move out.
>> All right, let's move out.
>> I kept these things that you asked me to. Now, what would you have me do with them?
>> Now, just hang on to Luc and I'll tell you later.
>> I'm Mr. born. Take it easy on him. He's been trained for years to become an officer and a gentleman. And you can't change that all in one day.
>> I'm going to have to try, Sergeant. A girl's life depends on it and ours.
[music] [music] Go hungry then and you will die soon anyway.
>> Go ahead. Kill me.
>> We will wait for the British here.
[music] Build a fire will draw the red coats to us.
I will have the pleasure of seeing a face [snorts] watch a man die.
I will kill him slowly.
Lieutenant, I'll take the men forward and get them in position. I hope to be back before Panango finds out what we're doing. Now, you stay here.
It'll be gone soon.
>> Yeah.
>> Don't worry, Lieutenant. I'll get her back.
>> [music] [music] [music] >> What the devil's happened [music] to Boon? It's been over 10 minutes. He'll be back. As long as we don't hear anything, we've nothing to worry about, Lieutenant. [music] Heat. Heat. [music] [music] >> [music] [music] >> Well, Lieutenant, you can stop Fred.
She's all right.
>> You saw her?
>> She's tied to a tree back there in the clearing.
Now, Bonango is counting on your British chivalry for you to come marching right in and free her if we all.
>> No, no, no. That's exactly what he wants. Just you and I are going, Lieutenant, >> since you insisted on using yours as a club, this might come in handy.
>> What will you do?
>> The bow and arrow will suit my purposes.
Doesn't make any noise.
Big sticker of yours might come in handy after all. Lieutenant Sergeant, it's time for you to put on the uniform.
Besides a cone, skin your life. He saw you looking at [music] Penango. Red coats. Make fire. Build camp.
Could be another British trick. [music] Stay with her. If it is a trick, kill her.
When we are close, I will go ahead to scout.
British will not trick us again.
[music] [music] Heat. Heat.
[music] [music] [music] >> [music] [music] [music] [music] [music] [music] [music] >> Heat. Heat.
Lieutenant, you try to circle around.
I'll stay here and hold him off.
[music] Heat. Heat.
[music] [music] Heat.
[music] [music] Heat. [music] >> [music] [music] >> bro.
Heat. Heat.
[music] >> [music] [music] [music] >> Oh.
B. Mr. B, we cut them. We pulled them.
>> We got everyone. Sir, are you all right, Sergeant?
>> Not a scratch.
I I want to apologize, Mr. Boon.
>> Don't you think we ought to be getting back to the fort, Lieutenant?
>> That's your pleasure, Tomkins.
Have the men fall in. Yes, sir. Line up.
[music] For what?
Ouch.
[music] [music] Mighty pleasant sight there. dismantling the gallows. As for me, too, I've never had to hang a man. I don't relish the idea.
>> The way things are going, Colonel, you might be a little premature. That is, if you insist on hanging everybody who talks against your king.
>> But he's your king, too, Boon.
>> Well, now that's what it's all about, Colonel. But if you don't mind, I'll just leave that argument for later.
>> Well, at least it doesn't prevent me for expressing my appreciation. I'm a very, very grateful father. Boom. Enter.
>> Cottage is ready, sir.
>> Thank you, Sergeant. Sergeant. Sir, look at yourself.
>> Sir, [music] [music] I can't rightly explain how that happened, sir. Unless maybe it's because the boots are so much more comfortable than the [music] sir. Immediately, sir.
You're leaving none too soon, Moon.
Few more days and British military discipline in this fort would be a shambles.
I might even be able to convince your men they're on the wrong side, Colonel.
>> You know, I like you, Boon. I hope we never meet again.
[music] [music] Heat. Heat.
[music] Heat.
[music] [music] Heat.
Wait, [music] [music] [music] wait, wait, wait, wait. Any [music] [music] sign of them? No, but plenty of red coats.
A few here, too.
>> [music] >> Daniel, with the price the British have in your head, you could have chosen a safer place to be.
>> Well, I doubt if they expect me to be this far north. In any case, I didn't do the choosing.
>> He's overdue now. How long do you plan to wait?
>> Well, till he shows up. Those are my orders.
>> You know, Bulma is quite a famous man throughout Europe and highly respected.
But I had no idea he was so sympathetic to our cause. Least of all a secret agent for the colonies.
>> Let's hope the British have no idea either. Then Frankton's letter said, "Be careful not to offend him that he can be important to the revolution."
>> Yes, but not a hint of why he's coming or what we to do when he gets here.
>> No.
Sing >> receive your glory. Come on.
>> Some secret agent.
[music] >> Daniel Boon. Daniel boom. What a doer, what a dream coverer was he.
From the [Â __Â ] skin cap on the top of old Dan to the heel of his raw high shoe.
The ripest roarest fightest man the frontier ever knew. Oh, Daniel Boom was a man. Yes, a big man with an eye like an eagle and as tall as a mountain was he.
Oh, Daniel Boom was a man. as a big [music] man and he fought for America to make all Americans free.
Daniel [music] Boom was a doer. What a dream come trueer [singing] was he.
[music] Daniel Boom. Then you'll >> boo.
Let's get some >> unbelievably bad. It needs work. Vast amounts of it. That is if I decide to use it at all.
I trust I have the honor of addressing the renowned Daniel Boone.
>> You must be Mr. Bare.
>> Sh.
>> Bomar.
>> The same. We are well met.
You live up to your legend. Museum.
>> You're beginning to worry about you, sir. The time running on. You are what you think of me trying to assemble a cast. Of course, the uh design on the wagon that directs from Paris is a little deceit. Actually, I had to pick them all up in Quebec. And Quebec is not noted for talent.
>> You're not going to take them all along with us. And the wagon, too, >> my dear fellow, how else could I transport them to say nothing of the costumes and scenery?
Oh, it's all right. He's with me.
>> Is it? Am I seeing for the very first time I am? I am one of your two savages.
No, may I touch him? Superb. Fantastic.
He has a name, I suppose.
>> I am known as Mingo.
>> He understands. She speaks and with what primitive dignity I am known as Mingo.
What a tragedy. There are no parts for him in my place. [snorts] >> Oh, come sir, with a little rehearsal and a bit of makeup, I might do very well. Say, in the role of Figaro, >> he knows my plays.
>> Not only knows me here, but admires them.
>> With everything else, he has taste.
Children, come. You must meet these extraordinary people. We should talk with >> one of my greatest discoveries. I look forward to a long association with this disarming little creature. Mosel, >> well, let us simply know you as you will soon be known by audiences the wilder as the bewitching Susanna. Hant >> it's a [clears throat] pleasure man.
Excuse me sir but can we talk? This fellow will be her suitor the counter helm dashing forab a model to all lovers.
We uh we really must do something about the characterization of yours.
However, no doubt time will tell.
>> If you say so, Misha.
Figaro and my baro.
>> Can we talk?
>> But I haven't said a word. Children, proceed. I'm sure we are all famished.
>> Exactly. What do they know >> about you? Nothing. Only that we were to meet a guide. I am novice at this business, Mr. Boon. You may have noticed that I did not mention your name in their hearing.
>> Well, how much do they know about your real reason for being here?
>> When I hired them, I told them simply, perhaps a little slightly, uh, that that there was a secondary reason for my trip. But not one of them showed even the slightest curiosity about the reason.
>> And uh, that satisfied them >> totally. I assure you, whatever occurs, actors the world over are interested in only three things. Themselves, their performances, and themselves again.
>> I hope so. But at any rate, it's a little late to change things now. Now, we better start moving with British troops in the area. We're allowed to run into some trouble.
>> Not with me here and the shrewd enchanting facade.
>> Mr. B Mare, I understood this to be a secret mission.
>> What? Of course.
>> Of course. I also understood that you were to explain the details to me.
>> Very well. I am to go to Norfolk, Virginia. You are to take me there.
Voila.
>> But Mure, I still don't understand all this.
>> A way of getting around the British and an essential part of our enterprise.
Transport.
Of what? Excuse me, if you please.
The costumes.
Remove them if you please.
false bottom.
>> Exactly. Take it out, please.
>> Gold ingots.
>> Precisely.
>> It is a handsome little package we shall deliver to Virginia.
What's the goal for?
>> To buy musketss, powder, cannon. There is a ship in harbor loaded with weapons.
If we do not reach Norfolk within a week, she will set sail for other shores with a precious cargo, so haste must be our watch word.
>> Well, I agree with you on that.
>> Wouldn't we make far better time on horseback? We could load the gold in saddle bags and uh make a run for it.
>> Not in my opinion.
>> Too heavy for the horses. Mubar about the cast.
>> They will save us from the British. Fear not, gentlemen. I am an expert at tricking the enemy.
>> In any case, I'm under orders to accommodate you. There's no point in arguing with you about that.
>> Indeed. I will not guide you and you will not tell me how to run my affairs.
>> Mr. B Maron, you and I come from different cultures.
Quite obviously, we are most dissimilar men, but we do share a love of freedom and an admiration for this young and struggling country.
>> Then let us make the least of our differences >> and the most of our mutual passion for liberty.
>> Mr. Barece, will you agree again?
>> Now, let us see what little surprises we have here. A frag and a little canard bomar you and your wine in you have poured shatm with a child would have known better. B gentlemen, these stupidities must be as taxing to you as they are to me.
With infinite pains, I transported these wines from France myself. I watched over the casks like a mother over her children. With infinite care, I saw that the son and spray kept from them that they were not jostled. And for what? So that that fool might serve shattoy chemical.
This is going to be some trip can bare.
No, thank you.
[music] [music] >> [music] [music] >> Ah, Susanna, >> what conceit? But you must realize I have a thousand important things to tell you.
>> No, no, no, no. Where is your dues? You fire. You think you are paying back to the old man. Here I show you how to move this lovely child. Susanna, >> thank you. Thank you.
>> Mingo, is it absolutely necessary to travel as if we were being pursued by all the hounds of Hades?
One can never tell in this country, Miss Yub Mar. We might very well be.
There might even be Indians.
Let us proceed as best we can.
[music] Woohoo!
[music] Heat!
[music] >> [music] [music] >> We are a company of players, are we not?
We all wish to improve our arts. That not so. Well, circumstances have provided us with an opportunity. We are about to receive visitors. visitors before whom you will give a performance.
As your director, I charge you to project a bland ignorance of anything or anyone except our obvious mission of bringing culture to the wilderness.
[music] >> [music] [music] [music] >> What is it, sir?
>> Are you Mr. Bare? You have that honor.
>> I'm obliged to detain and search all vehicles in this area. A state of war exists between his majesty's government and these colonies.
>> I am fully aware of the state of war.
But are you aware, sir, that I am a neutral Frenchman, an artist, a conductor, and a close friend of his gracious majesty Louis V 16th?
>> Nonetheless, I have my orders.
As you see, we are a company of actors and singers bringing culture to this primitive country. We are not your colonies.
>> I must still ask you to allow my men to go over your wagon.
>> I will allow, but I will resent.
And I want to meet your associates, all of them. Children, come and meet this British officer.
My uh driver as you see an Indian my leading lady >> Susanna my figo s ala and my battle.
Yes, all of you.
Draperies for our little opera. And please be careful, they cannot be replaced.
>> Majer, this crate is ruddy heavy for draperies.
>> Lead the weights of pullies for the scenery and draperies. You have the word of a French gentleman.
>> Open it.
>> [music] [music] >> lead white, sir.
I uh [snorts] I will accept your apology, major.
>> Mr. Bare, I do not apologize for doing my duty >> and the Indian.
>> Where did you get him?
>> In Canada. You will be surprised, Major in France, how we admire the noble [Â __Â ] >> Him? Good. me him feed engine. Good.
>> All right, mount up. Uh uh major, instruct your men to put the case back where they found it.
Please put it back.
[Â __Â ] Ready? [music] [music] >> [music] [music] >> Admit, sir, that if it had not been for the facade of my upper company, the visit of the British major might have ended in disaster for our cause.
>> Well, Mr. Bareet, would have you'd have searched a few more boxes. If you miss your boo, you are too cautious for a secret agent. You need the soul of an adventurer, a taste for danger to succeed in the business of intrigue.
>> All the same, I think I'll have a look around.
[music] Fore.
[music] [singing] [music] [music] [music and singing] Brown boy magnificent voice. Do you not agree, Susanna?
>> Oh, I agree. I agree.
>> Well, with a little rehearsal, he could play my part.
>> Oh, yes. But um to play Figaro, he must be more than a singer. He must be um a fixer. Um a scoundrel.
>> Something like Bulma perhaps.
>> Yes, Bare is all that. and charming and talented, >> which I am not.
>> I'll tell you what you are. You are tiresome.
>> You You are a flirty Let go.
>> Stop teasing me.
>> Let me go.
Let me go.
No.
>> Are you such a fool that you must force yourself for you are not wanted?
>> She doesn't mean that he's being flirtatious like all women.
>> How would you know?
>> Well, how would you remember?
>> He has wit, but he has no grace.
Come my dear.
>> [music] >> Blue skies, green meadow, quiet still.
Sunrise, soft winds blow through the wood by the hill.
The robin sings its song in the summer.
The bluebird sings its song in the fall.
The blackbird only sings in the early spring if he's going to sing at all.
[music] Blue skies, green meadow, quiet still sunrise, soft wind blows through the wood by Bravo. Bravo. Bravo.
[music] [music] Our friend Alma Viva didn't leave empty-handed.
must have stolen off during the night.
There's >> no point in going after him now.
>> Not only a bad actor, but a common thief.
>> Maybe not so common and maybe not such a bad actor. He could easily have carried more than one.
>> I'm afraid I don't follow you, gentlemen.
>> That gold, Mr. Bulma, is evidence that this is not just a traveling company of actors.
>> You mean he's a British spy? Oh, >> I doubt that. that he may think he has valuable information to sell to the British. We're close enough to the garrison at Slater's fort to use their help. Mingo, you knew the way.
>> Get what help you can and meet us later.
From now on, we'll take the mountain trail.
>> The mountain trail? And this?
>> If the British come looking for us, they won't look there. They'd think we'd be crazy to go that way. And they'd be right.
>> They would indeed.
>> Now, Mr. Bomar, let's stop talking and start moving.
What are you doing? Leave it.
Not until I've had my breakfast.
Oh, I give my soul for a bit of parsley.
>> Parsley? My dear Boon, I am a corkier, a musician, a publisher, a ship builder, a manufacturer, and a financier. But above all, I am a gourmet, a connoisseur of fine food. I eat snails. You step on them. In reality, I am a seven men. And at this moment, all seven men insist on eating their breakfast.
>> Mhm.
Well, it seems to me, Mr. Bare Shay, that you're eight men.
>> Oh, on top of all the rest, I figure you're a patriot. And we need the help of that man, the patron.
>> Mubon, you are a diplomat.
>> Mercy.
And now, don't you think you should tell your cast what's in the win?
>> You would have me do that on an empty stomach.
Susanna, breakfast.
We will not wait for Almeida.
He is gone for good or for bad.
>> Yes, sir.
>> Later, my child. Later.
[music] Children, until now we have been merely a troop of players for rehearsing a fiction. Now it is possible that we shall soon be facing a challenge which comes to fuel. I appeal to you and not as actors but as human beings. I call upon your noblest instincts to protect this mission of ours against those who would crush the flickering flame of freedom which has been ignited in this young nation. Since we will require your help, your bravery, and your belief in the brotherhood of man, we have decided to make you partners in this exciting enterprise.
>> [bell] [music] >> And do you always carry a gold ingot when you travel in the wilderness?
>> But Colonel, that is my proof of what I tell you.
>> A troop of traveling players and singers from France transporting contraband for the colonial.
>> Yes. Gold bars under the costumes. I saw them with my own eyes. There must be dozens.
>> Of course. And you were running in your eagerness to reach us and tell us about it.
>> Yes, exactly.
>> That's why you were running in the wrong direction.
>> No, no, I became confused.
>> You say you're an actor?
>> Yes.
>> Better find a new trade.
>> Not just a minute.
>> You're not even a good liar.
>> Of course, if you were simply stop the wagon and have it searched. I must say I do admire your goal. Do you Colonials really imagine I'm so stupid as to fall for such an obvious trap?
>> I have told you I am a Canadian not a small force here. I ride out on this expedition. Leave this place unprotected.
Not even a good try. And as for that, that is now confiscated. His majesty's property, the fortunes of war. Put him in irons.
Lonel, you are a fool. That fellow Boon will have to go to its destination before you wake up.
Boon.
Daniel Boone.
>> But I I do not know the man's first name.
>> Describe him.
He's uh tall. Very tall. Coonkin cap.
Buckskins.
>> You know there is a jail sentence for giving false information to his majesty's army.
>> Yes, I know. Colin. And if you're a spy, the penalty is the firing squad.
Very well.
Show me on this map where the wagon is.
[music] >> [music] >> Yeah, [music] [music] heat.
>> [music] >> Heat. Heat.
Heat >> [music] [music] >> up [music] >> [music] >> This is so jealous.
They're >> cutting off the road to get ahead of him.
Heat. Heat.
[music] [music] [music] I am Colonel Joshua Winthrop of his majesty's first grenaders.
I am Pierre Augustan.
Search the wagon.
>> [music] >> Where is Daniel Boone?
>> Daniel Boone. There is no one of that name in this cast.
>> That man says that Daniel Boon is traveling with you.
>> Oh, he is a liar. Did he tell you that I fired him?
>> You did not. I quit.
>> I protest once before. I have been subjected to this indignity, this inconvenience that I hands of you British.
You will not find your man in that box.
>> We are looking for something else, Mr. Bare.
>> What?
>> Gold. Gold bars content.
[laughter] Would I be wandering through the wilderness with gold? Would I have left the Grand Bulvad of Paris if I had gold?
Perhaps he is your Danielle Bond.
Daniel Boone. Uh oh, my vigor. Perhaps he is your Daniel. Oh, let me see your hands.
Where is Daniel Boone?
>> I do not know Daniel Boon.
>> And you?
>> No, M. No.
>> Did you find the gold?
>> No. No. It is gone.
>> Which one of this group did you think was Boon?
>> Well, he's not here now, but he was. He and that engine.
>> All right. Where's the Indian?
>> I I do not know. There seems to be a great deal you do not know.
So Daniel Boon has vanished. His Indian has vanished. And the gold has vanished.
>> Well, it it was there. Or perhaps they have hidden it someplace. Huh.
>> Sergeant, place this man under arrest.
It is regrettable that we have suffered such inconvenience at the hands of that boar. You let us share the bouquet of my native hills and part as friends.
[music] Your your soldiers have been very sol.
I trust nothing is broken in here.
If you will do me the honor.
My own cu transported all the way from Burgundy.
H your health sounds.
M delicious, Mr. Ber.
Incredible.
Now, you maintain you are simply a troop of traveling players.
>> Precisely. With no interest in the rebellion and no sympathy for either side.
>> No culture. The arts never take sides.
>> Quite. However, I'm afraid I shall have to detain you. I'm going to send a courier to General Gates and let him decide what disposition to make of the matter.
>> But we have a performance scheduled in Portsmouth.
>> Regrettable.
Only another hour of daylight. We may camp here and await the general's reply.
>> How long will that take? To the general's headquarters and return? 10, 12 hours? This is outrageous.
>> War is outrageous, Mr. Baref.
>> Yes, isn't it, Colonel?
>> [music] [music] [music] >> What is this delicious meat? Commander cow.
cow.
I would have guessed mule.
>> At least it's good red meat. It doesn't need the sauces and spices you French pour over everything.
>> Ah, but that's a matter of taste. Come on. And you may be right. Taste is a matter of geography.
>> [music] >> Woohoo!
Woo! Woo!
[music] Sergeant Gresham, Mr. Kaggel Daniel Boone.
The garrison [music] at Slater's fort has been called out to assist General Combmes at Tucker's Hill. The skeleton force could only spare these gentlemen.
>> Well, the gold's right down to their noses. Only they don't know it.
You mean they haven't found it? They haven't found it. But Alviva saw it.
Elma saw where it was, not where it is.
I found a new hiding place.
We're too few for a frontal attack.
What we need is a performance.
More tea.
>> H >> tea.
>> Oh, thank you.
>> Miss you, Bum.
>> The nose. It meets with your approval.
Miss >> the the nose.
>> We miss you for the dress rehearsal.
>> But I just told >> you yourself said, Mr. Bare, it is our responsibility to bring culture to the wilderness.
>> I still don't understand. because of liberto.
[screaming] Forgive me. I was distracted. Oh, I do admire your devotion to your art. I do.
I do. I'll change my clothes immediately if my host will forgive me. My players are desperately in need of work. Since we are detained here, we may as well use the time to good advantage.
actors.
[music] Heat. Heat.
Gentlemen, your attention. Our play is about to begin. The scene is the castle of the count of counters Alma. Figuro deba has just been awarded the post of major domo by the count in recognition of his past services. As our scene opens, our hero is discovered with Susanna the countess's lady in waiting and to whom he is betrod. His song is on a subject which should be very close to the hearts of all of you. The rigors of war.
I better wait till the performance begins.
Fore Foreign >> [laughter] [laughter] >> Okay, I must speak to the commonant immediately.
>> You've already seen him. Now get back inside. I must speak to him now or it will be too late. What for? Despise day I hear.
Oh, listen Daniel. We're facing rough weather. We're facing rough weather.
>> We have to fight for it, boys.
Arrest that man. Arrest him.
[music] Heat. Heat.
[music] [music] Heat.
[music] Heat.
[music] >> [music] >> I don't see this [Â __Â ] [music] [music] [music] >> [music] [music] [music] >> How sad. How sad the performance was going so well?
[music] How much further to our destination?
>> We should reach Norfolk by midm morning, >> Mr. Boon. Then it will be goodbye.
Would you indulge the sentimentality of an old man? I should so cherish a little momentto of our great association.
>> Well, Mr. Bmore say, [laughter] perfect.
The perfect souvenir of the frontier of libert.
Thank you. Thank you, my friend. If you will permit me, accept this. Like you and my children, did they not rise to the occasion like true professionals?
Susanna Pigo Barlo, I salute you individually and collectively in every way. You perform magnificently.
And Mingo, oh Mingo, come with me to Paris. A genuine American Indian and a true child of nature and an opera singer as well. You would be a sensation with me as your impress. You'd make a fortune.
Him happy here. Him eat good. Him sleep good. M engine stay here.
[snorts] >> What a pity. What a pity.
>> [music] [music] >> Heat. Heat.
[music] [music] >> [music] >> Heat. Heat.
[music] >> [music] [music] >> Heat. Heat.
>> [music] >> King J.
[music] >> [music] >> It's still your flag.
Why are your heads covered?
>> You uh planning on a long visit, mister?
>> That depends.
I want those hats off. Sergeant, you're standing on private property, not some British pray ground.
>> Daniel, I've been hoping you'd turn up.
>> So have I, >> Colonel Holland, isn't it?
>> Good morning.
I wonder if you might spare me a moment in private.
>> Well, I can hear you pretty good from here.
>> Not very gracious, I must say. After all, I have traveled more than 100 miles just to see you, Mr. Boon. Yeah, I'm honored, Colonel. What about >> a matter of considerable importance to the crown and your community? If at all possible, I want to avoid bloodshed.
It's that serious and that private.
Mr. Boom.
[music] [music] Daniel Boom. Daniel Boom. What a doer. What a dream come trueer was he.
[music] From the [Â __Â ] skin cap on the top of old Dan to the heel of his raw high shoe.
The rippleest roarest fightest pan the frontier ever knew. Oh, Daniel Boom was a man. Yes, a big [music] man with an eye like an eagle and as tall as a mountain was he. Oh, [music] Daniel Boom was a man. Yes, a big man.
[music] And he fought for America to make all Americans free. [singing] Daniel Boom was a doer. What a dream come trueer [music] was he. Daniel Boom.
Daniel Boom.
Make yourself comfortable, Mr. Bone, if you can.
I have some excellent madiraa wine here.
Would you care for some?
>> Oh, thank you, Boon. As a leader of this community, your word is respected. That is why I personally chose to command this patrol, so that I might appeal to your good senses.
>> Well, exactly what kind of patrol is this, Carl?
>> One of many.
>> The colonial office has issued a directive ordering this entire territory become for troublemakers.
>> You mean like people who don't do their caps to the Union, Jack?
>> No, I do not. I am referring to the instigators of rebellion, enemies of the crown.
One of them is headed this direction. I must take him back to Salem for trial.
>> And you want my help?
>> I want this patrol action to be carried out peaceably and quickly. You could be of great assistance >> in helping you round up friends of mine.
>> Not at all. Just in the simple maintenance of order.
Do you mind telling me who this enemy of the crown is?
>> David Hubbed. A young rebel rous and seditionist.
I'm sure you're acquainted with him.
Yes, Davy Hubard's well-liked by almost everybody in Boon.
Some of your friends are a trifle, hotheaded.
I have word of a regrettable incident in Boston. British soldiers attacked in the performance of their duty. They were forced to take extreme action. A good many colonists were killed needlessly.
I don't want that to happen here.
>> Nobody does. Then help me keep your people quiet.
>> Well, they're nobody's people, Colonel.
They're free men, and I expect they'll fight to prove it if they have to.
>> Boon, and to this very moment, there is a serious debate in Parliament as to whether these colonies are worth the life of a single Englishman. Neither of us knows how this debate will be resolved, but any fool can predict the outcome of a war between a few lunatics with flint lock rifles and the combined forces of the entire British army.
You're an intelligent man.
Which side will you choose?
Well, I have no choice to make.
Besides, I've seen some wondrous things done by a good man and a flint lock.
Is there anything else, Carl?
>> No, not present.
[music] [music] [music] Hello.
Anybody home there?
[music] Hello there, Ma.
It's me.
What's for supper?
[music] Huh?
Hey, red coats all over. Get away from here. Stay away.
I'll take this. And we don't need this name.
>> You know my name.
>> Don't give yourself heirs. Put the prisoner under restraint.
This is a common warrant. It covers a list of troublemakers. And we know you're one of them.
David Abed, you are under arrest for eye treason and acts of sedition and conspiracy against the crown of his majesty King George III.
>> I know how you feel, mate.
>> Chaping, button your lip.
Prisoner, forward march.
[music] David.
David.
Oh, Dina. Dina, what are we going to do?
>> Don't worry, Paul. Think of something.
[music] >> Here's some more cider, gentlemen.
>> The thing to do is to stick together. I know this colonel. He's a good soldier and he's not stupid.
>> What are we supposed to do? Just stand by and watch him arrest half the territory.
>> What good is all this talk? They got my boy. They got Davey.
>> There ain't that many of them. Come on, let's go bust them out of there.
>> Now, hold on. An attack with red coats in the fort right now. Wouldn't make any sense at all. Now, suppose we did free Davey. The matter wouldn't end there.
>> We got women and children and old folks to worry about. You want to see them get shot up?
>> You asking us to do nothing? I'm asking you to use your heads now. The colonel has got a prisoner that he can take to Salem. That's a week's march through country we know, and he doesn't. I can think of at least a dozen places along the trail where we can jump that patrol and free Davey.
>> Sure, but the colonel wouldn't just give him up. He'd come back here for him.
>> Yeah, but this time he'd come back to a fort that we're in control of, manned by people who are expecting him. Now, that's an entirely different story, and I wouldn't wonder but what he wouldn't give up the whole matter.
>> You know, he's making sense. Well, either way, we'd be going against him on our terms, and that's the only way to beat the Red Coats.
>> Well, what do we do now?
>> Well, I'd say go home, get provision, get your best rifles, and stay there until the Red Coats leave the fort.
He's talked you into it.
You're playing mighty fast and loose with my boy's life, Dan.
>> Andrew, don't be a fool. Dan's right.
>> Just how well do you and that Colonel get along?
I know you're troubled, Andrew. So, I'm just going to forget I heard that.
>> Has he made up everybody's mind?
>> Has he?
>> You got any better ideas, Andrew?
>> No, but I will.
>> Oh, you're just working off steam. You can't bust Davey out of there by yourself, and you know it.
Well, Daniel said provisions and best rifles, didn't he? Well, let's get them.
>> [music] [music] >> I'm going to be needing your help, child. We're going to have to do something for Davey.
>> What can we do for Davey?
I want you to go to the empty cabin near Willow Draw and wait for me.
>> The old Danford place.
>> But carefully, child. I want no one to see you. No one.
>> Huh?
>> You and Davey.
>> I mean, if you get to talk to him, please don't get into one of those things again like you always do.
Davey loves you, Paul.
I know he's kind of wild about things, but deep down, you two are really no different.
The Banford place, child.
Wait for me there.
[music] Alexander Morgan the last one of all the world's brave heroes noneare to the finest Britishers.
>> All right, closing time in 10 minutes.
You got 10 minutes now. Drink up.
[laughter] >> Well, we've drunk to England, the king, the colonel, each other. Our blisters.
What's left?
>> Blisters?
There's nothing to what that poor yank in there's in for.
>> You gone soft to something. A >> You wasn't in the house.
>> What I mean to say is he he got a jolly nice little family there. He don't seem like such a bad sort. Now, what would you know about families?
>> Leave him be, Jack. Oh, >> I don't know. I think I'd like being an orphan. Living the way you please.
Nobody to ask leave of. Huh? Am I right?
>> Oh, you're a very funny man, Jack. I hope you know that. And if you keep it up, I'll see it gets cut on your gravestone.
>> Well, then.
>> Well, then what?
>> Have a go.
Not in my place. You don't.
>> I said to leave him be. It's a hard thing being an orphan. And he's done right well considering.
>> Thanks, mate. Come on. Let's go home and get some sleep.
>> Just a minute. I'll take that mug.
Two more weeks to go this itch and I'll be glad to see the end of it.
And that's a fact.
[music] >> [music] >> Down there [music] down.
>> [music] [music] [music] >> I >> [music] [music] [music] >> Hello, love.
Remember me?
>> You took your time waking up.
Yeah, you're the young sister, aren't you?
>> Not his wife, I don't suppose.
>> Paul says if I want, I can gag you. So, you better watch out.
>> What did he say about water?
>> I've got a terrible thirst somehow.
Can't think why.
Isn't there any water around here somewhere?
P.
>> You bothering your child?
>> He says he's thirsty.
>> Now watch me, child. You have to give it to him very carefully.
>> [clears throat] >> metabolized.
>> Let me tell you about the girl. When she was 9 years old, the wolverine took out after her, chased her more than a mile.
Then she come across some high ground and some dead branches.
She took one of them dead branches and beat that animal to jelly.
That's when she was 9 years old, soldier. Just so there's no mistake on your part.
She loves her brother and she'd just assume kill you as not.
>> What's stopping at you?
>> The time being.
>> Are you the one that cost me then?
>> Huh?
>> Fetch me this clout back of the year.
>> Yes.
>> Well, what did you want to go and do that for?
>> I didn't want to. It's >> You've got my boy.
>> What? Me? I got nothing to do with it. I do as I'm told.
>> So does she.
And for the time being, she's been told to let you live a little while longer.
>> Here, you mind your dad now?
>> A little longer.
>> You just better pray that my boy never sees the end of a rope.
[laughter] >> What's funny?
I don't know.
I guess I'm weak from this bashing around.
But the idea is such a funny one.
>> You're holding me hostage.
>> That's right.
>> Then you might as well kiss both of us goodbye. Me and your boy. Old Colonel Olen would have paid to get me off his hands. Listen mate, [clears throat] why don't you get it over and done with now?
They won't hand him back to you. Not for me or any hundred like. It's not the army's way.
Every soldier has to be ready to die from the day he takes the king's shilling.
>> Yeah. Don't you ever sell your pretty life that cheap. Love, >> you could be wrong.
>> Nobody hopes more than me, mate.
I'm going to go back to our house.
They're going to be searching it and I want to be there when they do.
>> Yes, Paul.
>> I hate to be doing this to your child, but you're the only one. Your mother's just >> going to pieces.
>> Don't worry, Paul.
Be back as soon as I can.
You know, love, you're a brave one.
But tell the truth, though. Wasn't you frightened just a little bit when that Wolverine chased you?
>> I'm not supposed to talk to you.
>> Why not?
>> I don't want to anyway.
And if it's any of your business, know I wasn't scared of no Wolverine.
>> And you're not afraid now?
>> No.
>> Well, I am.
This is like the worst part of a bad dream when you don't think you're going to wake up.
Of course, I shouldn't think a giant killer like you would ever have bad dreams.
Am I right?
Where is this place anyway?
>> Oh, wouldn't you like to know?
>> Of course I would. That's why I asked.
Underhead.
Don't you call me that. Nobody calls him that. Only.
>> Only him.
Davey.
He's a nice young fella, too.
>> Well, they'll never find this place.
It's not if they look for 100 years.
>> Well, I can't see him doing that.
>> Hey, what's your name, love? Mine's Tom.
>> Dina. Now, will you shut up? Don't you do nothing but talk. [sighs] >> What is it?
>> Listen, Dina.
I know it's not part of the job, but do you think you might dip a cloth in that water bucket, hold it against my head?
>> [sighs] >> Your old dad's a strong one. I I think he broke my head open.
I'd do it for Davey if he asked me.
Thank you, love.
Mr. Boom.
May I say that you are a most unudicious man. It pains me to think that I have several times mentioned you favorably in dispatches.
>> I reckon when you're ready to tell me what you're talking about. You will.
>> Earlier this morning, someone wrapped this round a pistol ball and threw it through the window. I will read it to you, although I have no doubt you are perfectly aware of its contents.
Unless Davy Hubard is safely returned to his people by midnight tonight, Private Tom Chapen of your army will be put to death.
The spelling is atrocious.
>> Chapen?
>> Missing.
Now, though I have gone out of my way to warn you, you seem fit to ignore me.
Yes.
>> Daniel, >> where did you find him?
>> At home, sir. sleeping.
>> Did you search the house?
>> Yes, sir. Three times. Not a sign.
>> Reporter. Sergeant Bradic.
>> If you would tell me what it is you're looking for, I might be able to help you.
>> I must say that your poise is enviable.
I do not intend to waste words with you.
Either of you. I have decided not to take Davy Hubard back to Salem.
I I'm happy to hear that, sir.
No, I plan to comply with at least part of the request made in this note.
Davy Hubard will be with his people.
Follow me, please.
[music] Take that bow, Opkins.
If that worthless Cockney is not delivered to me by dawn tomorrow, David Hubard will be hanged by the [music] neck until he is dead in full sight of the entire settlement.
That is all I have to say.
You are both free to go.
>> [music] >> Give the rope public.
Lovely bit of yarn that. Make sure it's firm.
[music] [music] Listen, if they hang me, it'll be no great loss to anybody. But let it serve as a warning to all of you. I saw them shot down in the streets of Boston like dogs. You want the same thing to happen here?
All right, let's clear out. This ain't a town meeting.
Why >> [music] >> don't you get some rest, mate?
>> In the end, you can't win. You know, you just can't.
>> Well, you're not doing such a grand job yourself. You know that. Now, lie down and be quiet.
Same fella. No change in guard.
>> What else?
>> They're just about finished with that uh you know what.
>> I'm trying to talk some common sense to you.
>> I've known this colonel for a while.
>> Can I get you something, Dan? Andrew.
>> Andrew, he's not a bluffing kind of man.
Nothing to do with me or any of them for that matter. I'm going home. Sit down.
My wife and daughter waiting for >> My wife is at my cabin and you know it.
Your daughter.
You've got Dina mixed up in this. I've told you already. I don't know where that red coat's got to.
>> Andrew, you're going about this thing all wrong. You can't settle a question of rebellion all by yourself. Rebellion?
I don't give a hoot about any rebellion.
I told David when he went to Virginia, he was chasing shadows. Foolishness, >> Andrew, if you kill that soldier, >> I've got no soldier to kill. Can't you get that through your head?
Of course, I'm not saying that whoever has got him shouldn't go on and cut his throat. It's wrong.
Wrong.
What if it were your son, Dan? What would you want to see happen? I don't know. But as long as you're asking the questions, what if that English boy were your son instead of Davey?
>> I got no time for this.
>> Do me a favor. Talk to Davey.
I've talked to Davey for 20 odd years.
It seems like nothing I have ever said to him has ever sunk in. I'm done talking to Davey.
Are you sure you're just not trying to teach him a lesson by getting him hung?
Just how much does he mean to you compared to admitting that you're just plain mistaken?
Now think about it.
[music] [music] >> [music] [music] >> I uh I want to talk to my son.
>> Wake up, lad. It's your father.
Please.
>> All right, sir. [music] But just a few minutes.
Hello, Paul.
We didn't get much of a chance to say hello.
>> Are you Are you hurt?
>> Oh, me?
Well, I'm the healthiest boy that's ever been strung up in this whole territory.
How are you feeling?
>> You haven't changed a bit.
>> No, sir.
>> When you went away the last time, I told you not to come back until you'd learned some sense. That's plain to see you haven't. So, why did you come back?
>> To see my folks.
To see my sister.
>> I don't believe you.
>> You haven't changed either.
I suppose you heard about the British soldier.
>> Yes, sir.
But it won't help me.
But it means that some people around here are waking up.
Aren't you afraid that they're going to think it was you?
Heard the soldiers talking.
>> That's what they are saying.
>> Well, it's only natural.
But we know better.
Don't we, Paul?
>> You don't believe it, then?
[clears throat] >> Nope.
Don't let it bother you.
>> You didn't think I was going to let you hang without >> What? Without getting even?
Yes, sir.
I'm afraid that's just what I think.
>> Well, you ungrateful [clears throat] little cub. If there wasn't a wall between us, I'd >> But there is one.
There always has been, P.
[music] He's heading out.
>> Casey, follow him as far as the stream.
Make sure which direction he takes. I'll be along after a while.
>> Yeah, we're wasting time. And >> Davey's got a lot less of it than that English boy. What do you got in mind, Donald?
>> What I've got in mind, what I've got in mind is treason against the king of England because Davy Hubard or no Davy Hubard, the rebellion hadn't started yet.
[music] [music] What are you all staring at? Why don't you run on home and hide under your houses? That's what you're best at.
>> Steady on, lad. You'll only get somebody else hurt.
>> Just remember, if they hold Boonsboro, then Lexington is next. Then there'll be nothing between them and the Ohio River.
Indians to the north and Red Coats to the south. Is that clear enough? You're in the middle, >> Mr. Hubbard.
>> Although I find your analysis of the military situation in the Northwest illuminating, may I remind you of the lateness of the hour.
It is a time when honest men are in bed.
Do you see that, gallows? [music] Do you know what will happen if Chapen is not returned to me safely? Yes sir, I do. It means somebody killed him.
Good night.
Come on now. You heard the Colonel Claroth.
Don't know how lucky you are. I've got to stay up all night.
[music] >> This way, boy.
Come him up.
And >> take the rear gate, Dave.
Well, >> I think you better plan on staying in Virginia a good long while.
>> Daniel, I got to talk to you. Son, you picked the funniest times.
>> It was you who came back to see.
>> Dan, why don't you come back to Virginia with me? They need you there.
>> Look, your war is in Virginia. Mine's here. And I could fight a whole lot better if I didn't spend most of my time staging jailbreaks.
>> I'm sorry. What about that English boy?
What's going to happen to him?
>> He's next on the list.
>> Who do I have to thank for making him a hostage?
>> Son, stop fooling yourself. If you know who.
>> I don't believe it.
>> Yes, you do, Davey. You know the differences between you two never amounted to Hillipas.
>> But why? He never did anything like that before.
Well, >> he had to do something. He's a father.
Write to him, Dave. Maybe he'll write you back. Good luck. Thanks.
Dan, he's starting to come around again.
You figure you can follow Andrew's trail?
>> Yeah, I've hunted with him. He leaves tracks a blind man could follow.
[music] >> [music] [music] >> How long I've been asleep?
>> Quite a while.
>> I miss anything today?
I don't know what you mean.
>> Doesn't matter.
>> If you like, I can >> untie me.
>> No. Give you a drink of water. So, if you want some, speak up.
>> Don't suppose there's anything such as food around here, is there?
>> No.
Wonder what's happened to Paul.
>> You don't like to think about it, do you? Ever seen it happen?
What?
>> A killing?
>> Once a man took after his wife with an axe.
>> Well, the man's son, he got it away from him, but he tried to get it back.
The boy lost his temper.
>> I've seen my share. This is a ruddy dangerous country.
>> What'd you make me think about that for?
>> I wanted to be sure you knew what your old dad got in mind for me.
You fancy seeing me messed up by an ex?
>> You knew what would happen to my brother and yet you helped take him.
>> That's not saying I wanted to. I can't make you people out. What do you want to start a rebellion for in the first place?
>> We got reasons.
>> Give me one then.
>> My brother says the king, he's a tyrant.
>> Well, of course he is. That's what he's supposed to be, isn't he? be a poor excuse for a king if he spent all his time letting other people tell him what to do. Still, I don't know what you lot got to complain about. Take me for a start. I'm supposed to lay down my life for King George. That's just how they put it when I enlisted.
Lay down your life if necessary.
Now, that's what I call tyranny.
>> But why do you put up with it?
>> He's the king.
>> I guess that's what Davey meant.
How old are you?
>> 20.
>> Come on now. Tell me another one. You haven't had a good look at 17 yet.
Still, you'll be an old woman before you're 30 and living in this part of the country. Pretty girl like you.
>> Stop it.
>> No, I don't suppose you've heard much of that kind of talk in your young life. I imagine when you want to get married out here, they look at your teeth and test you out. Pulling a plow.
Was I right? Was I?
>> Well, there's some that do it like that, but not my folks, not me.
>> Do you dance in this part of the world diner?
>> Yes, like everybody else.
>> But there's no such thing as a ballroom around here. I know what you do. You turn all the pigs and chickens out of the biggest barn you got. And you [laughter] >> That's the truth. Anyway, >> Dina, that's a Bible name.
She was the head of a tribe. Diner was we got a lot of Bible readers at the home.
>> The home?
>> Orphan, I mean.
>> Huh?
>> Well, don't make it sound like that.
Some of the most famous BS in history was orphans.
>> You You never knew your people.
>> Never. You're lucky in a way. Well, unlucky as well. Family can be a lot of trouble, I expect.
Look at me. I was able to skid off on my own when I was younger than what you are.
>> Where'd you go?
>> Went to Paris.
>> You know anything about Paris?
>> Not really.
>> Oh, a thundering wild place it is.
People walking around in turbans like they do.
You dance your legs off in in Paris. You would.
Hey, you're not listening to me, are you?
>> I'm sorry. I thought he heard something.
Listen, Dina, before it's past talking about, cut me loose and let me go.
>> I can't.
Don't ask me.
>> As a matter of fact, why don't you come with me? I'm supposed to go home in 2 weeks or less than that now. You'd love England Diner.
I come from Bournemouth. That's near the ocean. I bet you never seen the ocean.
Tell the truth now, >> please. P.
>> If your P told you to jump off the roof, you'd stop and think first, wouldn't you?
>> Use your brains, girl. That's what they was put there for.
If I did let you go, would you try to help my brother? on my honor as a soldier.
>> Oh, did they let Davey go?
>> They did not.
[music] >> Wait for me outside. Dina P.
>> Do as I tell you, [music] >> soldier. I'll make this just as fast as I can.
>> Oh, no.
Papa, please. Please listen to me.
[music] >> D, I've told you twice. Wait outside.
>> He hasn't any folks.
He's an orphan.
It isn't his fault about Davey. Why didn't you kidnap the colonel or the king or somebody?
Dina, I never made myself out to be a charity case. [music] And I didn't tell you all that to get off with my life.
You got outside like he said.
>> Get outside.
>> You wouldn't shoot me.
>> Yes, I would in the leg.
>> That wouldn't stop me >> with this.
>> Diana, don't.
>> Are you crazy?
>> Just try me, Paul.
Dina, please don't.
[music] >> Come on, child.
Give it to me.
Hand it to me, Dino.
[snorts] Andrew, let me have that knife.
Give it to me.
There's no need for that pistol.
>> Your son's halfway to Virginia, Andrew.
>> What are you talking about?
>> Well, a bunch of us got together. It's the best way to get results out here.
>> And Davey's safe?
>> He's safe, Andrew.
>> [music] >> You need a scrubbing up. You're a mess.
>> I know.
You going to cry again?
Yes, but not till later.
>> You know, if your dad wasn't standing right there, I'd kiss you good and proper.
>> How do you know I'd let you?
>> Well, that's a girl for you. She'd blow her brains out to save your life, but as soon as the sun comes up, she never heard of you. No, >> I never said that.
>> Go on, Donnie. You're a natural flirt. I tell you what, I'll do this for a start.
They do like that in Paris.
>> Dan, you and I used to be friends.
You still are.
Come on, son. [music] >> [music] [music] [music] >> This as far as I go.
Do me a favor, will you?
Forget my name.
>> I got you.
>> Stand where you are.
It won't do Boon. He's not good enough.
>> Well, he looks like a good soldier.
>> Quite beside the point, Boon, I said I would hate to ever have to put you under arrest. I meant it. But you have broken the law, and the penalty is the same for all.
>> Begging the colonel's pardon.
>> You shall have ample time to beg the colonel's pardon.
I came here for a prisoner.
I will have one.
Perhaps the people of this region need a stronger example than most.
The sight of you hanging in Salem may be sufficient.
J in take his gun.
[music] [music] [music] Heat.
[music] [music] [music] Heat.
[music] >> [music] [music] [music] >> Where you go?
>> [music] >> very impressive, ladies.
But whether or not you're out of the way, I shall order this column forward in 10 seconds.
Ladies, I advise you to move.
>> [music] [music] [music] >> out.
[music] Sergeant.
>> Sir, at the first shot, you are to shoot the prisoner.
>> Understood. Sir, >> I ask you for the last time to let this column pass.
>> As soon as you release Boon, you can go any place that suits you.
>> Prepare to fire.
Step aside, Mrs. Boon. Lock in. Help the lady.
Take aim.
And then what, Colonel? Another Boston massacre. And all the while Parliament's arguing about the last one. Look mighty ugly on your record, too, won't it, Colonel?
>> Not that you'd be around to read it.
There's a sight more of us where we come from. If you do this, I shall have to come back in strength.
>> We'll be ready for you, Colonel.
>> No doubt.
No doubt.
Release the prisoner.
[music] Excuse [music] me. Come on, Don. I want to talk to you a minute. Do >> you realize we just >> Don't give it a thought. I'd have let you in anyway.
>> Prepare tomorrow.
>> You never said if you'd ride, >> didn't I? Well, I can't, you know. I mean, I don't know how, >> but I tell you what, I got a fur coming and uh Yes. Well, >> get into ranks.
>> Horrible, man. That I'll do my best to get back here. I just hope it's not in this uniform.
>> Had an idea your group would turn up.
>> Me, too.
[music] >> Forward. [music] March. March.
Heat. Heat.
[music] [music] [music] Heat. Heat. N.
[music] [music] >> [music] >> Heat. Heat.
[music] >> [music] [music] >> and who hereby bequeath my house at Oyster Cove together with all its impertinences to my niece Rebecca Boon.
Signed and sealed in the presence of witnesses. Peter Maldun Hogan. You're a very lucky woman, Mrs. Boon.
>> Uncle Peter.
He moved back to Ireland several years ago. I had no idea he owned any property in America.
>> Has a deed been record Mrs. Boon's name yet?
>> I have the records right here. There's a tenant be living in the house. He's been sending his rent to Ireland. That's something else we'll have to straighten out.
Does this mean we'll have to live here instead of Boonboro?
>> Well, since your father is now representing Kentucky in the Virginia Assembly, we might use the Hogan Place as our home in the East.
>> Oh, no, Becky. If I live in the East, I can't represent Kentucky. The place has any value. I think we'd better sell it.
>> Daniel Boone, who inherited this property, you or me?
>> We're not sure yet if anyone did.
>> Oh, yes, you can be sure. Here it is.
Notice of probate filed 6 months ago.
Oyster Cove is yours, Mrs. Boon. All are right and legal. Here is the key to front door.
>> Oh, I can hardly wait to see it. Oyster Cove, a cozy cottage right by the sea.
It must be a lovely place.
>> [music] [bell] [music] >> Damn Daniel Boon. Daniel Boon. What a doer. What a dream coverer was he.
From the [Â __Â ] skin cap on the top of old Dan to the heel of his raw high shoe.
[music] The ripest roarest fightest man the frontier ever knew. Oh Daniel was a man.
Yes. A big [music] man with an eye like an eagle and as tall as a mountain was he.
Oh Daniel Boom was a man. Yes. was a big man and he fought for America to make all Americans free. [music and singing] Daniel Boom was a doer. What a dream come trueer was [music and singing] he?
Daniel Boom. Daniel Boom.
>> Oh, what could be keeping your father?
>> I see him, M. Hey, P. P. We're over here. P.
>> There you are. If it is you, Mrs. Boon, the horse's name is Merwin.
>> Hey, Paul. The horse is named Merwin.
>> Come on, Israel. Climb in. Hurry up, son. We're already dead.
>> Becky, uh, I know how anxious you are to see what your uncle Hogan left you, but I'm afraid we're going to have to put it off for >> Why?
>> Oh, business of the legislature.
>> But you said the assembly was in recess today.
>> It is, but the governor's taking advantage of that recess to call a committee to consider the Kentucky resolution, and I have to be there.
That's why I was elected.
>> Yes, of course you do.
>> Oh, crime and >> I'm awfully sorry, but >> it's not your fault, Dad.
I suppose the assembly will be in session again tomorrow.
>> I'm afraid so. I won't be able to get away till the end of the week.
>> Wait a minute, Dan. As long as [music] we've already rented the horse and the buggy, why can't Israel and I go along?
Just the two of you?
>> Why not? I can drive a buggy.
>> Sure, Pa. And I want to see our new house.
>> Well, I don't know. It's a lonesome drive from the country out to Oyster [music] Cove. I'm not sure I like the idea.
>> That's because we've been living in Kentucky where there might be an Indian behind every tree. Oh, Dan, this is civilized country.
>> Sure, P. There's nothing else to do in town.
>> Well, I suppose you're right. I guess I'm just not accustomed to being left behind.
>> Well, I'm very accustomed to it and would like a change.
>> All right.
>> All right. Up you go. Don't fritter away your time. I want you back by dark.
>> Bye, P.
>> [music] >> Are we lost?
No.
No, I'm sure this is the way.
>> Paul was right. This sure was lonely country.
>> Whoa.
>> What is it, Israel?
>> A black cat brings bad luck.
>> Oh, Israel, you know better than to believe things like that.
>> Well, sometimes it's fun to believe them.
All right, just so long as it's for fun.
>> Whoa, whoa, whoa. You could turn around and back Merwin over the Can's trail.
>> Israel.
>> Oh, Merwin. Oh, >> you've already crossed it, M.
>> There's something wrong with Merwin.
>> I'll go see M.
>> It's Lucimuma. It's that old black cat.
>> Oh, Israel, that's nothing but a coincidence. We'll just have to lead Merwin to the nurse farmhouse.
>> What farmhouse?
>> Oh, come on, Israel. We're just >> Hello there. I wonder if you could help us.
Our horse seems to be losing a shoe.
>> Bring him over here.
>> It's the front one.
I don't need a hammer.
>> Go down, mister.
>> This is wonderfully kind of you.
>> Sure.
>> I'm Mrs. Daniel Boone, and this is my son, Israel.
>> Name's Maddox.
>> Perhaps you could tell us where Oyster Cove is.
>> Not far.
Just follow the shoreline.
That is where the Hogan place is, isn't it?
>> Did you say Hogan Place?
>> Yes, Peter Hogan. I'm not even sure it's called that now, though. He has lived there for several years. Perhaps you know the tenant, Mr. Hyram Grover.
>> He's dead.
>> Dead.
But the letter that came with the deed.
I'm sorry. I'm Peter Hogan's niece, and he left me the property in his will. And the letter said there was a But if Mr. Grover is dead, who's been paying the rent?
>> Wouldn't know about that.
>> You mean the house has been sitting there empty?
>> As far as I know, these past few years, I don't think it would be a good idea for you and the boy to go out there alone.
>> Why not?
You must have some reason for saying that.
>> No need to frighten the boy.
But ever since Hyram Grover's body was found.
I mean, ever since Hyram Grover died, people here [music] don't come near the place. [bell] >> You mean the place is haunted?
>> Israel, don't be foolish.
>> Is that what they think, Mr. Maddox?
That's what they say.
And from what I've seen and heard, I don't blame them.
Thank you for fixing the horseshoe.
>> Come on, Israel. The afternoon's half gone already.
>> What are we going to do, Mom? Go back to Williamsburg and wait till Paul can come with us >> after coming all this way? Certainly [music] not. We're at least going to have a look at the place. Come on, ma.
[music] Sure is spooky. Easy, Marlin. Easy.
He'll settle down.
>> The house I mean >> it isn't quite what I expected.
>> Let's have a look here. You better tie her to that hitching post.
>> Some hitching post. Uncle Peter was a seafaring man. Look like things like that from all over the world.
Looks like Mr. Max is telling the truth.
Ma Grover being dead. Nobody's been living here for a long time.
[music] >> What is it, Ma?
>> There's someone in there looking at us.
>> It's real. It's all right, Mom. I know what it is. It's a mirror on the wall.
That's all it is. See?
I guess I saw my own reflection.
>> What do you think it was? It goes. You mind your manners, young man.
It must be [Â __Â ] on the inside.
You wait here. I'll have a look around back.
>> [music] [music] >> Heat.
[music] [bell] Heat.
[music] >> [music] [music] [music] >> No sign of any back.
Israel, [music] [music] Israel. No, [music] Israel.
[music] Israel.
Israel.
Israel.
[music] >> You scared me to death. [snorts] >> How did you get in here?
>> Through there.
>> It opened by itself.
>> Israel, you saw me try the key. I couldn't unlock it.
>> Maybe that's cuz it wasn't even locked.
It was stuck. Then why would it suddenly decide to open by itself?
>> Well, when I opened up the window, I could have sent a draft through the air, blown it open.
>> See?
>> Thank heavens I have you to explain.
Let's take a quick run through the house so we can tell your father about it.
Then I think we'd better start back while there's still a little light left.
>> I'll bolt this door so it doesn't happen again.
Israel.
Look, these are lovely came back chairs.
You know, this place could be quite attractive if it were cleaned up.
Let's see if we can find a broom closet.
[music] >> [music] [bell] >> Oh, good. A broom, dusk cloth, mop.
Yeah, I guess just about everything we need.
>> Gosh, Ma, you're not thinking of starting to clean house, are you?
>> Goodness, no. We haven't time. I'd just like to know what we need next time we come.
>> How long does it take wine to evaporate?
>> I don't know. It's certainly not years.
Maybe somebody busted in wanted a place to stay same as we did.
>> Perhaps.
What was that?
>> I don't know. Maybe some kind of doorbell >> who would be visiting.
>> Well, I don't know.
[music] [music] [music] These papers make a lot of sense.
Here we go. Daniel, you did a fine day's work for your constituents.
>> Well, thanks.
>> How about joining us at the tavern for a drink.
>> Thank you, fellas. With that storm coming up, I'm pretty sure Becky got back early, and I know she'll want to tell me about this house she inherited.
>> Tell you the truth, I'm kind of interested in hearing about it myself.
There's no one there.
There isn't any kind of bell anyway.
It's coming from upstairs.
[music] It does seem to be coming from upstairs.
>> What should we do? Leave?
>> No.
At least not until I find out what it is. This is my house. It's probably some natural explanation.
You wait here.
Now we'll just see.
[music] Who's that?
>> Why, that's Uncle Peter himself, just as I remember him.
[music] Well, at least I know what that is. It's a loose shutter.
>> All broken.
>> Look, Ma, there's a boat out there.
[music] That's what's doing it.
>> [bell] >> It's moving all by itself. But how?
>> I don't know.
Unless there's something in the attic.
[music] >> It's all right, Mom. I know what it is.
>> You do?
>> Yes. Paul told me about a Dr. Benjamin Franklin having something like this.
It's electrical.
>> Well, that doesn't reassure me one little bit. Well, this rod is connected to a lightning rod on top of the roof.
And when it gets electrified, it draws a metal ball towards it. And as soon as a metal ball touches it, >> see, it's just because of all the lightning and thunder.
[snorts] >> Never knew you knew so much, Israel.
>> There's one thing I do know. I'm going to stop imagining things before that thunder and lightning gets worse. Let's get out of here. Come on, son.
Hey, Razer. Put this poker back.
[music] Hurry, Israel. It's going to pour any minute.
Come back. Merlin. Merwin.
Merwin. Merlin. Wait.
>> Oh. What do you suppose will happen next?
>> That old black cat mocked.
>> Oh. Oh, here he comes. The words quickly. [music] Your wife's a sensible woman, Mr. Boon.
Like is not the storm came up while she was at the house and she just stayed till it was over. Didn't you say there was a tenant?
>> Well, that's right. But all I know about him is his name is Hyram Grover.
I sure don't like the idea of him driving back in the dark and in this train. So, I really appreciate the horse.
Right out and meet him.
>> [music] [music] >> there. At least your father will be able to find the place when he comes looking for us now. Here, light the fire, Israel. We may as well be comfortable while we wait.
>> That Mr. The girlfriend must have laid the fire just before he was >> Israel, please.
That's a little more cheerful. You know, we can make it more cheerful yet. Guess what we're going to do?
>> Give the room a cleaning.
>> Why not? We're stuck here anyway. It'll make it much more pleasant for your father when he arrives. You know what you can do?
Get a broom and a mop.
>> [music] [music] >> Oh. Oh.
Winwin, I hope you can tell me where this came from.
>> Here's the last one, Mom. It's all shook out.
>> Well, now that looks better. At least we haven't been wasting our time.
>> How about something to read till your father gets here?
Just so it's not a ghost story.
>> Oh, I had no idea your uncle Peter was such a scholarly man. Oh, here's a good one.
Israel.
>> Yes, Lord.
>> Gosh.
>> The book. That's what opened it.
No wonder people think this place is haunted.
Bring me a light.
What is it?
The cellar.
>> [music] [music] [music] [music] >> Wow.
[music] Israel, what do you suppose is in this trunk?
>> I don't know. Ma, why don't you open up and see? The man said, "Uncle Peter left you the house and all its importance isn't pertinances, ma." And a pertinence is really you might say this trunk isn't a pertinence.
>> Go see if one's open.
Wa! We're rich. We're rich. Look. And there's an attic up there. It's probably filled with gold and jewels.
>> You wait a minute, young man. And be quiet.
Heat. Heat.
[music] [music] What is it? Mom.
What's that?
Hurry up, Mom.
Come on, Mom.
[music] >> Oh, man. We got to hurry. Get up. Get up. Get out of his room.
Come on. My car. Push his [Â __Â ] Push his wheel. Push. Push.
Why you keep naked?
Why you keep naked?
pushing through quick hurry.
Get away. Get away.
[music] Let him [screaming] alone. Let him alone. I warned you.
>> [music] >> All right.
[music] Heat.
[music] [music] [music] Heat.
Grover.
I am Grover.
I'm Daniel Boone. I'm I'm looking for my wife.
Open the door.
Rover, I'm Daniel Boone. I'm looking for my wife.
>> Your wife?
>> Yeah. She called on you today.
>> Ain't nobody been here except me all day.
>> All day.
Now, just what would your wife be wanting to see me about? She owns this place now. Peter Hogan, a man you've been renting it from, he died a few months back and willed it to her. He was her uncle.
>> I didn't know Peter Hogan was dead. I'm sorry to hear it.
>> You You mind if I come in?
I found my wife's horse and buggy down the road. You might know where they took refuge in this storm.
If you have no objections.
No, none at all. Come in.
Well, nowhere's around Cove, Mr. Boone.
You can be sure of that.
Folks give this place a wide birth.
They figure it's haunted.
Oh, >> you live here. What do you figure?
>> Queer noises now and then. Lights go on and off. Footsteps.
Nothing hurt me like that.
Don't know what it is. Ghost. Maybe I get used to it. Becky, there's no one around, dear, Mr. Boon.
Leastwise, no one a man could see.
>> Becky, Becky, Israel, >> Becky, [music] Mr. Bull.
I don't like having my word dotted. You take this canled and search the house.
I don't mean to seem doubtful, but it's just that I don't believe in ghosts.
Furniture's covered. Man living alone like me doesn't need a dining room. If you think I'm lying, have a look around.
>> I have no reason to believe you'd lie to me.
I'm just plum worried, that's all.
>> I understand. What if it had put your mind at ease?
Sorry to have trouble.
No trouble.
They probably stopped at some farmhouse.
I'll ask along the way.
[music] [music] >> [music] [music] >> Oh.
Heat. Heat.
[music] [music] Heat. Heat.
[music] [music] Heat. Heat.
[music] [music] >> [music] >> Moon's gone and the boat in the bay. A party coming ashore now. I'll break the news to him.
Heat. Heat.
>> [music] >> Nothing else comes ashore.
You men get that stuff back on board the ship.
Peter Hogan is dead and the place has changed hands. Are you free? Come with me.
>> [music] [music] >> Everything goes. I'll get to it.
I want this place cleaned out before daybreak.
>> Daybreak ain't come too soon to me. This place gives me the creeps.
Hey, what are we going to do about them two?
They've seen enough to hang us all. Have to get rid of them. The place is bound to be searched. We'll take him on the boat and lose him at sea.
>> What about men?
>> No need for him to know.
>> [crying] >> Open the chest.
>> Now get in.
Keep fighting there.
>> I wonder what Boom's going to think when he finds out Har and Grover is dead. You think he was talking to a ghost?
After that, this place will really be haunted.
[music] >> Come on, you men, hurry up.
There it is again. That knocking.
What is it?
[music] >> [music] >> Can it be Boone?
No, it couldn't be Boone. I saw him drive off.
Could be Ratch.
All right, you men get working.
>> [music] [music] >> Yeah, that wasn't a rat.
There's somebody in this house.
Didn't you say that this woman was Hogan's niece?
>> What about it?
>> Well, Hogan's dead.
We've got his niece. He's allowed to come back and shut up.
[music] Who's up there?
>> [music] >> Three of you men stay here with Gray and watch the stairway. The rest of you come with me. We'll trap who's ever up there.
>> [music] [music] >> finish way.
>> [music] [music] >> free.
>> Yeah, I'm here.
>> You see anything?
>> Nobody's coming down the stairs.
You search the house. Be here somewhere.
Ah, keep chiller.
Oh, there it is.
Run for your life. Help. Help. Help. Run for your life. Help. Help.
Help.
I knew you'd come apart. I knew it.
Oh dear.
>> Ghost. Ghost. Ghost.
[laughter] Hey, get hold of yourself, man. Get hold of yourself. That's no ghost. That's boon. Come on.
>> [music] [music] >> Show yourself, bone.
He'll show himself sooner or later.
Meanwhile, we got to get rid of his wife and child.
Take that chest out of here and onto the boat.
[music] Heat.
[music] Heat.
Heat. Heat.
[music] Heat. Heat.
Heat. [music] [clears throat] Heat.
Oh, Daniel, all my pretty things.
Becky, I'm afraid I wrecked your house.
[snorts] Under the circumstances, I don't think Uncle Peter would mind.
>> This ought to hold him till the constable comes.
>> What about the men that got away?
>> They won't go far. The constable will see to that.
>> Oh, then let's get out of here. This place gives me the creeps.
>> What's the matter, Becky? I thought you had your heart settled making this your little home in the >> Daniel Boone. That boy's at it again.
>> Israel, you come down here this minute.
>> Somebody call me mom.
>> Well, imagination has a strange way of playing tricks on you, Becky.
>> Tricks, paw. Well, it makes you see and hear things that uh Well, it's time we were getting back to Williamsburg.
[music] [music] >> [music] [music] >> Heat. Heat.
[music] [music] >> [music] >> Heat. Heat.
[music] >> [music]
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