In Western films like Death Riders (1958), revenge narratives often explore how family bonds and moral obligations can conflict with personal vengeance, as demonstrated when the protagonist Clay Hollister, an escaped convict seeking $30,000 in stolen money, must navigate complex relationships with his brother Frank, former partners, and a family he once betrayed, ultimately revealing that true justice requires more than just obtaining money but also confronting personal moral failures.
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The West Feared Their Name… | Death Riders (1958)Added:
Only difference between hering cattle, herding man is cattle has more sense. We got four or five kinds down there. Mighty greedy for punishment. Been back for their sake and helping.
>> Well, they must have been pure careless somewhere along the line. Got a pretty quiet bunch this year. Haven't had any trouble with any of them.
>> Nothing they can do.
>> Carrying that iron around all time. I used to think it make me a pretty good living robbing people, but since I watch these crumbs, sure changed my mind.
Getting close to our time, the wagons will be over here in a minute.
>> Clay, are you sure of everything?
>> It's now or never, Johnny. We finish the road job today.
Back inside the walls, we won't stand a chance.
>> Can we press red?
That's what he asked about you.
Johnny, you'll never see more money in your life than we're going TO GET.
>> THAT CABIN AND MOVE AWAY FROM HIM. Clay with that pick. You'll never lift another one.
Johnny's getting nervous.
He backs out now. He gets the first bullet.
I've waited 11 long years for the next few minutes. It'll be worth it if you ain't been dreaming all this time.
$30,000.
They're watching us. Get ready for the wagons.
Every man car his own pick and shovel.
>> Wait for my signal.
Heat.
Whoa.
Move on.
Come on.
Get his rifle. Johnny, don't do it. Baldi, remember your wife and kids. Johnny, get Baldi's gun.
You got sense, Baldi.
Red, get the keys.
You want to take something with you?
Sorry, old.
Hurry up, Red.
Johnny, let him driver. You and Baldi on Hitch's horses.
We got appointments to keep.
Red, get rid of that wagon. Pull that guard out of there and heave that wagon over the side.
Get back.
>> Leave us one of the guns. We'll make out.
>> Not this time. Now get back.
THAT DIDN'T TAKE LONG.
SLACK OFF. YOU'LL RUN THEM TO DEATH.
BETTER THEM THAN US.
HEY, I JUST REMEMBER SOMETHING. I HAVE MY WIFE TO THE MATTRESS. YOU WANT TO GO BACK AND GET IT? NOT ME. IF WE GET THAT MONEY, I'M GOING TO BUY ME A MILLION WAR. YOU'LL GET IT. If you can find your brother, I know where to find him. IT'S BEEN 11 YEARS. HE COULD HAVE DOUBLE CROSSED YOU. I NEVER HAD THE GUTS to double cross me.
Heat Look at them horses now. What are we going to do? We can't walk out of this country. They'll have every man in the territory looking for us.
>> By the time they get this far, they'll be through. We'll walk up the river a couple of miles. has come out the other side. Nobody will ever find our tracks.
>> Then what? More walking.
>> We'll find something to ride. Even if it has to be a jack rabbit.
>> This wouldn't have happened if you hadn't run the horses to death.
>> Listen, Red. Let's get one thing straight. This is my party. You want to share that money? You play it my way.
Now, let's go in the water and keep your guns dry.
>> Don't fight with them now, Red. Not till we get the money. Then there can just be the two of us left.
>> All right, but let's one of us keep an eye on him all the time. Time for that.
Heat. Heat.
That's the longest bath I ever took. My feet ain't got no bottoms left.
>> We'll be riding something soon.
>> That jack rabbit you promised.
>> This is cattle country. We're bound to hit a herd.
>> Yeah, I'm just itching to ride a cow.
>> You yap a lot, Johnny. No more on you.
Could be you just yapping about all that money waiting for you waiting after a whole 11 years.
>> You don't believe me then get.
>> Go on.
>> You'd like that, wouldn't you, Clay?
You'd like it if there were just two of us left, wouldn't you?
>> I don't care one way or another.
>> But I do. I'm not staying here alone with you. Neither is Johnny. You see, with the two of us, you're outgunned.
While you'd be killing one of us, the other one would be killing you.
>> I know all that. You're wasting a lot of worries.
>> You help me this far, I'll keep my end of the bargain.
>> You're getting a full chance, but we ain't got the money yet.
You know, I've been going over and over that story. One part of it don't seem real.
You get 11 years in prison. Your brother gets some money. And you say he' been sitting in Warbo all these years just waiting for you.
>> That's right. Frank's there waiting. And my share of the money is there waiting.
>> How come you planned that hold up so well that you got caught and he got free?
>> There were two rear guards I didn't know about. Took after me, shot my horse, and caught me.
>> And Frank, while the guards were chasing me, Frank moved in and got the money. Nobody ever knew what happened to it. Nobody knows now that Frank was with me that day.
Nobody.
And that money is the best life insurance I got.
>> Because if either of you turn a gun on me, you get nothing. Remember that.
>> Did the stage coach driver see Frank?
>> I told you before I shot the driver.
>> Weren't there nobody riding shotgun who saw Frank?
>> There was an Indian. He was creased across the eyes. He's been blind ever since.
Well, there are the clothes and horses we want.
>> Yeah.
>> Now, let's take it easy so we don't spoil it.
The coffee will have to wait, partner.
You boys kind of get out of your clothes as fast as you can.
>> Look at that food.
>> That comes last. Go get their guns.
>> You won't get far. We'll be with a posit strings you up.
>> Those suits. Look how you don't get shot on sight. I never could get used to them long guns.
>> A horse, a pistol, and a full belly. I feel like a new man. You'd better leave us territory. You'll soon be a dead one.
Ah, that's real yapping for you, ain't it, Clay?
>> That makes sense, though. Come on.
>> So long, Gailbird.
Heat.
Heat.
Holy.
Just how much bother to this war? Just a few more miles. But we ain't going there first. We're turning off to the left just before you go into town.
>> Why?
>> Playing it safe.
>> No tricks, Clay. We ain't living this road. We're all going into that town now together >> and run right into the sheriff. By now with telegraphs and all, he's had plenty of warning that I'm out.
>> Just what are you thinking, Clay? We ain't ever going to let you go into that town alone.
>> That's the last thing I want to do. But the first thing is to call in an old girlfriend of mine. She was going to marry me once.
>> What's that got to do with us?
>> Everything. We need a husband to bring Frank from town. She'll help us.
>> You're pretty sure of yourself, ain't you?
>> I'm pretty sure of the girl.
>> You know, splitting that money up three ways, it makes less, don't it?
>> You're forgetting, Johnny. We're just going to split it up two ways.
>> Yeah.
Hi, Mr. Brown.
>> This is a peaceful town, George, not a racetrack. You got no cause to drive wild like that.
>> Maybe the news I bring is causing us spelling. Clay Hollister is busted out of Yuma Penitentiary. play.
>> I knew you'd want to know fast. Mr. Fallon, >> when did he escape?
>> I got the news yesterday at Morgan's Crossing. I think it was three, maybe four days old there. I came as fast as I could, Mr. Fallon.
>> Well, he wouldn't dare show his face around here again. He'd be a fool.
>> He could be after that money that nobody ever found. If he does, you've got nothing to worry about. Murray, haven't I?
>> If he does show up, we'll have him back in that humor prison before I can blink his eyes twice.
>> Where's Sheriff Brady?
>> Over at the saloon playing cards. Well, you tell him about this. I'm riding home.
>> Murray, listen to me. He wouldn't try to see Kathleen. Not now.
>> And if he does show up your place, Murray, don't you go taking law on your own hands now. What would you do?
>> Sheriff's sure going to pop his eyeballs.
>> Careful, boys. 4 days out of prison is enough time for Clay to be hiding right behind that bar. Wouldn't surprise me a bit.
>> Wake girl.
>> Maybe you better do this. Somebody keeps jiggling my hand.
>> You ought to take up some other hobby, Frank.
Doing more drinking than gambling, eh, Frank?
>> Well, man has his losing streaks. I ain't been very lucky lately. Well, maybe you'll have more money now that Clay's coming back.
Clay. Clay. Law wouldn't let him out.
>> The law didn't have much to say about his getting out. He escaped 4 days ago.
>> You see?
Well, then you're just fooling me, ain't you? You wouldn't be afraid, would you, Frank?
>> Of course not. You might be coming back for the lost money.
Could be for that, couldn't it, Frank?
>> Money? There were no money? There weren't no money found, but there was money shipped on that stage. And somehow it got lost. It could be. That's why Clay's coming back to find it.
>> Then you got to protect me from what?
From your own brother.
Well, maybe he heard about all that money I won over in Cheyenne when I went over there, you know. But it's all gone, Sheriff. You know it's all gone. I You saw me lose it. Most of it right here in this bar.
>> You were a big gambling man, Frank.
Words out that Clay is coming back to borrow from his rich brother.
>> I'm I'm broke now. I'm broke.
>> Clay's broke, too.
He is coming here ain't he?
>> I don't know. Did he get any word to you?
>> No. No. And you do your duty, Sheriff.
Clay's a killer. You got to catch him and send me back.
>> Would you help?
>> Well, how can I?
>> If Clay shows up here some night, late some night, he'll get in touch with you first. And when that happens, you'll let me know, won't you, Frank?
>> No, I I can't. You wouldn't want to shield an escape murderer, would you, Frank?
>> My own brother? Well, you can't make me turn in my own brother.
>> Portal on Frank. Pretty thick, Sheriff.
>> I'll always think he has something to do with that whole even though I can never prove it.
>> I wish you'd let me keep a day and night watch on him.
>> Go ahead. Nothing may ever come of it, but then who can tell? Fill him full of whiskey, but don't let him out of your sight.
>> Day and night. Look, don't forget me at meal time. You know Frank drinks his meals. I eat mine.
>> I'll send you relief, somebody.
>> Let's go over and tell Murray Fallon about it.
>> You already know, Sheriff. He's gone home.
>> Could be trouble if they ever shows up around here. And he might. Well, let's round up a few of the men and ride out to some of the ranches and give him solid warnings.
Shows his nose anywhere around here.
He's got to be caught. Dead or alive.
Hi, Huh?
>> Hello, honey. Uh-huh. No, no, David. No, no.
>> Is it time to get Joe?
>> No, not yet. I want you both in the half an hour. See that you aren't late.
>> I'm going over to help him. I think he's in the bar reaching the buggy.
>> All right.
>> Will father be home?
>> Not until tonight. He went in early to meet the morning stage.
>> I'm going to leave Pink in a stall for the rest of the day.
>> All right.
Where are you? Here I am.
Joe Joe >> here I am. David.
David.
David.
David. Did you call me?
David.
David.
>> WHERE ARE YOU?
>> DON'T HIT HIM. HE'S BLIND.
>> BOY, SHUT UP. HOLD IT, RED. NO NEED TO HIT A KID. We here on a little picnic.
You keep quiet. You won't get hurt.
>> David, I know that voice.
>> There are three men, Joe. They've all got guns.
>> I know one of them.
>> You remember my voice, Joe? It's Clay Hollister.
>> YOU HAVE NO RIGHT TO BE HERE.
>> You can't fight them, Joe.
>> He's the man who robbed the stage courts and blinded me.
>> Your mother in the house?
>> No, she isn't. His mother's in town.
>> She is in the house and so is my father.
and Uncle Bill and the Davis brothers.
>> Yeah, well, if they're all in the house, kid, where are the horses?
>> You're a poor liar, son. Your mother's in the house alone, isn't she?
>> She is not.
Keep them out of sight till I get back.
>> Go wash your face and hands now, David.
>> How about a shave, too, Mrs. Fallon?
Sorry I surprised you, Kathy. Maybe I can buy you a new dish before long.
No tender words, no breathless greeting for an old sweetheart.
>> You weren't parrolled. You couldn't possibly be parrolled.
>> That's right. I wasn't.
But I couldn't stay away from you any longer. So, here I am.
>> Have you been in town?
>> Be a little dangerous to me, wouldn't it?
>> Why did you come here of all places?
>> Plenty of reasons.
I want to see Murray. Lona, do me a favor.
Is he up there?
>> No, he >> When do you expect him, Kathy?
>> He won't be home tonight. He said something about maybe he wouldn't be back for a week.
>> Now, that doesn't sound like Murray.
Good old solid Murray.
He'd never leave his wife alone for a whole week.
>> He had business.
>> You think he'd mind if I slept here while he was gone? He'd uh he'd trust me, wouldn't he, Kathy?
>> He'd kill you.
>> Could be the other way around.
You're lying about Murray.
Now, we shouldn't have to lie to each other. Not two people who were once so much in love.
>> That's been dead 11 years.
>> Has it?
>> There's nothing here for you, Clay.
Nothing.
>> I think there is.
Three places. You, Murray, and the boy.
>> No, the Indian.
David, you seen David?
>> He's safe in the barn.
>> Kathy, >> what are you doing?
>> He'll be all right as long as you don't lose your heels.
>> Davy, are you all right? I missed my some old friends of mine.
I told you to stay in the barn.
>> We don't like it in there. Too many spiders. Besides, we got an investment in you, Clay. We got to protect it.
>> Anybody else inside?
>> No. Murray's still in town.
>> When will he get back?
>> She says in a week.
>> Oh, ain't that a nice lie? We ain't got time to be gentlemen. When's your old man getting back?
>> I don't know.
>> Well, you got to know.
>> Don't touch her.
>> Why not? Her husband's a man you want, ain't he? That's right.
>> Then why waste time? Let's make her talk. There are other ways.
>> You're still sweet on her after all these years. Huh?
>> Just leave the woman alone.
Well, >> how about this fella?
>> You're not in love with him, too, are you?
>> You know when your boss is coming back?
>> No. No.
I just thought of something. Hannah tried it on me once and it worked. Come on.
Maybe this will wake up your memory.
>> Hey, can't you stop them?
>> Ma'am, all you or this Indian's got to do is tell us when your HUSBAND'S COMING BACK.
>> I DON'T KNOW WHEN HE'S coming back.
Maybe not until tomorrow. It depends on the work at the stage line.
>> I still think you're lying. Let's see how much water this Indian can hold.
Now maybe you'll talk.
>> Joe knows nothing.
>> He's had enough. Red.
We won't get anything out of a dead man.
Somebody's got to know.
>> Maybe she'll talk if we use a boy.
>> Yeah.
>> OH, NO. NO. WILL YOU LET ME GO? My god.
>> You can't let them do this, Clay.
>> Not to your own, >> David. He's your son, Clay.
Murray knows all about it, but David doesn't.
>> Let me go.
>> Let me go.
>> Let him go.
>> I said let him go. Now, what's got into you? Hey, this worked on me once >> because you had something to tell. They haven't. If they knew anything they'd have told us by now, we'll sit it out and wait.
>> Sit it out here.
>> Hey. Yeah, we can move into the house and wait, can't we? Hey, we got to eat.
My belly sure empty. Pick up the Indian.
Come on, Captain.
>> Start cooking, honey. Something special for Clay and the same for me.
What are you going to feed us? Take part, Lizzy.
Somebody's coming. Get away from the door. Red, get him in the kitchen.
That's Don't go for your gun. Murray.
>> Dad. Murray.
>> Dad.
>> Murray. There was no way to warn you.
>> They know in town that you're out. You came back for the money, didn't you?
>> That's right. I came back for my share.
>> I always figured you'd hidden it around here someplace.
>> Well, I didn't exactly hide it, but you're going to help me get it.
>> I'm not going to help you get anything.
>> I think you will after we have a little talk privately. Let's go in the other room. Wait a minute. If there are any deals being made, I want to hear them.
>> Red, you want any of the money, you'll get it my way. My way is for you to stay here. take care of this.
They'll be all right.
>> What do you want from me?
>> I want you to go in town, get Frank, bring him back here.
>> You get him yourself.
>> I can't very well do that, Murray. Not right out in the open. I wouldn't live long.
>> You won't anyway.
>> We'll see. Bring Frank back and I won't open my mouth.
About what?
>> The boy.
>> What about the boy?
>> That's why I brought you in here. You bring Frank to me or I tell David he's really my son. You know it. And now I know it.
>> You gave up every right to call that boy your son.
>> I didn't come this far to do any bluffing.
Under different circumstances. I might be sentimental. Right now, I can't afford it. It's awful easy for me to tell David.
So, what's it going to be?
>> You'd ruin the boy's life. I came a long way for some money I spent 11 years paying for in a filthy prison. I earned it. Nothing's going to stop me from getting it.
>> And if I get Frank, >> we'll never bother you again.
>> You'll never come back.
>> You can believe me this once anyway.
>> Those two out there, >> they don't know.
I worked too hard for Kathy and David to let you spoil their happiness.
Let's go.
>> Very sensible, Murray. Very sensible.
>> We're going to town. Murray will get Frank. We'll bring him back.
>> You're going?
>> That's right. I don't know what you two been cooking up in there, but you're not going into town without one of us.
What's to keep you from getting that money from Frank and not showing up back here again? Smart thinking, Red, you go.
I'll stay here and watch these two. And let me tell you something, Mr. Murray.
When I see horses coming down that road, Clay and Red and Franken, let her be on them. And no sheriff's bar or your wife and kid gets it.
You understand?
Yeah, I'm afraid I do. You just make sure they're safe and sound when I get back.
>> I got to do it, Kathy. It's the only way to get rid of him.
>> Come on, let's get this over with.
>> Hey, you. Joe, move around. He'll over here in front so I can keep an eye on you.
Clay, look. Ryder's heading this way.
Get him in the vine. Keep out of sight.
I've got a warning. Johnny, get inside.
If there's any shooting, you'll see it best standing right in front of me.
>> It may be the sheriff. If it is, you play it the right way. Red is a gun on Murray in the barn.
>> Don't make any mistakes. I'm sure you can think up something to keep us all alive.
Afternoon, Kathleen.
>> Good afternoon, Sheriff.
>> I guess Murray told you the news >> about Clay.
>> Mhm.
>> Yes, he did.
>> Well, can I speak to Murray?
>> Well, he isn't home. He said he was going to warn some of the neighbors. I I don't know which ones.
>> Well, that's what we've been doing.
Warning everybody in the district. Well, uh, how about a drink for some thirsty law dogs? Of course.
>> Well, now don't you go to any bother.
I'll carry the bucket and all outside.
>> Oh, no. Please. I can't let you come to my house and then wait on yourself. I'm only sorry. I don't have something stronger to offer.
>> Well, right now, water will taste better in whiskey.
Thank you.
You've been mighty kind, ma'am. Been a hot ride.
>> Big joke on us if he never comes this way at all. Come on.
>> All clear.
>> Yes.
>> I have to get something. I'll be down in a minute.
I want you to get out of this room and out of this house.
>> You're not treating me like an old friend, Kathy.
You know the sheriff's got everybody on the lookout for you. There's over $600 here. It's yours, Clay. If only you'll go away and leave us alone.
>> I came for bigger stakes than that.
After I see Frank and get the money.
>> Where's my wife?
>> Pick up >> upstairs with me and our boy.
>> They ain't making a sound. Clay always said once they're sweet on them, they never forget.
Okay. Hello.
Sounds like Murray walking on something he didn't like.
Heat.
Heat.
Get a towel of water quickly.
See what you can do to patch him up. I don't want anybody in town asking questions.
Don't be scared. I won't hurt you.
>> You don't like me, do you?
>> No, I don't.
>> I'm sorry. I think you're a very fine boy. I'd like us to be friends.
>> I've got no reason for that.
>> Maybe he'd like me better if uh if he knew something very important about me.
What he wanted to tell you is that he's a stage coach robber, an escape convict, and a killer.
>> Is my father right?
>> Your father?
>> Yeah, I guess Mary's right.
Pink is still settled in the barn. I can get to the sheriff.
>> No, David. No.
>> Why not? I feel all sick of my stomach.
Can't I go up to bed and rest?
>> He can rest down here.
>> I won't run away.
>> Why don't you let him go up to his own bed? This has been a terrible experience for him.
>> I thought you wanted us to be friends.
>> Go ahead, son.
Are you sure that kid doesn't have a way out up there?
>> Yes. There's a window. If he wants to jump 15 ft, he'd break his legs.
I'm going up. No, I'll take a look at that window.
>> That noise was outside.
>> Johnny, get them in the house. Come on.
Heat.
Heat.
Heat up here.
Heat.
Heat.
Split up.
Heat.
Heat.
David, come here.
David, I won't hurt you.
David, >> I can't stand this waiting.
>> Look, could we couldn't we go after him?
You could still guard us.
>> It won't be necessary. Looks like they already GOT IT.
DAVID, ARE YOU ALL RIGHT? YOU AREN'T HURT.
>> I'm all right. I'm sorry. You did your best.
>> Murray, we're going into town now.
>> Remember, Clay, if anybody sees you, we're all through.
>> Nobody has to see me. I'll get us in town the back way. Red and Murray will get Frank.
>> Johnny, don't let her pull any tricks on you.
Not me. I don't go for her like clay.
>> Come on, we'll get your hearts at the barn.
Heat.
Heat.
Well, afternoon Murray. Hello, Jeb. You seen Frank Hollister?
>> Yeah, he's up at the saloon as usual.
>> My cousin Huie from Cheyenne. Huie. Jeb Martin.
>> Oh, glad to meet you.
>> Oh, likewise. Welcome to our fair town, sir.
>> Thank you.
>> All right.
What's the matter?
It's Frank at the bar. Deputy Sheriff sitting at the table watching.
Better get yourself a drink.
>> Don't forget about your wife and kid.
Hello, Tom. Hello, Mar.
Looks like Frank's going to keep you here all afternoon.
>> Yeah, I'm beginning to grow roots. And I'm hungry, too.
>> Yeah, well, the sheriff figured it's about time you'd have something to eat.
Told me to relieve you.
>> So, nothing's going to happen.
>> Yeah, we got to be sure.
>> All right, we see you later.
>> Right.
Clay wants to see. Clay. Clay ain't here. He can't be.
>> He's here. All right. Well, you got to do something, Mary. You got to call the sheriff.
>> You mean you turn in your own brother?
Come on. Clay's waiting for you. You can tell him you wanted to warn the sheriff.
>> No, I didn't mean that. But you, why aren't you turning? I mean, it was your stage line.
>> I've got my reasons. Now, quit stalling, Frank, and move out with us. No, I I can't go.
>> Yes, you can, Frank. Right now.
>> What are you doing here, Tom?
>> Murray Falmer me. He told me you sent him. He what? I never sent him. I never even saw him.
>> Why would he do a thing like that?
>> Well, I'll ask him.
Murray and Frank. Who's that with him?
>> I don't know. He came into the saloon with Murray. I never saw him before.
>> I don't like it. You take a beat on the alley from here and don't let any of them out. Not any. Right. We're going in the back way.
You know why I came back? Where's the money?
>> The money? Oh, I haven't got it here. I mean, not in town.
>> Where'd you hide it?
>> Where is it?
>> In the transom mine. The old transom mine. I took it there after the hold up.
>> That old death trap?
>> Well, we're safe there. Since the mine caved in, everybody's afraid to go in there.
>> You'll go in, won't you, Frank?
>> I'd be We'd all be fools. There's been no cave-ins. Money's probably buried by now.
>> On that horse.
We will need you, Murray. Drop your gun, Clay. We got you bottled up.
>> Shoot. Sheriff Murray will get it that.
I promise.
>> Don't try it, Clay. You'll never get out alive.
You're trapped, Clay. You better give up. If I do, it'll be after we're both dead.
Go back that way. Heat. Heat.
Get married.
Well, what do you know, Sheriff? Looks like a real bad luck today. Does look like even better finger.
>> It's just a flesh for him. He'll live.
>> Get Doc Applebee and tell him to come to the jail.
>> Frank is so full of whiskey that Doc won't even need any disinfectant.
Why were you helping Clay?
>> I wasn't helping him. What would you call it? You knew Clay was in that alley. You could have told the sheriff anytime. Well, >> how about that, Murray?
>> With a gun in my back.
>> That's a real quick answer.
>> You mean Murray was in with the gang?
>> Doesn't look like it was any other way.
Murray here came into the bar with that other fell. He lied to me. Told me the sheriff here sent him in to relieve me.
Soon as I left, he took Frank right straight over to Clay. No, no, no. Wait a minute. We all know Murray pretty well. There must be some explanation.
>> Well, is there any explanation, Murray?
Nothing. You were helping an escape convict a killer. Now, if you can't clear it up, Murray, I've got to hold you. But >> you can't do that, Sheriff. You've got to let me go.
>> Don't do it, Sheriff. Not after he helped a snake like Clay.
>> He ain't no man play. WHAT WAS HE GOING TO DO? MORE ROBBERIES? DO SOME MORE KILLING?
>> Never mind. Never mind. Keep it down, Sheriff. There was another fellow with him. I'll round up some of the boys and try to pick him up.
>> Oh, we can't get them now. Besides, we got the main ones we want. Come on, >> move. Let's go. Break it up. Let's get >> Come on, Frank.
>> All right, Clay, you first.
>> No, you first. Sheriff, get the gun.
Clay never get out of town. I only got this far tonight. You didn't think I'd pass up a part of going that easy, did you, Clay?
>> All right, Red. But Clay, let me get back to the house.
>> But what for Kathleen and David? I'll take care of them.
>> Wait a minute.
>> Well, listen. You don't need anymore.
Why don't you go to the mine yourself?
>> I back away. I got horses. How does it feel being there for a change?
HELP.
HELP.
HELP.
How did you get in there? Where are the prisoners?
>> Don't ask stupid questions. Get us out of here. Locked in your own jail. You'll never live this down.
>> There's nothing there. They took the keys with them. I'll go over and get the blacksmith and hurry. We got to form a posi.
They took David. If you follow them, they'll kill him.
>> Captain, you don't actually think Clay would harm David, even to save his own skin.
>> I don't know about Clay, but the other two would.
>> In jail, Frank mentioned something about a mine.
>> Well, the only one around here is that old Tronson mine. They could hold us off for days at that place. When I was a boy, I worked in the Thompson mine. I know every foot of it. I know a back way in.
>> None of you can go there. I'll shoot David if you do.
>> Well, the boys in danger whether we stay here or not. Wouldn't it at least be better to try to get him free?
>> I love Kathy. It's the only way.
>> We go to the barn, saddle up my wife's horse. Right. Come on.
We shouldn't go in there. Even our voices could start another cave in.
>> You got in the hide the money, didn't you? Get off the horse.
Get in there.
I think it's down there.
Now, what are you stopping for? Oh, this couldn't be it.
I think we took the rob tunnel.
Let's go back.
Is this it?
>> I don't know. I can't remember. It was so long ago. I don't think you ever hid the money in here.
>> Maybe you spent it. Did you, Frank? Did you figure I was in that stinking prison forever?
In all your life, you never had the guts to cross me.
>> Sure, Clay. Sure. And all my life.
>> Then remember real fast. REMEMBER I COULDN'T HELP IT, CLAY. I COULDN'T YOU COULDN'T drink out that much money. Not in 11 years. YOU COULDN'T DRINK IT ALL UP. IT WAS CARDS, CLAY. CARDS. That's how it started. I didn't mean to take it all, but just my share that I got into digging all 11 dirty, rotten, lousy years while you lived on my money.
You should have done this 11 years ago.
If we go any further, they'll see us.
Clay might see you. He's got to think I'm alone. You'll keep your men out of sight.
>> Be careful.
>> Clay, are you in there?
>> I told her what had happened to that kid. Wait, red. That won't get us out of here.
YES, I'M in here.
>> I want to make a trade. Clay.
>> Me for the boy.
>> I'll bet he's not alone. You let your own brother lead us RIGHT IN OUR COFFIN.
WE'LL NEVER GET OUT NOW.
>> SHUT UP.
>> DAD, DON'T GO THERE.
>> You know what I'M TALKING ABOUT, CLAY.
YOU CAN'T DO THIS TO DAVID. You know you can't be a man. claim a once in your life. Let me take a boy's place.
I don't care what happens to me. BUT IF YOU HARM THAT BOY, YOU'LL BURN FOR IT.
Send him out here now. I'll leave him halfway and come in where you are.
You'll still have your hostage Clay.
You'll have me >> Clay.
You going to take me for the boy?
What difference does it make to you who we hold? Let him come in.
All right. Come on in.
>> Let the boy come out first.
I GOT TO SEE THAT HE'S FREE. THEN I'LL COME IN.
>> WE AIN'T FALLING FOR THAT. THE KID STAYS WITH US UNTIL YOU GET IN HERE.
>> All this talk, it isn't getting us David. KATHLEEN, YOU'LL MAKE it worse. Let's wait and see what he can do.
>> David. David.
>> So you brought the sheriff, huh?
>> I'm a whole posy. You're surrounded.
You'll never get out of here alive.
>> With you as a shield, I'll get out.
NOBODY WILL DARE SHOOT. LET IT GO. GRAB YOUR GUNS.
>> That's Joe.
>> SEE, HE CAN'T SEE US. COME BACK HERE.
COME BACK HERE, KID. I'LL shoot Come on.
Grab it. Grab it.
Heat. HEAT.
DAVID.
DAVID.
>> DAVID.
DAVID, COME BACK. DAVID, >> there's no use. David, >> I'll get help.
>> No.
I want to tell you something.
Happy baby.
KATHY, >> OVER HERE. MARIE.
>> DAVID. KATHY. KATHY. WHERE ARE YOU?
>> OVER HERE.
DAVID.
DAVID. That man. That play. He's trapped under a beam. Get David out of here.
Joe. Joe.
Don't waste your time on me, Murray. I'm not worth it.
>> If I can lift this up, try to slide out.
Okay.
Stop.
WHERE'S MARY?
>> HE'S OVER THERE.
WOW.
HEAT.
DAVID, come here, son.
I want us to be friends.
And don't forget, I'll never forget what I told you.
Oh, David.
>> What did he tell you?
>> He told me I was a lucky boy to have a father like you.
>> Let's go home.
Yeah.
Heat.
Heat.
Heat.
Hey, hey, hey.
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