Reid offers a sobering reality check on the relentless logistical "treadmill" that makes single-camera comedy a marathon of creative exhaustion. It perfectly explains why the industry’s most successful creators often choose to walk away rather than endure the burnout of a second season.
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MORE MALCOLM IN THE MIDDLEAñadido:
But I've heard, you know, Hulu is really wanting more Malcolm. You know, it's just a question of, you know, Linwood has been uh pretty adamant that this was a one-and-done situation for him. You know, it was hard enough for him to And it takes a lot of running a a a single-camera comedy is a very, very, very hard job. It's a little easier This was a little easier because they were able to write it all, then shoot it all, and then edit it all. But when you're doing 22 or 24 episodes, you're doing all three at the same time, and everywhere you are, you're needed somewhere else.
And it's very draining. And um I I think Linwood's still not recovered from the original series.
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