They Came to Pull the Ship Back. The Ship Had Already Pulled Them In | Event Horizon 1997

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[00:00:00]A ship disappears without a trace. 7 years later, it comes back. And the crew sent to find it is about to discover there are things in the universe far worse than death. The year is 2047.

[00:00:14]Earth has expanded into space. There are colonies on the moon, colonies on Mars.

[00:00:19]Humanity [music] has pushed its borders out into the solar system. But 7 years ago, those borders were pushed too far.

[00:00:27]In 2040, an experimental spacecraft called the event horizon vanished near Neptune on its maiden voyage. No distress signal, no wreckage, no explanation. It's considered the worst [music] space disaster on record. Until now, because the event horizon has just reappeared, and whatever brought it back, it wasn't the crew. Dr. William Weir designed the event horizon. He's been living alone on a space station orbiting Earth ever since, still grieving the death of his wife, Claire.

[00:00:56]When the event horizon vanished, something inside him vanished, too. He's a man held together by routine, barely.

[00:01:03]Then the call comes in. Weir is assigned to the Lewis and Clark, a rescue vessel commanded by Captain Miller. The crew is experienced, tight-knit, and not thrilled about the mission. They were supposed to be on leave. Instead, they're being scrambled out of the dock in under 10 minutes, loaded into gravity tanks filled with water because the ion drives will hit 30gs on launch. And the only way to survive that force is total submersion. Nobody's been told exactly what they're looking for. Not yet. Weird tries to get a read on the crew as he's rushed toward his tank. Medical technician Peters didn't even get to see her son before boarding. Her boy is paraplegic, living with her ex-husband, and she had no time for even a goodbye.

[00:01:45]Engineer Justin is quiet and watchful.

[00:01:47]Executive Officer Stark is sharp, professional, unreadable. Rescue technician Cooper is the kind of man who cracks jokes to ease tension. Pilot Smitty flies the ship and asks questions later. Ship's Dr. DJ is calm, precise, and notices everything. Then the tank seal and everything goes dark.

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[00:02:13]56 days later, the Louiswis and Clark reaches Neptune. Weir's gravity tank drains before the others. He wakes up first, alone in the ship, silence pressing in from every direction. He walks [music] through the dim corridors, disoriented, searching for signs of life. He finds someone on the bridge. A figure sits with their back to him. When he gets [music] close enough to recognize the silhouette, his breath stops. It's Clare, his wife, sitting naked in a chair, motionless.

[00:02:42]He turns the chair toward him. She's so cold, she says. Then she opens her eyes.

[00:02:47]except she doesn't have any. Weir screams and wakes up in his tank, the [music] last one to be revived. It was a dream, but it felt like something else, and deep down, Weir knows it. With the crew fully alert, Miller brings them all together. It's time for Weir to explain why they've spent 56 days hurtling [music] toward Neptune. The event horizon didn't blow up. That was the official story, but it was a lie. The ship had been built around a classified piece of technology. A gravity drive, an engine [music] capable of folding space, of creating an artificial black hole that bridges two points in the universe, allowing instantaneous travel to destinations [music] that would take conventional ships centuries to reach.

[00:03:29]The event horizon was meant to jump to Proxima Centuri, the nearest star system, a test run [music] for the most ambitious piece of engineering in human history.

[00:03:38]Then it disappeared and now it's back locked in a decaying orbit around Neptune broadcasting a signal. Weir plays the recording. What comes out of the speakers is difficult to listen to.

[00:03:51]Screaming, anguished, desperate, [music] layered over itself. When filters isolate a single voice from the noise, it's [music] saying something in Latin.

[00:03:59]DJ listens carefully. Liberate me, he says. Save me. An alarm sounds. The event horizon is close. It doesn't look like a rescue. The ship is massive, dark, drifting inside Neptune's [music] cloud cover like something that doesn't want to be seen. The Louiswis and Clark craft moves [music] towards the event horizon. There's no response on the comms. No life signs. Miller makes the call to dock. He takes Justin and Peters inside with him. The ship is deep cold.

[00:04:26]Gravity is offline, [music] so everything drifts. Weir directs them over the comm. The forward section holds the bridge and [music] medical bay. The aft section holds the gravity drive.

[00:04:37]They're connected by a long corridor that can be detonated [music] in an emergency, splitting the ship in two.

[00:04:43]Peters heads for the bridge. Miller checks medical. Justin moves toward the gravity core. At the bridge, Peters [music] finds a frozen body floating near the consoles. Its eyes have been removed. In the gravity core, Justin [music] finds the drive itself, a large metal orb suspended in the center of the chamber. He gets close. The orb opens.

[00:05:04]Inside, there's something dark, liquid, impossible to describe. Justin reaches out. The orb pulls him in. A shock wave rips through both ships. Cooper manages to drag Justin out by his tether, but the damage is already done. The Louiswis and Clark's hull is breached. Miller orders Smitty and Stark to abandon it and board the Horizon. There's no choice. The Louiswis and Clark is now the one that needs rescuing. Gravity and pressure are restored aboard the event horizon. The crew can walk without suits now, but what they find doesn't feel like relief. The bridge windows are lined with blood and bones. Whatever happened to the original crew, it wasn't an accident. The antenna [music] is down. No way to call for help. The ship has 20 hours of breathable oxygen.

[00:05:51]Cooper and Smitty go outside to start repairing the Louiswis and Clark, which has a long gash running down its hull.

[00:05:57]Justin is alive, but catatonic. He stares at nothing, responds to nothing.

[00:06:02]Weir says the only way what happened to him is physically possible is if the orb was activated, if it opened a gateway to wherever the horizon was for those seven years. He dismisses this almost as soon as he says it. Gravitational distortions, optical illusions. There's a rational explanation.

[00:06:20]Miller isn't convinced. He declares the gravity drive area off limits. Weir complains. The ship is his life's work, but Miller's the captain. Peters is [music] at medical, pulling data from the ship's logs when she hears something. She follows the sound and finds her son, Denny, sitting on a medical bed. Her boy, the one she didn't have time to say goodbye to before the mission. He's looking at her and his legs are covered in bloody [music] lesions. When DJ arrives, Denny is gone.

[00:06:49]Peters pulls up what she's recovered from the ship's logs. It's a video. The Event Horizon's captain, John Kilpac, is introducing his [music] crew just before the gravity drive test. He's calm, professional. He closes with a Latin phrase, "Av [music] at Val, hail" and farewell. Then the footage scrambles.

[00:07:07]The audio that comes through is the same as [music] the distress signal. Before they can process this, the lights fluctuate. A power drain is coming from the gravity core. Weir goes to check it out, moving through the technical [music] compartments while Miller follows in the main area.

[00:07:22]In medical, Justin convulses. The dark is coming, he says. The lights go off.

[00:07:28]When they come back on, Weir's wife is standing in front of him. Is reaching for him. "Come join me," she tells him.

[00:07:35]In the core area, Miller sees fire rising from a puddle of cooling fluid. A burning man slowly climbs out of it. The ship is showing them things, and whatever it's showing them, it knows exactly where to look. The crew gathers to compare what they saw. Weir blames it on carbon [music] dioxide poisoning.

[00:07:51]emotional trauma, stress induced hallucination. It's a reasonable explanation offered a little too quickly. He doesn't mention his wife.

[00:08:00]Smitty doesn't buy it. He's furious. By breaking the laws of physics, we built something that consumed one crew. Now it's going to consume them. He gets restrained. Miller sends him back out [music] to work on the Louiswis and Clark. Stark pulls Miller aside. She thinks the ship isn't haunted in any traditional sense. She thinks it brought something back with it. Something that's been dormant and is now responding to their presence by digging into their heads, manufacturing their worst fears and most private guilt. Miller struggles with this, but he's struggling to dismiss it, too. Justin wakes from his catatonia. He walks to the airlock and steps inside. He [music] says the other place showed him something inside himself, something dark, and he won't go back there. He presses a button and tries to eject himself into space. The decompression sequence begins. The crew scrambles to stop it. Miller is outside on the hull. He makes his way to the outer airlock. As the crew fights the controls, they can't stop the procedure.

[00:08:56]At the last second, Justin snaps out of it. Just enough awareness to realize what's [music] about to happen. He's partially ejected before Miller catches him and forces him back through the outer door. Justin survives, but barely.

[00:09:08]The injuries will scar [music] him for life. And whatever he saw in that other place, he's not saying. Oxygen [music] is down to 4 hours. Miller presses Weir for answers. Where did the gravity drive take the ship? What did those seven missing years actually mean? Weir has nothing [music] or won't say. Miller walks away and then stops. He hears a man calling for help, begging him not to go. He goes to see DJ and tells him what he heard. The voice belonged to a young Bosen named Eddie Corick, who served with Miller on a ship called the Goliath. When an oxygen tank ruptured, Miller got himself and two others into an escape pod. He left Cororic behind.

[00:09:44]The fire reached Cororic before the rescue did. DJ tells Miller [music] something else. He went back to the distress recording and listened again.

[00:09:51]He had it wrong the first time. It doesn't say liberate me. It says liberate Tudimid X in fairies. Save yourself from hell. The Horizon went somewhere outside the known universe. DJ believes the most accurate word for what it found for wherever it went is hell.

[00:10:06]And now it's back. and it brought something with it. Cooper calls in. The Louiswis and Clark repairs are nearly done. Peters gets the ship's video log cleaned up in time for the crew to watch it together. What they see on that footage will stay [music] with them forever, and not in a way anyone would choose. In the final hours of their voyage, the original crew of the event horizon engaged in acts of horror against each [music] other and themselves. torture, cannibalism, mutilation, and Captain Kilpac, who opened the mission with such calm professionalism, is seen at the end of the recording holding [music] his own ripped out eyes, repeating, "Liberate TUDEX Inferris." Miller shuts it off.

[00:10:46]They're going to use the Louiswis and Clark's missiles to destroy the Horizon, and they're leaving. Weir protests.

[00:10:52]Their orders are to salvage the ship.

[00:10:54]Miller says the ship consumed its first crew. He's not [music] going to let it take another. Then the lights go out again. Another power drain. Miller orders everyone off the horizon immediately. Weir speaks very quietly.

[00:11:06]The ship won't let them leave. Miller tells him he'll leave him behind if he has to. "I'm already home," Weir says, [music] and he walks away into the dark.

[00:11:16]Peters and Smitty are collecting CO2 filters from the gravity core area, [music] preparing to take them back to the Lewis and Clark. Peters hears a sound. She follows it, her son again, leading her deeper into the ship. She follows him to the edge of a shaft and falls. Weir finds her body. Then the ship takes him somewhere else entirely.

[00:11:36]He's in his home, his old apartment, and he's forced to watch Clare, his wife, take her own life because he was never there. He was always working. She couldn't [music] bear the loneliness without him anymore, and he never knew.

[00:11:49]Weir breaks down. Clare reaches for him.

[00:11:52]She has wonderful things to show him, she says. When Weir comes [music] back to himself, his eyes are gone. He tore them out and he's smiling. Smitty [music] hears something moving on the Lewis and Clark. He sees Weir leaving the ship and contacts Miller. Miller notices immediately [music] that one of the self-destruct explosives from the central corridor is missing. He orders [music] Smitty to abandon the ship.

[00:12:14]Smitty just spent days repairing it. He won't leave without searching for the bomb. He finds [music] it right before it goes off. The Louiswis and Clark is destroyed. The crew's way home is gone.

[00:12:26]Cooper was outside during [music] the explosion. The shock wave sends him flying into open space, spinning away from both ships on a piece of debris. He thinks quickly, uses his suits oxygen [music] tank as a crude thruster, and pushes himself back. It's a long way.

[00:12:42]Miller reaches medical, hoping to find DJ. Instead, [music] he finds what the ship did to him. DJ is suspended above a slab, the work of something methodical and remorseless. Miller arms himself with a portable nail gun and moves through the ship toward the bridge. He finds Stark unconscious on the floor.

[00:13:00]Then he finds Weir. Weir is sitting in a bridge chair, eyeless, calm, holding the nail gun. He's not Weir anymore. Or rather, he is Weir, but Weir has been [music] filled with something else. He explains almost gently what the event horizon found when it activated the gravity drive. It tore a hole in spaceime and [music] passed through into a dimension outside the known universe.

[00:13:22]A dimension of pure chaos, pure evil.

[00:13:25]And while it was there, something got [music] inside it. Something came back with the ship from that other dimension.

[00:13:30]It's been watching them ever since, learning their fears, and now it's ready to [music] take them home. Cooper makes it back. He arrives at the bridge window just in time, and Weir reacts by firing at it. The bridge decompresses. [music] Everything not bolted down gets sucked out, including Weir. Miller drags Stark clear before the emergency doors seal.

[00:13:50]They find Cooper coming through the airlock. Three survivors. 7 minutes on the clock. No way to shut down the drive from the destroyed bridge. And no expertise to do it from the core. But there's another way. The corridor. The one weir mentioned at the very beginning. The one that can be detonated to separate the forward section from the aft. If they blow the corridor, the forward compartment, the bridge, and the medical bay, it becomes a lifeboat. They can load into the gravity tanks and drift until a rescue ship finds them.

[00:14:21]The A section with the gravity drive will just have to go wherever it's going. Miller goes to the corridor to arm the [music] explosives. Cooper and Stark wait in the forward section. The gravity tank fluid starts turning red. A wave of blood crashes through the compartment. Cooper and Stark are nearly drowned before it recedes. Miller finishes arming the explosives. He has the detonator. [music] He just needs to get back. That's when Coric appears again, burning, screaming, blocking the way. Miller runs. The only place [music] left to go is the gravity core itself. He dives inside as Coric's fire fills the corridor. The detonator hits the floor. 2 minutes on [music] the countdown. Coric changes. The burning figure shifts and becomes Weir. Scarred, [music] eyeless, restored, smiling. The ship brought him back. Weir says she won't [music] let anyone leave. Everyone is coming to that place Miller calls hell. Though Weir insists [music] it's so much worse than Miller can imagine.

[00:15:16]He grabs Miller's head and forces images into it. He sees the crew being destroyed [music] in horrible ways. Do you see? Weir keeps saying, pouring the images in. Miller fights back. He hits Weir with a CO2 filter. Weir barely flinches. He's not running on biology anymore. Miller offers his life. Let the others go and take me instead, he says.

[00:15:38]Weir tells him there's no bargain to be made. Everyone is coming and behind him, the gateway begins to open. Miller reaches. The detonator is on the floor just out of reach. Weir is in his head, filling it with horror, but Miller keeps reaching. [music] Hand on the floor, fingers stretching. He gets it. He triggers the detonator. Weir screams.

[00:15:58]The corridor explodes. The ship tears in two. [music] The gravity drive activates. and the A section, the drive and whatever is inside it [music] gets pulled into the wormhole and disappears.

[00:16:08]The forward compartment drifts away, quiet and intact.

[00:16:13]Stark and Cooper [music] watch wistfully from a distance and climb into the gravity tanks and join Justin in stasis until someone finds them.

[00:16:21]Weeks pass. A rescue team finds the forward compartment near Neptune. They board, move to the stasis section, find three figures in the tanks. Stark, Cooper, Justin alive. One of the rescuers revives Stark. She opens her eyes, disoriented, [music] and asks where the others are. "They're with us," he says. He removes his helmet. We're mutilated, smiling. Stark screams.

[00:16:47][music] She wakes up. She's in the tank. It was a nightmare. Real rescuers are here.

[00:16:53]Real people pulling her out. Cooper holds her still. She's safe. They made it. The camera pulls back. There's a hatch at the rear of the stasis chamber and it begins to close on its own. The ship has taken control [music] and no one goes in or out of the room unless it decides.

[00:17:10]Event horizon asks a question that it never answers. Did the ship find something? Or did the ship become something? Is whatever is inside it a passenger who climbed aboard or did 7 years in that dimension change the horizon herself at a level beyond engineering? The film doesn't say. What it does say is that the barrier between this universe and whatever lies beyond it [music] is thinner than it looks. And that the people who designed the machine that crossed it had no idea what they were opening a door [music] into.

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[00:17:46]Thanks for watching.