Filmmaker Reacts to SINNERS [2025] | A BLOODY GENRE MASHUP!

本站添加: 2026-05-12

[00:00:01]They have a good old weird lick in this film, don't they?

[00:00:06]>> Hey guys, Kai here and welcome back to another filmmaker reacts. Today, another feature film hits the channel and it is all thanks to you guys. Thank you so much guys to those who voted on the poll because the winner of that poll was the 2025s, The Sinners. Actually, I think the film's just called Sinners. Like normal on this channel, I will be talking over top of what we're watching today and talking about all the film making techniques that I can see in the content that we're watching. So, in this case, a feature. So, if you're after one of those silent reaction videos, this is definitely not the channel. And I'm certainly not the chap. Yes, it's about fun. Yes, it's about entertainment, but more importantly for me and for you, it's also a place to learn. And not only that, this is my absolute favorite part.

[00:00:45]I get to hang out with you guys as I experience sinners for the very first time. So, with all that said and done, let's go, shall we? Let's play the tape.

[00:00:52]All right.

[00:00:57]Oh, hitting me with that guitar string.

[00:01:01]Not diioetic sound. I was expecting diagetic sound to lure me in, but they're going with the musical string.

[00:01:06]Was it southern or something? First 7 seconds of anything should draw your audience members in. And they've done that with the guitar. I've not seen a trailer. I've not seen anything about it. All I know is I whacked it on the on the Patreon poll and you guys voted for it to win.

[00:01:23]>> There are legends of people born with the gift of making music so true.

[00:01:29]>> Southern >> it can pierce the veil between life and death. Conjuring spirits from the past and the future.

[00:01:39]>> Not a musical this film is it? This gift can bring healing to their communities, >> but >> but it also attracts evil.

[00:01:51]>> Oh, that's nice. What a great little exposition dump.

[00:01:57]>> Great little bit of world building there. Short, sweet, straight to the point.

[00:02:04]Hale, Mississippi, October 16th, 1932.

[00:02:09]Holy [ __ ] Yeah, you can tell that's shot on IMAX, you know. Look at this cheaty bang bang.

[00:02:17]Oh yeah, you can definitely tell it's shot on IMAX. Look at that head room.

[00:02:21]One of the only downsides to IMAX is the head room that it sometimes gives.

[00:02:26]Obviously, cuz you're they're framing it for normal widescreen aspect ratio. When you're shooting the IMAX, you suddenly get this sudden burst of height, which is sometime, yeah, it's immersive. Oh, mate, what's the matter with him?

[00:02:38]Yes, it's immersive, but you know, pros and cons, you got to wait up.

[00:02:45]>> Oh, it's really refreshing to see something shot on film again.

[00:02:50]>> Come on, son. It's okay.

[00:02:54]>> My son has felt the call of >> this is a horror film, is it, guys? You bastards.

[00:03:01]>> And the way >> Oh, that's beautiful. Look at the match cut on that demon with his hand.

[00:03:08]>> I want YOU TO PROMISE RIGHT NOW.

[00:03:13]>> What's he been up to?

[00:03:14]>> Drop the guitar. S.

[00:03:18]>> Oh, is he one of those magical musicians? Is he >> in the name of God?

[00:03:24]>> Oh, look at the color temperatures, the mixture. It's almost like Look at the different biomes. Beautiful. Also filming on a 65 mm film. Look how shallow depth of field it uh the shallow depth of field. Yeah. Subject in focus.

[00:03:37]Look how much bokeh in the background.

[00:03:40]You find that with large format cameras.

[00:03:42]Oh boy. Oh boy. It's going to be shallow this film.

[00:03:47]Oh [ __ ] He's right out the old cotton fields.

[00:03:51]>> Beautiful. Another great use of IMAX shooting large vistas like this.

[00:03:57]>> You going to tell me where you playing on them? I have to hear it through the grapevine.

[00:04:01]Oh, you can tell they uh you can tell they framed that for widescreen bars.

[00:04:05]Oh, there we are. We've jumped in now.

[00:04:08]So, this was shot on the widest what was it? Panovision 70. So, this is shot on the IMAX, which is the highest vertical and the Panovision 70, which is the widest anamorphic format going. Look at this aspect ratio.

[00:04:24]I love the beautiful silhouetted imagery on this.

[00:04:31]Great sweaty look. Lovely warms color tones in there. Sign in the highlights.

[00:04:41]Oh, wait. Thought he's checking his watch.

[00:04:46]Oh, it's two of the [ __ ] I actually heard about some rig. Is this what the film was for? There's a certain camera rig that they use when they put it on the other actor so they can easy morph his head.

[00:05:01]Oh, you can see that wide screen on it, can't you? Holy [ __ ] Perfect setting for this vertical imagery and wide imagery.

[00:05:11]>> You boys twins?

[00:05:13]Now we cousins.

[00:05:19]>> He moved a ton of timber a month back in his heyday. workers lived upstairs. What are you fellas planning on doing with the place?

[00:05:25]>> Seems dark as sin. Those black levels right under zero.

[00:05:30]>> Yeah, I wash these flows.

[00:05:32]>> Yeah. What was on them?

[00:05:37]>> Oh, dirty bastard.

[00:05:41]>> Ain't no boys here. I just grown men for grown men money and grown man bullets.

[00:05:47]>> Oh, look at him. He's going to get get an envelope with money.

[00:05:53]>> Oh no, they are they're flashing weapons.

[00:05:56]>> Just the way we talk down here.

[00:05:59]>> We'll take it.

[00:06:01]The mill, the equipment, and the land that is standing on >> Drew drawing us in.

[00:06:05]>> And if we see you or any one of your clan buddies across our property line, we going to kill them right where they stand.

[00:06:13]>> [ __ ] thing is though, to heighten it to be a little bit more serious, you strip the music out. But what he's probably done here is he's flooded the beginning part of this movie to get that southern film, the music in there, and then when it gets serious, they'll drop that score.

[00:06:32]>> Don't let the work jump on you.

[00:06:33]>> Let the ambience finish my quarter for the day.

[00:06:37]>> Draw us in.

[00:06:39]>> Oh, look at that. That's nice.

[00:06:42]>> I want you to help me give my sermon tomorrow.

[00:06:46]1 Corinthians 10:13.

[00:06:49]Read >> that natural [ __ ] dragonfly just flipping by.

[00:06:53]>> Want to be free of all this for a day to play music for Landers who sherk their responsibilities to their family so they can sweat all over each other.

[00:07:01]>> Look how serious.

[00:07:02]>> I'll be back in town for service in the morning.

[00:07:04]>> Drawing us in. That was beautiful because he was lit 45° angle. The the camera is on the shadow side of the face. Catchment in their eyes. Look at the catchment, the light, the orbs. You keep dancing with the devil. One day it's going to follow you home.

[00:07:19]>> There's that light motif again. We've heard it already the moment we saw that guitar.

[00:07:25]We'll keep hearing that. Yeah, that is a light motif reoccurring theme in the audio.

[00:07:30]>> Oh, don't you worry now, Uncle Jake. We going to get them back to you in one piece.

[00:07:37]>> Serious moment. The camera dollying into the character. Only when they deserve it. Well, Ma usually hands out the whoopers.

[00:07:45]>> That's fantastic face replacement, isn't it? Or head replacement.

[00:07:50]>> Me and your cousin.

[00:07:51]>> That's sure depth of field.

[00:07:53]>> Chicago ain't [ __ ] from Mississippi and tall buildings instead of playing facial.

[00:07:57]>> It makes the background look as fake as buggery.

[00:08:04]It's definitely got that vintage feel to isn't in the color grade. It's showing its time. You got the film grain in there, but the color grade is beautifully done. Hell of a lot of separ. [ __ ] hell, bells. Even the snake's got catchment in its eyes. Look.

[00:08:18]Get the [ __ ] out of me.

[00:08:21]Oh, show me. Give me these Titan status, boys. Come on. Come on. There we are.

[00:08:25]So, we now know we don't [ __ ] with these boys.

[00:08:28]>> Open up next weekend. Nah, [ __ ] that.

[00:08:30]Sky be tonight. Grand opening. Start this [ __ ] with a bang. Well, we start with a misfire. Look at that sky. That's a mighty fine day to be free, ain't it?

[00:08:39]our own juke joint. Even when it's harsh, sunny, it looks sexy, doesn't it?

[00:08:44]>> You keep your eyes open for anybody staring too long. This don't know how to watch his own back.

[00:08:49]>> Interesting where they shot the two brothers. Then normally with videos you videos with films is you overlap the dialogue. So you have L cuts and J cuts in in the audio. So basically you're looking at one subject, one actor, and you'll still hear the music. Uh just [ __ ] hear it for slipped there.

[00:09:06]You'll hear the dialogue. with this.

[00:09:07]They were cutting to every time the brother was speaking and it makes it a bit videoy. I think that's why Freudian slipped and said, "Oh, video." But I think they're doing it because showing the differences between the brothers and how quick they are to potentially react build tension between the two brothers.

[00:09:24]>> I think they did that on purpose the editing on that to make us feel like the tension was rising. Especially we got the same bloody actor playing the same well different characters.

[00:09:37]I love the fact that for even a really harsh daylight film to show the harshness of it. So boiling hot some blowing out here. What they've done is they've reduced from 100 level white levels all the way down.

[00:09:50]>> You heard of smoke stack twins?

[00:09:52]>> Of course.

[00:09:53]>> Good. I'm smoke.

[00:09:57]>> See, I'm trying to put some money in your pocket. See, I'm going to need you to come sit in this truck right here. If somebody come you look a little too long.

[00:10:05]All right.

[00:10:06]>> That color gray look [ __ ] then. All the dark levels.

[00:10:08]>> And I'm going to pay you 10 cents for every minute that I'm gone.

[00:10:12]>> Yes, sir.

[00:10:12]>> No, man. See, we talking the numbers now. You got to negotiate. 10 cents just won't work for you.

[00:10:18]>> Why do they shut different time of day?

[00:10:20]>> 50 cent.

[00:10:21]>> 20 cents. Best I can do. We got a deal.

[00:10:24]>> Oh, bless him. Oh, bless her. Teaching her how to negotiate. I hope she don't end up dead by the end of this film.

[00:10:32]very quickly with children actors you have the ability to build up empathy as well as get uh attached to them especially when you see progression so learn learning they they've learned she learned >> daddy here >> daddy >> what does he know >> with the damn cat dragged in >> just by that dolly I knew they knew each other in a friendly way >> I need catfish for 100 people >> y'all do good up in Chicago I heard about some of them casinos up there y'all hit a That little beat, that little beat was good. Beat meaning as in timing, in the dialogue, in the thread of storytelling, the pace. Holy moly, things about to get serious.

[00:11:15]>> You watching me?

[00:11:19]>> Smoke Terry, boy. How you been?

[00:11:22]>> I was better before you shot me in the ass.

[00:11:27]>> I ain't your truck. I I swear. [ __ ] I told you it was his.

[00:11:30]>> Wait, wait. Smoke. I thought she was lying.

[00:11:32]>> B.

[00:11:36]What you do that for?

[00:11:37]>> Can't hand some talking about how he almost robbed the twins. Not without a limp. Show for it.

[00:11:42]>> Oh, dude. The Titan status on this bastard.

[00:11:47]>> Get up, boy.

[00:11:48]>> I need help.

[00:11:51]>> The way he said that.

[00:11:52]>> We going to need a sign, too. You think Grace will be up to making us warm?

[00:11:55]>> Go get your mama.

[00:11:57]>> Interesting. See, look how bright that sun is. How high the sun is. Yeah.

[00:12:00]Different from that wide shot they shot the two guys a minute ago. Low. That was sunset. Now the sun's gone back up. So that is a lighting continuity. You probably wouldn't have noticed it. I certainly did. [ __ ] Give me a medal.

[00:12:13]I've kicked it, of course. But the point is it's stuff like that is very very what it can do. It sometimes can pull you out of a scene.

[00:12:24]Look at the thread of storytelling on this man. It's very good, isn't it?

[00:12:28]>> Rush job going to cost you.

[00:12:30]>> I'm listening.

[00:12:31]>> 20. 15 for the front door sign and five for the menu.

[00:12:34]>> 10. Seven for the front door sign. Three for the menu.

[00:12:36]>> 16.

[00:12:37]>> 15.

[00:12:37]>> Done.

[00:12:38]>> Oh, we only got one color, by the way.

[00:12:41]>> What color?

[00:12:43]>> Red.

[00:12:43]>> She was annoyed with him.

[00:12:44]>> 1450.

[00:12:47]>> And this works really well because he already told the girl how to talk numbers. So, we know she's a she's a naughty woman. Brilliant. Great storytelling in the script there.

[00:13:00]>> You always said you would tell me what happened to your daddy when I got older.

[00:13:05]>> I'm older.

[00:13:06]>> See if expression change.

[00:13:08]>> Y'all ready to kill him?

[00:13:09]>> Nah, we ain't kill him. Smoke did. My daddy knocked me unconscious. By the time I came too, Smoke's halfway done bar. You used to beat y'all?

[00:13:18]>> Me mostly.

[00:13:19]>> Is Smoke the harsher brother then? Hey, I can't thank y'all enough for this.

[00:13:24]Play so right. Where'd I get this from anyway?

[00:13:26]>> Yeah, that's uh Charlie Patton's guitar.

[00:13:29]Me and my brother won off from the car game.

[00:13:31]>> Oh, snack.

[00:13:32]>> God, this imagery is wide, isn't it?

[00:13:35]>> Now, let's see if you can play like >> right here.

[00:13:37]>> Yeah, right now. Come on. Hide. Come on.

[00:13:39]Watch this.

[00:13:40]>> So, will a [ __ ] devil, whatever it is, come along straight away, or do you got to get in the zone?

[00:13:49]cuz we know something's coming.

[00:13:55]>> Oh, Smokey. Look at his expression.

[00:13:58]Mouth open. When an actor opens their mouth like that and they leave it open, it always sells it so much better.

[00:14:10]>> And that's what makes it even more exciting. Oh, that train is CGI as hell.

[00:14:14]And those cars, you can see where you can see where it goes from CGI onwards in the in the imagery.

[00:14:24]Look at the layers on this [ __ ] >> Let's go. Take >> the smoke or the steam. Oh, it adds to the layers. It diffuses the air and gives you texture.

[00:14:42]>> Oh [ __ ] It see I ain't seen him since going in 60 seconds.

[00:14:46]>> I guess that's Chicago win your black ass back down there.

[00:14:51]>> God, I love that actor.

[00:14:53]>> This my little cousin preacher boy Sam happens the finest blues player in all the deals.

[00:14:59]>> I got socks holding this here boy.

[00:15:04]>> Now you want his cousin and young pup the boot. I cut your ass deep in the fry >> and you threaten him again. I'm going to make your drunk ass swad harmonica. You call me >> backwards and forwards. Backwards and forwards fighting on the script. Makes us intrigued. Engage.

[00:15:20]>> I've been a mess every Saturday night for the last 10 years. Messi is going to be there another 10 years after that. At least there's probably more time than I got left home on this earth stack. I play and I get as much corn lick as I can drink.

[00:15:34]>> Join us in Slim. I'll drink it.

[00:15:38]>> Started out wide on the scene, got closer and closer as it got serious.

[00:15:42]Then he went back to wide. [ __ ] fantastic performance though.

[00:15:46]>> Oh, what you got there, boy?

[00:15:48]>> It's a Irish beer straight from the north side of Chicago.

[00:15:55]>> You say that's beer.

[00:15:56]>> Wind ain't bring us down here empty-handed.

[00:15:59]Oh, he's found his weakness.

[00:16:05]>> Holy [ __ ] man.

[00:16:07]>> I got 500 more bottles just like that.

[00:16:10]Ice cold, >> mate. He's frothing in his pants over that beer.

[00:16:13]>> You act now? I'll even let you finish that bottle in your hand.

[00:16:22]>> I didn't like I wish his head was a bit lower. Chop. Don't be afraid to chop that off. Not that I'm telling the DP, the camera person, whatever. I just his eye level just a bit too low.

[00:16:38]>> Just for us.

[00:16:40]>> Oh, look at her in the middle. The way they framed her. Is that someone important or going to be someone important?

[00:16:49]Yeah. I was just about to say maybe I read too much into it, but no, I didn't.

[00:16:53]>> We going to get funky like a Mississippi dunky, y'all.

[00:16:58]She likes what she sees. Lovely.

[00:17:01]Lovely. Doing in.

[00:17:03]>> I'm married, by the way.

[00:17:05]>> Happily.

[00:17:07]>> Careful, boy. You ain't going to bite off more than you can chew.

[00:17:12]>> Maybe I'll see you tonight.

[00:17:16]>> Brilliant focus rack in there. The old focus puller got bang on, didn't he? As she's walking away.

[00:17:21]>> Is this here smoke or is this stack?

[00:17:25]Don't Don't look at her. Just go over there and keep playing.

[00:17:27]>> Well, she knows. I'm sure she could tell.

[00:17:30]>> You told me you loved me.

[00:17:31]>> Well, I told you to stay the [ __ ] away from me, too. But I guess you didn't hear that part.

[00:17:34]>> I heard you.

[00:17:35]>> Oh, >> but then you stuck your tongue in my cruise and [ __ ] me so hard. I figured you changed your mind.

[00:17:41]>> Keep your voice down now.

[00:17:45]>> The hell are you doing back here, Mary?

[00:17:47]>> I buried my mama yesterday. Stack.

[00:17:49]>> Oh [ __ ] >> Figured I might see you and smoke there as much. She looked after you both. But I guess y'all love lasted as long as y'all could get something out of her.

[00:17:55]>> You're right. That's all she was. Fool.

[00:18:01]>> Look at him acting a tough man.

[00:18:04]>> Save your traveling ass room. [ __ ] Right next to me. Maybe she ain't worried. Boys get to get. Come on, Slim.

[00:18:12]Still got one more stop to make.

[00:18:13]>> Oh, here we go. Back to the IMAX shots.

[00:18:19]>> That's mean. Sometimes I just find it just it is in home viewing. He does pull you out. Obviously, if you're watching this in an IMAX theater, my Gordon Bennett, that'd be amazing.

[00:18:28]>> Me and my buddy Rice, his husband back and forth up the Delta. We get busted for babies and white sh down in jail for sure. They going to kill us at night.

[00:18:40]>> I was looking too busy looking at the background.

[00:18:42]>> Stack we played. Preacher boy, we played. You hear me? Music was coming out the windows, >> dude. The acting on this is really good.

[00:18:50]They take us to this big house. It's full of white folks. We playing a fair amount of blues, too. See, white folks, they like the blues just fine. They just don't like the people that make it. And Pecker Woods was nodding their heads, stomping their feet. Some of them was almost on the rhythm.

[00:19:10]>> I I really do like the way this is done, the sass of it.

[00:19:15]>> Rice, he was going to take that money going out to Little Rock, starting him a little church. That lower shot is bit ugly though.

[00:19:23]>> He took out all his money to pay for the $2 train ticket. Train conductor saw him. Search his pockets to find all that money. Killing some white man for it and raping that white man's white.

[00:19:32]>> Oh dear. Overland it beautifully, aren't they? With the sound effect to a radio show.

[00:19:39]>> You know they cut off the manhood. [ __ ] Like the performance on this like you every word you linger on it.

[00:19:51]>> Hey, deep powerful like emotions obviously about race really draws you in. Again, that's what happens when you get [ __ ] phenomenal actors. And then they made it even stronger by giving us that sound well that soundscape almost sound like a radio show, didn't it? It sounded like an audio book.

[00:20:15]>> This here my wife threes.

[00:20:17]>> Nice to meet you. Threes.

[00:20:19]>> Oh, he loves a low angle this boy, didn't he?

[00:20:21]>> Men got business to discuss. I ain't got time for your scheming stack. Behind on my quota, man. [ __ ] your quota. It's my wife right here now. I'm going to need you to show some respect.

[00:20:30]>> Yeah. Well, [ __ ] your wife, too.

[00:20:34]>> You what?

[00:20:35]>> I said she really going to let you [ __ ] her when she find out how much money you about to get from this job I'm offering that [ __ ] She might even let you put your pa in her mouth.

[00:20:44]Wow.

[00:20:45]>> How much money are you talking about paying him?

[00:20:48]>> How clearly she's he he used he manipulated him to get her to speak up.

[00:20:53]That's what I mean. So when you're looking at your script or anything like that, it's the contrast, the conflict on the page. It's like a book. People like, "Holy [ __ ] I want to get to the next page." That is what it is. The backwards and forwards. If if it was always a green, a green, a green, you would find it boring. Even when they agree, it's the manipulation. as well as the conflict that makes us go, "Oh, this is really this is cool. This is a great film." And then they just they just switch it on his head, don't they? Very, very quickly. Oh, look at that texture on the shadows.

[00:21:28]Where that bottle is perfectly placed in that little pocket of light here. Papa's here.

[00:21:35]>> What an interesting tone on that score.

[00:21:42]Oh, I love the way she came out into the light. Beautifully done. You >> stack one on the other side down.

[00:21:48]>> Come back full.

[00:21:50]>> Holy [ __ ] mate. That woman's got some assets.

[00:21:57]>> See, I'm a very big fan of having multiple layers. Your foreground, your ground, your background. At least a minimum of three layers. That's what I like. But with this, because it's so wide and so shallow, that's why even the flatter imagery with two layers works.

[00:22:12]>> I'll trade you.

[00:22:13]>> I don't want your money.

[00:22:14]>> Don't be stupid now.

[00:22:15]>> I ain't stupid. Your money come with blood.

[00:22:17]>> Oh, the camera is ding in. So, I'm drawing in.

[00:22:20]>> You know what? I've been all over this world. Cars, ships.

[00:22:25]>> This film is so dark, right? I'm watching on the OLED monitor. Beautiful lowkey lighting. I ain't never saw no roots, no demons, no magic, just power.

[00:22:37]And only money can give you that.

[00:22:39]>> And you back here in front of me. Two arms, two legs, two eyes, and a brain at work.

[00:22:45]>> Oh, what is that tone?

[00:22:47]>> I work every route my grandmama taught me to keep you and that crazy brother yours safe. Every day since you've been gone.

[00:22:54]>> Oh, they're blowing the edges as well, aren't they?

[00:22:57]>> So why those roots ain't working on a baby then?

[00:23:01]Oh, look at that. It's like they got a Helios lens lens on.

[00:23:05]>> But they work for you.

[00:23:11]>> Beautiful.

[00:23:12]>> You still got that mojo bag.

[00:23:19]>> Interesting. remind me of the the Batman cinematography and the way it blurred out the bokeh really kicked in right across her forehead and it almost felt like I thought he was going to faint at first the way they were talking the way they were going on.

[00:23:32]>> Born of my bone blood on my blood.

[00:23:34]>> Very interesting. You >> also look at the white. Like normally I always talk about the teal and orange and then you mix it up with the daylight white. With this they're making everything white with a splash of yellow on it or a splash of tea stain. Yeah, that sepia in there. It really plays heavily on the sweaty look and the time and the and the feel, the visual aesthetic.

[00:23:55]>> We want you to cook for us, >> Elijah.

[00:24:01]>> You won't make me say it. It still hurts coming back here.

[00:24:06]>> Oh, you can feel what he's feeling.

[00:24:07]Listen that score.

[00:24:08]>> But I love you and I miss you.

[00:24:22][ __ ] Boys and girls, what film we watching, man? Licking that ear like she giving it a good cleanse and the bassy tones that went with it. The thing is it visually looks mate, that is breathtaking, isn't it? The IMAX will help with that. The thing is, it looked very sexy, didn't it? The way the scene started out, why got closer and closer. All the pieces now are starting to come together. But the the reason why it just looks very sexy is because the the black levels in there, the wet sprits across our faces very we're like magpies. We're looking at all the light parts on there.

[00:25:06]The [ __ ] Oh, mate. He's burning up.

[00:25:09]>> I thought I could trust them, but they tried to kill me.

[00:25:11]>> Slow down.

[00:25:12]>> Who's trying to kill you? Chalk tall.

[00:25:14]>> Sure wasn't just some fair skin. Ain't no engines around here for miles.

[00:25:17]>> It's mad to think cuz this was shot on IMAX. All this audio is [ __ ] useless.

[00:25:22]They'll have to readr him. All of them.

[00:25:25]>> I got go. They ain't get all of it.

[00:25:27]Y'all can have it. Just don't let him hurt me no more.

[00:25:32]>> Wow. Look how [ __ ] great this looks cuz it is IMAX. And it immediately draws you in, doesn't it? It's the imagery.

[00:25:43]Evening, ma'am.

[00:25:45]>> Yeah. Look at all that head room. Oo.

[00:25:48]>> Have you seen anyone recently?

[00:25:50]>> No.

[00:25:51]>> He's got a lovely voice, isn't he?

[00:25:53]>> Is he in there with you, ma'am?

[00:25:56]>> Is he the true threat?

[00:25:58]>> He's not what he seems.

[00:26:00]God forbid you let him into your home.

[00:26:03]And if so, we need to act now.

[00:26:11]Oh dear. They're going to be [ __ ] lunch and me, ain't they?

[00:26:18]>> Beautiful. Oh my lord. Look at this cinematography. Beautiful, isn't it? Cuz the picture is so bloody big. But yeah, that again cuz IMAX is so noisy. Oh, he's he's dead.

[00:26:32]>> Oh, he's dead. Yeah. Which means you shoot an eye makes it so noisy you have to re record all the audio again with ADR in post-prouction.

[00:26:41]>> Oh, he's just resting.

[00:26:48]>> What's he a [ __ ] vampire or something?

[00:26:50]>> He's all better now. Hey, baby.

[00:26:56]Don't cry.

[00:26:59]>> Oh dear. That's a vampire film.

[00:27:03]I just remember actor. That's him from Skins.

[00:27:08]I mate.

[00:27:12]Oh, look at that spotlight right on the building. You're going to see a a lot a lot of cyan sepia.

[00:27:22]>> Gina, you made it.

[00:27:25]>> So, the question is, what do you prefer?

[00:27:27]Would you prefer the IMAX look or do you prefer this super wide screen?

[00:27:33]>> Uh, excuse me, ma'am.

[00:27:36]>> Oh, lovely little lens flare on there.

[00:27:38]>> Little Mary.

[00:27:40]>> Not so little no more, huh?

[00:27:41]>> Little Mary. Oh, >> I wonder what the brother's going to be like. He Oh, [ __ ] They daddy was my daddy. Big brother.

[00:27:49]>> So, your cousins do blood.

[00:27:52]But >> you seem like such a nice young man.

[00:27:57]I can't believe the low-key light in this. The low key lighting is heavy use of shadows and pockets of light.

[00:28:06]>> I don't think you should be here. You see, I'm with the twins.

[00:28:08]>> With the twins, boy, if you don't get the [ __ ] out of my face.

[00:28:11]>> I am with them, man. We met earlier at the train station.

[00:28:15]>> Wow. She is She's not a pushover. Oh, is she?

[00:28:19]>> Wait, you not little semi the guitar.

[00:28:22]Come on, let me buy you a drink. Oh, she's very good at getting around what she wants.

[00:28:27]>> Two whisies, please.

[00:28:28]>> Sure.

[00:28:29]>> I don't know who do and I can't talk slick, but I know business.

[00:28:33]>> Look at the pockets of light.

[00:28:35]>> What are you?

[00:28:36]>> What am I? I'm a human being.

[00:28:39]>> Oh, man.

[00:28:40]>> Very clever words considering we're watching a [ __ ] vampire film.

[00:28:44]>> You know my mama to look at the twins.

[00:28:47]Really?

[00:28:49]>> Oh, boy. And after she died, my mama nursed them like they was her own.

[00:28:54]>> I'm guessing that's smoke, right?

[00:28:55]>> And they had enough money to buy this whole mill. And they ain't even sent flowers to a funeral.

[00:29:02]>> We sent your mama flowers all while she's still allowed to smell them.

[00:29:06]>> Smoke >> Mary.

[00:29:10]He's got his eyes >> wrapped in shadow. And he like you could feel that tension, the closeup of her face and you knew he was coming up behind even though he's bo to buggery.

[00:29:23]>> How come we hear the blues?

[00:29:24]>> Oh no. They play the blues just fine in Arkansas. Come on bread. Let's get her a call off me.

[00:29:29]>> Oh, she going to cause a scene.

[00:29:31]>> I'll pay one of these field [ __ ] in here to drag your ass out here.

[00:29:33]>> [ __ ] You taught me how to fight. I'll beat up every [ __ ] in here. You know it.

[00:29:41]>> I didn't want to be white. I wanted to be with you.

[00:29:43]>> All it takes is the wrong person in here to see you or get back to them crackers and they going to try to kill you.

[00:29:48]>> What have mattered to you?

[00:29:49]>> That's the score's changed. Slowly fading out the background.

[00:29:53]>> I waited. I waited a long time.

[00:29:57]>> Really honing in on their voices, aren't we?

[00:29:59]>> Why can't you just say that?

[00:30:01]>> Say what?

[00:30:04]>> Oh, give me that lethal weapon guitar.

[00:30:09]I love you. Look how long that beat was.

[00:30:11]Beautiful.

[00:30:13]And the music, the background's completely [ __ ] off.

[00:30:21]>> And I was never going to be with me.

[00:30:24]>> Getting closer to him, but it wish it got closer to her. Get closer and closer and closer and closer. It did on on uh Stack. It did on her, though. And I wish it did. I wanted to be here when she cried. I want to see her teardrops. Feel the [ __ ] paws on her face.

[00:30:44]I did standing in post-prouction.

[00:30:48]It was a very beautiful moment though.

[00:30:50]Very slow, wasn't it? Slow build up. And that's why we got so into it because it got closer and closer with each shot.

[00:31:01]Yeah.

[00:31:02]>> So, is it like they've built this bar, they want to make a business, he plays the music, then all the vampires come.

[00:31:09]Is that the gist of it by accident?

[00:31:13]>> [ __ ] Copper from Sunflower Plantation.

[00:31:17]>> You can't help but smile, can you? Cuz he's doing it with each musical part.

[00:31:33]This is going to sound really interesting. This comment I'm about to make. I'm just thinking about what I've seen so far on screen. Beautiful IMAX, beautiful wide screen, but it's not the most cinematic film I have ever seen.

[00:31:49]>> Which what a jux position that is. But I don't it's not meant to be about that.

[00:31:54]the story that they wanted to tell.

[00:31:56]Making a film too cinematic can actually take you out of the story. How weird is that? But the story he wants to tell, I'm feeling the scene. I feel like I'm really there with them. I'm smiling when I need to smile. I'm in the scene when they want me to be. I feel the tension.

[00:32:13]I feel what the boys and girls are saying. We need to.

[00:32:18]>> There are legends of people.

[00:32:20]>> Okay, here we go.

[00:32:21]>> The gift of making music. So true. You can pers between life and death. And >> he's obviously one of them, is he? It's almost like two genres mixed together, isn't it?

[00:32:35]>> I thought that was Eddie Murphy for a brief moment.

[00:32:44][ __ ] hell. How long does this take or this shot? What a bastard.

[00:32:50]Very much a love letter as well, isn't it? To music.

[00:32:55]Yeah.

[00:32:59]>> Oh, interesting. They even changed the culture part of it as well. Oh, that's cool.

[00:33:10]Holy [ __ ] I didn't even realize it was so immersive. I didn't even realize it was shot on IMAX. That's when you know it's good. I didn't even see the transition.

[00:33:25]Hey, literally blew the bloody roof off.

[00:33:32]Wow, man. That was a beautiful IMAX moment. Beautiful.

[00:33:41]Oh, they're just standing there. So, do they like the music as well? Or it's just or he just draws them in.

[00:33:49]Did >> What else can you do with those fingers?

[00:33:58][ __ ] Oh, he's a good boy. He's a naughty boy.

[00:34:03]I just want to taste you.

[00:34:07]>> I literally thought for a second he was going to be like, "No, don't do it." Or, "I want to do I want to get you to know you first." But instead, Man, this is like one of them ASMR videos.

[00:34:22]He's slapping his tongue around like he's trying to lick out the last remains of yogurt in the pot.

[00:34:32]Oh no.

[00:34:33]>> Get the twins.

[00:34:35]>> Not going to have his throat down, is he? And the thing is, we've got attached to these characters.

[00:34:40]>> Oh, we heard tale of a party.

[00:34:42]drank food. You did?

[00:34:45]>> We happen to be musicians and uh we walked here so we hungry as dogs.

[00:34:50]>> Woof woof.

[00:34:53]>> Yeah, I do [ __ ] mind. Back up.

[00:34:56]>> You fellas must be the owners of this.

[00:34:58]>> They got the whole family there.

[00:34:59]>> That's right.

[00:35:00]>> And you are? Name's Ramic. This here is Joan and Bert.

[00:35:04]>> These vampires have to be invited in, don't they?

[00:35:08]>> Y'all clean, >> sir? We just came here to play, spend some money, have a good time.

[00:35:16]>> Oh, that music.

[00:35:19]>> And they did they did the riser. You expect something naughty to happen.

[00:35:30]>> Also, vampires are also enticive, aren't they?

[00:35:32]>> No, I'm saying you get down that road, you get back into town. Plenty of white barrel houses down there.

[00:35:40]How are they going to get in then?

[00:35:41]>> We're going to walk real slow just in case y'all change your mind.

[00:35:48]>> Is it going to be other ones saying just let him in?

[00:35:50]>> You think they bought company? I doubt it. But we got enough pepper on us if they did. [ __ ] We forgot the trunk.

[00:35:57]Damn. Why ain't you going to remind me?

[00:35:58]Fool. I told you to remind me.

[00:36:00]>> Y'all don't need the trunk.

[00:36:02]>> Oh dear.

[00:36:03]>> And what if somebody spills something on? Step on their shoe. Look at they woman a bit too long. We going to have a bigger problem than just a fight.

[00:36:11]>> Sure do.

[00:36:13]>> Don't let them in.

[00:36:14]>> Oh dear. The thing is we know all it takes is one person say come in.

[00:36:20]>> Can't thank you enough for this.

[00:36:23]And y'all the ones who put that guitar on my hand.

[00:36:27]>> Very slow build on this [ __ ] Is it?

[00:36:29]But I like it though.

[00:36:31]>> Smoke. I feel like I'm flying or they settled it. I'm heading off on my own.

[00:36:35]Maybe Chicago. H >> what's wrong stack?

[00:36:38]>> We underwater >> how >> all the plantations down there paying with credits.

[00:36:43]>> The world building on this is very good isn't it slow marination on it.

[00:36:50]>> That mayor knew who our daddy was. Knew he was an evil man that he ain't pass that evil down to us.

[00:36:58]>> Let me go get this money for us. I know y'all need it.

[00:37:01]>> And what's that supposed to mean? See your daddy a preacher.

[00:37:04]>> Oh dear. She's going to get turned and they're going to invite her in.

[00:37:09]>> You going to need every dime you can get when they put two and two together.

[00:37:11]>> But they won't.

[00:37:13]>> They might.

[00:37:14]>> Oh, she's a [ __ ] clever girl, ain't she?

[00:37:16]>> Let me go talk to them and see about putting something real on the two. Come on.

[00:37:26]>> Is this literally this huge world building just to have it all end in one night?

[00:37:32]>> Well, I kill you myself. Look, I'm leaving that plantation just like y'all did.

[00:37:36]>> Is he literally going to be the only survivor?

[00:37:44]>> What do you reckon? She going to get turned right here, right now?

[00:37:53]>> I said only one needs to be invited and they're free to go, right? As far as I'm aware of.

[00:38:02]You think they never got invited in?

[00:38:03]Well, they would have just hovered.

[00:38:10]>> It's heavy old spotlight on them.

[00:38:16]>> I'm just waiting for her to shift to change.

[00:38:26]Look how blue they've made that white light on top of them as well. Oh, they've put gel up.

[00:38:32]>> Gel's piece of colored plastic like blue. You tend to use blue for a night scene.

[00:38:42]>> See, most of it would have just stopped, but they kept the music going.

[00:38:45]>> And y'all got money to spend.

[00:38:47]>> Oh, yeah. Plenty of money.

[00:38:50]>> Oh god. It's like watching a [ __ ] rabbit in a layer of >> What type of money is this?

[00:38:56]>> The solid gold kind. Darling, >> where's this from?

[00:38:59]>> Oh, look at her hair flapping.

[00:39:01]>> But it's no good to you.

[00:39:02]>> It's no good to her.

[00:39:05]>> Well, what makes you say that?

[00:39:06]>> Cuz you're in some deep, deep pain that money can't fix.

[00:39:11]>> Look at the silhouette. Like their eyes just bathed in shadow. fellowship and love.

[00:39:18]>> I'll be like, "Yeah, still. Bye." But the music soft. It's enticing. It's how she feels as a character.

[00:39:25]>> I I wish in in my heart that we'd have met sooner. I would have liked to have saved your mother from her fate. I can still save you from yours.

[00:39:33]>> Oh, here we go.

[00:39:35]>> I'm sad as all, but I don't need no saving.

[00:39:38]>> Yes. Oh, mate. He's frothing out the mouth.

[00:39:43]>> I'm going to head back now. And I think y'all should too. Back to wherever y'all came from.

[00:39:47]>> Good grief. He saw her and he was literally drooling.

[00:39:51]Oh, look at his eyes.

[00:39:56]Oh, that's good. How he did that? Did look a bit weird him jumping up and flying off like almost. I think it was a motion blur thing. Or that's the thing with CGI. When the body doesn't move properly, you it immediately pulls you out. I love the fact his eyes were glowing red.

[00:40:13]Cornbread.

[00:40:14]>> Can I come in?

[00:40:16]>> Man, what you done out here?

[00:40:17]>> You going to let me in? I'm just sit there blocking the door.

[00:40:23]>> No. Come on.

[00:40:24]>> Oh, [ __ ] >> Too late now.

[00:40:33]>> Oh dear. She's had all >> spurt of life now, ain't she? Why you can't piss right now?

[00:40:42]>> Well, you ain't [ __ ] You fool. Watch the door.

[00:40:48]>> So, this basically just going to be one massive blowout at the end, isn't it?

[00:40:53]So, what happened?

[00:40:58]The way she's moving.

[00:41:01]Seductive.

[00:41:07]Okay. The thing is they can lure you in, can't they?

[00:41:12]He's scared.

[00:41:14]>> Yeah, my brother.

[00:41:16]>> So, you rob trains and banks, but you can't steal this [ __ ] for a knife.

[00:41:24]>> Well, if you're going to be that [ __ ] seductive go and if you're quick.

[00:41:34]Oh, look at him.

[00:41:36]Uh there out there with his John.

[00:41:40]Will they eat him or will they turn him?

[00:41:43]Problem is you keep turning everyone.

[00:41:48]>> They need some [ __ ] food. So now we've had the music genre.

[00:41:55]>> Now we're ready for some horror.

[00:42:00]Peekaboo.

[00:42:00]>> What the hell going on?

[00:42:02]>> Peekaboo.

[00:42:04]Bet you put that blade down and do that to him. Told him not to put his hands on me. So you going to cut me too if I had to. I just want to be allowed to leave.

[00:42:14]This is reminding me of Dust Till Dawn.

[00:42:17]He had a huge buildup. Massive music playing everywhere.

[00:42:23]And then the horror. Oh boy, it's getting serious. Imagine what one of them brothers is going to be like as a vamp.

[00:42:36]Oh, I love the J position on this. One's having pleasure, the other's having pain.

[00:42:43]>> One brother having it, one brother dealing it.

[00:42:51]>> They have a good old ear lick in this film, don't they?

[00:42:59]Mate, that orgasm vers made her reach new height. She's singing about it.

[00:43:06]Oh, that's good. Please tell me as it drops you, you can see her get punched.

[00:43:11]Yeah. Or kicked. Yeah.

[00:43:14]Shaking the camera as well. Good. That's the kinetic energy in there. Beautiful.

[00:43:19]Look at them just Yeah. We're used to it. Carry on.

[00:43:24]It's the first time I've ever seen the actual camera really shake like that.

[00:43:29]The rest of the film has been very like on sticks or it's very slow moving, isn't it?

[00:43:45]Oh, is that how they turn you? I thought it was a good oldfashioned bot in the neck.

[00:43:57]No, instead of it being a riser, it's the [ __ ] It's the music beating.

[00:44:02]Look at him kicking on the beat.

[00:44:06]>> It's Carnage. The old film's turned to in the mad house.

[00:44:10]>> Hey, you can go quick.

[00:44:12]Hey, looking for you. [ __ ] Oh, he busy, huh?

[00:44:23]He's a cheeky old bastard, >> man. That back room seen loads of action.

[00:44:31]>> He was getting some money.

[00:44:33]>> I don't give a [ __ ] what he doing. I told you to go get him then.

[00:44:40]>> I hope he's not a dead brother.

[00:44:44]>> Hey, where the hell is Cornbread? And cuz it's a long take, no cuts, the tension's building with the music.

[00:44:51]>> You think I can't handle it?

[00:44:53][ __ ] Y'all get decent. I'm coming in.

[00:44:55]>> Oh [ __ ] >> Oh no.

[00:45:02]>> [ __ ] Is that what it looks like?

[00:45:09]>> Put a bullet in her head.

[00:45:19]Oh, music [ __ ] right off, didn't it?

[00:45:21]But I say that you have to be silver bullets, right? It's stacked done. Oh, he ain't >> I'll be back soon, Almost.

[00:45:38]No, I'm all dead.

[00:45:41]>> Oh [ __ ] And it hurts more cuz we've had all this time marinating.

[00:45:48]All this time.

[00:45:51]That's why they had a slow build.

[00:45:56]>> He ain't turning, is he? He got the artery.

[00:46:02]>> Man, pain is so close to pleasure. Quite literally. He had the pleasure and then he got the pain side.

[00:46:12]Oh [ __ ] he [ __ ] died.

[00:46:16]>> Whoa.

[00:46:18]I reckon the only one's come out of it is a bloke from the beginning.

[00:46:21]>> Slim, keep everybody out.

[00:46:24]>> Party's over, y'all.

[00:46:25]>> No, >> got >> We really appreciate y'all. Come on.

[00:46:29]>> Holy [ __ ] We'll see you soon.

[00:46:34]>> They're all going to get like eaten, aren't they?

[00:46:38]>> I could have stopped it.

[00:46:40]Don't do that.

[00:46:41]>> I was expecting some big old onslaught.

[00:46:44]She >> said we going we going to kill all of you.

[00:46:46]>> We She said we >> Oh, mate. She's She's putting all the pieces together.

[00:46:55]>> We got to move his body outside just for now.

[00:47:00]>> Touch him. Don't worry.

[00:47:02]>> Casey, >> you shot her.

[00:47:04]>> Casey turns.

[00:47:05]>> She kept running like nothing happened.

[00:47:09]This a hate we dealing with. Smoke.

[00:47:11]>> This is like a This is dust till dawn.

[00:47:14]>> You got any magic to bring my brother back?

[00:47:18]>> Got to go back for him.

[00:47:19]>> Those brothers as vampires. That'd be badass.

[00:47:24]>> I can't. I'm sorry.

[00:47:28]>> Can you imagine this was highkey lighting? Wouldn't work, would it? This darkness is beautiful.

[00:47:37]I am enjoying movies now with a bit of more of a slower, more world building and then and then the action takes place.

[00:47:46]>> We got to go home. Okay.

[00:47:48]>> Okay.

[00:47:49]>> Lisa's waiting.

[00:47:50]>> Yeah.

[00:47:50]>> Okay.

[00:47:51]>> Yeah, >> let's go home.

[00:47:52]>> Oh yeah. The poor girl.

[00:47:54]>> I'll get the car.

[00:47:55]>> Okay.

[00:47:55]>> I'll get the car.

[00:47:56]>> Okay. Yeah.

[00:47:57]>> Man, you ain't getting [ __ ] where there was a, you know, a day and age where you'd be bored. You'd be like, "Oh, come on.

[00:48:09]>> Watch over.

[00:48:10]>> Get on with the action, but actually this is this is nice."

[00:48:16]They come along every now and then and they catch us off guard.

[00:48:22]>> Go see a man about a dog. Like I told you, you drunk. Turns out I need to take a [ __ ] too.

[00:48:31]>> What the [ __ ] happened to you? I'm sorry. All right. Well, let me in so I can help.

[00:48:36]>> Hold on.

[00:48:38]>> Oh, let me in.

[00:48:41]>> Just step aside and let me on in now.

[00:48:44]>> Why you need him to do that?

[00:48:46]>> You was one of them.

[00:48:47]>> Why you can't just walk your big ass up in here without an invite? Huh?

[00:48:53]Go ahead. Oh, >> lovely little blink to it. And >> the cuts are getting faster cuz attention's rising.

[00:48:58]>> That one of them white folks out there kill you and you a hate now.

[00:49:04]Yeah, that's how I would feel.

[00:49:06]>> Don't give him [ __ ] Smoker. Don't give him nothing.

[00:49:11]>> Careful.

[00:49:14]>> Can you grab him outside?

[00:49:18]I found the [ __ ] floor.

[00:49:26]Woo boy.

[00:49:30]He went past the threshold.

[00:49:36]The thing is, right, they get bit once and that's it. They're all going to start turning, aren't they? There'll be like bloody loads of them.

[00:49:46]It's like a virus.

[00:49:50]>> Yo, smelling. No, >> I think I shot myself.

[00:50:01]in his head.

[00:50:02]>> Is that the [ __ ] brother?

[00:50:05]He was born into the He was born into the room. We're going to have brother, aren't we? Now, the thing is he's going to love his brother. So, there is that.

[00:50:18]>> Go on here. Open up the door. Let me on out of here.

[00:50:22]>> Surely he can just burst through the [ __ ] door. He's got super strength in he god.

[00:50:27]Stay.

[00:50:29]>> Oh, you silly bastard. Don't go t me. Open the door.

[00:50:34]>> Oh, at least he know can have it off as many times they want in the moonlight.

[00:50:39]>> How you feeling?

[00:50:41]Well, you lost a lot of blood.

[00:50:44]>> Oh, yeah.

[00:50:45]>> Oh [ __ ] His whole [ __ ] neck's hanging off.

[00:50:48]>> Then what the [ __ ] is he doing talking to us? But this is good, right? Means he's okay.

[00:50:54]>> Smoke. Oh, look at that upside down shot.

[00:50:58]>> OPEN THE DOOR. LET ME THE [ __ ] OUT OR I SWEAR I'M LAYING ALL YOU SONS OF [ __ ] DOWN ONE BY ONE.

[00:51:06]>> And cuz there's no music, we're really honed in on the voices.

[00:51:10]>> You know, I don't like this [ __ ] man.

[00:51:11]Please smoke. Let me out of this room.

[00:51:13]>> Normally, you get a lot of swoopy camera action to make it more cinematic, but isn't. They're making us really linger.

[00:51:18]That's why I'm worried about his like finger or something going through the eye. Oh my god.

[00:51:28]Oh [ __ ] We knew something was going to happen.

[00:51:37]>> What was in the jar?

[00:51:38]>> Pickle garlic. These ain't hate, they're vampires.

[00:51:43]>> Almost seems a bit ridiculous, doesn't it? Just hearing it. They're vampires.

[00:51:49]>> He trying to keep you alive right now.

[00:51:51]>> We just got to hold up till sunrise.

[00:51:53]Okay, >> you always get the one that does know the information and it's good because you need that. They're the ones that step up, but they're also great for telling us >> the law >> and holy water >> or vampires. I know most of us know it, but for cold callers, it's a great way.

[00:52:12]>> He going to have to go through his old friend Delta Slam before he get to you.

[00:52:17]That go for everybody in here.

[00:52:19]>> He's he's [ __ ] brilliant in this.

[00:52:23]If I get bit cop, >> promise me right now that you'll free me before I turn.

[00:52:29]>> You ain't free you.

[00:52:30]>> I got somebody on the other side waiting for me.

[00:52:34]>> Oh, >> they waiting on you, too.

[00:52:37]>> Just in case you didn't understand that reference. A little cheeky flashback.

[00:52:42]Helpful.

[00:52:43]>> We got to get him out before he wakes up.

[00:52:45]>> Oh, >> yeah. That'll do. Sure to god. Come on.

[00:52:52]You don't hear that?

[00:52:55]>> They playing music.

[00:53:01]>> Heck no. Thunder and lightning going off in the background and all.

[00:53:07]>> Oh, they've all been turned.

[00:53:13]>> What do you reckon?

[00:53:14]>> Do you all Native Americans are going to come showing their face at the end?

[00:53:20]give some sort of final warning.

[00:53:28]>> Oh, keeping the music going.

[00:53:35]>> So, when you look at it, it doesn't look super cinematic, but it still looks lovely. And the reason is because you got the subjects in the background, the other actors, the light is bouncing off them, which is causing which is causing a bit of a backlight to the main subject. Doesn't always have to be an actual light.

[00:53:58]So that blow got shot in the face. Like do your thing. I thought they like they heal or they have to heal after they've drink drunk human blood.

[00:54:10]Man, this actor must be loving life.

[00:54:12]Every time it's on his face, he's got IMAX.

[00:54:16]Put the gun down. Smoke. She ain't no damn vampire.

[00:54:19]>> How the hell you know that?

[00:54:20]>> Just eat the damn garlic, girl.

[00:54:22]>> Oh, surely not.

[00:54:24]>> Trying to keep you alive, boy. You ain't the question, man.

[00:54:27]>> You evil man.

[00:54:29]>> Did she do the biting?

[00:54:31]>> I'm first.

[00:54:34]>> So, one of them. So, I just I didn't even think of that. So, one of them is a dirty is a plant.

[00:54:51]>> I bet he's all right. I just hate garlic.

[00:54:54]>> Goddamn beer from Chicago. I'm in there.

[00:54:57]Oh, [ __ ] up smoke.

[00:55:02]>> Or did he mask it? Spitting it out. See >> you. You sure that was blood?

[00:55:13]>> Was it wine? He lost some bastard out there. Hey. Hey, Smoke. Let me in, man.

[00:55:20]SMOKE. SMOKE. LET ME IN.

[00:55:22]SMOKE. SMOKE.

[00:55:26]>> SMOKE. SOME WEIRD [ __ ] GOING ON OUT HERE. SMOKE. I KNOW you here.

[00:55:31]>> Oh, let him in quickly before he falls.

[00:55:34]Okay. Light, >> baby.

[00:55:40]Come on outside. I got the car started.

[00:55:42]Let's go.

[00:55:44]>> Come in. Come in quickly.

[00:55:46]>> Let's go. Come on. Come on. And go. We got the car all warmed up.

[00:55:52]>> Oh no. That Mark on his back.

[00:55:54]>> You let me back in there. I'll come in and we can grab our things and head home.

[00:56:02]>> Well, look at these eyes going turning milky.

[00:56:05]>> We're going to find a way out of this. I promise.

[00:56:06]>> Is that him trying to lure her? Is that the eyes luring?

[00:56:10]>> This world already left you for dead.

[00:56:11]Won't let you build. Won't let you fellowship. We will do just that together.

[00:56:17]>> The thing is he started out on the run, didn't he?

[00:56:19]>> We going to go to the grocery store. We going to pay Lil Lisa a visit.

[00:56:22]>> No. NO. DON'T YOU [ __ ] DARE. OH YEAH, I KNOW everything now.

[00:56:35]Yen, >> you're the devil.

[00:56:41]Is you, >> Sammy?

[00:56:46]>> I want to see my people again. I'm trapped here, but your gifts can bring them to me.

[00:56:53]>> Oh, that's what it is. Just give me a little Sammy. We'll let y'all live.

[00:56:58]>> So that's what he's about. He'll go cuz he's a hero.

[00:57:01]>> God damn wood.

[00:57:04]>> Pekka wood.

[00:57:06]>> He belongs to us. He belongs with us.

[00:57:10]And I ain't going to let that happen.

[00:57:12]>> Look at the power status. Low camera angle on Smoke.

[00:57:16]>> You telling the truth, Smoke, I can see his memories.

[00:57:21]>> Smoke.

[00:57:22]>> Oh, interesting. Would you join? No clue. This here is a slaughter house.

[00:57:29]>> And the music, too.

[00:57:31]>> So, we not leaving without y'all. We family. Ain't that right, >> Eli? Small. And I'm talking to my big brother right now, Slim. So, I'mma kindly ask you to shut the [ __ ] up.

[00:57:46]>> Cuz the thing is he's them, isn't it?

[00:57:47]>> You know damn well he was never going to find me until this. This is the way together.

[00:57:55]>> He'd be as good as a vampire.

[00:57:57]>> And I ain't doing this [ __ ] without you.

[00:58:00]There is no me without you.

[00:58:02]>> I love them. Look how clean they look.

[00:58:04]No sweat on them.

[00:58:07]>> Get sweaty bastards over there. Yellow poison.

[00:58:10]>> Closing the door.

[00:58:15]>> I wondered what they were doing with the music. I just thought it attracted them, you know? I just thought the music attracted the the devil. What is the point? But now we know it's something to deliver their ancestors.

[00:58:26]>> We got to get them before they get away.

[00:58:28]>> Why is she too slow? Give me a second to think.

[00:58:31]>> What? Ain't you a soldier?

[00:58:34]>> Oh, >> that's a cinema I like.

[00:58:37]>> We're supposed to wait the night while they take more of our loved ones.

[00:58:40]>> You don't look like they leaving, Grayson.

[00:58:42]>> OH, SHUT YOUR DRUNK ASS UP, SLIM.

[00:58:44]>> I ain't drunk right now.

[00:58:46]>> [ __ ] himself.

[00:58:49]>> What you doing? Stop that. Makes him what? Molotovs, isn't she?

[00:58:57]>> So, what we just going to get like the big old back doors open up and they're just going to have it have it out.

[00:59:10]>> Is that the luring effect?

[00:59:12]>> COME ON IN, YOU [ __ ] >> WHAT THE HELL YOU DOING?

[00:59:17]>> Oh no.

[00:59:23]You dozy [ __ ] bent.

[00:59:28]>> Come on in.

[00:59:34]>> What? Oh, look. It's going to IMAX now.

[00:59:36]Look at that [ __ ] Open up.

[00:59:46]>> Oh, mate. Fair play to the bird.

[00:59:51]Well, we've already established Oh.

[00:59:54]Oh, she did take the And she's burning alive.

[01:00:02]I do feel like this is very one-sided.

[01:00:09]Go on, Slim.

[01:00:16]Well, to be fair, you got a couple of bad asses there.

[01:00:23]>> I can't believe she took herself out.

[01:00:26]>> They feel his pain.

[01:00:33]>> Oh, interesting. So, what if they do take him out? They're gone.

[01:00:40]>> Of course, we are now. Of course he had to be the brother.

[01:00:53]>> Oh, mate. Shadow debt fulfilled.

[01:00:59]She promised me.

[01:01:01]>> Well, we knew we knew that was going to happen because she told us it was going to happen.

[01:01:08]>> That's why it didn't come to a shock.

[01:01:09]I'm more shocked at the fact that you >> Let's go. Come on.

[01:01:25]>> What's that? The human side of him coming out.

[01:01:30]Well, blood made me go funny.

[01:01:33]It's still nasty.

[01:01:41]How awesome is this?

[01:01:44]>> Last.

[01:01:45]>> Why did some of them run away?

[01:01:51]>> Slim going crazy.

[01:01:54]>> Oh, that's who they want, didn't they?

[01:02:02]Oh, no. They got the main one.

[01:02:07]He's reminding me reminding me of the Chinese lad in Dust till dawn go.

[01:02:21]>> And look at that blood looks beautiful.

[01:02:26]The light catching the blood.

[01:02:32]Do you know what I think?

[01:02:42]We got it all worked up. Who you going to kill any >> which art in heaven? Hallowed be thy name.

[01:02:49]>> Thy kingdom come.

[01:02:50]>> You know a cross has got stick to his face.

[01:02:53]>> And forgive us our >> [ __ ] load of man. They're going to take him out. Kill the main leader.

[01:03:06]But she said that doesn't work with this story.

[01:03:12]>> Holy moly.

[01:03:13]>> Hey, stay away.

[01:03:19]>> Those men lie to them.

[01:03:20]>> Yo, I feel like vampires had super strength.

[01:03:27]>> What an interesting film.

[01:03:37]Oh, interesting. Why is he >> Sorry I couldn't keep you safe.

[01:03:42]>> Don't be sorry. You always do.

[01:03:45]>> It's brother's love.

[01:03:47]>> Everything.

[01:03:56]So Oh, interesting. So, is it going to be a case of if he dies, they all die?

[01:04:05]>> You will taste the sweet pain of death.

[01:04:09]We will make >> Oh, I love what he Oh, I love what he done with his voice.

[01:04:17]Who got him?

[01:04:25]Got you, [ __ ] Oh, just as the sun comes up, backlit that bastard.

[01:04:33]Interesting. They're not dying, but they feel it. Oh, they will now.

[01:04:39]Okay, that's the calling. All right.

[01:04:48]I reckon he left the brother alive.

[01:04:55]What do you reckon? He left the brother alive. It'll end with him.

[01:05:02]M. Every shot of his is IMAX.

[01:05:07]That's when you want an IMAX shot. You want that verticalness of it.

[01:05:13]Look at that bastard. We're seeing all of it.

[01:05:20]Oh, okay. Like why would you then go back to shooting on the 70? But they slowly transit. Have you faded from that to maybe it didn't work?

[01:05:29]>> Bury that [ __ ] guitar.

[01:05:34]>> So the brothers will still be I can't imagine him killing him. It's >> Charlie Pence.

[01:05:38]>> What? Why told you that? That said y'all wanted it over. My son, [ __ ] >> That's our daddy guitar.

[01:05:50]Come on. Come here. Be strong. You kidding me?

[01:05:55]I got some business to handle.

[01:05:57]>> I've got some things to handle.

[01:06:02]Crumbs. Oh, crumbs.

[01:06:07]You know what my rule of thumb is? If you don't see a body, then it ain't dead. Or they ain't dead.

[01:06:20]Wow, what a night.

[01:06:27]>> And the thing is, we're not they're not cutting straight back to it. They're going full circle. They're repeating the first shots. So, it lingers more.

[01:06:43]They waited all their life for this night.

[01:06:50]and brought everyone to their [ __ ] doom.

[01:06:56]Now this does look nice in IMAX. Very immersive.

[01:07:05]Got them in beautiful seia, aren't they?

[01:07:09]They're the golden sea. Not the piss yellow and green that we had. They're in the golden hour because it's a happy memory. They want to look make them look beautiful and they too.

[01:07:23]Imagine that. One brother in the night, one brother in the day.

[01:07:28]Problem is though, one's not going to rage.

[01:07:33]Grand opening, grand closing. Let's do it. Open it up.

[01:07:38]>> Oh, that was very nice.

[01:07:42]That was very good cuz I was really trig and the camera was coming towards it as well.

[01:07:50]>> Door's locked. Try the front.

[01:07:52]>> Please come in.

[01:07:54]>> This one is too.

[01:08:03]>> Shitty hell.

[01:08:09]Bad ass.

[01:08:16]>> Looks [ __ ] beautiful, doesn't it?

[01:08:18]Look at this gorgeous slow motion when it's needed. Back lit smoke there.

[01:08:23]Texture there. Oh my lord.

[01:08:26]And because it is IMAX, it just looks stunning.

[01:08:32]Definitely not handheld in this [ __ ] That's so [ __ ] heavy, those cameras.

[01:08:36]Everything will be on a bloody jib or a huge rig.

[01:08:52]Oh.

[01:08:53]Oh my god.

[01:08:56]Look at the head room. See, that's the only downside of IMAX.

[01:09:00]Go on. Get in there. Get bitten by your brother. Save your life. Be the brothers of the night.

[01:09:05]>> My soul BELONGTH TO THE LORD. You got you go to hell, [ __ ] [ __ ] you.

[01:09:22]Or he might die. He might die. Just on the cusp of dying. He blacks out. His brother saves him.

[01:09:31]Oh, doesn't this look lovely?

[01:09:50]A maybe not. Maybe with >> that out you can hold him.

[01:09:56]>> Maybe he will go to the other side.

[01:09:59]>> I don't want any of that smoke to get on her.

[01:10:04]Hey. Oh, >> listen. I got money. Huh?

[01:10:08]>> Bosch, shut the [ __ ] up.

[01:10:17]That was awesome.

[01:10:20]He was like, "Yeah, look at now white is white with her." Heaven.

[01:10:27]Let's go with a touch of yellow in there, but it's still still white.

[01:10:37]I'm sorry, baby.

[01:10:40]I can't go. I've got unfinished business here to do. I've got stack to look after.

[01:10:46]>> Papa was here.

[01:10:52]>> Oh, I don't know, man. This film's got me on the edge.

[01:10:58]He's going to finally go and do what he wanted to do.

[01:11:06]Yo, fantastic.

[01:11:20]Just completely changed it up.

[01:11:23]I'm very shocked they didn't show the brother. Like I still don't believe it.

[01:11:29]This is reminding me of a little bit of um is it Luke Cage the Netflix series?

[01:11:34]Let me guess. The brothers are going to be in the audience with red eyes drawn in by the music.

[01:11:42]Are they going to go down that road?

[01:11:48]But the reason why I say it reminds me of Luke Cage is because like there a second season it was a lot about the music. They let massive sections of the the the TV show just be music. You're like, "Oh, I get it once or twice. I don't need it anymore." Where this film, it was very much part of its core DNA.

[01:12:16]I love the fact that he grew up to be an old boy. I >> got you out there. I told him we closed, but they offered a couple hundred bucks.

[01:12:22]That okay with you?

[01:12:23]>> That don't bother me now.

[01:12:28]>> Come on in.

[01:12:29]>> Stack smoke. Is that you?

[01:12:40][ __ ] hell. She looks fine as hell as a vampire.

[01:12:46]I did wonder. I did wonder if she got burnt up.

[01:12:50]>> They live on even if the one that made them is killed.

[01:12:55]>> Oh, good.

[01:13:00]Look at her doing her seductive ways on him.

[01:13:04]You better get the [ __ ] out of there.

[01:13:08]Come to finish me off. I love the fact that we're in modern times.

[01:13:12]>> I guess I was the one person he just couldn't kill. He made me promise to stay away from you. Let you live out your life.

[01:13:19]>> Oh, but he died.

[01:13:20]>> It won't be long for you, huh? I can make it so you can stick around. Keep toring.

[01:13:27]Keep living.

[01:13:28]>> I love the fact he's like could smell him. Melliey's life, but like his lifespan.

[01:13:34]>> You know, we got every single one of your records. I don't like that electric [ __ ] as much as a real. Man, I missed the real.

[01:13:42]>> We're honing in. No music. How about it, Sammy? You still got the real in you?

[01:13:55]He don't give a [ __ ] anymore, does he?

[01:14:02]>> So, did >> again. We didn't see the other brother die. Do you reckon he's going to come in at the end?

[01:14:18]>> I do like the way this film is playing out.

[01:14:26]>> And definitely a love letter, isn't it?

[01:14:30]A love letter to music.

[01:14:34]Stack on his ring.

[01:14:38]Take care, little Sammy.

[01:14:42]>> Little Sammy, >> you know something? Maybe once a week I wake up paralyzed, reliving that night.

[01:14:48]But before the sun went down, I think that was the best day of my life.

[01:14:55]>> Was it like that for you?

[01:14:56]>> No doubt about it. Last time I seen my brother.

[01:15:01]>> Oh, he did die.

[01:15:03]Just for a few hours, it was free.

[01:15:13]>> I guess you didn't need to see the brother die. It's just they just left it with a lovely hole in his baby, didn't he?

[01:15:27]>> Nice.

[01:15:34]See, I thought both brothers would have survived.

[01:15:37]>> But I guess it's interesting, isn't it?

[01:15:39]Because he saw one brother die, come back alive, and they just they just swap roles.

[01:15:48]Good. That was a cool cool film. It really was. Nice.

[01:15:57]sinners.

[01:16:01]Well, well, we're going to get like a whole bloody song of him.

[01:16:21]>> They were like, "You're such a good singer that we're going to put a whole bit at the end for you." Again, a love letter to music, but just because you're so bloody good. Let's get you in.

[01:16:37]>> I'm expecting someone to be standing at the door watching him.

[01:16:42]Don't think you need to, though.

[01:16:47]No, that was definitely just you, man.

[01:16:50]Chef's kiss.

[01:16:52]>> Checkpoint.

[01:16:54]>> So, there we are. Oh, that is my reaction to the 2025 Sinners. What did I think? Did I like it? Yes, I did. Did I love it? I don't know if I loved it. I very much enjoyed it. I'll tell you what, yes, there is bits that I love, but I'll go into that in a minute. Will it leave a last impression? That is the very that is the next big question I always ask.

[01:17:17]I don't know, man. I don't think it will. And the reason being, you know, I say that is again because it was a bizarre, it was a good film. It was a really fun film. Lots of fun, laughter, horror with a twist. I tell you what I did like about it though, it's the it's all the subtext. It's that it's all the messaging within the messaging. And it was a nice way to see a vampire film that was told slightly different. And and it realistically I felt like it was like a musical. There was always like parts of it being a musical that it was just wrapped up in this horror vibe. I don't know. Like it's almost like it genres got crossed over at some point or it was very much a multi-gener story but the the backbone of it was music but just with a vampiric twist. And so that is why I'm struggling to answer will it leave a last impression? Because I think parts of me want to say yes. I think it will. And the reason being it's because of the brothers. What I loved about it was yes, you had Sammy and all that lot, but I also like the way the brothers was told. And what I liked about it was the fact that you had the badass brother, the villainous looking brother, which was Smoke. Throughout the film, you always thought he was the the worst brother. And the nice brother was actually Stack. And then you see Stack die at least once and then the other one goes on like you know he's alive and then in the end they swap over and it was the villainous one technically I'm just going to call him villainous cuz it's just an easy way to explain it that smoke end up having this white heavenly image of family and even though he died at the end yet the other one survived even though he was dead and I love that yet he was with someone that he wanted to be at the beginning they couldn't. I just loved all the mixed messaging in there and how the opposites eventually came to fruition at the end. It's just I'm surprised that again I always said that if you don't see the body, they don't ever die. And the thing is they ended smoke with this blaze of glory, you know, this beautiful vision and he just absolutely smoked the leader of the what the KKK whatever it was that cult.

[01:19:26]So he smoked him literally and it was almost like he went out in a blaze of glory like he didn't just seize heavenly figures and then go off. It was like, "Oh, that's the character we know and love." And yet the other one had this beautiful thing, you know, with his misses and yes, they're vampires and yet they can control. And I love the fact that they went back to see Sammy and he had that lovely long life often immortality yet he turned it down. He stayed true to his music vessel. Yeah, man. I just love all the the the culture in there as well as the beliefs and and I think it's very very clever. It's just that mixed genre. Like it doesn't It's a weird one. Like if you said, "What genre is it?" I'd be like, "Oh, it's horror cuz of the blood and everything and the vampiric sort of nature of it, but also part musical." Maybe that's what it is.

[01:20:13]Is it a musical horror? I have no idea.

[01:20:15]I didn't look it up. The other thing I absolutely loved was the cinematography.

[01:20:18]They really nailed that visual aesthetic and being shot on film as well. It felt like a movie. It really did. But it's really interesting though because as I mentioned throughout the film, it wasn't the most cinematic film I've ever seen.

[01:20:33]Yeah, those IMAX moments were [ __ ] breathtaking when there were wide shots um as in there's more of a vista to show in the dancing scenes and the guy who was from Skins whoever that actor's name is. He every shot he had was IMAX and it was just very I don't know it just in in enticed me. It entranced me and it pulled me into the film. And that's the beauty of of shooting on IMAX. It is just so mesmerizing. It just really does pull you in on the scene. But the only downside is when they then cut to the super wide anamorphic look, which was the Panovision 70. You know, sometimes it was a bit of a like, oh, especially at the end with that fade with the water. There was a few moments where I totally didn't even see it. Granted, they hid it with the darkness. This film was dark as seen, wasn't it? Goes with the sinner's name, I guess. But it was very dark, you know, as in the bright levels were really reduced as well. But there was a few moments I didn't even realize that it went to IMAX. That's how that's like a chef's kiss moment. That's how you know you are doing a fantastic job in the editing as well as the thread of storytelling because for someone that's looking out for the black bars, I didn't even see them because I was just so caught up in the story and the delivery of said story. I thought the color grade as well was absolutely fantastic. that sweaty sepia look and then it went as the film progressed further on it then turned into a pissy yellow and a pissy green but my goodness some bits of it were like that is ugly but then some most of the time it was just absolutely stunning. The thing is with it this film was so dark and we this is why it's very pretty in certain areas because we're only looking at the light spot. So, when the blood came out, it wasn't that over-the-top red. It was mainly the whiteness of the liquid hitting us, and that's what we saw. And and again, it was a vampire story, a horror film that felt different from the normal stereotypical horror. And for that, I give it a round of applause. The other thing I love is got to be the acting. The acting on this was so good and it was so enticing, especially Slim.

[01:22:35]He cracked me up. He got me from very earlier on and I think that slow marinating process through the film and then getting that big payoff at the end.

[01:22:46]I think it kind of worked for this. It really set up the characters and what it did it made us have empathy for some but other characters we knew they were bad asses. They were titans and we didn't want them to die. You we got emotionally connected especially to Stack and Smoke with the twins and some other characters not so much. But then every character who was on screen at a certain moment in time had brilliant delivery and acted really well. Everything that we wanted their character to have in what they said they wanted to have, it came to fruition and it was really helped by the delivery of of their acting. Yeah.

[01:23:21]Again, round of applause. But just before I close this video down, I really want to know what you thought of this film. Was it your favorite vampire film that you've ever seen? Did it live up to the expectations? Did the trailers give too much away? What do you think? Is it a real horror or is it a musical? I don't know. You let me know your comments down below because I'm really interested to hear your thoughts on this and do they match mine? So, there you are. That's my thoughts and opinions on Sinners. Again, I really enjoyed this film. More I think about it, the more I don't think I loved it, there was bits that I loved. Definitely got that right.

[01:23:55]And there's certain aspects that that will leave that last impression with me.

[01:24:00]But again, I I feel it's really weird because I'm so blown away by the cinematography, the cameras used and this that and the other and how the thought of these vampires finding family and not being just blood suckucky monsters. Yeah, like I really did enjoy it. It's just I felt like the writing, it's the music. I think that's what it is. feel like it's just so much of a musical, which is meant to be cuz that's the best of Sammy. It just feels like I don't know if it affected the writing or it feels that way or because it was so prominent in there that it felt like I just feel like I've seen better vampire films. I don't know how to put it or how to say any other way. But yeah, I really did enjoy it. Thank you guys so much for hanging out with us. It's always a pleasure. It's always a blast. And you know what? For a horror film, you guys tricked me there. I didn't think it was a horror, but to be honest, I don't feel like I've watched a horror. So, I guess you'll get me another time. See you later, guys. Bye-bye. Out of time.