The video turns a failed construction project into a grand philosophical drama about the human soul. It is a classic intellectual exercise in finding deep cosmic meaning within a simple technical transition.
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Half Man, Half Statue? | BBC TimestampAdded:
And up in the hills of Knos, there's a disused quarry where you can find one of those giant figures which never made it off the island.
Now, I've read lots about this, but I've never actually seen it.
What it is is a vast marble statue half finished still in his quarry.
This half man half mountain was huned out perhaps as early as 700 BC.
As you can see, he was going to be one of those massive static early Greek sculptures.
Here are his feet.
And I'm now walking up past his legs.
Uh, this thing here, this must be his outstretched arm.
And then right up here, we come to his head. And by the looks of it, he was going to have a beard and they've already roughed out the shape.
Makes me think that some men can be very stubborn, but this guy hasn't budged 2 and a half thousand years.
Quite why he's still here is a mystery.
Something must have gone wrong. But whatever. This figure gives us a great view of how the Greek sculptors went about their work. They must have cut a trench out all the way around it in order to get to it to work. And you can see a rather neatly worked trench at the back.
For me, it's just a wonderful illustration of the number of people that must have been involved in making a statue like this. And every one of these little pup marks has been made by somebody's tool with hundreds of men hacking away to get this statue like this.
I find it bit weirdly surreal, but his feet make it extremely nice place to sit.
Forever lying here in repose is a remnant of a style that the Greeks were soon to leave behind.
Because shortly after he'd been abandoned, Greek sculptors developed an astonishing new style that was distinctly their own.
There's a fundamental and universal paradox at the heart of the sculptor's art.
The lived human body, its mobility, its warmth, its changing character has to be fixed, suspended in the cold and lifeless mass that is stone.
It's always an artificial compromise.
But the beginnings of the fifth century BC sees Greek sculpture spring almost to life.
The rigid figures of the past give way to daring experiments in form, nuance and subtlety, movement and musculature.
In under 200 years, Greek sculptors seem to have developed the tricks and techniques to weave the illusion of a living human body.
So radical was the change that it has been called the Greek Revolution.
The exact cause of this revolution is one of the great mysteries of the history of art.
Some believe it was Greek democracy and its new respect for the individual that launched it.
Others that Greek artists just got better.
In truth, we don't know.
But whatever the causes, over the next centuries, it was to have some truly astonishing artistic consequences.
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