THE UFO FILE That No One is Talking about that should be Viral

Added: 2026-05-12

[00:00:00]Welcome back to day three of the Department of War UFO drop. We have been the last two days looking into these videos and to try to find out what they are. Are they actual UAP, alien UAP? Are they just flares? Are they just paragliders? Because there seems to be still a lot of controversy about what this star thing is, what we we we saw on yesterday's video. All right. Um, like some people are completely 100% adamant that it's a flare. Move on. It's been debunked.

[00:00:33]Some people are 100% sure and adamant that it's a parachute or a paraglider.

[00:00:38]Move on. Like, it's been debunked. Some people 100% sure it's an angel. Move on.

[00:00:44]It's been debunked. Like, this is This is why I think that the word debunking is like, and I don't know what you're doing. It's been debunked, Ben. It's clearly this. No, it's still an opinion.

[00:00:57]I I in my in my view, debunking is finding proof where you use technology or something to enhance it and it reveals the man driving the the paraglider or you know, someone comes forward and says, "Look, this is me.

[00:01:15]Here's the footage. It actually, you know, corresponds to the movement here."

[00:01:20]And like that's debunked. like not just that's definitely 100% a flare, you know? That's that's my view. And I'm not saying that because I want it to be a UFO. I'm the one saying I don't think it is a UFO. It's something weird, but I don't think it's a UFO. Anyway, with that in mind, let's move on. I hope I don't upset you. It's just my opinion.

[00:01:41]You don't upset me with your opinion.

[00:01:43]So, let's just keep it let's just keep it cool. Okay. Anyway, now what I will say is a lot of people were saying this whole thing is a big nothing burger.

[00:01:52]Well, I would have to disagree. Now, I know I know that clearly they've got more and this apparently is the first drop. There's going to be more drops to come. Um, they've clearly got more that they're going to release. I hope that they're going to release. I hope that the the backlash of this the disappointment tells them, "Okay, we might need to give them some more." That's what I'm hoping.

[00:02:19]But if you actually look at what we're seeing so far, yeah, I think it's pretty cool. You know, we always want more, right? We always want more. If it's zoomed in and it's 4K, we'll be like, "Well, why is it not in color?" You know, where's the where's the files to say this is legitimate? We always want more, unfortunately. Okay, so I'm quite happy with what we've got so far. Let's carry on and find out if UFOs, alien UFOs are real.

[00:02:51]>> Are aliens real?

[00:02:53]>> Uh, they're real, but I haven't seen them. And and and uh they're not being kept in Area 51. There's no underground.

[00:03:01]Barack Obama said that aliens are real.

[00:03:05]>> Well, he gave classified information.

[00:03:07]He's not supposed to be doing that.

[00:03:09]>> I've interviewed people uh very solid people and they said they saw things that you wouldn't believe. So, >> I recently directed the Secretary of War to begin releasing government files relating to UFOs and unexplained aerial phenomena.

[00:03:26]And the first releases will begin very very soon. understand you have many small particles going by on the left at what distance?

[00:03:38]>> Looks like a >> Okay, so we got to Arabian Arabian night uh Arabian Gulf last time. Okay, let's check it out. The reporter did not provide any oral or written description of the observation. Okay, I think we could see this, right? It's just literally telling us. Yeah, I've done enough of these now to realize that they're just telling us where it comes from. Let's just see if we can see. It's a 5-second clip. I'm sure we're going to. Right, let's check it out.

[00:04:13]Right, it's the big with the big red arrow there. Is that it?

[00:04:17]Oh, is that it? Maybe I do need to find Maybe I do need to read it.

[00:04:25]Oh, no. Is that it? I know. Sorry.

[00:04:29]It's down here.

[00:04:34]Okay, that's it. We I mean that Yeah, I might have to eat my words really about saying how this is uh being quite good. Like I mean it's quick as f, isn't it? Like let's be honest. Let's move on. Uh, okay. This looks a little bit more interesting. Okay, this was on the 20th of the 1st of the first Middle East 2020. An area of contrast brightens within the sensor of field becoming increasingly distinct against the background. Oo, okay. Playback pause pauses to display a white line encircling an area of interest. Right.

[00:05:22]Um, annotated with the phrase UI, small thermal uh, signature.

[00:05:28]The playback resumes with the sensor panning to track the area of contrast against the background, generally maintaining the area of contrast position within the top third of the display area. During this period, the sensor cycles through several contrast and zoom settings.

[00:05:46]Oh, there you go. There it is. Here it is.

[00:05:53]You have more thermal signature.

[00:06:06]Come on. Zoom in, baby. Zoom in. Tap on that bloody metal or whatever it's made out of.

[00:06:15]I mean, look. Okay, it's a white bloody dot. I get it and I've seen comments a lot of people um are disappointed with the footage. I get it. However, you've still got to just look at the movement of this thing. The sheer like look at that. Okay, it panned left, right? But it's still amazing. It's still amazing how this thing is darting around. I'm not going to replay back that. I'm sorry. But it is a white dot. It's moving. We've seen it many times before.

[00:06:51]I'm starting to see the picture. I'm starting to see why people are s are frustrated, you know. Um 1 minute 35 Middle East 2020.

[00:07:01]Um the sensor pans. Look, it's just this stuff here is just telling us what it's doing, right? There's no really additional information. So, let's just let's just watch it. If we can't see what was going on, then we'll go back and read it. Here we go. At the bottom there.

[00:07:21]Oh, it's flickering like mad though, isn't it?

[00:07:25]That's weird how it's flickering like that.

[00:07:32]See, the thing is last video I said, why don't they just catch it? Like bloody just capture it. But they can't cuz it's so effing quick. When they try to approach it, it's like [ __ ] I'm gone. I'm gone. It's just boom, gone or it goes underwater.

[00:07:58]You can see how fast it is, man.

[00:08:07]Look at that.

[00:08:17]I I quite like this one. This is pretty good, man. Just imagine what that is. Like what is in what's in it? There must be technology that can turn this image into and I'm not talking AI. I'm talking like proper reversing the image. So it's like color like it understands you know this old school footage where they get you know um black and white video footage and then they they they understand what what the range of black to white it is and then they can decipher what color it is and then they just boom and it looks bloody amazing. Like I would love to see that just in color would be bloody brilliant. Okay, so we got Arabian Gulf again. We're on page three now. This is the last ones. Christ, we're pushing through, man. Um, here we go. The area of contrast intermittently loses distinctiveness against the background, seeming to disappear and reappear irregularly. The sensor narrows its field of view to zoom in on the area of contrast. The area of contrast exit exits the sensor of field from the left half of the top of the frame, after which the sensor pans up to the left.

[00:09:33]The sensor pans erratically with an area of contrast appearing in a rel relatively fixed position to the left and slightly below the center of the frame. The sensor switches imaging modulates um modulates whatever it is and the area of contrast appears to the right and slightly above the center of the frame.

[00:09:53]The sensor switches imaging modulate modolites again and the area of contrast returns to the previous position to the left slightly below the center of the frame.

[00:10:05]Is that how you pronounce it? Modeles.

[00:10:08]Modeles.

[00:10:10]I've never heard that word before.

[00:10:11]Right. I know. Okay. Right. Let's have a little look at this.

[00:10:17]Look at that. The spit. Look at this.

[00:10:20]Look at these. The changes of direction.

[00:10:22]This is why I don't think that this is like this is a nothing burger.

[00:10:32]It's lost it. It's going to flick away now. It's going to flick. Oh no, there it is on the left.

[00:10:39]If you're watching on a mobile phone, like it must be very difficult because this is a white ball of fuzz within fuzz. Oh [ __ ] mate. Wait, wait, wait.

[00:10:57]Oh, there we go.

[00:10:59]Here we go. Look at that, mate.

[00:11:08]Mate, look at that's a tic tac. That's a bloody tic tac.

[00:11:18]Look at that tic tac, mate. Huh?

[00:11:22]Look at you.

[00:11:26]Gone. Gone. You ain't got a chance, mate. Zoom out. That's it. Literally, what you saw is that's it. Cuz the remainder of the three and a half minutes is nothing, right? It's just in panning around trying to find something.

[00:11:41]Oh man. Now we're in um DJ Ability. Right. That's where we're at in Africa.

[00:11:50]Um, a very small barely distinguishable area of contrast moves from the left side of the sensor field of view to the right side exiting the scene from the bottom right hand corner of the screen.

[00:12:01]The video description is provided. Okay, that's it right that this is it. Let's have a little look at this. 11 seconds.

[00:12:12]Oh. Oh, okay. Right down here, guys.

[00:12:24]That is quick as.

[00:12:27]And it Do you know what? It just appears. It just appears over here.

[00:12:34]What the Hang on. Do I see it? I I see it start from there.

[00:12:41]No, here.

[00:12:44]Let's try that again. Here.

[00:12:47]right there. It's It appears right there.

[00:12:57]What the hell?

[00:12:59]That is quick. How fast do you think that is?

[00:13:04]How fast do you think that is, guys?

[00:13:09]That is quick as f.

[00:13:12]Let me get this um vignette out of the way.

[00:13:23]Jesus mate. No plane has got any chance finding that thing. Jeez Louise, that is quick.

[00:13:31]Okay. Um, Arabian Gulf again. Us happening in Arabian, right? The sensor pans down to the right focus on the area of contrast. The sensor tracks the area of contrast against the background for approximately three minutes, panning to maintain its position, generally within the center of the frame. The sensor cycles contrast and zoom levels several times throughout, appearing as brief bright white flashes across the frame.

[00:13:57]Okay.

[00:13:59]Okay. We got audio, guys. We've got audio.

[00:14:10]Alpha Alpha call behind east 132 32.

[00:14:26]>> Yeah. He's like, "What is that?

[00:14:38]a jet ski.

[00:14:45]Just imagine being on a jet ski unaware that this bloody drone thing is just watching you about to put a bloody 50 grand missile onto your head.

[00:15:03][ __ ] hell.

[00:15:07]Okay, so this is the changing of contrast. This isn't This isn't a jet ski, by the way. I really don't think it is a jet ski, although it does seem a lot smaller.

[00:15:18]Right.

[00:15:20]Let's zoom in in a minute probably.

[00:15:28]Let's hear what you're saying, mate.

[00:15:29]Let's hear what you're thinking. Right, you're tracking it. Tell us what you're thinking.

[00:15:37]I have a UAP here. I got a bogey bogey bogey.

[00:15:44]Whatever they say.

[00:15:48]Look at that.

[00:15:56]I would love to just to see it just go just out of the screen. That would be crazy.

[00:16:03]Oh, it's getting brighter and bigger. Like, did the people on the boat see that? Whiz by them? Like, why?

[00:16:13]Okay. Like, the camera's looking. It's a huge lens on it and it's like looking and it can find it anomaly white dot.

[00:16:22]But are they visible to the naked eye? I would just love to see it just go into normal camera mode a minute and just and just see what it is. if they can actually see it. Imagine if it's just predatoring this [ __ ] right up, mate.

[00:16:37]It's like he's just cloaked.

[00:16:40]Just cloaked himself and no no no no one can see it. The people on the boat just there fishing, right? Can't even hear it.

[00:16:51]And I can't wait. I've literally just got an email today saying that my other camera, right, my other camera here, like I've just got this one. It's on its way, right? Maximum money, but I'm going to get it full spectrum. I'm gonna get it done full spectrum. I'm shipping it away, right? Going to get it full spectrum. And then I'm going to put this type of filter on it. Yeah. A pass filter. One of these. And I'm going to go live. I I bought it. I know I've been saying it. I've just bought it. Okay.

[00:17:25]I'm going to go live. I've got to get a lens first. Okay. Um, and I'm going to go live at night. And I'm going to be looking up in the scar, the stars in the sky. No more with the night vision camera that I've got, which was good for the time being. But this is the way forward, mate. So, make sure you subscribe.

[00:17:45]Watch when I go live. I reckon I'm going to be going live within a good couple of within a couple of weeks, a week or two, right? Because I'm going to get it done and I'm going to be out there, mate. And we are going to see some crazy ass [ __ ] And this channel for the live UFO hunts is going to be the biggest the biggest live ever. Live. It's going to be the biggest UFO live ever. Okay.

[00:18:10]No one's going to touch it. I'm telling you, mate. It's going to be epic. We're going to see so much [ __ ] Okay. So, we got uh Southern United States of America, baby. Come on. The sensor narrows its field of view to zoom in.

[00:18:21]Good. Good. Someone found the zoom in button. Let's have a little look at this. This I got I got a feeling this is going to be promising.

[00:18:31]Look at there. Lock locked on. Locked on.

[00:18:44]Is that three dots there, mate?

[00:18:47]One, two, three.

[00:18:52]That's That looks like three.

[00:18:57]What the hell? Look at the speed of this thing. It's three of them. What is going on here, mate?

[00:19:04]This is a good one. This is a good one.

[00:19:10]What the actual is that?

[00:19:17]That's like one of those fidget spinners, MATE.

[00:19:21]WHOA, LOOK AT THE SPEED of it, mate.

[00:19:24]What the f What is that?

[00:19:30]What is that? I'm going to call that the belly button.

[00:19:36]Look at the bloody belly button.

[00:19:41]Jesus.

[00:19:51]What? What?

[00:19:54]What is that?

[00:20:00]It's a parachute.

[00:20:06]That's cool, man.

[00:20:10]Look at the speed, mate. You see things whizzing past. Jeez Louise.

[00:20:18]What's this bit sticking out?

[00:20:22]And it looks like to me this looks like some sort of energy or something. It doesn't look solid.

[00:20:28]It doesn't look solid there. [ __ ] That's good, mate. That's good. I knew that would be a good one. In Pakam in 2024, by the way, when was that United States one? That was Middle East 2020.

[00:20:41]Okay. The sensor focus of the area of contrast that resembles a football-shaped body with a with three radial projections.

[00:20:50]One or oriented vertically and oriented downward at a 45 degree angle relative to the major axis of the main the main mass.

[00:21:01]What? Look. What is that?

[00:21:06]That's shapeshifting, mate. Right. Look what the That's shape shifting.

[00:21:16]Why isn't this video gone viral?

[00:21:20]Look at the state of this thing, man. I saw that. I saw that. Not me personally, but I've seen a video of this one.

[00:21:29]Is that another parachute? It's not another parachute, is it?

[00:21:36]What the I saw and I've featured it a couple of times I think or just the once.

[00:21:46]Mate, that is something else. That is something else. Look at it waving around. Look at this front end bit there. Look, waving around.

[00:21:58]What on earth is that?

[00:22:04]Oh, mate. Why is this only a 9se secondond video? Right, this is this is the confusing thing about it. Right, so they'll give me 4 and 1/2 minutes, 5 and 1/2 minutes of a white dot flying around, but when you have something like this, it's a 9second clip.

[00:22:24]Like, did the the person the recording just go, "Oh, [ __ ] Lunch break. Sorry.

[00:22:33]Where's the rest of it? Where where's the bit where you found this? Where's the bit where it disappeared or flew off or where you just stopped recording or came to a conclusion, zoomed in more?

[00:22:44]Like, what is that? That is the most intriguing video of them all. Holy moly.

[00:22:55]Why are people not talking about this one? Is it just me? Is it so obvious that it's too obvious that I'm just missing it? See, the reporter did not provide any oral written description or observation. Really, the most craziest video has got the least the the the least amount of detail description to it. What is that? It looks Okay, I know it's gray and white and black, but it looks metallic of some sort. It's got a shine to it. I mean, this could be a, you know, it could be a canopy of something flying around in the sky and they don't know what it like, but I don't know, mate. That is odd. That is odd.

[00:23:43]Is Man, that's amazing. I absolutely love that one. Indom 2023.

[00:23:53]The sensor tracks three distinct areas of contrast maintaining their position generally within the center of the frame. The area of contrast appear maintain a fixed position and oriented relative to one another. Okay. Um again no description or observation.

[00:24:14]Look what mate what's going on in Japan man.

[00:24:19]What is this?

[00:24:21]Is that got anything to do with what we've just seen?

[00:24:24]What is that?

[00:24:35]Zoom in.

[00:24:46]What?

[00:24:47]That if you look is actually one one continuous thing apart from the brakes up here. It's got a break there, a break there, break there, break there.

[00:25:08]Or is it three circles?

[00:25:18]That's very odd.

[00:25:21]That's very odd.

[00:25:36]Are we going to get any closer to this thing? Why can't it lock on it?

[00:25:41]Why can't he use the blue box and lock on it?

[00:25:50]I said lock onep.

[00:25:53]Lock on.

[00:25:57]That's three c That's three circles and it's pointing this way, right? It's not head on.

[00:26:25]Man, what the hell?

[00:26:28]But that's so odd, right? Indoacum. Um, this was in 2024.

[00:26:41]Look at that. Look at that, mate.

[00:26:48]It's going higher. Is that going higher or going across? That's the problem with this. You That's the only problem with this like infrared. You don't you get you don't get some like you don't it doesn't see any depth of field, right?

[00:27:04]It's very difficult to work out depth of field on this.

[00:27:24]Look at that. Look at it just weaving in and out of these bloody wind windmills.

[00:27:33]like okay so now we can see how big these things are right so a car I mean that it's I would say um we've got these in Cornwall I would say like if you parked a car up next to it it's going to be around about that big things are pretty darn big that's like what just slightly less than half a car size that's got to be like [ __ ] like Look at it.

[00:28:21]This is the one I Okay. Okay. I'm going to show you something now because somebody uh apparently has debunked this.

[00:28:30]Debunked the word the word on the street right now. Debunked.

[00:28:43]So now it it just turned and went back.

[00:28:53]All right, let's see what this debunker has to say. Oh, Mick West.

[00:28:59]Release of UFO videos by the Pentagon is a mixed bag. They all seem to be thermal videos from the MQ9 Reaper drone, mostly of small or far away objects that the drone operator just happened to catch in the camera while zooming in on something else. So, they tend >> Well, how Okay, Mick, no offense, but throughout this I might have to start digging at you. Just so happened to like this. These are people that sit on that camera all day every [ __ ] day, I think. Just surveillance. Yeah, that's what they do. Just surveillance, watching, watching, watching, watching.

[00:29:37]Right. So, I don't think it just so happened to see a UAP. Okay. All right, Mick. You sound like a cool guy, but I'm just going to have to call you out on that one. Let's not let's not be negative straight off the bat, okay? to be grainy with very strong parallax components and really not that impressive. But this video has caught people's attention. It seems to show a small object flying in and out of some wind turbines, making sudden movements and even entirely changing direction.

[00:30:09]This prompted Admiral Tim Galedet of the Soul Foundation to say, >> "The one that stood out to me is this UAP UFO that is moving around a wind farm in the Indo-Pacific region, and it's absolutely remarkable that this object is maneuvering around these wind turbines, and I I it can't be explained."

[00:30:30]>> Can't be explained. Let's give it a go.

[00:30:33]Come on then, Mick. The video shares some aspects with others in this release. It's thermal. Looks like black is hot. It's really zoomed in. It's shot from a moving aircraft, the MQ9 drone, which is cruising at around 200 miles per hour. It's also being manually tracked. There's no lock on the object, so the drone operator is following it around with manual controls using a joystick, kind of like an Xbox controller, so the camera sways around a lot. This creates the illusion that the object itself is moving erratically.

[00:31:01]That happens because there's lots of stuff on screen that is fixed in position relative to the camera. There's the on-screen display, mostly covered by these black boxes, but there's also a layer of sensor noise that is easily mistaken for background. The object moves relative to this when the operator manually tracks it. But how is it actually moving relative to the real background? The way to find out is to stabilize it, which I did with Sitrex built-in tracking tools, generating a stabilized video. So now we see rather than weaving around on screen, the object is actually traveling in a relatively straight line with respect to the background. This is very consistent.

[00:31:38]>> I've got to be honest with you, I thought it was going in a pretty straight line anyway. I didn't feel like it was going erratically apart from the very end. I've got to be honest with you. So I'm sort of agreeing with you there, Mick >> with something like a balloon and the parallax effect from >> traveling in a relatively straight line with respect to the background. This is very consistent with something like a balloon and the parallax. That's a [ __ ] big balloon, mate.

[00:32:06]That's a flipping big balloon. Hang on.

[00:32:10]That is a [ __ ] big balloon, dude. I'm I'm not saying that you're saying it's a balloon, but you mentioned balloon.

[00:32:21]I was right about the car distance.

[00:32:22]Yeah. Look, this is even the ladder going up, right? So you've got somebody you've got somebody what stood around here. Hang on. That's the door. Sorry about that. Yeah. So like you can imagine a man I mean look at this as a bloody building. I mean this balloon was probably like I mean that's a [ __ ] big balloon. I mean the build like the lad. Okay. It might be a big balloon.

[00:32:45]>> Effect from the camera moving like we've seen with many other videos like Go Fast and Auadia.

[00:32:52]>> What did he say? but parallax effect from the camera moving like we've seen with many other videos like Go Fast and Aguadilla.

[00:33:01]But doesn't it go behind the wind turbines? Actually, no. There's not a single frame of the video where it's hidden by the turbines. Okay. Right.

[00:33:11]Well, that's something different now.

[00:33:15]That's something different because it could be closer, right? It's just making it appear to be bigger. Okay. Okay. Are you sure it doesn't go behind there though, Mick?

[00:33:26]Are you sure, mate? Cuz like it looks like there I've literally stopped it there. It's like We've halfed We've halfed the ball now. We've halfed the ball, Mick. Mick, we've half the size of the ball here, dude.

[00:33:47]We've half the size of the ball here, dude.

[00:34:00]Why did it disappear there?

[00:34:04]There's a little bit of a blip, but is that because of glitching? Because it's going behind it at such a quick speed.

[00:34:17]Okay, so it's done that. That's because it's darker. Okay. Okay.

[00:34:23]So, it's changing because it goes in front of the tree.

[00:34:28]So, it's it's done that again. That's in front of it, but it's just gone darker, maybe.

[00:34:36]But I got to say, man, I've got to say that looks like it's going behind.

[00:34:41]Are we zooming in now? Look. Oh, he's he's he's going to he's going to tell me to [ __ ] off right now.

[00:34:45]>> It's hidden by the turbines. We do see it get a bit dimmer, but that's explainable simply by a local area automatic gain control.

[00:34:52]>> That's what I've just I've just I've just said about All right, we're on the same wavelength, Mick. Okay, our other video contrast or sharpening adjustments. The bottom line here is if that it went behind the turbine, there would be frames where you can't see it.

[00:35:06]That doesn't happen. It's in front of them.

[00:35:09]>> But then we see the object appear to change direction, slowing down and going back the way it came. How can that be parallax?

[00:35:17]>> Easy. If the drone moving at constant speed just did a 180° turn to keep the object in range while keeping the camera pointing at the object. Whoa. Whoa.

[00:35:28]Say it again. Easy. If the drone moving at constant speed just did a 180° turn to keep the object in range while keeping the camera pointing at the object, then you get the same effect.

[00:35:40]Here's what this might look like.

[00:35:42]There's a drone at about 33,000 ft and a balloon just drifting at 9,000 ft. The camera is really zoomed in. I'm using the stabilized video for comparison.

[00:35:52]With the drone simply flying straight for a while and then making a turn, we get the exact same effect. The object, in this case, a 3-ft wide spear, seems to be skimming along close to the turbines, which are actually 10 mi behind it. When the drone makes a 180° turn over 30 seconds, the object seems to slow down, turn towards the camera, and then go back the way it came.

[00:36:16]>> But But these But these aren't turning.

[00:36:20]I am Am I Am I getting so wrong now? But But these blades aren't turning.

[00:36:28]Hang on.

[00:36:30]Did we explain it? Not perfectly, as the exact time and location are not known.

[00:36:35]So, this recreation is an approximation, but we've shown that it's not weaving in and out of the turbines, is not making sudden movements.

[00:36:43]>> I didn't even think it was.

[00:36:44]>> And its overall path is entirely consistent with a balloon and parallax.

[00:36:51]Other videos in this release are similar.

[00:36:54]>> I don't I don't get what you're saying there, mate. So, you're saying that the the drone is moving, and because it's moving, it's making the balloon seem like it's it's It's turning, which I sort of get, but then the windmill blades don't turn, right?

[00:37:14]Because if the drone's turning, you're going to see more of the front blades and then it's going to look like the balloon. But this thing literally just I don't know, man. I don't It literally feet and a balloon just drifting it straight for a while and then making a turn, we get the exact same effect. The object, in this case, a 3ft wide spear, seems to be skimming along close to the turbines, which are actually 10 miles behind it.

[00:37:41]>> Right? So, look at this one here. It's going this way.

[00:37:46]>> When the drone makes a 180° turn over 30 seconds, the object seems to slow down, turn towards the camera, and then go back the way it came.

[00:37:57]>> So, the drone makes made a 180 degree turn.

[00:38:10]So the the the drone's making a 100 the the 180 degree turn, but the camera's still fixed fixed to it, right? So it's almost doing this, which would mean why the the the the blades aren't changing. But then this thing physic like what I I can't compute is this thing was here to the left of this now it's to the right of this and then it goes to the left of it. So like no matter how you spin the camera around I don't know it it sounds like he knows what he's doing.

[00:38:50]He's got a very posh accent, so it sounds like he knows what he's talking about.

[00:38:56]Is entirely consistent with a balloon and parallax.

[00:39:01]Other videos in this release are similar. We get the same illusions of motions.

[00:39:17]Oh, okay. Yeah, because the drone's moving.

[00:39:22]Okay.

[00:39:24]Okay.

[00:39:27]Got it. I forgot that the drone's flying as well. I was thinking this is a [ __ ] camera here just watching it like this and then but okay. So the camera's moving right. Okay. I get it. I get it.

[00:39:41]>> From the manual tracking and the sensor noise, >> we can remove this illusion with stabilization.

[00:39:47]What remains is unfortunately mundane looking objects moving in mundane ways simply too far away to be identified but probably balloons.

[00:39:59]It's a balloon. I sort of agree with Mick. I you know I try to fight it guys.

[00:40:05]I try to fight it. Every time I said something, he counted it and I showed something else to to try to say this and he counted that and now my brain connected the dots and we got it right.

[00:40:19]Okay, we got it. I think that's a balloon. Well done, Mick West, mate. Go and follow him. Subscribe and do the thing. Right, Mick West on X here. Look.

[00:40:28]Okay, this is the last one. So, this is Department of the Army 2026. Okay. The sensor tracks an initial area of interest. The sensor uh disengages from its previous area of focus and pans from right to left to track two areas of contrast narrowing the field of view to zoom in while panning in to maintain the objects positions generally within the center of the frame. The sensor widens its field of view to zoom out keeping the area of contrast generally centered within the display. The sensor field of view rapidly cycles between levels of zoom causing the areas of contrast to appear to rapidly increase and decrease in size. Okay. Sensor tracks the area of contrast while maintaining generally centered position inly cycle between contrast and settings. Right. Here we go. Whoa.

[00:41:22]What is this? A car.

[00:41:35]That's it. Zoom in then.

[00:41:45]Like these these are shaken up and down.

[00:41:47]It's almost like seems two entities here. It doesn't seem like one thing.

[00:41:52]Like this one's going up and down. I mean, yeah, it might be like, you know, shaking and all that sort of stuff, but look, it seems like two entities. Yeah.

[00:42:01]What the hell? It is. It's two orbs.

[00:42:16]Zoom in, mate.

[00:42:21]Look at that. Wow. Okay, don't do that.

[00:42:24]You were zoomed in. You had good. It's like, oh, we're seeing too much. Zoom back out. Zoom back in. Here we go. And again. Aha. Le.

[00:42:36]This actually looks like, you know, blocks around it.

[00:42:43]I think that's just how the light is shown.

[00:42:48]Oh, that's it, mate. That's all of them.

[00:42:56]I'm happy we saw them. I'm happy that, you know, it's the start. Hey, listen.

[00:43:02]You know, a lot of people are upset with this, you know, the footage that we've been given. Um, I think that it's a step, look, listen, it's a step in the right direction.

[00:43:21]Okay? Because the thing is, right?

[00:43:27]How can I put this? What? Now that they've started, it's much more difficult to take a step back now, right? Whereas beforehand, it was like, it's a load of rubbish. This doesn't we we've seen nothing. There's nothing out there.

[00:43:47]Aliens don't exist. UFOs don't exist.

[00:43:49]Shut up. Right.

[00:43:51]But then we got, okay, we've got something. Yeah, we've got something.

[00:43:56]Which is probably their biggest mistake.

[00:43:59]If they carried on saying, "No, you're talking nonsense. You're talking nonsense." You know, it's just balloons, then we wouldn't be where we are now. Do you know what I mean?

[00:44:16]But they've done it. So they they acknowledged it at least, which has helped the community try to get disclosure.

[00:44:25]And now they've actually gone, "Hey, do you know what? Here's some stuff that we can't explain. Have a little look. Now, it can only get better, right? In my opinion, they can either give us the same crap like they've been doing. Yeah.

[00:44:44]Or it's going to get better. It can't be worse. They can't give us worse than this. And if they keep on giving us the same as what they've given us right now, the pressure is going to be so much hotter because it's like you can't just keep on giving us this stuff. You've given us something. You've acknowledged it. So give us some something else, please. And it's going to be [ __ ] like and the pressure is going to be on.

[00:45:05]So I think this is a good step, a good step in the right direction. Okay.

[00:45:10]Anyway, um that's the videos done. I'll probably make another video with all the photographs because the moon photographs are something that I want to look into.

[00:45:19]Um, and also probably some of the PDFs, but I think what I'm going to do upload this one tomorrow. We're going to get the ghost reaction and then um we'll we'll go from there. Okay. I have also I've got a video in the bank which I was going to upload last week, but this came out. Um, I went through your emails that you sent me um, uh, of your UFO captures and let me tell you, they're better than this, right? So, stay tuned. Thank you so much for watching. Take care.

[00:45:49]Bye-bye.