Revenge of the Pink Panther After Party (1978) Part 1 of 2

Ajouté : 2026-06-03

[00:00:12]Well, just follow him. Just follow that man right there.

[00:00:15]Watch yourself. Going up. Going up.

[00:00:17]That's it.

[00:00:18]Oh, look at that steady cam. Going up.

[00:00:20]Going up.

[00:00:24]Oh, yes.

[00:00:26]How do I look in the back?

[00:00:39]Follow the man to the men's room.

[00:00:41]>> [laughter] >> Are they still there?

[00:00:48]You realize this is I got a towel on me.

[00:00:50]Jenny, Jenny, I've been waiting for this now for several years. When is that coming up? Oh.

[00:00:55]Someone told me that whoever part of it is Well, I want to get the picture, kid.

[00:00:58]And boy, I'm not going to miss this.

[00:01:01]Enjoy yourself. Hello. You don't get one, Hank. I'm sorry. Well, the only reason I don't want to Do the ladies get one? No, just just certain ladies.

[00:01:09]I'm not insulting your daughter, but just certain I love your daughter.

[00:01:13]She's gorgeous.

[00:01:15]And All right.

[00:01:31]He said uh She said, "Is she prettier than me?" And I said, "I'm prettier than you."

[00:01:36]>> [laughter] >> Thank you. You've been waiting all night.

[00:02:06]Okay, there we go. Wouldn't want anyone to be missing anything.

[00:02:10]Even grandma, okay?

[00:02:12]No side. No way. Ben, not you. Okay. No way.

[00:02:31]I suppose it's a boy.

[00:02:32]It's not for your nose.

[00:02:34]Yeah, you said right.

[00:02:36]You're going to take it. You're going to do that to me.

[00:03:15]Well, No, I will. I I was cruel to >> [applause] [applause] [applause] [applause] [applause] >> terrific.

[00:05:28]That's Let's interview Peter. Peter's wife.

[00:05:38]But I'm sure what Peter is saying is that once the idea, the imp- improvisation begins, it then there's a metamorphosis.

[00:05:49]It changes and becomes very integral part of the scene. You're not seeing something that is spontaneous for the first time.

[00:05:59]Because of our schedule, we'd like to have about half a dozen more questions and we would call a halt, so please bear with us.

[00:06:13]I couldn't hear that. Is it correct that you and your wife are going to Oh, yes.

[00:06:16]That's right. Yes. Yes. Yes.

[00:06:18]When is that? Um in uh in July in in Vienna.

[00:06:26]And it will be sort of a remake.

[00:06:29]And you We use the word remake when it is It was such a beautiful verse.

[00:06:39]I wondered why it was not included in in the biographical notes.

[00:06:44]I don't know. It was I thought it was some of my best work, but the film was really lousy.

[00:06:50]So, maybe that's why.

[00:06:52]The film wasn't very good. They just released it re-released it and they called called it "Long Child" or something.

[00:06:59]Did you like it? Now, you see that I told you I got to quit running my mouth.

[00:07:03]I like I I like you a lot.

[00:07:06]Well, that's all you really care about.

[00:07:14]Well, let's include let's include it.

[00:07:16]But you didn't ask anybody to leave that thing off or anything. No, I didn't. No, that wasn't Was that your last picture before your uh Yes, after I saw that film, I went to bed for a month. And this has been a tremendous learning experience for me.

[00:07:29]Like I think is probably the best director I've ever worked for. And I think one of the reasons that is is because he allows he allows he chooses people he thinks will bring what he wants to a role and then he allows them to be that. Like Hank, he knows that Hank is best at what he he does, so he tells Hank what he wants and lets Hank do it. He has created this [snorts] this huge, wonderful space for Peter to do everything that Peter does best and then he frames that. And that's that's really wonderful because not only does he write the material, you know, and I think it must be very to the set and then allows his actors to bring their own thoughts to it, which might [clears throat] be another word for improvisation. Mhm.

[00:08:21]And then takes the best of all of that and makes that the script, which is just a lot of uh trust, you know?

[00:08:30]A lot of trust.

[00:08:32]I think Can I ask about it? Yeah.

[00:08:34]We're in the process of of doing a musical right now based on my wife's book, the "Last of the Really Great Wang Doodles".

[00:08:48]Hank and Leslie Bricusse are doing the score and uh Julie and I did the screenplay with Patty Frelinger.

[00:08:55]They're doing all the animation.

[00:08:59]And Hank is also working with Leslie on uh Yeah.

[00:09:11]Then we go back to Europe, yes. Yes. We're there on the Home at the moment is France. Tell them France. We'll be in London on the 13th.

[00:09:20]No, I can't.

[00:09:24]Any any of the movies maybe just whether they like them or not.

[00:09:29]Uh let me Let me finish.

[00:09:33]I I I don't know. I'm going to go around.

[00:09:45]It's an ability.

[00:09:46]Uh people have some physical ability to do certain things.

[00:09:51]All the voices that I wonder what it is.

[00:09:59]Um price of fame.

[00:10:03]Well, of course.

[00:10:06]But then again, I mean, if you want to touch good, you should see what my mother was in that dress.

[00:10:10]Like that.

[00:10:11]And uh we both I could do much better than that. What ways?

[00:10:21]In all ways.

[00:10:22]Was it too broad or No. All the style I love. And the style was great fun. I mean, it was grand.

[00:10:31]A little overboard, but it still had a reality to it.

[00:10:34]You know, it was great fun.

[00:10:36]What in particular bothered you about I mean, the scene in the film where I play the mother, I've never seen on film before.

[00:10:43]Is it the particular scene that works for you? Yeah, but the child you see all the time in