Kara Movie Review | Dhanush | Vignesh Raja | GV Prakash | Mamitha Baiju | #Kara

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[00:00:00]Hello and welcome to India today. I am Sanjay open and I just completed watching the latest Tamil film Kara starring Dhanush. Before getting deeper into the review, what is my one-line experience of watching the film? I feel like this film is is good on performances, is good on the social messaging that it tried to say, it is good on the emotions that it tried to convey. But, I feel like the story kind of holds back from all the impact that these three aspects created for the film. The story and its inconsistencies is the major reason why this film does not work as much as it should have.

[00:00:35]Getting deeper into the review, let's start with the positive, which is the performance. I feel like Dhanush once again nails it with this character as well. At this point, his brilliance with acting is already established throughout the country and honestly speaking, I feel like this sort of character has become a comfort zone for Dhanush to play. That is setting a standard really high. I don't know where else he can go to, you know, do something different and do something unique and impress the audiences even more because the bar that he's setting with characters like, you know, Asuran, Karnan, Vada Chennai and now with Kara is is just very high. However, similarities is also visible between all of these characters, which is why I say this has become his comfort zone. But, this film is not just fueled by Dhanush's performance. Every other artist in the film also does a really good job, particularly the two other leads. You might be thinking I'm going to talk about Mamitha Baiju, but not really because her character is prominent but not the lead. It is Suraj Venjaramoodu who plays the DIG in the film, the cop, as well as Jayaram who plays the regional bank manager. Talking about Jayaram first, he does a brilliant job. He represents a difference. He represents a higher economic strata in the film where he is entitled, he is privileged and is very arrogant about that, but at the same time does not shy away from snatching things from everybody from the lower economic strata. And that is the wildness with which this character is portrayed and Jayaram does a beautiful job in getting all the audiences enraged at his character. Suraj Venjaramoodu also does a really good job as this police inspector who's hell-bent on catching the thief played by Dhanush. He carries this intimidating aura that every other character in the film kind of gets uncomfortable when he is around.

[00:02:35]That is the kind of performance that Suraj has displayed in this film. The film is set during the tough times of the 1991 Gulf War where the impact was not just at the region where the war was happening, but India was also facing a few problems, one of which is a lack of fuel. The film makes use of this particular timeline really well and establishes a story where the banking system in India is exploiting the farmers, the downtrodden, using its many flaws, I mean clauses, which just goes over the heads of all these uneducated farmers. Also goes over the head of the educated farmers as well, as claimed by the bankers in the film. So, with this setting, the social messaging and the emotions conveyed are really impactful.

[00:03:19]They do connect you to whatever is happening in the film. So, with the performance, the social message and the emotions conveyed, you are kind of connected with the film. But, that is sort of a double-edged sword. Why?

[00:03:31]Because the story of the film has so many inconsistencies that because of this connection, you feel more disappointed when it doesn't reach the high that it should have. As it is right from the get-go, the film from its color grading to the theme to the tone that it tries to tell a story in decides to be about struggle, about pain, about poverty. The screenplay approach is slow burn and with slow burn, the whole thing is you have to wait, you have to compose yourself, you have to get on the ride only to enjoy the eventual high of the film. However, this eventual high for a film which is already exhausting you from within because of all the emotional turmoil that it is taking you through, the eventual payoff never happens because the route they take sort of contradicts all the logic and the reasoning they've given throughout the film. This is the biggest drawback of the film, which kind of takes away from the really good performances and everything else which is good that they have established.

[00:04:33]Director Vignesh Raja who's co-written the film with Alfred Prakash kind of moves in many direction with the story, but at the end becomes directionless.

[00:04:42]With the story ending up being very predictable and generic. These inconsistencies are very visible in Dhanush's character, in Suraj Venjaramoodu's character, especially in his character, as well as the logical reasonings given in the film. For example, Dhanush's character who has left the life of robbery gets back into the mix because of a situation. Understood.

[00:05:09]He has He's still holding onto his moral values that he has gained. He's only taking what is needed, what is his, and is not touching anything else. He's not trying to rob to become rich. He's trying to rob to take care of the situation and get back what is his.

[00:05:26]However, the reason that is stated in the film for why he gets back into thievery is because he only knows how to do that.

[00:05:37]The character says, "I do not know anything else. I cannot farm on the land. I cannot do any other work. This is the only thing I'm good at. This is the only thing I know how to do, which is why I will do this to get by from the situation." But, is that really true though?

[00:05:52]Because throughout the film it is established that Dhanush is good at a lot of other things, which he uses to get by as a thief. For example, he knows how to handle wires. He is a good electrician. He knows what is happening over there. So, clearly there is one professional job option.

[00:06:11]Another inconsistency in the story is where a certain amount of time is given where, you know, Dhanush explains why it is important to first mark which place he's hitting, see everything else that is going on, observe the surroundings, and then and only then go for the job. This gets forgotten at the end where he he just pops by every single bank and is just robbing everything and looting everything as if he's just moving into a supermarket and buying groceries and coming back. So, these are examples of the inconsistencies in the film, which takes away from the eventual impact that the film was supposed to have. GV Prakash's music really tries hard to take the people on this emotional ride. It tries to just overwhelm the audience of sorts, but if you just look at the music as a separate entity and say it is good or bad, I would definitely consider it to be good.

[00:07:04]It did its job. Only if the visuals were complementing the music provided, the overall experience would be on a higher level.

[00:07:12]Well, that is my review for the film Kara starring Dhanush. What is your experience of the film? Did you like it?

[00:07:19]Did you like what I had to say or do you have a differing opinion? Mention any of your thoughts in the comment section below.

[00:07:26]With that, I am Sanjay Bonappa and you're watching India today.