SUBTERRANEAN LIVING.. DOCUMENTED IN THE 1600's.. THEN DOCUMENTED BY ME, THIS PLACE SHOULDN'T EXIST..

Added: 2026-05-11

[00:00:02]Have you ever wondered what's what's going on behind the barriers when you're at these ancient sites or tourist attractions?

[00:00:12]You ever wondered what's going on behind the scenes and why you're not allowed to go behind here? Because I'm going to be showing you something that hasn't been documented since the 17th century.

[00:00:26]And this is a place in Rabbat.

[00:00:29]And this place, the reason why I'm bringing this to your attention is because I've been reading or sorry, translating a book from Latin to English.

[00:00:41]And he's talking about cave dwellings and ancient old world dwellings inside mountains in Malta. And if anyone knows this channel, I spent two years in Malta documenting these places. So for me, it's incredible to find this this information. Now there's a few things that I have a problem with and it's not his book at all and the book is Mondus subterranean.

[00:01:14]The problem what I have is one of the sites called Arabir which is called the great cave system the great cave which is connected to the cart ruts.

[00:01:24]He talks about that how it's like such an advanced massive cave system with hydraulics um channels wells and all that sort of stuff going on. But when you go to Ara you don't see anything like that. It's probably like the least developed cave system there. But in my opinion, that's just the remnants of something much larger because if you look down the road when you're at Arab at the end of the cartr there's one of the biggest quaries in Malta that I believe that is where the original Arab was because it states in the book that there was 127 people living in the cave of of I think 20 or 30 families.

[00:02:14]So he talks about Arabir and he also talks about this place that we're walking through right now which in the narrative is a catacombs um that goes back two 3,000 years. But in this video, I'm going to be making a good example or a good claim that this place wasn't a catacomb and also that we are just given sections of these subterranean complexes and it seems to be like the storage section.

[00:02:51]So, we're going to go through that. I want to show you on Google Earth where where it looks like and what it looks like on the streets because what we're walking through now in my opinion has been constructed and then the current city or sorry the current town of Rabat is sitting directly on top of this. So at the start of the video I showed you where you could see where they laid the first blocks and then they started to lay the foundations of the city on top of that. And that's what I'm going to be showing you. So, I'm going to take this video back and we're going to break it down right down.

[00:03:33]So, this is the street.

[00:03:39]These are the streets that are above where we was just walking. Okay. So the people that live in these houses, they all have a connection to the subterranean network underneath that that underground world. A lot of it's been blocked up.

[00:04:01]And this here is the entrance to the catacombs here.

[00:04:07]And then it spreads out.

[00:04:11]spreads out under all of this here.

[00:04:14]Pretty much the whole of this.

[00:04:19]So, it's quite a big area. You can see.

[00:04:21]And this is all on one big massive hill, by the way. This is all one massive hill. So in my humble opinion, this was one of the thriving complexes that in the 1600s that when Kercher went there to document, he was documenting the very last crumbs or the remnants of one of these magnificent stone complexes. And it wasn't buried. It was probably exposed.

[00:04:49]and it it looked like a massive stone complex, but now it's just buried with a city on top, but I believe it got damaged because obviously Malta has been damaged so much through world wars and and and sieges that it can easily pass off geology and just build on top of it, no problems.

[00:05:13]But it's under all of this lot here, all of this. And this is on a hill. But in my opinion, the hill is the structure that's buried. And we're going to be going in there and examining it. We're going to be going under the barriers to parts where no one's seen before. No one.

[00:05:36]So, let's just zoom out and have a look what is going on down here.

[00:05:42]So, I just want to show you the height of where we are.

[00:05:47]Again, this is this is a a tourist attraction, but what I'm going to show you just blows all of this sort of stuff out of the water.

[00:06:04]Here we go. So, when you get to this ledge, you'll see how high we are. And like I told you, directly under my feet, within a meter, the complex starts. And I'm going to prove that to you now. So this pavement and all this, basically what they done was when they built this town, they laid the services down and then laid the laid the pipes down and then built the town over that directly on top of the complex.

[00:06:33]And this is this looks like you're probably going to think I'm cracker saying this, but you're going to think this is all natural around here, but it's not. This is all part of the complex. It's just been damaged because you can see when when when um parts of it get broken away, it it opens up cavities, rooms, and the rooms are not primitive like dug out of hand tools.

[00:06:52]They're proper square rooms with a calcium based material. Look, another part of it here. You know, it's just that this has all been damaged and it's probably up went up a lot higher.

[00:07:04]You can see how smooth that is in there.

[00:07:06]Look.

[00:07:12]So, it's just being built on top.

[00:07:13]They've laid the blocks and then they built the town directly on top of it.

[00:07:22]And this is the edge of it here. This is literally the edge.

[00:07:27]And then they've shored it up with earth and it looks like a mountain.

[00:07:34]So, let's go in there and have a look because and the part that I'm about to show you, I only found this cuz I needed to go toilet and I was running around trying to find where to go and I just went around the back of this place and come across this.

[00:07:46]Yeah. So, this is the tourist attraction which is the catacombs called um St. Paul's or St. Aers. There's two of them in the same area cuz it's so large they broke it up into two and them two they've got broken up into individual ones are actually broken up into more individual ones. Um saying that they're Jewish, Roman and Christian catacombs over different time periods. So it gives you a scale. I think I think each each catacum St. Paul's and St. Agarthas have about 20 different um catacombs within it. So it gives you an idea of how large this is. But you're only allowed to walk around a little part and you're guided around by railings.

[00:08:29]But I'm so curious that I had to go under the railing and I almost got lost.

[00:08:36]I almost got lost. I was scared.

[00:08:39]But yeah, look. So you can see here, this is the top of the complex. Above my head is the road, right? And you can see that they just built directly on top. So they put a bed of concrete down. And obviously concrete can like self-level itself out. Then you just start putting the blocks on top. Then you got your level. Boom. Then you can start putting the concrete beams down and then building the town on top. But here, this should be part of the tourist attraction, shouldn't it? Really? It shouldn't just be like boxed off in the corner, just left alone.

[00:09:14]But these parts, the parts I'm going to show you don't actually fit the narrative of being catacombs.

[00:09:20]Like I mentioned at the start, the parts that we're given are particular parts that in my opinion are storage maybe for water or something else, but we're just given the storage part of the complex.

[00:09:32]When you start going through like multiple parts of it, it looks more like a living quarters, which is exactly what was described in Kurt's book from the 1700s.

[00:09:43]Look, you can see how square this lot is in here. And the reason I point this out is because this would have all originally been nice and square and neat. It wouldn't have looked all primitive and and damaged like this.

[00:09:57]Like here, it's just that these parts haven't been damaged. It's it's kept its shape, you know, but these have all been damaged. But it tells you and I mean look how flush these this wall is in the ceiling. It just goes to tell you that the whole of this structure would have look looked as square as this. It would have been as neat as this.

[00:10:22]There we go. You can see here just built directly on top of it. Then you got the the the road upstairs, the road above it basically.

[00:10:32]Or the street, sorry. in the street.

[00:10:45]And again, I I don't believe these are actually for they say these are for storing dead babies, aren't they? You know, which I don't believe. I just believe they're cupboards basically because you can see that you got the um an imprint where a frame would go. And to be honest with you, I don't have it on film anymore, but I was filming another part of Molter underground and there was a wooden flap with a glass plane inside of it going through from one door to the next. Like it was only about this big like that, like a window.

[00:11:22]and it was still there and you could push it open and close it and it went through to the next complex.

[00:11:30]So, and that's exactly what I imagine going here. Not not not that it's going through to the other part of the complex complex, but just like a hinge mechanism maybe for some sort of storage and here as well. I mean, storing dead babies just don't make no sense to them.

[00:11:54]So, this is all of this. This goes on for this goes on for the whole of underneath the city.

[00:12:03]Look, look at this. Look how far it goes back down there at all.

[00:12:08]And another thing you'll notice which I'm going to be pointing out is take about 10 seconds.

[00:12:16]A lot of the square cavities in the in the um walls have holes in the corner like something was going into it or coming out of it.

[00:12:26]You notice that a lot. And also when you look at the stone you expect the walls to be solid but behind them is another room. And sometimes the walls are only like 4 in thick.

[00:12:43]So again, my question is like, why has this been neglected? Why is this not part of the tourist attraction?

[00:12:50]Why haven't they opened this up? Why have they just left it alone?

[00:12:55]So now this is actually the in the actual tourist attraction part. So this is before I go under the barrier and get lost in the complex.

[00:13:04]And I just want to point out how the level that we're at. We're literally walking on top of the complex here because you can see again where they've just put the blocks on top and then the town is built on top. So you have this complex like this and then they built directly on top of it. And we're at the point where it converts from modern stone to going into the complex down these stairs.

[00:13:35]And here I'm just pointing out just showing you that at one point there'd have been no town there. This this is a fact. This can only this think about it logically.

[00:13:47]There could have been no town there and this complex would have been sitting there leveled off, damaged and leveled off and at some point people would have started laying the foundations.

[00:13:58]Why wouldn't them people ask questions?

[00:14:00]I bet they did, but it's obviously a long time ago, is it?

[00:14:05]These blocks don't look that old to be fair. They look like they're done just after World War II, 50s.

[00:14:12]But still, you're you're building directly on top of this. Imagine laying imagine like this would have to be a building site for a part for a bit to to get these blocks laid.

[00:14:21]Imagine that.

[00:14:24]Anyway, let's go in there and let's get lost and let's have a look at what Ker was describing.

[00:14:35]But you can see the angles of the uh the columns and the arches, obviously the damaged parts. This wasn't um meant to look primitive like this. This would have looked like he was walking through somewhere.

[00:14:51]I don't know. But the walls that have been rendered as well, these walls have something like calcium based. Look, see, look a little hole in the ceiling.

[00:15:02]Where's that go? It goes to another room. Look. And that's blocked up up there. It's like a It's like um a limestone jungle down here, by the way.

[00:15:11]Absolute limestone jungle.

[00:15:16]Look, this is a different material here.

[00:15:18]This is what I was talking about. So you can see you got the limestone here and then something else put on top of it.

[00:15:24]Then you got a stone embedded there. So let's have a look.

[00:15:28]But what's interesting is this. Like I said, these walls are not that thick.

[00:15:32]You expect it to be solid stone. But this don't even seem 4 in thick, does it?

[00:15:37]What's that about an inch thick?

[00:15:41]And I mean, just look at the detail here.

[00:15:44]It goes to show you this was not primitive. So you got all these proper square angles and the arch going over there all uniform.

[00:16:01]So these could just be in my opinion systems.

[00:16:06]What we was just looking at then going take about 10 seconds ago systems because if this is an underground complex you're going to need a an area where there is stored water obviously of a civilization ain't going to carry on.

[00:16:22]So, I believe this is where we're getting tricked in some of the areas where they sit there and say, not all of them, this in particular, where you get areas like this where you just got a vast amount of what they're calling um tombs that are laying down. I believe this is for storage for water.

[00:16:44]And also inside this actual place, I found a live well. Um again I went off the beaten path and there was just a shaft that went down probably about 50 foot and there was water underneath there running and there's also the cheeky gits now the tourist attraction people got um Malta heritage they've got a pump down there pumping the water up from this well straight up through the complex into their into their complex.

[00:17:19]So, this is interesting.

[00:17:21]See what's going on here. It seems like it's a different part of stone here. This is almost different to this here, isn't it? It's like something's been blocked up from the other side by a massive stone. That's what it seems like.

[00:17:44]Look at it. It's definitely different, isn't it?

[00:17:48]It's interesting. Like one massive thing. It's got some other material on it here as well.

[00:17:54]Interesting.

[00:17:57]Again, the angle's perfect, but blocked up this side. So, I wonder where it went this way and blocked up this way here as well.

[00:18:06]Look. Building.

[00:18:12]It's been filled in from above by the way the the rubble's come down like that.

[00:18:20]So yeah, I believe this was like the storage area for water because there was a couple of shafts here. This is exactly what I was talking about, guys. You can see the difference in the material here.

[00:18:30]And you can almost see that this stuff on here has been pressed on. You see little bits like this.

[00:18:37]So, it's multiple options. This could be natural limestone and they've bored this out and they they've strengthened it with this calcium based material or they've cast this limestone and again strengthened it with this calcium based material. It's almost like a kina. I'm pretty sure that this is kina what they've used here. And I actually asked um a guide at Heritage Malta when I was in another catacomb on another on the same island. This is a different part. I asked her, I said to her, "What's all this material over the wall?" And she said, "They smeared the calcium based material over the walls."

[00:19:17]So, it's not that's not no secret.

[00:19:19]That's what I'm getting at. It's not a secret. It's not a conspiracy.

[00:19:23]It's It's what they done.

[00:19:27]But yeah, you can see two different materials here, guys. Completely two different again. So, this is why I believe this was the water section cuz you just got this humongous shaft going up here.

[00:19:50]It's almost like when you're looking up when you're inside a um a system, an old system, you know, like the like like an ancient stone system and you're looking up, it's exactly the same as that. You can just imagine a load of pipes coming down here connecting to these tanks down here.

[00:20:10]No problem.

[00:20:20]See, this is what Kercher described.

[00:20:23]This is what he described. He described a place that had uh advanced water management as in storage of water and the distribution of water.

[00:20:34]um advanced living which I'll be showing you in a minute when I go these barriers here that you see I go I go under these barriers and I go um but the point I'm getting at is Ara which is another place that he documented is not it's literally just a few cavities that's all it is there's nothing to it it's a few cavities in the limestone and he says at that place there is again advanced water management with storage and distrib distribution. He says there's loads of shafts for cooking and ventilation. He also says there's wells there, but there's nothing like that at that site at all.

[00:21:16]Like I said at the start, I believe the the real arabir is where the quarry is at the top of the cart rust.

[00:21:24]That's what it seems to me like he's describing.

[00:21:30]Yeah. Look, blocked up down here.

[00:21:32]blocked up. These This has been blocked up a long time ago. This has again. Look, I'm just poking my head up to another level. Look at that. Just take that back a minute. So, look, I'm just walking around. Boom, boom, boom, boom, boom.

[00:21:48]Bang. Another level. And you can even see that it goes through back here. You can see all the angles. This place was well designed.

[00:21:59]Crazy, is it?

[00:22:02]Just say hello to a few people quickly.

[00:22:10]I'll get carried away, brother. Yah, good to see you, mate. Wild Man Gaz, good to see you. Ryan Doyle, seventh son. Yes, Squirrel. Ryan Doyle. Yes, mate. Elevated perspective. Millennials best. Good to see you.

[00:22:25]Elevated Perspective. Laura Speedwell.

[00:22:29]Yes. Tony Wilson Julian Rachel's best Doyle Tanya man good to see you just JP miss Rachel good to see you I hope you're well girl I hope you're well Virginia good to see you hope I'm not missing anyone Kyle Spitfire just JP brother Al Davis Cecilia Rioary, sorry if I pronounced that wrong.

[00:23:04]P Smith, JP Brisa, nobody, Black Top Rebellion, Anarchy Television.

[00:23:18]Good to see you guys. Forgive me if I've missed anyone. And Matt Redford, Mart.

[00:23:26]Good to see you guys. Sorry. I I get so carried away.

[00:23:32]Bonkers, mate. Yeah, I know. This place is bonkers. I know. And these parts that I'm showing are not part of the tourist attraction. So, you can imagine you've got this whole massive complex, but we're just given this little corridor of a route to go down and you can just look left and right. You can't go past the barriers.

[00:23:50]And this is why. Because you see stuff like this. You're not meant to be seeing this stuff, guys. You're not meant to see it.

[00:24:00]Big up, guys, mate. Good to see you, brother.

[00:24:05]We're excited seeing it.

[00:24:08]Yeah, I I get carried away, don't I? But yeah, thank you, girl. Let's get back to business.

[00:24:23]And also guys at the end I've got a Brucey bonus. Um we we can translate a bit of the uh book because I come across some um quite a lot of stuff. I don't want to go into too much about it because I've come across an alchemy part of the book basically and I wanted to make the video about it today but earlier when I was thinking about it I thought hang on a minute I want to I want to learn a bit more about it before I talk about it you know get some more translations get a bigger picture instead of just coming on there blind so um I'm working on that but I will as a Bruce bonus translate a couple of bits at the end of this one just to show you what what we're working with because it is interesting because don't forget the books from the 17 17th century 1600s and they're talking about alchemy and they're talking another part they come across is about making stones and marble and stuff like that and making cities out of marble which is another part that I want to look at as well. Anyway, back to this and let's just look at this ceiling. You can actually see this is actually a wicked shot. Look at the way I pull that. If you can see the render on the ceiling here and everything is still square and neat.

[00:25:41]This is undamaged. Look at all the angles on this perfection.

[00:25:46]So what do we see here?

[00:25:49]We see a couple of different types of render or stucco in America on top of each other. We see a more later date one which is gray and then we see a black one underneath. But that black one could have been fire damage and then they've rendered over it. Just a suggestion. I'm not saying that's what it is. It's just a suggestion. Or it could be some sort of render or it could be mold. Could be mold. Again, this place wouldn't have been flooded because the elevation of it. I think it's like 100 100 meters above sea level.

[00:26:26]300 ft above sea level.

[00:26:29]So again, if this was under water, this part here, that means the whole of Molt will be under water.

[00:26:38]So yeah, you got the limestone underneath. Then you've got this black stuff, and then you got this gray stuff.

[00:26:44]And like I've always said, when the renders there, they're the parts obviously naturally that going to be intact.

[00:26:56]So it goes to show you the whole of this place would have looked like this. It would have never have looked all damaged and when it was in this primal like that.

[00:27:05]It have been decorated.

[00:27:11]I mean look at this. Another level going up there.

[00:27:23]But they're running their cables through it. But look. Yeah. Hang on. Let me just take that back a sec.

[00:27:30]Even down here, you can see that it's um it's blocked up down here. Look, this arch is completely blocked up.

[00:27:45]I think you'd have had people living down there and then people like 4 in above you. I wonder if they could hear each other when I was living in in these places.

[00:27:54]I don't reckon you're about to hear hear each other as in your neighbors. Again, we got some some some storage for water. I could be wrong, but that's what I believe.

[00:28:13]Because inside this complex, only this section has these parts and this is about 10% of the complex. So, if this was catacombs, this whole structure, then you'd expect the whole of this structure to have all of them tombs, but we don't see that. We don't see that. You'll see.

[00:28:34]Again, this must be for a service this year. Or it could have been one of them like little flat things that I told you about before when you've got the the square frame with the glass panel going through to the next the next room or dwelling. Obviously, this has been damaged, but it's obviously square. At one point, as we I've shown you so far, everything would have been neat in here and flush and square where this is clearly been damaged and then filled in or something. I don't know. But they're running a cable down there.

[00:29:07]So, obviously goes somewhere, don't it?

[00:29:10]There we go. Look. Yeah. Look, look, some stairs in here and all. So, I've already gone up some stairs already when it comes to this little platform.

[00:29:18]Again, it goes up to there. Look at this. This is phenomenal. What are these? They're quite cylindrical, aren't they?

[00:29:30]So, yeah. This is what it's like. I believe I'm in somewhere like Darren Cuyu like like this basically.

[00:29:39]That's what I believe.

[00:29:42]Exactly like this to be her. This is exactly what I mean. And we're only given a little section like this part here to go and walk in, you know. And me, I've gone off and I'm down here somewhere, mate. I'm down here.

[00:30:04]I don't know why I'm staring at the stone for. I'm such a weirdo.

[00:30:16]I will be making this in 4K, guys, cuz I have this in 4K.

[00:30:26]So, I'll be able to like stop, proper break stuff down.

[00:30:33]Again, these walls are not thick when you when you when you're looking through them, are they not thick at all.

[00:30:41]Because your your perception is you're underground. You expect everything around you to be solid.

[00:30:50]Look at this.

[00:30:55]Blocked up from above.

[00:30:58]Even here, the ceiling's not that thick.

[00:31:00]What is it? 3 4 in thick. Maybe 5 in thick. With a massive couple of slabs just put over a massive hole.

[00:31:10]Like I said, directly above my head is people's houses.

[00:31:15]More the render on the water.

[00:31:20]Look at that flipping Nora.

[00:31:35]That's another one, by the way. So, I showed you one earlier. This is another one. How big this place is.

[00:31:49]You can see these angles here. It comes down at 45 and does another 45 to make it square. And then this is like the the ceiling part. This is phenomenal engineering.

[00:32:01]Even if even if this was cut out of a bloody mountain.

[00:32:07]Absolutely phenomenal engineering like the precision on all the angles, you know, with these arches and how they meet from one side to the other and absolute phenomenal. Look at this.

[00:32:20]What's this mechanism?

[00:32:31]What's going on up there? It goes even further.

[00:32:36]It's absolutely bonkers, isn't it, guys?

[00:32:54]What's that? A cable coming out.

[00:33:19]It's got two floors there. One, two.

[00:33:22]Well, I'm on one floor. There's a floor here and a floor above there.

[00:33:26]Hell, that's ridiculous. Guys, what are you saying about this?

[00:33:45]Blocked up though, is it? But what a nice square room.

[00:34:11]Look at this.

[00:34:14]Bang.

[00:34:18]Well, how did I get rid of that?

[00:34:27]You can see the water down there.

[00:34:30]Just down here.

[00:34:32]This is a uh 15 mil cable.

[00:34:37]Sorry. 15 mil pipe with a cable attached to it, which tells me this is there's an electrical pump down there pumping up water and this is inside the ancient complex. So again, if this was a catacombs, why is there a bloody well inside catacombs?

[00:35:05]It's live as well. There's water down there.

[00:35:09]So whenever this place was engineered like it was built with absolute knowledge of like ge geology knowledge really either that that water river or stream was directly underneath or or they built directly over it. One of them. It's one of one of them two options is it? It's not pot luck is it?

[00:35:33]Again, like I said, when you get these corners, um, these little rectangle recess or cavities, you get a corners missing like something was meant to go there. See that quite a lot getting blocked up. You can just imagine this being like the front front door of somewhere. And look, we've seen this before. We've seen this before.

[00:35:56]Actually, something comes in from this way, doesn't it? Remember? Um when we was in Sicily, we see it and when we see it in Matira, which is interesting.

[00:36:10]Something comes in from that way cuz it's not a window.

[00:36:17]But that's just blocked up. Massive blocks. Look at that.

[00:36:27]Again, you know why this is not part of the the tourist attraction? Cuz it doesn't look like a catacomb.

[00:36:34]This looks like a living quarters. And again, you got a like I said, you got a well down there. Why are people who are dead going to need a well?

[00:36:56]again. Like little holes. Just little holes everywhere. Like something was meant to go through there, like a cable or a pipe.

[00:37:08]There could have been a fountain here or something, you know. You never know, like a contained fountain.

[00:37:14]And here I'm showing you that material underneath.

[00:37:22]And this is exactly what I found in Egypt, by the way. But in Egypt, it was like colossal. The doors were absolutely the doors were about 40 foot high, especially at Dendier.

[00:37:32]But what I noticed at every doorway that I went through, there was a hole at the bottom and at the top. And at the bottom they put a plant pot inside the hole. But when you look at the top you could see that it was clearly for a door a door mechanism for opening and closing like the hinge side of it. And that's what's going on here. Also in this place I found a swinging stone door with a locking mechanism on the back as well. And again, if there's a locking mechanism on the back of the door, like how why why is that possible? Like why would dead people be locking the door behind them?

[00:38:16]It's impossible. That's paradigm. You can't do that, can I?

[00:38:21]But yeah, you can see here. So, the mechanism went here and it's a big square metal plate with a little with a roller on it. And I'm going to show you cuz it's in this video as well because there's a door in place.

[00:38:36]So, um, you've got a metal mechanism embedded above the door and one at the bottom with a rod going through and it's the door spins on that.

[00:38:49]It's so smooth though. That's the thing.

[00:38:50]Like there's bearings there or something like ball bearings. There is a door.

[00:38:54]Here's a door.

[00:38:57]Here is the door. So yeah, from the inside you have this locking mechanism. Well, it's not there now, but you can see that there is the recess or the cavity is there and it's a distinct um recess like for a purpose. It's not like a chunks missing, you know, there's a specific shape missing out there. So something specific went in there.

[00:39:27]And you can see that the material that they've spread on this has been pressed on with a cloth as well.

[00:39:36]Look, here's the mechanism. So that the key comes in here. Boom. Boom. Locks here. Look. But it's on the inside.

[00:39:50]See if we can see the hinges.

[00:39:55]up there all the way down.

[00:40:05]Imagine the keys.

[00:40:07]Imagine you had a key to that door like back in the day.

[00:40:12]Look at that. Look at that.

[00:40:22]So again, I'm just showing you another.

[00:40:23]So this is this is a door with a door doorway without the door in it. So you can see how large these parts are for that door to sit inside.

[00:40:34]So again, a lot of a lot of the walkways you walk through with the doors, they have these doorways, they have the doors there.

[00:40:42]So this is like a proper proper living complex.

[00:40:47]And again, locking mechanism from the inside.

[00:40:52]Here we go. So, this is it. This is it.

[00:40:54]Now, this is where I go.

[00:41:01]This is where I go, guys. Don't forget to like and subscribe, comment, and share, and all that jazz. Bringing you the juice. Like I said, this place ain't been documented since the 1700s in a book called Mondus Subterraneanus where a guy documented people that lived underground.

[00:41:20]And this hasn't been documented since and I'm giving it to you guys.

[00:41:25]Gone off the beaten path to get lost. Look, look. A hole in the wall. Look, let me just take that back. Just a hole in the wall.

[00:41:42]Boom. There's a different level in there. It's just filled in with earth or mud or something. Look, how did that son's job to fill that in?

[00:41:50]Because don't forget, we're deep inside a complex. They have had to put bring wheelbarrows in of that stuff. That stuff is not in here naturally. Like that that has been brought in.

[00:42:03]Again, this this part don't look like a catacomb, does it? That's why it's not part of the tourist attraction. That's why it's neglected.

[00:42:21]Here we go. And where did we see this, guys? Where did we see this? By the way, the floor is so filthy. you have about an inch of dirt on top of it that's like solidified.

[00:42:32]But you can see here you've got the exact same pattern that we found on the them cast steps in Sicily in the valley of Ntoantica.

[00:42:48]Exactly this, didn't we guys? Exactly this pattern within diamond shapes.

[00:42:57]But we found the segments, didn't we?

[00:43:03]Yeah. There's a better image of it. Look at that.

[00:43:07]But it's just so much dirt on the floor that's solidified over it.

[00:43:15]Look at this.

[00:43:17]I mean, what again? You got this. I showed you um downstairs cuz I've gone upstairs on this bit now. Uh or hang on a minute. Am I upstairs or downstairs? I can't remember. But I showed you on one of the other floors. You had this part here. So, this is like the front door, isn't it?

[00:43:36]Clearly, we're standing in like a front room.

[00:43:39]It was the same concept on the other on the other plot that I showed you a minute ago. You had the door in the center. You had this big arch thing here, like it's like a like a doorway entrance.

[00:43:51]And then you had this part here.

[00:43:56]Maybe that's the post box.

[00:43:59]I don't know. But again, this part isn't the tourist attraction. This is off the beaten path. And that's because it doesn't fit the narrative of being a catacomb.

[00:44:12]Oh yeah, the agape tables.

[00:44:16]So yeah, with with with these salt pans, I don't know if anyone's heard of a project called um Project Malta where they I think they generate electricity in salt pods, which is interesting because we had the salt pans in Malta and um it's called Operation Malta, but that's just that's another topic for another day.

[00:44:44]The agate tables in my opinion are just tables where people at in this in this stone world. It's just where they ate.

[00:44:52]Check out Bill Gates projects of Malta.

[00:44:54]Oh, there we go. Iron and salt batteries. There we go, guys. Check that out. Not now, when you got a chance.

[00:45:02]And it'll make you think twice about all these salt pans around the world.

[00:45:11]Come on.

[00:45:21]Look at that. Getting filled in from the other side.

[00:45:25]So, you got one one small and one large one here. I wonder what went up here.

[00:45:28]Look at that little cavity. There's obviously a reason for it. And these are like ledges, like almost like tables.

[00:45:34]Tables at the front door. And I can imagine, no, not imagine, I know that a stone slab went in there and that would have been a shelf because I was in a place called Taristra, which is in Malta and it's only open once a year. And it's another stone complex exactly like this, but it's got the stone shelves in place like that, right in there.

[00:45:58]We can just slide it out and put them in stone shelves.

[00:46:04]And this one goes downstairs here. Look, got downstairs. Boom. Like literally, we're standing in the the front room or like the the and it goes off into different areas in here. And I love the cobweb here. You can tell that no been here for years because I've got a cobweb directly in my face. Look at that. Look how close that is to me.

[00:46:25]But you can tell no one's been here. But if I was to go here again, I wouldn't know how to get to this part again because it's so big.

[00:46:36]It's so big. You just don't know. You just don't know.

[00:46:42]But look at the size of this place. How it goes down down a level here, turns and goes down. I just did I was actually with S at this point and I didn't have the minerals. I didn't want to leave them there behind me and I didn't want to go any further cuz obviously it is a bit scary isn't it cuz there is shafts and when I see this down here I thought if I was to fall somewhere down here no one would be to help me and I don't know how I get out especially if I broken legs cuz you got to go up and down climbing and it's all uneven and but yeah this is definitely like a front room area, isn't it, guys? This isn't your typical catacum at all.

[00:47:32]Again, this is this is look what is this table here.

[00:47:36]Look what I'm absolutely panicking because I'm not going to be in here. Let me just take that back. I wonder if I can play it slower.

[00:47:44]Look, just look around.

[00:47:48]You got a table here. You got like a cupy bit here.

[00:47:52]I can't pause it. But what's going on in here? Like bowls. Sorry, guys. I wish I could pause it. But that's what I mean.

[00:48:00]But when I make the 4K version of it, I'll be able to pause all this without all the hassle.

[00:48:05]But in here, what's going on in here?

[00:48:07]It's like a little bathroom in it with like a sink.

[00:48:13]Look. Oh, I can't even stop it on it.

[00:48:16]But this whole this is literally like a the Flintstones would live in here. This is like an advanced subterranean dwelling.

[00:48:28]Look, I'm just walking through the corridor now. You got another rooms here. You go down a few stairs. You got like a gives me the feel of a bathroom down there for some reason.

[00:48:40]Again, you got more over here. Goes loads more over here. By the way, I'm talking all this guys. We've got a blooding We've got a town built directly above us.

[00:48:51]Hang on a minute. I'll just clock something.

[00:49:00]Is this a channel mark coming into this box? Or am I tripping out? I'm tripping out.

[00:49:07]I'm tripping out.

[00:49:14]Interesting. that one a bit, guys.

[00:49:18]Very interesting.

[00:49:28]You can see I'm back at the top of the complex now. I'm back at the top cuz you can see where they just built directly over it.

[00:49:37]Again, you got these holes. Don't know why most of these have holes in it, which is bizarre.

[00:49:44]Well, that one seems like a screw, actually.

[00:49:49]But look at the size of it. What's that?

[00:49:51]5 in.

[00:50:08]These doors.

[00:50:10]I wonder what happened to the doors.

[00:50:14]probably took them out. They're trying to make this place look primitive and make it look like a catac. That's what they're doing.

[00:50:21]But again, this is a great shot because you can see this material, this calcium based material all around here.

[00:50:30]It's almost like the mixture was a bit more wet here. Look at that person's over here.

[00:50:43]Hey, what's going on here? Where are we going? I'm crawling up somewhere.

[00:50:47]Definitely not going to be here.

[00:50:50]Flip it. L.

[00:50:57]This is the same setup as we just see a minute ago. We had this table bit in front of this uh cupboard part, didn't we? And I was saying it was like a bathroom down here. So that means this is another plot, but it's symmetrical.

[00:51:11]That's remarkable, guys. This plot that I'm in is completely different to the one I just showed you. It's in location.

[00:51:18]Same same complex, different plot, same layout. Now, that tells you like that's got to be for habitation in it and constructed for habitation.

[00:51:29]I'm not lying to you. 1736. Remember I just showed you a minute ago? I look down there's a bathroom. I was going looks like be a bathroom. This is the same bit here. So really if I was to turn to my left there should be that thing through here.

[00:51:50]Why did I go down there?

[00:52:00]See it blocked up down there. It must be the same one actually. The co there.

[00:52:08]There you go. There's another clear shot of it.

[00:52:12]But the precision is remarkable. Look at the gradient how it goes down at that angle.

[00:52:26]What do you think, guys? Tell me what you think. Let's have a little see what's going on here. We've been in history live. Good to see you. Easy.

[00:52:35]Oh, dude. Dude, good to see you. We go together mental block, brother. Yah. Yeah, good to see you, my friend.

[00:52:47]We going together. I hope I haven't missed anyone. Forgive me if I have.

[00:52:51]stars. Oh, VJ geese. Bloody hell. 852.

[00:52:55]What? Mate, I'm mate. I get so involved, mate. Big yourself up, bro. I appreciate you, mate. What's up, Plonker?

[00:53:04]Big up for that, BJ. Cheers, brother.

[00:53:09]Let me just get back to this. So, now I'm just going to show you uh Just going to show you. No, I can't show you.

[00:53:31]I'm trying to get the sound up, guys.

[00:53:33]Forgive me.

[00:53:42]That sound like So, what do you think about that then, guys? Agreed, Laura. Mind blown my socks off. Yeah, cheers, Laura. Completely agree with you. It looks like our ancestors had adapted to surviving underground at one point. Yeah. And it brings a question, why was they underground?

[00:54:03]Why did they need to go underground? You know, like what caused them to do it?

[00:54:06]Was it Were they scared of something?

[00:54:07]Was it the weather?

[00:54:10]What was it clearly a living space?

[00:54:12]Yeah, 100%. And that's why that's why we go together. That's why them the parts I was showing you were not part of the tourist attraction because they don't fit the narrative.

[00:54:29]Amazing. Cheers, mate. Really interesting. Jean Walker, good to see you, girl. Mr. Steve, huge cloth. Cloth.

[00:54:37]Yeah, the door.

[00:54:39]Google Earth. Look at what? Look at Cass Grand on Google Earth. Yeah, I'll make a note that mate 9. For God's sake, I'm going by. What's that about?

[00:54:53]I just told you concentration cider.

[00:55:13]Good to see you, my friend.

[00:55:22]Interesting. So, I was just reading the comments, but sorry about that. Right.

[00:55:28]Yeah. So, I've got the these um alchemy.

[00:55:31]Um let me get these up. Let me get these up. I don't know if I'll be able to do them now cuz I got work in the morning.

[00:55:37]I worked the night last night. Night shift. the graveyard shift and then um I woke up well not this morning I woke up this afternoon and um I got work again tomorrow so I'm a little bit knackered so let's just show this guys look at this guys got about this little number of mine love it start showing off a little bit I've got it a year ago, but I forgot all about it.

[00:56:13]So, let's just present this share.

[00:56:23]Boom, boom, boom.

[00:56:28]So, we won't we won't do a breakdown here, but I'll just get your juices going for the next time. All right.

[00:56:35]just so we can um So, I'm just closing some screens.

[00:56:41]And am I on there? Yeah, we're all on there. We're good. We're good. Let's put it down here.

[00:56:53]Just clearing everything up.

[00:56:56]There we go. Here he is.

[00:56:59]So, yeah, these are about alchemy, these ones, and they're really bloody interesting. But I don't want to translate every single word because I feel like a lot of it goes on like some of the translations are on for like six, seven minutes. And actually, let me know. Is that is that something you'd like to do? Like hear the whole lot. Or would you just like to pick out the juicy bits? Let me know now. Not now.

[00:57:23]Like now let me know. But now in the comments if you could while we're here together that would be amazing. Look, the manibus are subterranean.

[00:57:36]The animals of the subterranean. But yeah, this is about alchemy. This lot.

[00:57:42]And I've got stuff about stones, Tourette's, houses.

[00:57:49]It's really, really interesting.

[00:57:54]Let's see what people are saying. If it's in a Mario voice. Yeah. Nice. I agree on the solo activity front. Yeah.

[00:58:02]Yeah. Definitely also accomplishment. Cheers mate. Civil beastful building. Congratulations VJ.

[00:58:10]Big up brother. Big up guys.

[00:58:15]Yeah, I got it a year ago but what happened was I've literally gone to work nearly every single day for a year.

[00:58:22]So I couldn't do YouTube.

[00:58:26]Forgot all about that. Has been packed away. So, let's get back to these. But yeah, cheers for the love, guys. So, these are the stuff. This talks about fireworks as well. Making fireworks, which is really interesting.

[00:58:38]Firework. This is going to be a firework.

[00:58:42]It was making mad fireworks back in the day. And fireworks that powered machines in the sky. I don't actually understand what that means at the minute, but when I was translating, so that's why I didn't want to dive into this now in this session. I wanted to do a bit more research because I feel like what I found is special. So, it's within this lot here and um it's within this lot here, mate.

[00:59:13]But I'm just showing you guys now. Maybe if you just want to pause this, screenshot it, and do your own translations and see if they come back the same.

[00:59:24]So yeah, one of one of the uh things that they did was um they were saying in this book that they can bring back plant and um life plant life back to life inside um pressurized vessels with heat.

[00:59:43]Um plant basically like if you was to burn a plant and it was into ashes or something like that, you could bring it back together again. That's why I don't want to talk too much about it because when I s talk about it, I sound bonkers.

[00:59:56]But these are real experiments that have been done by real scientists documented in this book. But you can go and independently check out these experiments yourself. But the experiments are phenomenal. Look, experiment experimentum.

[01:00:12]What else you working with?

[01:00:15]Look, I think this one. What was this one?

[01:00:22]So yeah, these are experiments and this wasn't this was another experiment which is really weird. Uh basically they're saying that they they create a serpent inside the glass when they use distill stuff.

[01:00:38]Bit strange. Bit strange.

[01:00:42]But like I said, I want to decode it before I bring it to you.

[01:00:46]Um yeah, really interesting stuff. I know about um Moon Mountain, but I can't seem to find it in this book. And I know that when I read about it before, I read it from this book, but I can't seem to find it at the minute.

[01:01:11]Yeah. So, we're going to go through this this way. There's also I want to show you this. One sec, guys.

[01:01:18]So, I will be doing lives all the time about this stuff now because it's phenomenal. I feel there's going to be a lot of um answers inside all this.

[01:01:29]And then I want to go through this lot.

[01:01:30]Let me just get it present. Stop sharing. Yes. Bless up.

[01:01:36]Share that.

[01:01:38]Here we go.

[01:01:43]Yeah. There we go, guys. So, yeah, I want to be um looking at this lot because in this book, Kercher talks about underground rivers of fire and how they caress streams underground to make hot water geyzers and stuff like that. It's phenomenal.

[01:02:10]Absolute phenomenal. Because don't forget guys, even though this is like this sort of print, this is a science book from 400 years ago.

[01:02:21]Obviously, we're a bit more advanced than they were then. Maybe maybe it's interesting to see how they were thinking back then and the information because I believe a lot of this is true. Not everything, but I'd say a lot of it is true.

[01:02:39]I guess I think this is the maps. So yeah, this guy went around and mapped all the subterranean. Basically, he mapped all the people, the animals, uh the waterways, streams, rivers, um different pressures, volcanoes underground, all the fire stuff, um vents underground, natural venting and stuff.

[01:03:06]Ethereum, isn't that a bloody Ethereum.

[01:03:11]Spatium.

[01:03:13]Spatium. Ethereum. That's interesting.

[01:03:16]What does Ethereum mean? That's a bloody coin, ain't it? But yeah, these are the fires.

[01:03:24]I don't know what I need to pick that. I believe that's not Moon Mountain, is it?

[01:03:29]That's the Himalayas. We had this before.

[01:03:38]Italia.

[01:03:41]So it talks about hydrophalacy.

[01:03:49]See? Yeah, we did have a little brief look at all this stuff because I was asking questions. There has to be a natural cycle that we're not aware of, but obviously it's been documented by this guy. You can't have water continually flowing from the mountains, making streams and then contributing to rivers and then ending up in the sea going constant non-stop forever. Like at one point the sea has to fill up. No, like you can't just constantly have water flowing in nonstop for thousands of years without the sea level rising. People going, "Yeah, sea level rose." But yeah, it might have rose a little bit, but it hasn't rose to the volume of the amount of water that's bloody exited into the all the all the oceans from the rivers.

[01:04:36]So, there must be some sort I've always said this, there must be some sort of natural system we're not aware of. And I I used to say before I come across this book that the pressure of the sea pushes water underneath, up through the mountains, and background. That's what I used to say. That's the only logical thing I could think of. Like there'd be like underground streams and because of the pressure of the sea like it's like a a head of water like the weight of that pushing through the rocks underneath up top of the mountain back down. It's pretty much what you're getting described here pretty much.

[01:05:15]But there has to be some sort of system that we're not aware of. Anyway, guys, going to love you to leave you. I'm probably going to do another session. I don't want to say tomorrow because my ADHD brain is like, my ADHD brain is like, "Yeah, we do it tomorrow." But I ain't even caught up with my sleep properly yet. So, I want to say yes to something. So, but keep an eye out because one day this week, I will be doing a live at the beginning of the week as well. or so Monday, Tuesday, maybe Wednesday. And VJ, big up for that, mate. I appreciate you, brother.

[01:05:53]Maximum respect. If anyone else could support, that would be amazing, guys.

[01:06:00]And um we have a trip coming up soon as well. So, I'm meeting Earth Explore, Earth Explorer, sorry, in Luxor next month. This time next month, basically in exactly a month. So, I'll be doing like um eight days in Luxville.

[01:06:19]Um we're currently looking on Google Earth for sites that have not been seen and Earth Explore has his own personal archaeologist out there. So, um yeah, we're going to try and look for some bits out there. Uh I want to go to I say I want to the plan is while we're there to go to the quarry where they got all the stones from Luxor from. Um can't it's called Jebul something I can't remember but there's a stone quarry that I want to go to. Um I'm going to try and go to the the Assyrian or Osiris shaft or whatever it is.

[01:06:57]Um and yeah there was a couple of other places but I can't think. And then a month after that, not even a month, three weeks, two weeks after that, it's my birthday and I'm going to bloody Sardinia to go and look at um the cartr sites that are connected to these catacombs again, which we now know, which we're uncovering on this channel. It's building services feeding a complex.

[01:07:26]So, I'm going to be going there to unravel all that lot as well. Um and you've obviously got like the giant wells in mold, um Sardinia, a load of other sites. So Sheree, good to see you, girl. Make real good, baby.

[01:07:44]Jonathan, good to see you, mate. Good friends. Yes, plenty of water under planets crust. Yeah, definitely.

[01:07:52]Simplicity. I think I've said that right. I think good to see you, mate.

[01:07:56]Car spit fire. Good night, sweet Paul.

[01:08:00]Good night you sweet cheeks.

[01:08:04]See you later, girl. 9:30. That was only 2 minutes ago, so you might be there.

[01:08:08]Yeah. See you later, girly. Take care.

[01:08:10]Big up son, mate. How's it going, mate?

[01:08:12]You're still in LA.

[01:08:15]Um, yeah. Let us know if you're still in LA, mate.

[01:08:20]I think last time you went off grid, didn't you, mate? Last time we spoke you went off grid.

[01:08:25]Le, big up, brother. Each and every time. Dominate Watkins. Yes. Do they call sardinians sardines?

[01:08:35]Yeah. Well, anyway guys, one love. T ass.