Graves expertly bridges the gap between visceral creature horror and sophisticated social critique, revealing how the film’s spiders serve as a chilling metaphor for the systemic dehumanization of the marginalized. It is a sharp reminder that the most enduring monsters are often those woven from our own societal prejudices.
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I Wasn't Scared of Spiders Until I Watched INFESTEDAdded:
Have you ever watched a movie that made you realize that you may have a fear that you always thought you didn't?
I had that experience recently with Sebastian Vanacek's 2024 film Infested, a spider horror movie about a group of people trapped in an apartment building where an nice and happy arachnid family decides to make the place into its home.
Housing is brutal right now, so I do understand, but dear god almighty, I would prefer if the decisions made to a cozy up in a residence didn't unlock fears I always thought I was immune to.
I've never had a problem with spiders, man. I don't live somewhere with hurty ones. Well, well, well, I may not be an overly thrilled when I see them crawling on the walls of my studio. It does fit with what I'm going for. Like I think they're just attracted to what's going on in here. That being said, Infested is the first time I've watched a bug-centric horror film where I swear to god I started to feel the spiders crawling under my skin at certain moments because Vanacek did an insanely good job of making this as tense and uncomfortable as possible. He did so well, in fact, that this movie actually won him a spot in the Evil Dead franchise with his Evil Dead Burn releasing in just about two months. And so I figured it was about time we talked about this thing both so we can celebrate how good it is and also so I can treat it as a sort of therapy session because modern-day masculinity isn't about pushing down emotions anymore. It's about writing a screenplay instead of going to therapy. And uh writing a video script should work.
Something that really stands out to me about Infested is that at least for me, if the term spider horror movie comes up in conversation, then my assumption is that what I'm aiming for is a bit of a B horror movie. That's not a bad thing. I love a good B movie, but it may come as a surprise that Infested is actually a very serious, emotionally driven, thoughtful, personal, and genuinely scary movie. The idea behind this film is that Vanacek wanted to make a movie about how people from rougher suburbs are often judged based off of where they're from or what they look like with assumptions of them being criminals or scary people being something that could be explored through the analog of spiders, which are also often feared for their appearance alone. Unless you're Australian, then you have a pass on this one. I wish I could walk out in the nature with the confidence. How are How are you guys not terrified every time you go outside? You're built different.
Yeah, the spiders in this movie do become a massive threat, but it's all out of survival instinct. The opening scene shows a group of smugglers in the desert attempting to capture these rare spiders to resell them, meaning that they're being taken out of their natural habitats into a place that they're not at all meant to survive in. And then as soon as they're seen by people, the first reaction is to yell, Kill it! I do think this is a really cool way to explore this topic, and spiders are a very appropriate analog here. This movie plays with what we think we know about these characters a lot. With it coming as a bit of a shock to learn that Caleb, our main character who's reselling shoes and doing business with shady salesman, has a whole bunch of insects and arachnids as pets, or having Zordi, Caleb's friend, who at first seems like a stuck-up [ __ ] actually having a lot more dimension to him than we first think when he comes in talking about his new fancy car. Uh, this is a weird time of year to record videos cuz it's hard to know how to dress cuz these studio lights get hot, and now I'm Now it's too hot. I'm uncomfortable. And I have to record this the second time I'm recording this video cuz I just did the whole thing, and then it was out of focus the whole time. I just really like how the movie explores assumptions and preconceived notions about people, and it's very clear that this is something that Vantach cares a lot about. There's no question that people who come from rougher areas and have adapted to make things work for themselves very often face prejudices about being violent or aggressive, which is why right after having that scene of us learning that Caleb definitely does make his money through some shady means, they follow that right up with showing him trying to help out at the building he lives in when some other tenants are being jackasses, making a mess of the place and blowing up firecrackers. He steps in to help.
Even just from the start, where the opening credits play with this really heavy music that sets up an intensity, and then we're in this cramped shop where someone is selling fake jewelry, but then what what followed up with is Caleb buying something as a gift for someone he cares about and then picking up a spider friend. One of the big things that really stands out to me coming away from Infested >> [music] >> is how strong the cast of characters is here and not one of them feels like they're one-dimensional or left less developed because they aren't the primary focus. They managed to land on some extremely strong emotional beats because of how well they managed the characters. Caleb is just a really interesting lead here and he's the kind of character that I feel like I don't see often depicted in media but one that I'm very familiar with in real life and that's a cool feeling. I think that one important thing about how Van Hecke handles these characters is that he's not afraid of making them imperfect and he's not worried about us becoming too disillusioned with them due to those flaws. Caleb has a very sweet side to him that we see come out when he's interacting with people like Claudia, a neighbor whose relationship he very clearly cherishes and sees almost as a mother figure of sorts, which is important as his mother passed away.
She's the one who he was buying earrings for in the shop at the start and all we need is the one interaction where Theo Christian's performance gives us absolutely everything we need to know about this. The dude did a brilliant job with this nuanced character and what I'm referring to there is that while we have that sweet side of Caleb who's very gentle and kind with Claudia and wants to help the people who work at the building and keep things nice, he also can be really rough with his sister who's admittedly in a tough [music] spot. The first time I watched this movie, I found myself so irritated with many of the side characters because up to that point, I'd only spent time with Caleb so I tended to side with him but once you have the full context and you revisit the movie, you really realize how complicated these dynamics actually are. The main conflict between Caleb and his sister Manon is the death of their mother, how they're each coping with that and how they plan to deal with the home that they grew up in. When we return to find that Manon has turned off all the warming lights for Caleb's insects, it's infuriating but what makes this such strong writing is the effect that having this happen before we've gotten all that much information about them has on the viewers relationship with Caleb. Manon hopes to start her own business, presumably in labor work as she's renovating their place with hopes of selling it while also doing some work for other people in the building. In Caleb's story at this point in time, Manon is a cold, selfish person who's trying to forget about their dead mother, sell the house to line her own pockets, and doesn't give a [ __ ] about the living creatures that he has living in his room.
Although I don't know if he actually feels that way. That's the way he's presenting it. I think a lot of this just comes from the fact that like he's so closed off. But in Manon's story, Caleb is holding on to an apartment that they don't need and sucking up tons of electricity while raising their bills without contributing to their finances as his shoe selling, while more legitimate than the criminal past that's hinted at, has still left him effectively broke. She's not cold and wanting to forget their mother. She just doesn't want to spend her life holding on. Wants to get on her own feet, and selling this place would give her the finances she needs to start up that business. They both can be really brutal to each other at times, but I think that taking a step back, it's not hard to sympathize with either perspective.
They're in a tough spot, and they're both trying to cope with grief while attempting to plant their own feet, and that's created a lot of tension between them because they're doing that in two very different ways. I think that at first we naturally gravitate towards Caleb, but I do think that Manon has a right to be frustrated because she is trying really hard to get things moving.
It's very shitty that she's putting those little critters at risk, and of course that's a huge knock against her, but the financial restrictions they're under and the fact that Caleb isn't contributing much makes that frustration at the very least something [music] that can be understood. Then there's Jordi, who's probably the most interesting side character and is without a doubt the source of the most emotionally impactful scene of the whole movie.
The first time I watched this, I hated this dude. He shows up to help Manon work out renovating their bathroom since he's dating her best friend, and he seems to have found himself in a much more comfortable place in life than Caleb and Manon have. He's working in medicine, he's driving a fancy car, and he just seemed like a stuck-up know-it-all. But again, the way that this movie handles our preconceived notions about people is just [music] fantastic. Because by the time the movie comes to a close, we have so much more context about what's going on. Like the first From that opening scene like the first scene with him, I'm like, "Oh, I [ __ ] hate this guy." And then I held on to that for so long, and then after his death scene came, I was like, "Oh, wait.
I may have been wrong about this." And then rewatching, I was like, "I was definitely wrong about that." Honestly, Caleb is a lot more irritating on rewatch than he is the first time around. But to be clear, that's not to say he's a bad character by any stretch, but I just mean that he can be pretty childish in many places. There's a history between Caleb and Jordi that we learn about later on, slightly hinted at with Jordi's limp that he has, which we learn is from a pet iguana that Caleb had that bit his leg. And this was the first thing that wound up being a catalyst to separate them. They weren't just good friends, they had plans to open a zoo together. But when Jordi told the cops what happened after his injury, Caleb was hurt and didn't go visit him in the hospital, which led to Jordi not visiting him when his mother died. And it all just fell apart. It's like, you know, one of those things that starts out as a small problem, but snowballs quickly because the two of them just weren't willing to communicate, and they were too young to approach this properly. It becomes clear later on though that they both do still value that relationship and wish for it back.
>> [music] >> Caleb keeps a photo of him and Jordi at a zoo in his room, hiding it in embarrassment when he comes to see the space. And we learn that Jordi has always hidden the actual cause of his lifelong injury, telling everyone around him that it was a scooter [music] accident. And also that he really came to help Benoît with some hope that he would be able to rekindle things with Caleb, but again, the communication here is not so good. And while both of them want that friendship, neither of them are actually taking any step towards it.
They should each just write a screenplay and then [music] pass it under a door for the other to read. I swear I didn't go into this expecting that I'd be talking this much about complex character relationships and healthy communications in a spooky spider movie.
But I mean, it it's here. I can't just pretend it's is This is not what I thought this video was going to be.
We'll get to the spiders in a second.
I'm trying to delay that part.
I find it genuinely impressive how well Van Heck managed the themes that he wanted to explore here. And on top of that, the emotional weight that he's able to pull from this storyline is pretty wild. The biggest part of that being Jordi's death, which is a haunting sequence and puts a serious gut punch into the viewer's heart. During a pretty intense scene at the end of the second act, Jordi gets caught in a web and knows it's too late for him.
Accepting that he has to be left behind or the others will also die. And [music] man, if you want to talk about how to make a death scene disturbing without showing a damn thing, this is something to pay very close attention to. We have so many unresolved strings at this point with Caleb and Jordi beginning to work together in their fight for survival, but no moment where their past is actually addressed. And so you'd assume that we'd get something before Jordi dies. We'd give some level of closure, but we don't.
When they leave him behind, we have a sequence where they can hear him being killed by something out in the hallway, but are entirely unable to do anything about it. And that's something I'm sure you've seen in many other movies, but what makes it hit so insanely hard here is the stellar performances from everyone. I already talked about how great Theo Christine's work is here, and this scene is absolutely no exception.
But Sophia Lillis off, who plays Jordi's girlfriend Layla, delivers a performance here that brings this scene up to a level that I was honestly shocked by.
The complete vibrating panic that she shows as she's dragged away from him and forced to listen to this, shooting her hands up to her ears like his screams are a blistering gunshot firing off right next to her head.
It's insane.
This level of performance is so important in building up this relationship in particular, since we don't spend a whole lot of time developing the two of them as a couple.
But none of that matters, because we can see in her horror how important this was and how much he means to her. That's not to mention what's going on with Caleb here where the whole time he's just yelling about being sorry and you can feel the years of regretting his lack of communication and not being there or apologizing for what happened, hoping in some vain way that Jordy will somehow hear him. This is obviously a really heavy moment, but at least for me, it doesn't feel like the movie is leaving this on a completely bleak note where their friendship was destroyed forever.
It feels like they both know what was really going on the whole time and both still cared a lot about each other, but just didn't know how to take that first step in saying it out loud. When Jordy tells Caleb to run, there's the sense that none of the [ __ ] mattered. So, while the scene itself is frankly devastating, there's at least a silver lining in their connection. It's also not all unresolved stuff here as Caleb and Minho finally have what seems to be the first heart-to-heart they've had about their mother near the end of the movie, where Caleb admits that he's been pretty rough with her about it and, you know, she wants to make it as clear as possible that yeah, she does miss her mother. It's a sweet scene and it's nice after all of this that we get these two managing to come together. [music] One other thing that I think the movie does well in regards to Caleb's character ties into that motif of him being somewhat closed off where anytime anyone says I swear or asks him to swear on something, he pushes back hard on it and says never to do that and that he never will. On a note that we see from Jordy at the end of the movie, he closes it off saying I swear, referring to them one day buying a zoo together. And while you can feel from the early moments that Caleb's aversion to this probably comes from something not being fulfilled earlier on in his life, this is such a good way of tying up that plot thread and giving a satisfying conclusion to Caleb's arc, especially following the one time he's finally willing to swear on something at the end of the movie.
He's someone who's clearly afraid of letting people get too close or committing to things. So, it's nice to see that get wrapped up by the end. Even some of the less dimensional characters like Matisse still feel like they're fleshed out and played well by actors who are giving their all to the role.
It's really nice to see.
I'm not even [ __ ] you, there's a [ __ ] spider on the ceiling right above me right now. He just flipped me off. I said that and he stuck one of his legs out like this at me.
[ __ ] you, too. You This guy you gave a really good performance in the movie, by the way. A big focus of the movie story is clearly Caleb's relationship with taking responsibility, where he never apologized to Jordy for what happened or went to make sure he was okay and is just generally not one to accept that he's in the wrong until the end. And look, man, I like Caleb. He seems like an all right dude, but I mean, this whole thing is kind of his fault.
Now, would it be fair to expect him to be setting up this spider with the preventative measures of not creating an infestation of this magnitude?
No, but did he buy a spider illegally that was not meant to be in this climate and put it in a shoe box?
Yes. I almost find this part of the movie to be Like most of this movie's not humorous. It's it's a pretty serious tone.
But like you know, he has a hard time taking responsibility. So, the movie like brings out the most extreme thing that makes it very difficult for him to explain away. Like Like good luck trying to talk your way out of this one.
Anyway, with that all out of the way, how's about we finally force me to talk about the [ __ ] spiders here. Are you happy? Is this what you're here for?
This movie is a tense, uncomfortable, and freaky ass time, man. By the time we roll around to the third act and the spiders have like fully taken hold of the apartment building, the space takes on this otherworldly feel with the dense webs covering all the walls and ceilings, making it feel like somehow into some cave at a Lord of the Rings or something. And Benecke takes what very easily could have just been, "The spiders are coming." and does some really creative stuff with it. It's established early on, for example, that the timed light in the hallway doesn't function all that well, and even when it does function, it's of course going to shut off after a bit. And it just so [ __ ] happens that it's this specific hallway that they need to go through in order to reach the parking garage and escape, which That's mean of you, Sebastian. It's a super tense sequence that makes use of a great setup early on. And while I can absolutely feel for the complete panic you'd be in while doing this, and I do sympathize with Layla, I think this sequence also made me realize that I am not above ripping out someone's vocal cords because dear god, stop screaming.
You're going to make them attack us. You can have your vocal cords back after.
You're being irresponsible with them right now. Many of the cooler sequences here stem from the fact that when they spiders are blasted with light, >> [music] >> they just freeze. With another notable section being when they're trying to make their way upstairs while being chased by spiders and have to turn around on each flight to stop them while the others proceed up the next flight.
I'm not entirely sure this was the most effective way of navigating this particular situation, but these people are panicked out of their minds and this absolutely makes a cooler sequence than a safer alternative may have. This is just really exciting. One thing that happens throughout the film, and I'm deeply sorry to any of you who have like actual arachnophobia, because what I'm about to say may ruin you, is that these spiders, when threatened, grow in size up to 10 times what they normally are.
Now, if it's any consolation, while the film does attempt to explain this as a scientific thing for certain species, I wasn't able to find anything about any spider species that can actually do this. [music] It's not something that like makes sense in my head to be possible, but I'm also stupid, so [music] bear that in mind. I tried to find anything, couldn't find anything.
That being said, take heed in entering the comment section for someone smarter than I may have a truth that you don't want to find. So, yeah, we start out with that little fellow that Caleb buys at the store and end on something that could probably be used as a mount in Elden Ring. It's definitely not ideal, and I love how this is something that happens slowly [music] each time we see the spiders. The first like really shocking moment is when this dude working out in his room sees one on the wall, and it's a [ __ ] massive increase in size from the last time we saw one of these critters, >> [music] >> and it seems that a lot of this stems from a sequence in the bathroom where Lyla gets freaked out when she sees one and the spider begins to feel threatened. I really just want to like gush about how [ __ ] great Sophia Lillis off is in this movie. Like man, I know I already mentioned it, but dear god, she's just so energetic. She's so believable. Amazing work. Oh my god, where did it go?
Oh, it's on my Dracula poster. Of course, this guy is meant to be here.
What I find kind of interesting about Infested though is that well, by the end the whole department is covered in spiders and webs and darkness, and the spiders have become massive and even full auto assault rifles aren't enough to fend them off. I always find myself getting more freaked out by the earlier sections when the spiders haven't grown in size yet. I think that a part of that is because some of what happens here is just more believable and easier to relate to, but also it's that because the spiders are smaller, they're a lot harder to find before it's too late. It's pretty hard to miss a [ __ ] like this, but these little dudes I don't know, man. Infested has my respect because it manages to do what few movies are able to, and that's it it gives me like a genuine physical reaction to a couple of moments when the spiders are smaller, and without a doubt, the moment that I find to be the most effectively uncomfortable in the whole movie is when Toumani, another resident in the building, is sold a pair of shoes by Caleb after the spider made its way out of the shoe box he'd been keeping it in. When Toumani goes to put those shoes on, it starts rather innocently with just a little bite, and that's fine. I don't care. I don't care about that part, but I cannot under-emphasize how deeply I hate the moment when like hundreds of these little itty-bitty baby spiders absolutely rocket out of the shoe box and climb all over him. I can feel them in my skin. This kind of thing happens a couple of times in the movie, and one small thing that I think makes it like genuinely horrifying is that they'll often have the spiders get pretty far onto to before they even react to what's going on because they move so quickly.
There's something about them being a light color, climbing as fast as they are, and getting onto him before he's even able to be startled by that. It's just like [ __ ] Jesus Christ, it makes me feel like I have spiders in my skin. I can feel them in my hair, man. I hate it.
And I don't like it. And why? And stop.
No.
>> [laughter] >> I don't want it. Again, I don't even have a problem with spiders. They've never scared me. This movie's the first time I've been scared of spiders. What the hell is it? Watching horror movies is meant to be a safe place to face your fears. It's not [ __ ] meant to make me scared of [ __ ] I WAS NEVER SCARED OF IN THE first place.
Sorry.
This has really got to me, man.
I I wasn't expecting it to. God forbid you get a little itch while watching this movie cuz you're going to think that a swarm of spiders is on you.
Infested portrays this in a way that clearly hits. And none of this is to mention how nasty the effects of these spider bites are. It's See, these things aren't just killing people out of self-defense or anything like that.
They're trying to [ __ ] nest inside of people. So, we'll often get someone killed off and then they become like a burrow for the spiders, which is a horrifying thought. This is unfortunately what happens to Claudia.
And in one of the meaner moments of the film, Caleb walks in hoping to find her so they can bring her on their escape, but all he finds is a spider crawling out of her dead mouth.
Lovely. This is heartbreaking, man. Let me be entirely clear. I'm not saying that the movie isn't still scary when the spiders get bigger. It is, and I would imagine especially if you are afraid of spiders, probably a lot worse.
I just personally didn't have the same sort of physical reaction to the later stuff as I did with these moments. I hate that scene with Toumani with a deep and fiery passion. But you can also bet your ass I'll be throwing a weight through the wall if I saw a spider like this crawling around, too. There's no doubt, as you've seen, that I've been side-eyeing my spider friends in the Rockland graveyard a bit more than usual since watching this movie. Where the [ __ ] is it, by By way? That's fine.
That's fine.
He's probably in my hood and that's okay. I think that there's actually a bit of overlap here between infested and wreck, which is cool, but according to Van a check, the main movie that served as inspiration for infested was Jeremy Saulnier's 2014 Green Room, which if you haven't seen and you like tension and like grounded horror, that's something you absolutely have to watch. What an insane movie. He also made a movie called Blue Ruin by the way, which I think is super underrated. If you If you like a Green Room, you should absolutely watch Blue Ruin. You can definitely feel that inspiration here and how they handle the claustrophobia and feeling that you can't leave, along with the very grim [ __ ] that's going on and I think he captured that feeling of realism quite well in a few scenes.
Particularly the first sequence of the police showing up on scene after Toumani's death, where this dude is doing his absolute best to keep things as calm as he possibly can while trying to impose how serious it is. I actually really loved how Infested handled the presence of law enforcement in the building. The climax of this movie is in an interesting spot, where of course we want these people to escape because we've grown to really connect with them, but also them escaping would enable the spiders to potentially get out. And so the whole place is on lockdown and they do some really cool stuff with the tension between the survivors and the officers trying to keep things from getting out. I feel like it would have been very easy to portray the agents here as the villains of the movie and make them purely antagonistic, but I think you actually do get some more complex feelings about it early on in the third act when it's like I mean yeah, we clearly don't want this to spread further considering how insanely dangerous it is. They don't know anything about what's going on and then Caleb literally shot one of the officers right in front of the others.
Uh it's a tough spot. I just appreciated that there was some nuance here because it creates a complex back and forth in the viewer's head about what's actually the best thing to happen. The other thing that I think makes this such an interesting section of the film is because at this point we're kind of getting things flipped around where the spiders were fighting back because they were backed into a corner and now we're seeing the characters that we've been following in a similar situation where yeah, sure they attacked the cops and that's obviously going to escalate things, but they were also locked into an apartment building where they were going to be killed and they were gassed out by the cops as well. They're fighting back now out of fear and self-defense and survival instinct, just like the spiders did. And I think that that does a really good job of tying up the themes the movie's been exploring.
We can't really blame these people for fighting back after what they've been through and after being gassed out of the hallway in the same way that we can't really blame the spiders for getting defensive when everyone's trying to kill them at every turn. It's like the movie is going from using an analog to explore its themes to just [music] kind of straight-up showing it more plainly. And even though them getting out is potentially dangerous, there's no chance in hell that I want to see them stay locked in there. And ultimately, it's the daylight that makes it possible for their escape to happen relatively safely. As established, the spiders freeze in light, so when the door opens and we're met with the brilliant explosion of daylight outside, it's a nice reminder that like, oh yeah, they probably can leave and not have the spiders escape so long as they shut the door quickly. Ultimately, the building is demolished and the film comes to a close with Caleb going out to the woods and burying a shoebox with a photo of him and Jordy in it. I would assume that the surviving residents of this whole ordeal were compensated financially considering their building was demolished. So, it's nice to think that Manon can go off to start the business she was hoping to and Caleb can finally get on his feet a bit. And maybe he'll help with her. That'd be nice. That final scene has a very important detail that helps to tie together the whole thing where a spider crawls onto Caleb and he takes it in his hand before blowing it off. It would be antithetical to the theme that Vande [ __ ] was going for if Caleb no longer liked spiders by the end of the movie since the idea is that they're being used to explore prejudice. [music] And while the spiders in the building killed [ __ ] everyone and were technically the villains of the movie, they did what they did out of self-defense and fear. And so, I love how Caleb is still okay with them, but it's still like, "We're chill, but like, we're going to need some time." Infested is really awesome. It's a super tense, genuinely creepy, and effective lockdown horror film with a great cast of characters, some really impactful emotional moments, and a successful exploration of its core themes that never feel like they're getting in the way of things. I think it's one that rewatches incredibly well because of how the additional context from later on in the film helps to flesh out these character dynamics and makes you pick up on more of the subtleties in their interactions early on. And seeing this movie has made me extremely excited to see what Fede Alvarez does with Evil Dead Rise. And no, I haven't watched any of the trailers aside from that vague teaser they showed before The Mummy.
Everyone's telling me it spoils too much, so I'm going to pass on that.
Anyway, yeah, this movie's sick and I think I'm going to have to sit down with the spiders in my pillow and have a conversation about their intentions moving forward. Uh you should do the same. There are spiders in your pillow.
Thanks for watching through to the end.
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I hope you've enjoyed your stay.
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