The 1970s marked a transformative period in Korean cinema, characterized by bold, emotionally charged filmmaking that explored modern psychology and social themes, with directors like Kim Ki-young and Kim Soo-yong creating innovative works that established Korean cinema's capability for artistic excellence and influenced filmmakers worldwide.
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Park Chan-wook on Korean Cinema’s Celluloid Fever: The 1970sAdded:
yes. The 1970s edition of the Korean Film Retrospective held at Lincoln Center. There were really a lot of works that got me excited just by looking at the list.
In particular, directors and works that have greatly influenced me stand out. Well, they are all truly gem-like works.
Among them, Director Kim Ki-young, a Korean woman, and a woman chasing a murderer who is more interesting than a nail. It is a Korean cult film that is so bizarre, whimsical, and nonsensical, absurd in a way, and seems like absurd in another way, but tells a bizarre story with a more active imagination than anyone else.
The work *The Housemaid* is particularly notable as it is the second film in which Director Kim Kyung has personally remade stories like *The Story of a Year* multiple times, and it can also be seen as the most complete film. Uh, and it’s a bit of a shame that Director Kim Soo-yong isn’t as internationally known, but he is actually a director who has made a lot of truly excellent films, and *Night Journey* and *A Splendid Outing*, which are being introduced this time, are films that I really love. With its excellent color palette, this film is representative of a director who possessed the most modern sensibility in Korean cinema, as it delved deeply into the psychology of modern women—an exceptional feat for Korean films of that era.
Ah, and speaking of which, the director I love the most and have been most influenced by is *The Last Witness*. This film, which uses Korea's tragic history as its subject matter, is a mystery that depicts the tragedy of human relationships, and I dare say it is a masterpiece. After watching this movie, I thought, "Wow, making movies in Korea is really capable." Making good movies is a work that inspired me to dream of becoming a film director, along with Director Kim Ki-young's *Hwan*, which gave me hope during a time when there weren't many Korean movies I liked. In these times when interest in foreign cultures is needed more than ever, I hope this serves as a wonderful gift for you, who are eager to learn.
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