Um Italiano em Nova York | Filme Completo em Português | Comédia HD

Added: 2026-06-02

[00:01:58]You like Chicago, eh, the mine is better.

[00:02:01]You already see the honeymoon again. We'll all meet at 6:15 at Soldier Stadium.

[00:02:17]Papaleo, if you see the challenger in trouble, you get in the ring and give him a hand.

[00:02:21]See you inside, we have seats close together anyway. We're going this way. Keep your eyes peeled, you've got it here.

[00:02:31]Don't dry it where something is needed.

[00:03:18]You might be wondering what I have in here.

[00:03:22]It's a chandelier for my house in Kicking Hors.

[00:03:27]But this is a big city.

[00:03:29]Congratulations, sir.

[00:03:50]Listen, listen, excuse me, excuse me, policeman.

[00:03:53]Allow me, Rocco Papaleo, to move away from here. I repeat, the Soler Stadium. A thousand and a half.

[00:03:59]Ah, I want to explain. It's about my friends waiting for me at the stadium in half an hour sharp, at 6:15.

[00:04:08]We come by train specifically from Kickh mining area to attend the boxing match valid, let's say, for the title of world champion in the middle heavyweight category. And maybe she's the one who says it's better if I take something, a taxi.

[00:04:23]It's better. There they are.

[00:04:25]Thank you. Very kindly.

[00:04:37]mys What plan? Please.

[00:05:03]Fifth.

[00:05:04]Fifth. Me too.

[00:05:14]See you tonight. I am also in the elevator business.

[00:05:22]Sixth floor.

[00:05:27]Seventh.

[00:05:29]Tenth.

[00:05:44]Ah.

[00:06:14]Holy, listen, excuse me, may I? Papaleo.

[00:06:33]I braked.

[00:06:37]Come with the radio.

[00:06:47]What have you done to yourself? Are you sick?

[00:06:57]No, no, actually he's fine.

[00:07:00]I plan.

[00:07:02]I said to turn off the radio.

[00:07:07]So, how are you feeling? Well, honestly I'm really fine. Come on, give me your hand.

[00:07:36]Oh, right. Excuse me, Rocco, if I may.

[00:07:39]Papal.

[00:07:40]Yes, it's time. Come on, cheer up. But no, good.

[00:07:44]Come on, I repeat, I did n't hurt myself at all. It was, let's say, a simple fall. No, no, leave it alone, they are personal items with no value. Don't worry.

[00:07:53]Miss, what's the car?

[00:07:57]I said to take the car away.

[00:07:59]Parking is prohibited here.

[00:08:00]I'm not on a layover. I'm stuck in an accident. He could have even died. Yes, but he's not dead. Now take the car away.

[00:08:07]Listen, you come and I'll take you to the emergency room.

[00:08:09]Eh, at the hospital. I want to be calm.

[00:08:11]To the hospital? No, no, look, I'm modestly fit, as a fiddle. As you like. Of course. She was very, I repeat, very polite, but now I consciously take a taxi because I have to be at the stadium at 6:15 to watch the boxing match.

[00:08:28]Valid for the world light heavyweight champion title. Yes, we know.

[00:08:32]Come on, if we hurry I'll give you a ride.

[00:08:34]She really gives me a ride. And get up.

[00:08:44]Senda, sorry to bother you. I'm going with the young lady.

[00:08:48]Salts.

[00:09:03]I can't drive without music. You will also say with music.

[00:09:15]What a girl!

[00:09:20]Thanks, stopped in time.

[00:09:22]I stayed there.

[00:09:36]Yep, I missed it, I totally missed it. But how did you lose? Where did you get it? It 's here in your pocket. But it's no longer there.

[00:09:43]I repeat, everything is there.

[00:09:47]This is the breast ticket, but the Stadium ticket is no longer present.

[00:09:53]If you had it, you have to find it. Search carefully.

[00:09:55]But no, it's useless. I repeat, it's just that there's nothing in here. It must have flown away when she, when I, let's say, got hit by her. Do you understand?

[00:10:08]Will your friends have already entered? Yes, the meeting has been about to begin for a while now.

[00:10:13]Maybe they have it.

[00:10:14]Oh no, because everyone had their own ticket. I repeat, gate number one.

[00:10:19]But did you really want this blessed meeting?

[00:10:21]Yes, very much. He came here on purpose for this 12-hour breast and we leave again tonight at midnight on peak. But what now?

[00:10:30]And now not to break a lance in my favor, but I'm a real idiot. Yes, I'll be watching the fight in some bar on TV, it's pretty good to see.

[00:10:38]And then you could have stayed at your house.

[00:10:41]An idiot. That's what you are. I should have been lucky enough to be hit by a tough female with a load of cash.

[00:10:49]And instead it happened to me. She runs you over and you don't run her over. He had to pay you the money in kind.

[00:10:56]But I repeat, he was kind, he even offered me a beer. A beer?

[00:11:01]A brewery had to give you a gift. Do you know anything about it? Well, modestly speaking, when I was young I was a boxer.

[00:11:11]For this reason he came to the United States from Italy in '53 for the Golden Glove.

[00:11:16]What is this golden glove?

[00:11:17]Well, it would be like saying an amateur championship on an international level. Do you understand? I was an element already in possession of surprising technical qualities.

[00:11:25]Oh yes, how good. And did you win it?

[00:11:28]What the golden glove? No, I usually lost, I always lost. 30 matches, 30 defeats.

[00:11:36]A good average.

[00:11:37]Ah, yes, but what would this sound be?

[00:11:42]Songs of whales in love.

[00:11:44]Ah, I get it. Even in Sicily they sing.

[00:11:50]So, he was keen to say that I always lost on points. Only once was I knocked out by a Polish guy, and that was at the Golden Globe.

[00:11:58]Ah, now that was a beautiful hook.

[00:12:00]Beautiful.

[00:12:02]Good evening Pancio. Good evening.

[00:12:05]This is Pancio, the faithful Mexican, my bodyguard.

[00:12:10]I thought it was Do you like it? When I travel alone I always take him with me, I put him in the car next to me, but when I go out for work I leave him here in the middle of the room with a knife stuck in his back, so if thieves come they see the dead man and make off.

[00:12:26]And how come you didn't go back to Italy after the Golden Glove thing?

[00:12:45]That's how I liked America.

[00:12:51]No, no, I repeat, thank you. They are as they say, full as Easter.

[00:13:00]The challenger is clearly in difficulty, but shows clear signs of recovery.

[00:13:07]Hey! Oh, maybe my friends will show up too. Do you think I'm flat?

[00:13:17]Flat as flat? Flat here?

[00:13:22]No, actually, slightly, I mean, it's right, well, I repeat, it seems right to me.

[00:13:33]You turned red because he is suffering a very hard defeat.

[00:14:04]Come on, Rocco, come on, or the Pole will kill you. Show your grit, Christ. You have to hate him. Hate him, hate him.

[00:14:30]10 this left hook of encounters is formidable.

[00:14:53]One of those knockouts.

[00:15:03]Have a little tryk Steignorina Jenny, then I greet you undisturbed, miss.

[00:15:35]Yes.

[00:15:56]Hey.

[00:16:10]Now But who am I? Sorry from out west, from California. It's a protest march.

[00:16:30]Ah, I get it. A procession of protests.

[00:16:35]Ah, I like it. Well done.

[00:16:38]But what are they protesting against? against everyone and even against those like you who take taxis.

[00:16:44]Okay, but if I hadn't taken the taxi I would have missed the train and also against those who take the train.

[00:16:51]Instead, if you want to know, they crossed America on foot and with the cross on their shoulders to undergo the same hardships as Christ. All right, but usually Christ carried the cross, so to speak, without the little wheel.

[00:17:07]Look, this is a ticket to Soldier Stadium. Not for the train from the stadium. It is true. And this is the picture ticket. So, it was basically the breast ticket that I lost in the accident.

[00:17:21]Luckily I didn't notice. I want to explain. Hey, look who's here.

[00:17:26]There is, I repeat, let's put it that way. Papaleo.

[00:17:28]Hey, Papaleo. But he wasn't there at the meeting?

[00:17:31]No, it wasn't seen. Papaleo, the challenger was waiting for you. They wanted to postpone the meeting because you weren't there.

[00:17:37]But I'll explain later. Now I'll re-do the ticket and arrive. Excuse me, the ticket office is over there.

[00:17:42]Thank you.

[00:17:53]Not to disturb, he knows what time it is.

[00:17:55]Me now.

[00:18:04]But that's Jenny. Jenny is Jenny.

[00:18:10]Excuse my ignorance, but what did you work for?

[00:18:15]This word from Paccaria. Did you hurt yourself? How are you feeling?

[00:18:25]Gen is completely Gen.

[00:18:27]And where is she supposed to go? Kim holes one per place.

[00:18:52]Songs of palena in love.

[00:18:55]I'll leave tomorrow evening.

[00:18:58]Pretty.

[00:19:01]Beautiful. A Madonna, an American Madonna.

[00:19:06]5 and 27 12 17 27 10 for the breast 12 unexpected expenses and five board and lodging.

[00:19:45]But then the whole city was plastered with you. Do you think it's surprising? I have never even remotely seen anyone like this.

[00:20:05]And tonight I saw you, I talked to you, I touched you Jenny.

[00:20:38]الله He. Eh!

[00:21:17]Oh, wait, don't burn it. No, wait.

[00:21:24]Oh, what's up?

[00:21:31]Ah, this is Jenny, she's a friend of mine.

[00:21:35]Ah, there are no friends. The world is a piece of mud stuck to the bottom of your shoe.

[00:21:42]But if you don't believe in friendship, sorry, then what do you believe in? Of the alcohol I drink and the women I bang. Yes, but did you do this Jenny? Yeah, so, did you use it?

[00:21:56]Look, you don't even have to think about these things if you want to get along with me. Anyway, allow Rocco Babaleno. Do you agree with me?

[00:22:06]Even though I have poor eyesight, I've always been able to tell a tree from an idiot. And you have neither branches nor leaves. Ah!

[00:22:15]Oh, but you Rebeto, are you offending? Yes, I offend, the world sucks. Were women made to cook or to sew?

[00:22:23]No, my [ __ ], to be thrown on the bed.

[00:22:29]You speak like this because you unworthily never had a friend.

[00:22:32]Oh, I have a friend instead.

[00:22:36]Here it is.

[00:22:37]And what is it?

[00:22:38]Bomb.

[00:22:39]A bomb? Certain. Made with these hands piece by piece.

[00:22:48]5 kg of dynamite.

[00:22:51]But then can it explode? It has to explode.

[00:22:59]30 years ago I was in Africa.

[00:23:02]I was part of a bomb disposal company.

[00:23:05]We explored the terrain for mines. This is what the world is. A shitty minefield.

[00:23:14]Every step can be your last.

[00:23:16]And then I realized that it's better to plant bombs than to jump on them.

[00:23:22]But why? What do you want to do with that bomb? I'm not doing anything about it for now.

[00:23:28]Get up, you bastard.

[00:23:30]For now I'm walking. I carry it with me day and night. That's all. But among disgusting people, I feel safe with her.

[00:23:41]But why do so many people here sleep on the streets all the time? So you can see that Lilton had run out of rooms. People who are like bastards pass by me, maybe give me a push, and nobody knows that Genji Scam is carrying the 5 kg bomb of dynamite on him. Those [ __ ] don't know.

[00:23:57]Genji scan.

[00:23:58]Well, I call myself that because that was a great man, an exterminator.

[00:24:09]Let's go to the barber. No, from Mama Rosa.

[00:24:13]Ah, still here? But do you ever lose your way? But you know I won't give you any more credit, right?

[00:24:20]In the meantime, Mama Rosa, save your breath, you who have some, and show respect to those who pay. Today I am a guest of this gentleman with the money.

[00:24:29]Excuse me, if Rocco Papaleo may.

[00:24:33]Forget it, the name is enough. The last name is a [ __ ] chain that binds us to the family and the family is a dump. Let's not even talk about children, do you believe me?

[00:24:48]A child gives you only one great satisfaction in life. Exactly 9 months before being born.

[00:24:57]But what is it like before being born?

[00:25:01]Ah, pretty much when safe.

[00:25:06]Two [ __ ]. Do you want to fight?

[00:25:09]Whiskey.

[00:25:12]Show this cheaters money.

[00:25:16]I was telling you before about the family, which is awful.

[00:25:21]And do you know why I say that? Take my son, for example, he threw himself into the middle of the street like a mangy dog. Like a dog.

[00:25:35]But why did he kick you out?

[00:25:38]Why did that [ __ ] of a wife go and tell him that I had banged her?

[00:25:43]Slammed? But how? But did you tell your son it wasn't true?

[00:25:49]Of course it was true. My fault. Maybe she was the one who was hanging around the house all day in her slip and then he was supposed to be happy, right?

[00:26:02]that his father is 70 years old and still capable of banging a woman on the bed.

[00:26:07]But how happy? It's about her being his wife. She 's my daughter-in-law, we want to say it. I think there was also a bit of envy.

[00:26:17]His wife must have told him that I function better than him.

[00:27:06]Yes.

[00:27:28]Dad Leo, what are you doing here? You didn't leave anymore?

[00:27:31]Well, I have the cigarette, but it was the matches that I was missing and that's how it happens. No, I haven't left yet because, as they say, I had some business to take care of here.

[00:27:44]But yes, of course. You did well. There's always time to leave. And then you want to compare a city like this with Where Are You?

[00:27:55]Kicken Horse.

[00:27:56]Kicken Horse?

[00:27:57]Yes, it's in Alaska.

[00:27:59]Think about it.

[00:28:01]Well, I'm running away. HI.

[00:28:06]Oh, yes, he's right. You run away because the big city takes you in that sprawling rhythm, right?

[00:28:13]Thank you.

[00:28:14]Please. Do you want a ride?

[00:28:22]Well, actually.

[00:28:24]Which way are you going?

[00:28:26]And where is she going?

[00:28:27]In the center. Very good. Me too.

[00:28:38]Here you go, ready. You could have woken me up when you left. I left her a note written in my own hand.

[00:28:52]Yes, I saw it. It was a beautiful ticket, especially the ending.

[00:29:01]Listen, I would have arrived. Where do you have to go?

[00:29:04]Well, loosely, let's say Oh, wake up. Where do you have these little matters to take care of? I actually have nothing to do, Jenny. I found out, right? Adventurously his identity.

[00:29:24]Ah, did you find out?

[00:29:28]So that's not why you didn't leave, is it? Is that so?

[00:29:34]Huh? Well, yes, but the fact that I'm leaving this evening is even better.

[00:29:40]Anyway, you stayed for me. Extremely powerful brakes.

[00:29:51]I, on the other hand, have a few things to take care of.

[00:29:53]Yes, yes, I understand.

[00:29:54]Listen, do you want to come to breakfast with me later?

[00:30:02]At the restaurant?

[00:30:04]Yes, with caviar and champagne. Wait for me here.

[00:30:07]I'm not moving. Tirelessly.

[00:30:11]17 men to mother Rosa. Men 1.50 at the Coffee House. I have $1.50 left here, but maybe it doesn't cost much.

[00:30:20]Hey, I'm treating you. Hey, you're a guest. No stories. very kindly.

[00:31:04]Hey, listen Pupo, mommy calls you mommy just like she's telling me, sorry, don't you recognize me? I'm the one who invited you to lunch.

[00:31:16]That's really good.

[00:31:17]Eh, now. Thank you very much. How stupid you are. We've barely known each other since yesterday and he already treats me like one of the family.

[00:31:38]And how do I look with this black one?

[00:31:40]Oh, it's even better.

[00:31:42]Yes, it's true, I'm fine with it, but I don't like it.

[00:31:46]Well, yes, it actually looks better this way, au naturel.

[00:31:51]This is for you.

[00:31:53]For me?

[00:31:57]Here for you.

[00:32:06]For me?

[00:32:07]Yes.

[00:32:09]And what will it be?

[00:32:16]Ah, super extra. Very fine. The latest cry. Very kindly. So, should I wear it?

[00:32:24]Yes, yes, put it on.

[00:32:26]But we're not going to a restaurant anyway. Let's go to the beach. I like walking on the sand.

[00:32:33]Well, that's even better. I wasn't hungry anyway.

[00:32:37]Yes, but first I'll stop for a minute. A little phone call. Let's go to the beach right away. comfortable. It would have been better if she hadn't called him. I'll show it to him.

[00:33:35]What a bastard.

[00:33:38]As?

[00:33:39]No, not to you.

[00:33:42]Sorry, maybe another time, but we can't go to the beach.

[00:33:45]Oh, sure, it doesn't matter. And then, I repeat, the sea area. It even hurts my ass. I'm sorry, but I really have to go now.

[00:33:54]I understand.

[00:33:56]See you tonight. This evening?

[00:34:00]Eh, that's even better. This evening.

[00:34:02]When tonight? Where? At what time?

[00:34:04]4:00 is fine.

[00:34:06]At 4:00 par.

[00:34:06]But at 4:00 I'm going to talk about my childhood with the psychoanalyst. Let's do it at 7:00.

[00:34:11]At 7: for me it's even better.

[00:34:12]Agree. At 7:10 at my house, so we can have dinner together. Are you up for it?

[00:34:17]7-10 final.

[00:34:19]Bye dad Leo, see you this evening.

[00:34:21]HI. See you this evening.

[00:34:23]Remember 7-10 conale.

[00:34:26]HI.

[00:34:44]Papaleo, dad Leo.

[00:34:58]You did well to leave, there's always time.

[00:35:14]That's Genny. I met her yesterday.

[00:35:16]Yes.

[00:35:22]I'm going to his house for dinner tonight.

[00:35:26]Lucky you.

[00:35:26]I almost almost. I'll pick it up tomorrow and bring it here. Here, that could be an idea.

[00:35:34]from Rog Marciano.

[00:36:24]R Sugar Robinson Cooalo is very sgandissimo. I don't know you.

[00:36:35]Max Shameling.

[00:36:42]Rog Papaleo, unbeatable.

[00:37:04]Excuse me, Rocco Papale, but I'm, as they say, a family guy.

[00:37:10]Which family?

[00:37:11]The fist family. Do you remember Kid Navarro? I remember yes.

[00:37:14]Well, the year Kid Navarro won the title. I fought with a Pole who taught me a hard lesson.

[00:37:22]And the Poles are beating.

[00:37:23]Oh, if only you knew how long it's been since I've seen a gym. What can I look at so sentimentally? Eh, yes, do it, do it.

[00:37:32]I know a papaleo who makes latai. Come on Rocco, otherwise the Pole will kill you. Show your grit, Christ, you have to hate it.' Hate him, hate him. Do you see that he hates? Go, Rocco, go, go, go, go. [ __ ] you I slipped. I'm out of practice, but I was pretty good in my day. If I had a chestnut, it was my best weapon, but I didn't know how to use it properly. You, on the other hand, have unstoppable determination. I know what I'm talking about. You can go a long way in the world of squares. I do n't want to go far, I just want to make a lot of money.

[00:39:03]Money isn't everything, that is, there is satisfaction.

[00:39:06]Because making money is not a great satisfaction. Do you think I'll let you break my face for the love of sports?

[00:39:11]Undoubtedly the noble art.

[00:39:13]More a little. Do you know why boxing champions are almost all black?

[00:39:16]Eh, because possibly you are stronger, right? Because we are hungrier.

[00:39:22]Well, you're probably right, indisputably.

[00:39:27]Yes, while I wait here in the city we'll meet again and become friends, as they say, a hand goes up.

[00:39:35]Ah, you would like to become my friend.

[00:39:37]Yes, because you're racist.

[00:39:43]Ah, yes, eh yes.

[00:39:44]Come and hear what this other friend of mine has to say. Do you have a coin? Well yes. Give it to me.

[00:40:06]Kill them all. There is only one effective system for solving the Negro problem.

[00:40:12]Kill them all. There is only one effective system.

[00:40:15]What is he talking about? It is engraved on tape. Don't you hear it?

[00:40:19]Public service. Just dial the number of the National Socialist Party of America.

[00:40:24]Kill them all. There is only one effective system for solving the Negro problem. Kill them all. I'm so sorry.

[00:41:05]Excuse me, please Rocco Papaleo.

[00:41:08]What a pleasure, don't get wet, come under the umbrella.

[00:41:10]Ah, very kindly, I'll take this opportunity with pleasure.

[00:41:13]Luckily my wife made me take the umbrella.

[00:41:16]And just half an hour ago it was happily sunny, eh? You got me out of the rain, you offered me coffee, now you take me to a music venue more often. You are more than a friend, you are the blue angel, someone else in your place and instead of me he would have preferred to invite a beautiful girl. Have you seen how many there are? You can count them on the fingers of one hand.

[00:42:16]เ Eh, but these guys dance totally among men, eh? Here too. These here are also two males, two men, two women. What difference is there between a man and a woman? All right, I repeat, the difference may be small, but in that small amount there is everything.

[00:43:15]In my country they call those whistles.

[00:43:20]No, I don't like them, I don't know, they make me a little sorry, but could you have said that you were whistling too? I'm really sorry. What is your name?

[00:43:49]Here, believe me, Phil, I'm sorry, but as they say, it's not my branch, but I'm sorry.

[00:44:02]Oh, nothing, you're welcome.

[00:44:05]Actually, excuse me, you say you don't like them, and who does? Of course, we are not all the same either.

[00:44:15]There are those who manage to fit in, who in fact are successful precisely because they are liked by women because they intrigue them and by men because they are indifferent with women and are brilliant, full of witty.

[00:44:34]But some of us don't have all that spirit. We do n't feel like shouting it in people's faces. I told you about my wife.

[00:44:50]I don't have a wife.

[00:44:53]We try to But people notice it anyway and then they despise us, avoid us, isolate us.

[00:45:01]And it's not so much the humiliation, the worst thing is that we are always alone. Never having anyone to talk to or being around someone without talking.

[00:45:16]Someone who helps you or asks you for help.

[00:45:20]When you miss people, you miss everything.

[00:45:37]Put this dance on.

[00:46:11]8:00. She said 7:00, I've been here since 6. That's even better. This makes me hungrier. Can you hear me Jenny?

[00:46:38]Yes.

[00:46:48]There is a remedy for everything.

[00:46:54]Perhaps he gallantly escorts her up to the door.

[00:47:39]So what do you find so strange about it?

[00:47:42]Look, you're a nice guy. Did you think this Jenny was a virgin?

[00:47:47]But he could have said she was engaged.

[00:47:50]How do you say? Silence is upon us.

[00:48:39]But already here.

[00:48:43]Well, don't you want to come in briefly? Did you really have dinner?

[00:48:58]Really? Yes, with certain friends. Are you having trouble with anything at all?

[00:49:04]No, no, thanks. In fact, it made me hungry again.

[00:49:10]Now I'm going to make myself two fried eggs. Ah, eggs have a lot of vitamins, proteins.

[00:49:16]Are you that knowledge?

[00:49:21]Right at midnight.

[00:49:23]Oh, what a shame.

[00:49:27]Sin.

[00:49:31]That is to say, he doesn't care about that guy with the glasses.

[00:49:35]But while you were there, you could have stopped for a few days. When you happen to come around here again, you might as well find a job here.

[00:49:43]For example, I know an Italian who is a big shot. He could have fixed you up. Have you ever seen? I would really like that.

[00:49:52]Maybe maybe But how do I do it?

[00:49:55]No, I understand. They are waiting for you there in the village.

[00:49:58]Yes, many people are waiting for me, not relatives because I am free, but many, many friends.

[00:50:41]I'm staying.

[00:50:42]Huh?

[00:50:44]Oh, yes, can you stay?

[00:50:46]No, of course I can. I'm not leaving tonight. One day more, one day less, as they say, time is money.

[00:50:52]Tomorrow I'll take a look around here and call.

[00:51:02]Ready?

[00:51:03]As? Are you crazy? But what is it like at 8:00?

[00:51:08]At 8:00 it's almost midnight, huh? It means I have to get up at least at 6:00. Think what a beautiful face I'll have.

[00:51:20]Okay, Orchar Biccia at 8:00.

[00:51:24]No, no, I'm coming in my own car.

[00:51:29]Oh, right. Yes. Hello? I don't have a car, I borrowed it. Yes.

[00:51:35]Send me to pick you up at the front door at 7:00, okay?

[00:51:44]An early riser tomorrow morning.

[00:51:46]Eh, thanks. Always like this. It seems like they do it on purpose every time to put me in crisis.

[00:51:54]Yet they know that I ca n't keep my eyes open before noon.

[00:51:57]And today he had a tiring day.

[00:52:00]Listen, how did you know that?

[00:52:03]How did you know I don't have a car tonight?

[00:52:07]When he went up I noticed that he wasn't under the door.

[00:52:10]You notice everything, huh?

[00:52:11]Can I take advantage of a phone call? Come in.

[00:52:14]Obligatory.

[00:52:20]Hey, hello, Mama Rosa, it's Papale Leo speaking. Listen, is Mr. Jengiscan just about there? Who has braces? Oh, mom, what the hell are you talking about? How the hell do you talk?

[00:52:33]I don't understand you, you know? These queers make you so angry.

[00:52:37]Listen, old man, do you know why they pay me? To tell the truth, I never understood this.

[00:52:44]Well, I'll tell you. To enforce the law. And you know what the law says, old man.

[00:52:50]Well, that all citizens are the same, but that the police are worse than the others.

[00:53:04]The law also states that homeless elderly alcoholics, without means to survive, who are dangerous to themselves and others, must be locked up in a nursing home.

[00:53:14]But a complaint is needed.

[00:53:17]Will your son also be reported?

[00:53:21]Oh no, even if he's a bastard he wo n't do this dirty thing to me. He will never sign it for you.

[00:53:31]You'll see that I'll convince him, old man, and then I'll do it for your own good, because you're old and going blind.

[00:53:40]Don't say that word. That's not true, it's a [ __ ] column. I can see well. I can see perfectly well. Look, I can do anything on my own, just like everyone else. See how flat? I don't need anyone. I can see better than you, flatfoot.

[00:53:58]I can live alone because I can do everything alone, alone, alone because I can see, I can see well, I can see.

[00:54:08]You're blind, old man. Today you see less than yesterday and tomorrow you will see less than today. And you know it very well, that's how it went tonight, but I swore to you, I will drag you to the hospice with these two hands of mine. Do you understand, old man? At the hospice.

[00:54:31]Office, what happened?

[00:54:45]But what happened?

[00:54:51]That bastard says it's just that I'm going blind, but it's not.

[00:54:59]Leave him down, he'll fall back anyway.

[00:55:01]True, I don't have cataracts. The truth is, that son of a [ __ ] wants revenge.

[00:55:11]Avenge? And about what? Huh? What did you do to him? Me nothing. The fact is that he, that pig, was exploiting a girl, he had her beat the policeman, eh him, him and he's not the only one. There are a lot of policemen who are in the business. If she didn't bring him money, he would beat her up. One night they found her bleeding on the sidewalk and the next morning someone reported the policeman to the captain and then helped the girl leave for another city. Well, you want to know something? That guy got it into his head that it was me.

[00:55:58]And was it you?

[00:55:59]Yes, it was me. So he swore to screw me. Well, you'll see, you'll see that he'll manage to get my son to sign that damned complaint to have me admitted to the hospital.

[00:56:17]But I don't go to the hospice, I don't want to go. It's a thousand times better to die in the street than in one. Those disgusting shacks full of shitty old men who [ __ ] themselves.

[00:56:30]But no, but you don't have to go there. This would be, so to speak, deafness personified.

[00:56:36]No, I'm not going. I know what I have to do.

[00:56:44]But if I know her, you've already shown her to me. Close, I'm closing now.

[00:56:49]Rocco, remember this.

[00:56:53]Whose turn it is, it's his turn.

[00:57:04]But did you look for anyone?

[00:57:05]Yes, a certain assist.

[00:57:11]Linda.

[00:57:12]Mass of powerless and federated all of them. Young people enjoy riding motorcycles. Old men with wine, only lesbians go with women these days.

[00:57:22]Come on, you softies. Maybe tomorrow you wo n't be able to take it anymore.

[00:57:31]Ah, this is Elinda, a truly top-notch lady.

[00:57:37]But excuse me, if Rocco Papaleo may allow me.

[00:57:40]Pleasure. Excuse me Linda, excuse me Linda. I like Indian food.

[00:57:53]Please, please, have a seat. Madam, you're as tough as marble. Feel it, feel it.

[00:58:03]No, I wouldn't want to.

[00:58:04]Touch it, I tell you.

[00:58:05]Touch.

[00:58:06]Sure, come on in. It's always nice to find someone who knows how to appreciate.

[00:58:13]Savertino marble. Heh heh what was I telling you? And then you know how good she is. She knows a thousand tricks, a true professional. With a teacher like her there is always something to learn.

[00:58:26]Yeah, I've had some students, you know?

[00:58:30]Yeah, well, kind of like a night school and then oh, nothing interested. It also gives credit. If you don't have the money, sign.

[00:58:39]Not like this disgusting leech here who wants the money first.

[00:58:43]What she gives costs her nothing. I'll buy Luisky instead.

[00:58:48]And I'll pay you for it. Yes, my sweetness.

[00:58:51]Here. Give him the money. Give him the money.

[00:58:52]Yes. It's on me.

[00:59:02]Married.

[00:59:03]Well, how do you say it?

[00:59:06]No.

[00:59:07]And what do you do when you want to make love?

[00:59:11]Well, in my area there is a woman who comes by repeatedly every 15 days. A certain Betty. Do you know her?

[00:59:18]No, I don't think I know her. In America, be careful Linda, the police are looking for a minor.

[00:59:25]Romantically speaking, look, it's the ultimate in everything. And his fee is a dollar a session because there are so many of us. Did you understand?

[00:59:37]I understand and I also understand that you are not the man who will make me rich, but at 4:00 in the morning you don't even spit on a dollar. Let's go.

[00:59:52]Listen Jenny. Yes, tell me.

[00:59:54]There's a cure for everything.

[01:00:03]No, I can't, very kindly, but I don't, what do you say? And then we can't just leave him like this. Well, until tomorrow he doesn't need me, or you, or anyone.

[01:00:15]Let's go.

[01:00:20]Yes, yes, that's fine.

[01:00:54]Mr. I don't want to go. I don't you get Samaria. Do you know what I did? I adopted a beautiful little girl. And do you know what color?

[01:01:34]Black.

[01:01:35]No one blames her for having a [ __ ] mother, but everyone blames me for having a black daughter. Here we are.

[01:01:49]permit.

[01:01:52]See, darling?

[01:01:54]For, this gentleman is a friend of the mother.

[01:01:58]Show the gentleman what you make him do.

[01:02:02]But I thought it was small.

[01:02:06]Is it small? He's only 14 years old.

[01:02:11]You should see what little tits she has. Other than this rubbish of mine.

[01:02:30]เฮ เฮ on the shirt.

[01:03:58]No, no, I repeat, that's enough, send her to sleep, poor thing. Of course I'll send it. We take her to sleep with us. In fact, we put it in the middle, so it doesn't fall out of bed with us. No, no, no, kindly, please.

[01:04:15]No, I don't want to.

[01:04:17]Why are you racist then that you don't want to sleep with a black woman? But even if it were white, things wouldn't change the same. It's just that he's too young.

[01:04:28]It's a quality, I think. No, but she's already so small that she sends her, so to speak, with men.

[01:04:39]Listen, if I were a seamstress I would have taught how to sew.

[01:05:15]If Awakened, finally.

[01:05:18]What happened? I repeat, what happened?

[01:05:21]What was supposed to happen. The river goes to the sea and the wolf goes to the sheep.

[01:05:29]Which sheep? Which sheep did the wolf go to?

[01:05:33]From the black sheep, the youngest, the most tender.

[01:05:39]Wolves like lambs.

[01:05:45]Agnellini, no, it's not possible. No, it can't be. No.

[01:05:49]Yes, she was very happy. She already went and bought herself a little dress with the $20 you gave her.

[01:05:57]What's up? Did I give her $20?

[01:06:02]Yes, you were very kind.

[01:06:06]But but 20 But $20 is all that? Is this all I have?

[01:06:11]What did you have?

[01:06:13]No, what's wrong with me?

[01:06:14]No, no, you had, but don't worry, they were more than enough.

[01:06:22]$20 please. But wolf? But which wolf?

[01:06:34]Oh yes, there's no more train money either. But what do I do now?

[01:06:39]Look, it's always better to be generous with minors. That way they don't talk, otherwise we'd be in a lot of trouble.

[01:06:47]But I honestly don't remember.

[01:06:50]And then $20, as they say, is the straw that broke the camel's back.

[01:06:54]Our work is different from all the others. Beginners pay much more than those with 30 years of service. But maybe it's even better this way. I am destined to stay in this city.

[01:07:23]M. You must be a gazelle, not a rhinoceros.

[01:07:48]A gazelle and let's hurry up.

[01:07:52]Okay, that's okay. Give me, give me the other car now. And quickly, measure the other car too.

[01:07:58]Still good.

[01:08:01]125.

[01:08:08]Good, good. You smile like that. Again, again, again.

[01:08:12]Oh, it's about time. I want it and get rid of these things. Come on, move the car. Stop with the fan. Turn off the lights. Get ready.

[01:08:22]What? What is it called there? Almarin.

[01:08:24]Bring the palm. Here is the palm tree.

[01:08:27]Coffee.

[01:08:28]The prhi on that Porco dog, if your job is hard. But you couldn't do these shots in July.

[01:08:35]Where are we at?

[01:08:37]Maybe in July, let's say, they'll make you work in snow gear.

[01:08:42]Ah, good morning, miss. Rocco Babaleo allows me.

[01:08:45]How did you know I was there last night?

[01:08:48]Turn it all on Marie. Come on darling.

[01:08:54]Santino leads the beach. Excuse me.

[01:08:57]So I came to talk about that Italian you know, that big shot, because I have some free time. I would like to meet him and talk to him.

[01:09:05]Who?

[01:09:06]That export sympathizer of mine.

[01:09:08]Ah, yes, yes. Golden mouth. Go to Bocca d'Oro.

[01:09:13]Hey, can you give me a piece of paper, Danda?

[01:09:15]Oh, take your time, there's no rush.

[01:09:17]No, you'd better go there right away.

[01:09:18]He saw the light meter. But who is the telescope?

[01:09:25]Ah, here it is. Thank you, Rocco Papaleo, a piece of Sicily that comes to kiss the forehead of his distant son. And here it is, brother. Oh, and talk, talk, talk. Which part of Sicily are you from?

[01:09:41]Honestly speaking, I'm from Bagheria.

[01:09:44]Bagheria in the province of Palermo.

[01:09:46]To Italy, Italy is like your first love, you never forget it. Roccupao, look, if they told me we'd give me the chance to return to Italy, but I have to take one eye off it. Do you know what I would do? Talk, talk, talk. Well, if you take it away with your eyes, I'm not kidding, I only have two. And if you allow me, I'll give you some time.

[01:10:05]Yes, yes. Oh, sure.

[01:10:07]I would stay in America, but if you had a different condition, tell me. You choose the place where you want to live. Go wherever you want. Acts. Do you know what I would do?

[01:10:16]Talk, talk, talk.

[01:10:17]Ah, he would return to Italy.

[01:10:18]No, I would go to Switzerland. That is a civilized and peaceful country. But aside from that, you know what was in your heart.

[01:10:26]Talk, talk, talk.

[01:10:27]Well, Switzerland. No, America.

[01:10:30]No, Italy.

[01:10:32]Oh, damn. I was about to say it.

[01:10:33]But where else? Do you find those people, that music, that land, that sun, that that that that moon?

[01:10:40]No, that hunger. Hunger is an indispensable feeling for the formation of a people. Hunger develops intelligence, imagination, and human maturity. Well yes. Hunger is really good. Yes.

[01:10:55]You know what I tell you? Yes.

[01:10:56]When I find myself among the heavy Italians, I feel different. I feel 10 years younger. Do you know how old I am? He talks about a number of 52 52 63 me and the past. Rocco Pavaleo. You know what I tell you? A piece of paper still seems like a piece of paper to me, you understand? Both a gritta in piedi and colc cis meaning. Eh bu. Ah! Ah! I understand.

[01:11:19]But let's get to the point where you're out of work.

[01:11:22]Yes, temporarily.

[01:11:24]Look, I have 200 employees under me here. I could tell you Rocco Papaleo, come work with me tomorrow. But what tomorrow? Now, immediately.

[01:11:31]Yes, ready.

[01:11:32]But I'm not telling you. And do you know why?

[01:11:36]Because it is impossible to work with Italians.

[01:11:44]I'm a chatterbox.

[01:11:46]Spade.

[01:11:48]Soda pop, sparrettere, slackers and camurrose and gira gira are all thieves.

[01:11:55]Well, not all of them are like that.

[01:11:57]Not all of them, only those born from a female magic. You do the math. But what do you want to put? Peace of mind from the Amaragani, I'm only here for the blacks to work too, so I can pay them half as much.

[01:12:11]Well, sure, the Ameragani are even better.

[01:12:16]Ah, you see that you and I agree? And that's why, dear fellow countryman, even though I understand your situation, I'm willing to say no.

[01:12:25]Miss Gen says whatever she needs, I'm here at her complete disposal. She's a great female.

[01:12:31]Must you believe me?

[01:12:32]However, the undersigned never refuses help to anyone. Have a drink to my health. You come.

[01:12:38]Best wishes. Santa C de Protec and remember Italy.

[01:12:54]of blood theyve come to watches no the cause of no one knows his name.

[01:13:14]God is what is this is straight to the sun there sadness so afraid of trusting we take for madness seems sm it's a joke is making speaking words we can't There's no that the man ising some God is what is Oh, excuse me. I got spat.

[01:14:55]Ah, Dad Leo, are you coming?

[01:14:57]Oh, no, no, and I happened to see that you left your keys in the ignition, thanks. Since you came up very kindly, as they say, come in.

[01:15:05]But no, you have to give me this is Papaleo, I already told you about him.

[01:15:09]Hey, but there's Terescova, sorry, for me Rocco Papaleo. It was fine.

[01:15:14]Yes, we were friends forever.

[01:15:17]The first one from the old man who took us live.

[01:15:21]You have to work for your sign and all you don't give me $100.

[01:15:34]The sexual act is one thing to work for rather than seek the system to not work is one and so reaches We should invent a pill for birth control of workers' demands. Yes, yes, now let's move on to Italian a bit.

[01:16:02]Papaleo, papa, do you know what Jenny told us about you? He told us you have a beautiful voice. It is true.

[01:16:09]Sing us something. Goodbye Santa Lucia, far away you are Italian if you don't sing Nicolà al di là. Please sing for me. Papa Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Papal Leo, Hello, Hello little girl, one more kiss and then I will lose you forever.

[01:16:52]Like a love song, the same voice as Caruso.

[01:17:00]Trying new words, but outside it's raining on our love.

[01:17:18]Hello little girl. I love you another one.

[01:17:24]No, no, that will satisfy you.

[01:17:25]Stop it.

[01:17:30]Look, I could make you sing now, but instead I'm just warning you that if you keep grabbing me, as they say, by the ass in front of Jenny, I'll make you pay a very high price for your heavy and unfair game. I'm going to bring them here to you and hurt you, I repeat, right here on the face.

[01:17:52]Now we go back there without any worries and you don't say anything about what happened here in the locker room. That's true, Nick. Ah, since you're now thinking that you're a polite and sensitive boy. I want to give you another piece of advice, Nick.

[01:18:07]Leave Jenny alone, you understand? Because then you're a dirty guy. But how come you start making fun of that big girl in front of her?

[01:18:16]But what do you want? That's my wife.

[01:18:20]Eh, bye bye dear.

[01:18:34]HI. Until we meet again. Thank you. Good night.

[01:18:37]Thank you. HI.

[01:18:40]Good night everyone. Jenny, try to keep your guard up with that Nick.

[01:18:47]Because Nick is married.

[01:18:52]No.

[01:18:53]Yes, with the red one. After all, she's the one who should have a complex about breasts, not you.

[01:19:01]Sorry Jenny, I had to tell you, eh, because we are friends, as they say, an eye for an eye. Now go to bed and don't think about this story, eh. Sleep well.

[01:19:15]Thank you. Yes, yes.

[01:19:17]Don't give us burdens.

[01:19:19]Goodnight, Jenny.

[01:19:34]No, But aren't there other places?

[01:19:57]Your friend was supposed to come right here. Do you want to have my license revoked? You two out of here?

[01:20:04]I was going off on my own business. I haven't even seen them. But what did they want? And who were they?

[01:20:16]Who were they? You have n't figured it out yet.

[01:20:23]Is it that easy? It was four [ __ ] black power [ __ ] hunting down white people, or four [ __ ] white people attacking white people and then blaming black power, or four [ __ ] Arabs who mistook you for a Jew, or four [ __ ] Jews who mistook you for an Arab.

[01:20:43]You're from those parts, aren't you? I have four [ __ ] drunk Puerto Ricans. I have four [ __ ] civilian cops who want to take out tanks on Puerto Ricans, Arabs, Jews or Negroes. Here's who it was. It's that easy. Or four [ __ ] [ __ ] enjoying themselves like this too. Or four [ __ ] drug addicts.

[01:21:06]Or four of your [ __ ] fellow villagers, the ones from the market mafia.

[01:21:11]Four [ __ ] marines and a reward leave, just to keep in training. Here's who it was. It's so easy, haven't you figured it out yet?

[01:21:23]No, no, that's enough, do you understand? Enough, you're a [ __ ] old man. I don't want to hear from you anymore. It's not true, what you said is not true. I don't believe it. It was just a mistake, I'm sure of it. You don't slaughter a man like that without reason.

[01:21:38]Who knows who they were looking for.

[01:21:40]You speak like this because you are on the ropes, because you are old, because you are blind, because you are jealous of this world that is growing while you are dying.

[01:21:57]Um, no. M I do n't know, it was dark. You don't see anything.

[01:22:04]I had just left Jenny's house. She's a friend of mine. Ah, if you want you can call and Jenne can confirm. Do you know Jenny?

[01:22:13]No, I don't know Jenny, but I know this other one. Do you know him? Beauty?

[01:22:19]No, I repeat, it is not Bel piacere. Who is the lord? The Lord is the honorary president of the International Philanthropic Association for the Promotion and Distribution of Drugs, Narcotics and Related Products.

[01:22:33]Really? Do you hear it Duessa? This gentleman says he doesn't know you. Yet they worked it like that last night in the same area where we caught you.

[01:22:43]Cigarette, captain.

[01:22:44]Thank you. You don't smoke.

[01:22:51]Yes, I know him. He put that little bag of stuff in my pocket.

[01:22:54]Stuff? What a thing!

[01:22:56]Don't worry, the Duchess knows I have the habit of not believing him. You have a really bad habit, Captain.

[01:23:04]His is beautiful.

[01:23:07]And do you know this other guy?

[01:23:08]Beauty?

[01:23:09]No, you don't know me. But why not? Don't you remember me? You are the blue angel. Let's dance together too.

[01:23:16]Here, exactly. And he dances well.

[01:23:21]But why did you arrest him?

[01:23:23]Guess.

[01:23:24]Yes, it's true that it's a bit of a whistle. But look, captain, what a feeling. But that can't hurt anyone. He is a very exquisite person. He only does it because he feels lonely. Do you understand? We'll keep him company. You think for yourself, beautiful. and try to get back to your beautiful mine in Alaska before I get too attached to you.

[01:23:51]And look, beautiful, I'm not a whistle, the very kind one. Thank you, Captain. I am extremely so.

[01:23:57]Goodbye. There's no rush. You will greet me tomorrow morning.

[01:24:02]Tomorrow?

[01:24:03]Yes.

[01:24:05]And since you have no place to sleep tonight, you will be a guest of the American government.

[01:24:11]But excuse me, captain, what do you mean by guest?

[01:24:14]Would you like to tell her that I, Ma Captain, excuse me, but what have I done? Allows for quick phone calls. To whom? To Jenny?

[01:24:27]No, I don't know Ripedo, no Jenny.

[01:24:36]Please sing for me.

[01:25:30]เฮ Ah. from on to piano.

[01:26:36]Let's do it again. They used to say yes, we have no bananas.

[01:26:41]Let's do it again. They have to feed 194 and then the B try to play a song on the floor. Show you to do.

[01:26:56]Let's do it again. This is Let's do it again. And cake shake jelly to get such a cake.

[01:27:11]Let's do it. Let's do it.

[01:27:32]ch on piano let do it again to say yes we have no bananas let do it again on to their feet 194 and then the B to on Let's do it again let's do it again and cake shake jell out Laura.

[01:28:37]Go.

[01:28:44]Jenny!

[01:28:46]Oh no, but still here! I can't take it anymore! Enough!

[01:28:49]There is a limit to everything. You're always underfoot like the house cat. It's not possible. I always find you everywhere. Enough!

[01:28:59]Everywhere. Telephone and all hours. You suddenly appear like the gas collector, while I'm working, while I'm eating, while I'm sleeping, while I'm making love, in the kitchen, at the restaurant, under the front door, I even found you in my hairdresser's toilet, you appear before me like a ghost, you are a haunting.

[01:29:15]Jenny, but I always asked Yes, you always asked kindly for permission. I have always kindly let you in and now I just as kindly tell you to disappear forever. I'm tired. Okay, you've worn me out. It is urgent to inform you of important revelations. What did you have to tell me? That somewhere in the city they're putting up another poster of mine, or that I've left my car in a no-parking zone again, or that I have a flat tire, a hole in my sock. Go ahead, speak. What is this urgent revelation? M Here, nothing, you said it. We have nothing at all to say to each other. Good thing you know that too. Or maybe you wanted to remind me again that Nick is married. You wanted to marry him, but do you think I didn't know? Did you know? So why did you pretend you were kidding me when I told you?

[01:30:00]But what kind of world do you live in? Of course he's married and his wife knows very well that he sleeps with me and she sleeps with someone who used to sleep with me. I passed it to him. I told you to go away. Did you hear me? I just wanted to take the windows off.

[01:30:17]Rocco, go away. Did you call me Rocco for the first time?

[01:30:23]Yes, but go away now. I'll see you tomorrow, Jen.

[01:30:27]No, not tomorrow, not ever. Never. You were supposed to take me to the beach, you promised me.

[01:30:38]But it's not possible. But what are you on? But don't you realize that by doing this you make people laugh and they all make fun of you?

[01:30:44]Yes, I notice, but it's not important.

[01:30:47]This chicken is very good, isn't it, daddy?

[01:30:50]Yes, it's delicious, but it's a little raw.

[01:30:53]Yes, yes, it's a little raw. And there's too much salt, right, Dad Leo? Yes, there is actually too much salt. In short, Papal Leo, this chicken sucks. Yes, it's true, it sucks, but it's good. Very good. Yes, yes, yes, yes. You always say yes.

[01:31:08]Well, yes, honestly it's true.

[01:31:11]If I ran over the President of the United States I would have done better and it would have been better for everyone. But who are you? Excuse me, if I may, Rocco Papaleo. All right. What is your name? I get it, but I still don't understand what you want.

[01:31:25]Rocco Papaleo, what do you want? Do you want to be compensated? Do you want some money? How much do you want? Or do you want to come to bed with me? Come on, let's settle this score once and for all. Do you want to make love to me? I 'm ready. That's it.

[01:31:46]Jenny, I thought we were friends.

[01:31:52]And why should I be friends with someone like you?

[01:31:55]Well, why do you say that?

[01:31:58]You are the only good person I have ever met.

[01:32:01]Good, your friend? But I even hate myself. Look, look here. I've done it twice. Twice. But things went badly for me. And it's good for you, someone who just to get where they want to go and then make [ __ ] eyes to sell more cigarettes. A woman who slept with half the city, with those who mattered and even with those who didn't.

[01:32:27]Because you never know.

[01:32:30]And also with a woman, the wife of a television boss.

[01:32:36]Yes, a female.

[01:32:38]And I didn't even mind.

[01:32:40]No, that's not true. I repeat, that's not true, Jenny.

[01:32:44]Yes, it's true.

[01:32:45]No, you say that to be cruel, to hurt yourself. No, I don't believe it.

[01:33:08]Go away Rocco.

[01:33:44]1 2 3 4 5 6 7 8 9 out he came in, looked around and as soon as he saw him he said: "I have the hospitalisation report here, old man, signed by your son".

[01:34:20]Genjis jumped up and shouted: "No, I'm not going to the shelter. No one can force me, not even a flat foot, not even a bastard son. Not only am I blind, I can see, I can see very well.

[01:34:33]Ah, yes.

[01:34:36]Prove it to me, old man, prove it to me.

[01:35:10]Here, before you die, he said, give this to Rocco. I have a friend. Here she is.

[01:35:21]And what is it? A bomb. A bomb. 5 kg of dynamite.

[01:35:28]But then it can explode.

[01:35:42]Oh uh uh.

[01:36:04]Oh Uh uh uh the 5 kg of dynamite.

[01:37:42]It has to explode. It has to explode.

[01:38:14]Ah.

[01:38:41]Dra to the of blood. They've come to watch his no cause of his pain.

[01:38:57]No one knows his name. He is with this finger straight into