Latoya Stella - Moto Behind The Scenes

追加: 2026-06-01

[00:00:13]I told you.

[00:00:14]>> What's up, guys? How's it going? Here's Flinging. So, right now, as you can see, we're at the museum. So, we have the outdoor scene right now. We have four male dancers, including Dion. Five in total. They're doing um a dance scene and a performative scene. So basically that's it for now and then we'll move on to the boardroom.

[00:00:34]>> You see at this part two >> switch your thing to this side >> like after the second one.

[00:00:44]>> Switch it. Switch it.

[00:00:57]>> Hi guys. So this is your girl Stella and this is day one. So we are at the first scene right now. So basically what's going to happen here, we're just going to have the dancers doing the choreography. That's for the dancing scene with the male artist superstar Dion. I'm very excited. And yeah, everything so far looks amazing. And yeah, >> my name is Ethan Madison.

[00:01:22]Um the brand is Ethan's makeup and yeah we're doing a m music video in this you see I'll do things like that please can I have my drink I have nails on open the thing for me >> so you want My Fanta. What you want?

[00:01:53]Your own Fanta in >> Thank you.

[00:01:57]>> Fanta.

[00:02:00]>> I need to drink nicely.

[00:02:02]>> What are you guys saying, man? This is your boy Tamunto. I'm on set today here with Stella.

[00:02:09]>> EA with Latoya Stella and Dion. You know what it is. Uh, we're shooting a music video today for for Moto. You know, I haven't heard the song yet, but I'm about to hear it. Di is on the main camera. Um, Steven is on the BTS. I don't know what Tut is doing here. She better go home.

[00:02:27]>> Okay. Five, six, seven, eight. Ready?

[00:02:31]Ready.

[00:02:36]Ready.

[00:02:59]finger.

[00:03:01]>> Yeah. Yep. My name is Dion and we are on set one for Latoya's video. We are featuring me of course Moto. And this is our first very first scene and we about to do the first take.

[00:03:16]>> Here we go. One, two, three, go. Yes.

[00:03:21]Yes.

[00:03:23]Come on. Uhhuh. Oh, why are they calling me? Okay, this is very important. I sorry. Sorry.

[00:03:33]Hello.

[00:03:34]>> Can't hear you.

[00:03:38]>> You think he's here?

[00:03:40]>> Oh, sorry, man.

[00:03:46]We >> shot the first scene in the 20. We shot the wide first.

[00:03:50]>> Now we're cheating to the 85 mm f1.4.

[00:03:54]>> Yeah.

[00:03:55]>> Bro, can you please help me?

[00:04:01]>> So, back back in Hollywood, you only had uh 4 seconds to switch lenses, >> but the mic is here.

[00:04:14]4 seconds to switch cameras, but because we're in Namibia, we're going to test it out.

[00:04:26]>> That was a second.

[00:04:31]>> Here we go. One, two, three, go.

[00:04:38]Ready? Ready my body.

[00:04:53]You can feel it.

[00:05:09]All right, cool. This is the second scene just starting right now whereby we have an executive theme type of situation going on. Uh we already finished with the first scene. First scene was amazing. There was enough light, enough time. So yeah, we just about to move on to the second scene and then finish it up.

[00:05:30]>> Hi. Okay, so this is just an update from the previous scene. We're still shooting Moto and this is scene number two. This is the boardroom scene. My favorite scene. Very exciting. It's going to give boss lady. It's going to give women in charge, you know, commando as I love to call myself. So here it's really just more so office vibes, corporate vibes.

[00:05:59]>> But it's fine. We'll use this.

[00:06:10]There's a ton of people in the scene. Is in the scene. There are some people that are missing.

[00:06:17]>> Please.

[00:06:18]>> Um, not yet. Now, this one is just on me.

[00:06:22]>> Yeah. When it's on you.

[00:06:25]>> This is so dirty. Like >> coming.

[00:06:35]Just avoid don't don't stand don't stand next to the light cuz they can see your shadow.

[00:06:40]>> Yeah, seriously, >> guys.

[00:06:46]>> Come be serious.

[00:06:49]>> Yeah. What are we tolerating this?

[00:06:54]>> I have family. I have businesses and they're going bankrupt. H Look, look at here.

[00:07:14]>> Then you look down.

[00:07:25]>> Okay.

[00:07:26]>> Was it?

[00:07:27]>> Yeah.

[00:07:30]like the most important reaction was caught.

[00:07:32]>> You also want them as well.

[00:07:34]>> Uh yeah. Yeah.

[00:08:01]I can't know where I'm mother.

[00:08:44]Boom. Boom. Boom. Sorry.

[00:08:56]>> So, boom. It's day two. Supposed to be shooting right now an outdoor scene, but as you can see, it's raining.

[00:09:04]We're waiting for for Latoya and the and the rest of the girls doing their makeup right now. So, we don't know what's going to happen, but hopefully it gets better that we start shooting again.

[00:09:19]>> Do you know what my hairstyle is?

[00:09:20]>> Hi guys, it's Sika over here. So, we're getting our makeup done. Don't mind the noise in the background. I just did my makeup and all the dancers are done doing their makeup. So, the star is doing her makeup right now.

[00:09:37]I'm so stressed right now. Like honestly, I just want to go shoot, but then it's raining. The weather isn't so promising, but yeah, we are hoping that it stops raining somewhere there.

[00:09:51]Um, if not, we will have to change the concept a little bit. I think we are going to go for an indoor scene which is something I do not want at all. Like this concept was created last year guys.

[00:10:05]We looked forward to this. Now here we are and we have to change make shoes and it's painful but yeah you never know. So the indoor location it's currently being searched for. We don't even know where we might end up shooting, but it's something that is underway. Um, yeah. Other than that, I'm still very optimistic. I'm very positive. I think it's going to go great.

[00:10:32]>> Yeah.

[00:10:36]>> Can I start that?

[00:10:38]>> Hello. Hi, guys. So, I do not know what to say, but I don't know how I'm feeling as well.

[00:10:48]probably excited and nervous at the same time, but other than that, I'm very happy and I'm very thankful for the opportunity as well.

[00:10:56]>> And it's your first time doing makeup.

[00:10:58]>> And it's my first time doing makeup, guys. I feel like I look like those Chinese dolls, but I feel amazing, man. Like, I'm very happy.

[00:11:08]>> I know this is going to be so iconic cuz like they are very good shots that are going to be taken and the scenes are going to be really good. Hopefully the rain stops.

[00:11:23]>> Damn it. I can hear my heartbeating.

[00:11:26]>> Okay. All right.

[00:11:28]>> Okay.

[00:11:29]>> It's day two and um somebody out there is uh praying for rain cuz they want to feed their cows and plants and it's messing up everything. You know, these are things that you will expect.

[00:11:44]Uh so now I just got a call from not got a call manager behind this said we might have to change and just shoot everything indoors now we need to reshuffle the concept cuz the whole idea was to shoot at a scrapyard and um and also like a little heart shape with fire and stuff but we won't be able to do it and also people got paid you know nobody wants to like do it the next day I also wouldn't want I want to get paid like you know for the other day or what are you saying? Yeah, exactly. Yeah.

[00:12:12]Yeah. Yeah. Only booked for two days.

[00:12:15]And also the dentist are paid, makeup was paid. Yeah. But this is what film making is all about, man. If things don't go right, you got to find a way.

[00:12:24]And if you don't find a way, just call it a day. Find a way. Call it a day.

[00:12:30]Bars. Yeah. But uh we'll update you how everything goes. Yeah.

[00:12:36]>> Hello. Hello.

[00:12:58]If you're going to have a car like this, then maybe that thing should open.

[00:13:03]>> The bonnet. Yeah, >> the bonnet should open. So it actually gives that this is an actual >> like a mechanical. Yeah.

[00:13:09]>> Yeah.

[00:13:10]>> Okay. Cuz this car should remain because I can put a I can put a light there.

[00:13:16]>> Maybe give it some color. I can put something at the back with the smoke.

[00:13:19]>> Okay.

[00:13:20]>> Yeah. But this would >> Oh, that is also nice.

[00:13:28]>> But if Yeah. If you want to use this one, that means that it would have they would have to bring it in front there cuz then it's just here. Doesn't make sense why it's just here.

[00:14:04]photographer. He just got on set. Um, yeah, he usually does really good BTS.

[00:14:10]Like so good. You guys are going to see him. You want to say something? My name Jeff.

[00:14:45]I am.

[00:14:56]>> Yeah. Um, >> is it is it the one?

[00:15:00]>> No, it's not like that.

[00:15:02]>> Okay. Are we good with this scene?

[00:15:04]>> Yeah.

[00:15:04]>> Okay. Now, let's go to the next scene.

[00:15:06]Um, what are we doing? Race tech.

[00:15:09]>> Okay.

[00:15:09]>> Okay. Cool. Let's wrap it up. Let's go.

[00:15:23]>> You're vlogging.

[00:15:31]like maybe put it on me without knowing.

[00:15:49]>> Over stimulated.

[00:15:50]>> Yeah. If you're uh just walk I don't know how to direct you guys.

[00:16:01]>> The dancers.

[00:16:04]>> Huh? Say that again.

[00:16:07]>> No, no, no. Nino is coming to get you.

[00:16:09]It's the other street now. That's like in front of the in front of the garden.

[00:16:13]Not garden, but playground.

[00:16:15]>> Do you see him? Do you see him?

[00:16:19]on it.

[00:16:20]>> Look, I got >> Oh, yeah. Yeah, she did. Who gave you?

[00:16:24]>> Okay, so this is supposed to be the final scene of the music video. And trust me when I say this has been the most stressful thing I ever had to do, okay? Because so much is going on, but in a good way. I mean, expect the unexpected. I'm still very positive. I know we're going to see this through.

[00:16:43]Um, and so basically what's going to happen here, the dancers have to do their scene. It's going to be a whole full night of dancing and then right after we have my scene with Dion, it's just going to be a lot of slow moves, close-ups, and stuff like that. And yeah, I I guess if I'm to estimate, we're going to finish probably by >> Sorry for that. We're going to finish maybe by two >> in the morning. I know it's crazy, but this is what we go through for the love of it. So, yeah.

[00:17:25]I know what to do at night.

[00:17:41]>> Oh my god.

[00:17:53]You're lighting the heart, right?

[00:17:54]>> Yes, we are. So, the heart is the only thing that we need to be lit.

[00:18:01]>> So, is the heart so there's no extra fire?

[00:18:03]>> No.

[00:18:06]>> Yeah.

[00:18:06]>> Okay. And now my question is guys, so that won't play a role at all? Like we just have that whatever is going on in the background cuz that's why I suggested initially I thought we can do it that other side.

[00:18:17]The problem is that there's a lot of grass that side.

[00:18:20]>> Okay.

[00:18:27]>> Higher. Yeah. There there there.

[00:18:30]>> Even if it's right on the on the That's the rear brake.

[00:18:38]>> Something just so long.

[00:18:45]Don't pull the lever.

[00:18:47]>> Okay.

[00:18:48]>> Okay. Camera is rolling.

[00:18:50]>> All right.

[00:19:05]No, I know you guys are checking something.

[00:19:10]Okay, go back. Go back.

[00:19:20]You can see I'm quiet Mother, mother, mother, mother, mother.

[00:20:14]The next What you do?

[00:20:24]>> Thank you.