This scene from the TV show 'GL' (General Hospital) on February 4th, 2004, depicts Cassie and Edmund navigating the complex emotions of grief after Cassie's baby died. Cassie, who has moved on with her life by cutting her hair and finding herself again, struggles with Edmund's persistent questions about the baby's death. Edmund, desperate for closure, seeks to understand what happened, while Cassie resists, wanting him to move forward with her. The scene illustrates how grief affects relationships differently, with one partner needing closure and the other needing to heal, and how honest communication and mutual support are essential for healing. The dialogue also touches on the importance of parents discussing difficult topics with their children, emphasizing that honesty in relationships prevents hurt.
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GL: Cassie Scenes on 2/4/04Hinzugefügt:
Don't look at me like that because I know what you've been up to.
You do?
Yes.
And I know that you're not even going to think about lying to me, so we should probably just hash this out.
All right.
I want you to stop.
>> [music] >> Now.
Cassie You have been asking questions about this. I thought we were going to put this behind us, Edmund.
>> Cassie, I needed to be sure.
Be sure of what? The baby. I wanted to make sure >> I am sure, okay?
And as horrible as it is, my baby died.
Look, I will always be in love with what could have been.
But with what could have been didn't happen, okay?
>> happen, Cassie, because >> Because if you say it's your fault, I'm going to smack you.
Oh, would that be the first time?
Edmund.
I have grieved enough, okay? I have grieved for Richard, and I have grieved for my child that I lost, and I have grieved for myself, [music] and then I discovered you.
And then I found myself again.
Or or a whole new me. I mean, my whole life is different now.
I cut all my hair off. I mean, what What does that tell you?
That you look terrific [music] with short hair?
That I have moved on.
Now I know that you want to find out [music] everything that you can about the child I lost, and I know that you want to do that for me, but you know what? I don't want you to.
I want you to move forward, and I want you to move forward with me.
Can you do that?
Cassie, when you described to me the day your baby died, things just didn't fit.
I had questions.
Edmund, I asked every question a grieving mother would ask. There were explanations for everything.
>> Cassie, it's Is this about the doctor?
Well, in part, but it's it's it's >> The doctor did not want me to see the baby out of some misguided sense of humanity.
Caring and respect for my loss.
Wasn't a conspiracy, Edmund.
The doctor did [music] what he thought was right.
And the fact you're trying to find some kind of a loophole in his charity, I mean, it's wishful thinking. It's a little paranoid.
>> want definitive proof.
Have you thought of about me?
Cassie, of course I've thought of >> No, no, no. About me.
Edmund, not what you hope for me and not what you want for me, but for me.
Cassie, if we knew about the baby, if if there was no doubt >> no doubt in my mind. [music] >> [snorts] >> All right.
Did you find anything?
Then you do want to know.
It's against my better judgment. It's against all the healing I've had to do. It's It's against anything remotely smart.
>> Cassie, I don't have to tell you anything.
>> Please, Edmund, you just Will you Will you please tell me?
Nothing.
I've learned nothing.
I don't know what's worse, you know.
>> [snorts] >> Hearing something horrible or hearing that there's nothing to hear.
I'm sorry. No, no, no. I don't I don't want to hear that word anymore, okay?
No more I'm sorrys and no more regrets.
I love you.
I love you and I don't blame you.
I mean, don't you know that by now?
Cassie.
You gave me life when I was dead. [music] And it's your love now that sustains me.
If there's if there's even the remotest possibility that your child is alive, then there is no greater gift in the world that I can give you.
I have you.
And I don't need anything else.
The gift you can give me is to believe in that, okay? And to believe in us.
>> [snorts] >> Are we done here?
Uh I don't know. I'm kind of kind of hoping at the moment that we're not.
You know what? I can't.
>> [snorts] >> I can't and please and please don't read anything into that, okay? You have to spare me for a little while because I have to run to Harley's Angels to help Michelle with the hotline. Oh, the hotline. I forgot about the hotline.
Thank you.
You don't have to do this anymore, okay?
Not for me.
Not for us and not for you.
Can we move forward?
Yeah.
Thank you.
Okay.
>> I haven't worked the phones in a while.
What kind of calls are you getting? Um, you know, the usual.
The volume really shot up once people figured out we were here.
The usual?
Depression, uh, my parents don't understand me, alcohol, drugs, sex.
Apparently, there's some new designer drug that's going around. Ooh.
What's it called?
I haven't quite figured that one out yet.
All right, we'll ask Tammy.
See if her friends are talking about it.
Thank god she talks to me.
Yeah, well, at least about what she feels is safe for you to hear, right?
Yes, that's true.
But we are close. We are, you know?
I don't know. I just think parents should discuss these things with their kids, whether they want to talk about them or not.
You know, I'm not saying anything about Tammy. It's just that problems seem to be everywhere, especially where you, uh, least expect them to be.
Yeah, well, in our house, honesty's a two-way street.
You shut someone out and people get hurt.
Especially children.
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