Classical & Jazz Musicians React: P1harmony 피원하모니 'L.O.Y.L.'

Added: 2026-05-04

[00:00:00]When that beat go.

[00:00:14]>> It's a new dawn. It's a new day. And I'm feeling >> good.

[00:00:25]>> We love B1 Harmony.

[00:00:27]>> Yes. Enter description of song.

[00:00:31]>> Reacting to the boy group P1 Harmony and their side track love of your life.

[00:00:41]>> I like to pronounce it as and this is off of their 2026 EP unique. Do you guys know what LOL Y stands for?

[00:00:49]>> Lots of your uh losses cuz we're haters. Lay all your love on me.

[00:00:59]>> Lay all your love on me.

[00:01:05]>> This song compares their role in a relationship to lightning striking. I CANNOT CUT.

[00:01:14]>> They're hard to lock down, but also one of a kind. Love of your life. The song is composed by Han Solo, Willie, Karen, Sona, Tim Tan, Rhus Jun, and co-written by the P1 Harmony rappers Intak and Chong. If you're hearing this right now, that means this video isn't monetizable, nor is it sponsored. Instead, this video is brought to you by you, our YouTube members and supporters on Patreon.

[00:01:36]Patreon and YouTube memberships are how viewers like you can support our team and also gain access to tons of exclusive content.

[00:01:44]Arizona >> sounds live.

[00:01:48]>> I like having the the Pam.

[00:01:51]>> Thank you so much to all of you who already support us. We really couldn't keep doing this without you. And now back to the video. Everyone say hi Kho.

[00:01:59]>> Hi Kho.

[00:02:00]>> Fun fact, Kiho watched us before he joined Harmony.

[00:02:04]>> Three, two, one.

[00:02:07]>> Wow.

[00:02:08]>> You can take my heart, but it won't be easy.

[00:02:18]Is this in like seven? Wait.

[00:02:23]>> Wow.

[00:02:24]>> Wait. I know the What is the rhythm?

[00:02:27]>> I love how the door sound.

[00:02:31]What is it? It's perform. Yeah. What?

[00:02:35]>> Oh my god.

[00:02:42]Oh, I love the doubling.

[00:02:54]>> This is a different tempo.

[00:02:57]>> You can't do this to me. Know you want to tell when I'm okay hurts. It's very like history of Japan.

[00:03:31]>> Oh, okay. I don't think this works. It came back.

[00:03:34]>> Oh, yes.

[00:03:37]Oh my god. Yes, man. No.

[00:03:43]>> I like how it's still major 7s, but it sounds so distorted and the bass is like a whole different pitch. Oh, a lot of distortion on there.

[00:03:55]>> Oh my god.

[00:03:58]some samba.

[00:04:00]>> Oh, I think we're kind of >> Oh, this is this is face.

[00:04:09]>> Oh my god.

[00:04:14]>> He gets me every time. Every time.

[00:04:17]>> This is crazy.

[00:04:18]>> There's no pores now.

[00:04:20]>> See, this snare is fat though. It's a fat trap snare.

[00:04:36]Did he write that? I've got some UK garage. Wow, that just like scratched my thing.

[00:05:01]What is that snare sound? Creepy. It's like got this glitchy sound to it.

[00:05:06]>> Yeah, it's cool.

[00:05:11]>> Oh, so swaggy.

[00:05:14]>> That destroyed my brain.

[00:05:15]>> It destroyed my brain, too.

[00:05:17]>> Wow. Wow. We like that. We like that one.

[00:05:22]>> Okay.

[00:05:23]Oh my god, dude. Yes, man. This is this is like the the type of sporadicness that I'm not looking for but like is appreciated. Like I feel like some people are going to be like this is nice music. I can't put a middle FINGER UP.

[00:05:40]>> No you can't.

[00:05:41]>> Is that what you were doing? If you want to >> wait do I have to stand? They're really good.

[00:05:48]>> That's Kho by the way.

[00:05:50]>> Yeah. OH.

[00:05:52]>> YES. IT'S THAT GUY. WAIT. IS ISN'T HE TRENDING right now? Isn't he trending right now?

[00:05:58]>> Always the white wall.

[00:06:02]>> He's always on Twitter doing something.

[00:06:04]>> That was awesome.

[00:06:08]>> Something just like went by like the whole song. I was like there, I was there. I was there. I was there. And then at the end I'm like already in the destination.

[00:06:16]>> That beat in the beginning is so crazy.

[00:06:18]I was like what the is going on?

[00:06:19]>> So I thought the beginning was great. I really like the drum and bass section.

[00:06:23]Once it like settles in, I think it works, I think. But initially, I was a little upset because I wanted the resolution of the drum and bass buildup.

[00:06:30]>> Okay. Can we can we break down that rhythm real quick?

[00:06:39]>> That's nice. It's nice. That's all I can say.

[00:06:43]>> I'm kidding.

[00:06:44]>> So, this this and this are identical.

[00:06:46]And this is just the beginning of this, which is why it feels so offputting. And every time it goes to that always there's always an accent on that first one. So it's it's accenting that that hemiola the three over two 3 2 3 3 2 It's really offputting at first. The only way we can tell where a new measure starts is where the chord changes.

[00:07:10]>> Even though the beats add up to be four, it is not technically in four because the beats are divided in a way that you cannot feel it naturally in four. For those who are watching uh the video right now, Gumu is making gang signs behind the camera.

[00:07:24]>> Count for me again. Count for me.

[00:07:26]>> Two. Ready. Three, two, two, three. One, two, one, two, three, >> there was a little like red getting into this. It wasn't just like Zubito slow tempo, but it was a little red coming and then it grounded with the new slow tempo. I was having hard time finding the hyper meter first time around because the small beats were different like changing the small beats like eighth or 16th they were like playing around.

[00:07:56]>> Yeah. Yeah. What what tempo do we get to in relation or is it relational at all?

[00:08:02]>> That's good. I think >> close. It's close. It feels right though to me. Why play the old tempo over the new tempo? It's a 43.

[00:08:08]>> Wait, what's this tempo? 175. What's the new tempo? This is 175. Let me play it.

[00:08:19]It's pretty damn close to D, which would be D and then half tempo that >> magic modulation, >> but it it slows into it, but it it does kind of hint at it with the with the chanting because the chanting is da da da da da da and then that's your new tempo, but it slows down into that temp.

[00:08:46]It's so weird. It's like a metric modulation that's like hinted at, but it's also a on though.

[00:08:53]>> Can we listen to that first progression though?

[00:08:55]>> So, what happens is so we go from like this C over B and then B minor over A.

[00:09:03]>> Okay.

[00:09:03]>> And then literally like F sharp minor 7 and then F major is like a nine. That's different.

[00:09:14]That's different. That was C# sharp. So was Oh, and there's an A in there. It's not just It's not just C major 7.

[00:09:22]>> Like a like it's like what? Like a minor 9.

[00:09:24]>> Yeah. Yeah. Yeah.

[00:09:28]>> And then what happened just now was going into Yeah. C C minor 7.

[00:09:35]>> Cool. When the vocals come in, they do that the first time and the second time what they do is I think the same thing, but then they go E.

[00:09:48]>> That's C major 7, >> D minor 7, F sharp minor 7, F major 7, >> and then here we go to E. Yeah, >> that's beautiful.

[00:10:07]>> What I like about that intro is like the top note is constantly sustaining while the bottom notes are moving uh in downwards motion. So gradually they're adding notes to the chord. Like it starts as a four note. What was that? So you have like a seventh and then you have a seventh but with the root doubled. And then you have a ninth and then you have the an 11th. And so the chord just keeps getting bigger and bigger. Do you have a favorite section >> more than others?

[00:10:37]>> I like it when the whatever I did that one was >> samba.

[00:10:42]>> Oh, I forgot to talk about the samba section.

[00:10:45]>> THAT WAS AWESOME.

[00:10:45]>> WAIT, WAIT, hold up.

[00:10:48]>> I'm hearing it's so quiet >> now. I'm hearing about Yeah, just like boss nova clave.

[00:10:54]>> Yeah, that's what I'm saying. It's got a bosan no clav over.

[00:10:57]Yeah.

[00:10:58]>> Also, like goes without saying, but this is so beautiful. like everything else in the texture here.

[00:11:02]>> There's some hand drums in there, too.

[00:11:04]>> What? That's what That was weird. Did you hear that? They're like just slightly off the one.

[00:11:09]>> The pianist waits. The pianist waits.

[00:11:11]>> It's just like barely even a half beat.

[00:11:14]Like Uh-huh.

[00:11:15]>> As a as a pianist, if you're doing like pad stuff, if the rhythm section, the basis and the drummer are really locked in, it doesn't matter where you are because everything just locks in.

[00:11:24]There's freedom with the time when you're just like kind of when you always know where you are and you know that like you're able to kind of like play with time a little bit especially as a pianist. That's something that we get to do if we if we're playing with a good basis and drummers.

[00:11:37]>> Yeah. So just wait 1 2 3 4.

[00:11:41]>> It's like almost like on the end of one but even before the end of >> it's before the end. It's like right in the middle.

[00:11:45]>> 1 2 3 4 the triplet.

[00:11:51]>> Yeah. and the the >> just on the second 16th note.

[00:11:54]>> Maybe maybe the six second 16th note has something to do with the D.

[00:12:00]>> Oh yeah, good call.

[00:12:01]>> Maybe that's like a little bit of the reason that it's working. It's because they are still including that kind of D.

[00:12:08]So, and it's done by the vocalist instead of the backing track this time.

[00:12:11]Also, I love the chord progression. The uh A minor 7 to F sharp minor 7 to F major 7 to D minor 7. Just gorgeous. The thing that keeps the whole thing gelled together is the fact that the the chords are the same. Those are the same eight >> chords. The chords are good. That's all you need to know. There's no like structure. It repeats the same couple of chords, but it just goes to a weird option that you weren't thinking it was going to go to, but then it would go there and you're like, "Oh, it does the same chords for like most of the song. I think um it takes like the the closest thing possible and goes to that and it like moves certain notes in a certain way that only moves them like a half step.

[00:12:53]Totally different chord and it's like whoa. This is the intro.

[00:13:02]That section just now it removed the second chord. So it's just >> and then it introduced >> B diminished. Oh no, it's it's a half diminish. Okay. Okay. Okay. Yeah. New different wa progression.

[00:13:19]>> Yeah, that was a very interesting rap verse because like one I think he starts it right before the vibe shifts again, but I think the choices made in the rap and the rhythm and the placement is all related to the vi the genre shift in this section. So it's a lot more laidback and like kind of like oh we're kind of in like maybe we're in like a club in >> nothing. He's just like it's very tasteful. There were a lot of components we really liked.

[00:13:48]>> We enjoy that.

[00:13:50]>> Yes.

[00:13:54]>> Oh, his rap was fire. I'm assuming he wrote that cuz you mentioned him earlier down. That was so good.

[00:14:02]>> You can do better than that. Get it down. Down.

[00:14:04]>> Oh, I just fell for you.

[00:14:07]>> That's not like a super complicated thing. It's just really fun.

[00:14:10]>> Yeah, >> they have so much swag. Like I feel like everyone these days is trying to be swaggy. It's believable. It's convincing.

[00:14:23]>> I like that was just that was just that was just So both of the rappers have very unique they have like a unique like texture to kind of riff off of and this one's more like groove heavy. So like it's led by this like kind of insistent like which is sort of more related to I think the more like heavier texture of like the main sections of the song. So I guess we have two different characters.

[00:14:55]They have like the kind of relaxed, chill, ethereal character and then the more like industrial like intense driving character in the song.

[00:15:02]>> I really like how they use peing like sound peeking like on a like a like a Yeah. Like it it totally peaks and it distorts the audio a little bit as an effect in the song. I love when artists do that so much. the chopping, the bass, the like I I really liked all the choppiness, the way that they kind of cut that major 7th up. And it's still a major 7th, but because the bass sounds so dissonant underneath it, it's like you said, really grainy and almost abrasive in a way that undercuts the dreaminess of the voices really well and adds like a certain rhythmic drive to it that I really enjoy. It's interesting cuz you have this like juxtaposition of all the distortion in the production and then at the same time all the vocals and then like the synths are so like ethereal and like on top. So it's like this like sort of like intense like grunginess and like intensess versus like this like angelic dichotomy which is so interesting.

[00:16:03]>> I guess one thing that connects the everything would be like how they how they sang their vocal lines. It's oddly calm for something this like.

[00:16:14]>> And um there's some like cool vocal stuff which is super fun. Really cool like slide portimento into the next section. But then there's also like the cool like harmonies up top of the fetto.

[00:16:28]>> And then there's also the um ad libs like the I really like his tone. It's kind of like low and then naturally kind of raspy, husky, but also very suitable to lyrical kind of sounds.

[00:16:42]>> I like Kiho is very distinguishable. His his his uh his voice is more um clear and then more vibrto.

[00:16:50]>> That last chord is awesome. That little portimento slide you were talking about.

[00:16:54]>> It's like a it's like an A major 7 >> with a C sharp in the bass and then they go and just move the whole thing up to make it a B flat major 7 over D. Yeah, that's so cool.

[00:17:07]>> So, why did they go up? Who knows? Cuz they don't continue going up.

[00:17:12]>> Just for fun.

[00:17:13]>> Just for fun vibes.

[00:17:15]>> Yeah, it's literally a pivot chord. It's literally a pivot chord.

[00:17:18]>> For some reasons, the the genres do flow together for some cosmic sort of reason.

[00:17:23]>> Yeah.

[00:17:24]>> Of those sections are so so completely different that it just feels like a different song even though it has like similarities in the progression. So like we've been through such like a lot of like different vibes and like to come from like to this sort of like very groovy laidback vibe from the d it's like huh >> in the intro you can't avoid the impact that the harmonies have on you. But here you can listen to the whole song and not even notice anything about the harmonies.

[00:17:57]>> Well because it's like a lot more percussive. Like you hear these like D and it's like so much denser that I have a hard time like absorbing the notes that I'm hearing versus like the beginning where you get to really sit with the harmonies and like the the the melody is also like quite legato >> so you can hear everything interacting with each other and you like sit with progressions for a longer time.

[00:18:24]>> I just was not expecting anything to happen which is like awesome. Like all of that is just so random and out of place. It's just like wo but it makes a song.

[00:18:32]>> Okay.

[00:18:38]>> Go hit that hit that major seven.

[00:18:41]>> That rapper by the way writes his own stuff and he's 20 and he's been like rapping publicly since he was 16.

[00:18:46]>> Holy I'm quitting music.