This 1955 Western film follows Johnny Rush, a former army scout who returns to Lonesome Valley after losing everything in a violent attack, only to discover that the man responsible, Hal Brecker, has taken over the valley and forced others to leave. Through the help of his friend Dan Wells and Apache ally Genoa, Johnny learns to use traditional bow and arrow techniques while confronting the injustice of land theft. The story explores themes of personal redemption, the importance of legal documentation in property disputes, and the power of unity in overcoming oppression, ultimately demonstrating that justice can be achieved through both traditional skills and moral courage.
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He Lost Everything in One Bloody Night… Now the Lonely Trail Is All He Has LeftAdded:
[music] [music] [music] [music] [music] [music] [music] [music] >> Yeah, what's the matter, boy?
>> [music] >> Old man Breaker, huh?
>> [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] >> Who's that?
Johnny Ringo.
Johnny.
Hi, Charlie. Johnny.
I heard you was coming.
I'm glad you made it.
How you been doing, Johnny?
They burned me out, Charlie. No. No.
Uh-huh.
And whoever it was took a shot at me.
You see who did it?
Uh-uh.
Probably Breaker.
He knew you was coming.
Fellow came down from the post last week into Tyrone.
He said you was coming along.
Not old man Breaker. Uh-uh. He's dead.
It was young Hall.
He claims all of Longsom Valley now.
And he's got the papers to prove it.
I was talking to the old man about the homestead survey just before I went south to herd Apaches for the army. He said then the survey was wrong. Took in my place, yours, and Dan Wells. Said he'd have it changed. Well, he died.
That's how young Hall came into being.
Came up here and told me to get out.
My old hound dog, Mike, like to chew his leg off. I'd kill for it.
Old Breaker had a bunch of gunmen with him.
Called them deputies.
They're making all the laws for Tyrone, but they ain't setting them up for me.
They don't like Indian lovers no better than Indians.
He never did like him, did he? Uh-uh.
And him and me never could get along, either. Johnny, I got me a dugout up near the reservation.
And then nobody knows anything about it.
Only you and Hall.
You mean you ain't going to fight for this place, Charlie? Not on your life.
I've had all the fighting that I'm going to do when I was with General Buell's first regiment.
I should think you'd had enough fighting, too.
Uh, Johnny, I'm going to hole up for the rest of my time.
Be near my friends.
Why don't you fetch your own?
Not, Charlie.
I'm too young to be penned up in a cave.
I guess I'll go over and see what Dan Wells is going to do about it.
Johnny, ain't you going to get something to eat before you go?
No, I'll get something over there.
Say, can I leave my packsack here for a while? Sure you can, son.
Bring yourself back, too.
You ain't got no other place to go.
Not, Charlie. I better stay away.
Hall thought you'd put me up, he'd burn this place to the ground.
Well, let it burn.
I'm fixed.
I may be back.
Do that, Charlie.
Okay, [music] Dan. I'm on the table.
That must be Hall.
Hardly. He'd come on in.
I'll get it, Mother.
Johnny Ringo.
How are you, Pat?
Fine, thanks.
Your father in?
Oh, I'm sorry. Come in.
Father, a stranger's here to see you.
Johnny Ringo. Oh, Johnny Ringo. How are you there, scout? You remember Johnny, Mother? Yes. How do you do? Hello, ma'am.
Hang up your hat.
Could I get you a plate, Johnny?
>> Yes, get the man something to eat. Oh, thanks. Won't be too much trouble. Here, take the weight off.
Your animal been fed yet?
No, but I won't be staying long, Dan.
Oh, Mother, have the men see that Johnny's horse is taken care of.
Mother, tell them to come on in and eat when they're through.
Well, when did you get back?
Early this evening, just in time to see my place being burned.
Burned your place?
Mhm.
Took a shot at me.
I think Hal Brecker had something to do with it.
Oh, wait a minute, fella. Why would Hal want to do that?
Charlie told me that you and him were told to get off, too.
Crazy Charlie told you that? I don't pay any attention to him. Why, that old man's getting to be a troublemaker.
Thank you.
I uh I saw Brecker's name on the surveyor's tab, Dan.
It is a private empire, Johnny. Charlie didn't steer you wrong.
Hal's taking over. He had no opposition while you youngsters were in the army.
Hal's got complete control.
Nothing we can do now.
That's what Charlie said. He's moving up.
At least you and me, Dan. We can fight him.
How about it, Dan?
It's too late, Johnny.
I've already made a deal with Hal.
He's going to let us stay.
Well, I I guess that leaves me all by myself.
It's a lonesome trail, son.
What do you expect to do alone?
I don't know.
But I'm going into Tyrone and have a talk with Brecker. You'll find Hal to find men to do business with. He's asked my daughter to marry him.
Is this your deal, Dan?
It's the only weapon we have.
All right, Dan?
I'm ashamed, Johnny.
That's the way it's going to be.
Thanks for the meal, Dan.
Johnny. [music] Excuse Mother. She doesn't know.
Dad never tells her anything. And you?
Don't you know any better?
I know better, and so should you.
Marrying Hal is an excuse to give me time to [music] think.
Now, I I don't know what else I can do.
Hal has never let on about his agreement with Dan.
You better stay away from him. He's dangerous.
I could say the same thing to you. What else can I do?
I have Mother and Dad to think about.
Fight.
You've got men.
Dad's been through all that. They'll ranch, but they won't fight.
Maybe I can help.
Not alone.
No, not alone.
But two alone are not lonely.
Would you be willing to go along with me?
What can I do to help?
When I get back, would you do what I think is right?
Yes, but I can't let Dad know that I've changed anything.
Hal's not so tough.
I'm glad you were what I thought you were.
Thanks.
Johnny, if something happens, I mean, if you can't change things, you you won't feel badly about me if [music] I do what I have to do?
It's all I got left.
What is it?
An old Indian brooch.
Belonged to my mother.
She died when I was born.
Well, I'll I'll probably see you tomorrow.
>> [music] [music] [music] >> This is no place for you, Johnny. Hal Brecker's men have been hanging in here all day long waiting for you.
Right.
You're burned out, Johnny.
Shot at, too. Give me a ride, Dandy.
I guess I haven't got any friends left in [music] Tyrone. That right?
Well, there's some.
Mighty scarce, though.
Ramsey and Clark and that that fellow lives over near Charlie.
Afraid to talk to me, huh? Act like I'm a stranger.
It's nothing personal.
You've changed a lot. Maybe they don't recognize you.
Mac Ramsey.
All right.
Us fellows have all got folks to look out for, Johnny.
I had a father to look out for. Sick when I left.
But I went anyway.
But that's all in the past. Best thing you could do is shove on over to Globe.
Set up there.
Nobody left here to help you, John.
I'm left.
What's wrong, Larry?
Just wait a minute. I'll be right there.
You're not from around here no more, Rush.
That right?
You better go back over and sit down with your girlfriend, Baker.
Get out of town, Rush.
I didn't come to town to see you. I came to see Hal Brecker. Hal Brecker's busy.
What do you want?
I said I came to see Brecker. I heard what you said. Now, get out.
>> [music] >> Watch it, Johnny.
Hey, WATCH OUT, RUSH.
AND DON'T COME BACK, BAKER.
SORRY, DANDY. It's all right.
Gentleman wants to buy me a drink, Dandy. [music] Julie, you go back over to the Red Dog saloon.
I'm not your guest.
That right, mister?
You better go out and look after your friend.
Come on, Julie. Come on, back over to Red Dog saloon. Come on.
See you later, good-looking.
What do you want? Is Hal here?
What do you mean coming up here? I've got something important to tell you.
Well, he isn't here.
All right. But don't ever come up here again, you understand? You're saying what you're talking Rush is in town?
Yeah.
Out of town.
Who was that?
What's the difference?
Who was at the door, May?
Larry Baker.
You know, I don't like those guys coming up here, Hal. What did Larry want? What didn't you tell him?
Oh.
Don't be mad, sweetie. It's It's just that I don't like people going around saying things. What did Larry want, May?
Oh, something about some fellow being in town. Rush?
Johnny Rush?
Something like that.
Oh, don't go, baby.
>> Don't do that. I told you a hundred times to keep your hands off me when I've got some place to go.
Don't be mad at me, sweetie.
It's just that I like to you. I'll be back. When? I told you to keep your hands off me.
Wait over there and keep out of sight.
Johnny?
None of my business, but why did you get out of town? You haven't got a chance.
That's what I've been thinking.
Looks like it's too late.
Hello, Rush. I understand you want to talk to me.
I got your message.
What message?
I came in, my cabin was burning. What's that got to do with me?
Understand you've taken over the whole valley.
That's more than a rumor. Could be a fact.
Now, let me put you straight, Breaker.
You don't own any of my land.
I got barbed wire and papers that say I do.
What else do you want?
I don't want anything you've got, Breaker. Just what's mine.
I had a talk with your old man about the land survey. He said it was all wrong.
Said he'd have it changed.
My dad's not running things anymore.
Anything else?
Yeah.
I suggest you give Dan Wells and Charlie Bonesteel back their property.
I'm going to give you a good idea, Rush.
Get on your horse, ride over to Globe, and don't ever come back.
I said I don't want anything you've got, Breaker.
Just my land.
It may take time, but I'm going to get it.
I don't cause a scene in here.
Just get out, half-breed. You yellow belly. Don't start anything in here, Johnny.
I got a double-barreled scattergun right underneath this bar, and I'm not afraid to use it.
There isn't going to be any trouble, Dandy.
I'll see you outside.
Johnny, if you'd have hit him, everything would have been finished.
He's got men all over the place. He never goes any place alone.
I don't know what I came into town for.
What did I expect to do?
Now, unless I clear out, it'll be a fight to my finish.
I got to think of something [music] else.
Well, see you later.
>> No, stay here. Or go out the back way.
I'll back you up.
Uh-uh. You better stay on Breaker's good side.
I'm going out, and I'm going to keep going.
>> [music] >> Hey, I got him.
>> [music] [music] [music] [music] [music] [music] [music] >> Breaker, come on. Get him.
>> [music] >> Yeah.
>> [music] [music] [music] [music] >> I want to be important, too.
You don't have respect, Dandy.
Caleb, I got to talk to you.
I got Rush.
What do you mean you got him?
I killed him. He's dead.
Where?
Up in the valley.
Did anybody see you? No, I was out there for a mile.
>> Listen, Guy Harold, I told him not to come around no more.
You know, this Rush guy could cause us a lot of trouble yet. I don't think so.
Swear out a warrant for Rush's arrest.
That's what I'd do. Tell him not to come around no more.
I'm swearing out a warrant for Rush's arrest.
Assault and battery.
Assault with a deadly weapon and assault and battery. I'll make them to posters.
Look, I don't want to get mixed up in yours and Rush's affairs. But when he left here tonight, he said he was going to leave town. Said he didn't want to start any trouble. Did you have to dirty up his name? You just take care of the saloon, Dandy, and we don't need any more to drink. Dandy, you're a very thoughtful. You just leave the bottle right here, huh?
Cunaha.
White man dead.
Turn him over.
White scout.
>> [music] >> He live.
We make pallet.
Carry scout to crazy white brother.
>> [music] >> Whoa.
Whoa, boy.
Bring your money, Cunaha. Easy now.
Easy.
Help me take white scout and hold him up.
Lay him on the cot, Cunaha.
We rest him here.
Take care.
Take care.
I've told you to come up here before, boy.
You'll be safe here.
They'll never find you.
Brave.
Go back down trail.
Make sure no one follow.
After rest, bring me word who shot white scout.
Good.
You know who this fella is?
You probably saved his life.
He lived.
Yeah, he lived.
He lived to chase you Apaches back onto your reservation again. Apaches stay on reservation.
Sometime maybe they no happy there.
Well, if you knew who he was, why did you save him?
Can I have make this?
Oh.
Make this for Morning Star.
She leave Apaches.
Marry white scout's father.
And the boy don't even know.
I never tell I go. Where you going? You didn't even drink your coffee yet.
White poison.
Oh.
Now it'll go to waste.
My old dog Mike would have drunk it.
Another day, crazy one.
We'll be here. Ask for Shelton.
Where'd you get Johnny's horse?
Bucks find him in hills.
You find out who winged the boy? No.
Come on in now, you old coot, old Indian.
Ah. Genoa.
So, you come to, have you son?
It's time, indeed.
I knew you'd wind up with a slug in you.
I told you to head for the tall timber before.
You was dry gulch, son.
Smack, dab, dry gulch.
Where'd I get it?
You got it right in the shooting shoulder.
You You got something raise my head up with.
Yep.
Genoa, sit up.
Give me that.
Use it up.
>> [laughter] >> What was that in the dangdest thing? An Indian trying to make a smoke.
Yeah.
Let me help you, old ward.
You're worse than Johnny.
Always getting into something you don't know nothing about. Good.
I wouldn't turn nation that you do up entire own to get yourself fixed up like that, boy.
Try to win a medal.
Well, you want it, you got it.
And it's big as a horse's tooth.
I don't know what got into me, Charlie.
Peshke.
What's that? It's an old Apache saying.
Means the wild killing craze.
That right, Chief?
Rest yourself.
Genoa, throw a few sticks under the meat there, and give her a quick stir.
You're the crazy one, all right.
Oh, there you are, Dan.
Where are the rest of the folks, Dan?
Mother's napping, Patricia's about someplace. I'm out looking for a fellow by the name of Johnny Rush.
Rush?
Oh, that's the young chap lives across the basin. Was up with the army for a while. Yeah, that's the one.
Haven't seen him around here, have you, Dan?
No, I don't remember seeing him for almost a year.
You didn't see him last night?
I've been in the house over a month, you know that, Hal. What are you getting at?
Was Pat out of the house last night?
No, not that I recall.
Dan, you and I made a deal. Fair deal.
And I don't like people I do business with lying to me.
What are you talking about, Hal? I heard that Johnny Rush was out here last night. Is that right, Dan?
Well, where have you been?
Oh, hello, Pat.
Was just telling your father about that Rush fellow from across the basin.
He rode into town last night and opened fire on my deputies and started a row with me.
I don't think he'll cause us any more trouble, though.
What happened to him?
Well, we haven't found him yet. Got a warrant out for his arrest. I doubt if he'll be back this way. Hmm.
Now, there's a lot of fellows like that, Dan.
But they all learn sooner or later.
Well, it's cold enough to to freeze the whiskers off a rabbit out there.
What are you doing sitting up, boy?
I got to get my strength back.
I met Genoa on the lower trail. He said he found out who lowered you. It was a fellow by the name of uh Larry Baker.
One of British deputies.
I know all about him.
I threw him in the mud outside of the Tonto.
An eye for an eye and a tooth for a tooth.
Where'd you get this?
Well, Genoa found that clenched in your fist when he picked you up.
Where'd that old thing come from, John?
I found it in the ashes when my cabin was burning.
Belonged to my mother.
Oh.
Is that right?
Where are my things?
What things?
My saddle bag, my carbine.
Well, when Genoa brought your horse back the next day, well, with no saddle bag on it.
Wait a minute.
No, it was your saddle bag on it, but no carbine.
Where are your guns?
The old sharps up there.
I ain't never had no other.
That's like having no gun at all.
Well, I don't know what you'd do with a gun even if you did have one.
Dan.
Just keep exercising it.
There.
Get me a couple of more rabbits. We're going to eat again.
What'd you hit him with? Rocks? No, with my bow.
You're getting pretty old to be playing at Robin Hood, ain't you?
Yeah.
You pull it.
>> [laughter] >> Hey, why don't you pull a thing like that?
Step back, Charlie. Step back.
It takes practice, [music] lots of practice, and you've got to have a good teacher.
This here is the best teacher in the whole wide world, and he can't even hardly shoot one himself no more.
Local one hard man to teach.
Yes, sir.
I use my old bow a lot. It's quiet, too.
That old Sharps 50 is a bit noisy.
Besides, the old Sharps 50 makes the game spooky.
This way, they never know what hits them.
You know, drawing this bow could help my shoulder, Charlie.
Would you rather help it or break it?
I got one here that I generally use for small game.
Try it.
Ooh, that looks nice, honey. Very nice.
You and I will play at Robin Hood tomorrow.
See if we can't draw some of the soreness out of those muscles.
How you making out with your quiver? Hm.
Still better meet in town.
>> [laughter] >> You know how we didn't see Tyrone?
He said that the Breaker gang thinks you're dead.
But they got a wire down for your arrest, just in case you ain't.
Everybody think I'm dead? Some think you moved on.
A dead man sure could raise the devil with Breaker's gang, couldn't he? Wait a minute.
You did then their crazy ideas out of your head for life.
You're better off to stay here where you're at. If I could just draw a gun, but I'd have to develop a left-hand draw, they they'd drop me before I could get it out of the holster. Why you forget them damn shenanigans?
All you got to do, Sonny, is think you're getting well.
Chief, know where the Wells' place is?
Know the girl, Pat? She hide me one time.
The next time you go to town, stop by there. Tell her that Johnny Rush says, "Two alone are not lonely."
Two alone, no lonely?
Yeah, just tell her that.
This looks like a good spot.
No, no, no. Like this.
Now look, Charlie, this is not for me.
I'm a gunman. I like the stink of potted smoke and the kick of a.45 in [music] my hand. Kick?
Try that.
Give you all the kick you need.
Listen here, you gang fool. These here weapons have been used for 50,000 years.
It ain't no toy, Sonny. This is a mighty good piece of shooting gear.
You think them there longbow Englishmen was sissies? Well, by golly, they weren't. They showed them their French knights what could be done with a bow and arrow. Shot them clean off their coyotes before they could reach the English line.
You've been reading too many fairy tales. I ain't never read a book in my life. And what's more, I once seen a Comanche shoot an arrow clean through a buffalo, >> [music] >> and it kept it going, dripping blood.
Now, you get down there and pick up that bow and arrow. Give it a quick jerk.
Oh, you think it's easy, do you?
Watch that old stump over there.
Now, don't pull it out.
>> [music] >> You [music] had me doing it.
How's that? 8 in.
Pretty good, isn't it?
I didn't think they could hit that hard.
Nothing's kind of funny.
The rug's in pretty good.
Ow.
I'm going to give up, Charlie. I'll never be a bowman.
How long did it take you to learn to shoot a gun?
Not long.
You're a gang liar. Or else your memory's failing you on.
I'll bet you took a lot of practice before you could learn to shoot a gun hardly without thinking.
Yeah, I guess you're right.
Hey, uh Oh.
You better put on your shirt before you catch cold, Sonny.
Don't you worry about sitting on that bow. You look right natural today.
Right natural.
How does your old shoulder feel now?
Feels better than it has for a long time. Good.
Afternoon, ma'am. A bottle of Jameson's, please.
I see you enjoy the best in spirits.
Charge that to Mr. Breaker's account.
>> Yes, ma'am.
Have you uh seen Mr. Breaker?
Let's see. He was in here about 3 or 4 hours ago. I think he went out to the Wells' place for a bit.
He's sure as hell on marrying that girl, isn't he?
What are you talking [music] about? Oh, oh.
The first rule of a good bartender is to keep everything he hears to himself. I'm afraid I spoke out [music] of turn, ma'am. Who told you about that Wells' girl? I'm sorry I mentioned it, ma'am. I thought it was common knowledge.
Is he making a fool out of me?
>> [music] >> Ma'am, don't get upset. Here, have a drink on the house.
>> Mr. Dayton, I'm a lady, and I don't drink in saloons unescorted.
Are you sure he went out there?
Now, ma'am, don't you go get me in any trouble.
>> [music] [music] [music] >> Hello, Ganaha. I haven't seen you for a long time. How have you been? Good.
Johnny Rush say, "Two alone, no lonely."
Where is he? Ganaha find Johnny by wash.
He almost dead.
Very good now.
He come see you.
Did he say when?
Johnny say nothing.
Ganaha say.
Ganaha.
>> [music] [music] >> Here.
>> [music] >> You good.
>> [music] >> Uh-oh.
You good teacher.
Indian eyes shoot like death.
Indian eyes, huh?
Looks like the old boy is proud of you, son.
Give girl message.
Big town boss marry girl quick.
Time I was leaving, Charlie. What for?
To see Pat. She doesn't want to marry Brecker.
But you'll run into him if you go back.
I hope I do.
Where do you keep the shells for this thing?
I only got two or three shells.
And they're mighty old.
You see, I ain't done my reloading yet for the winter.
Man died hard with arrow.
I didn't teach him the bow for that.
Don't never use it on a man, son. It's for animals.
I won't, Charlie. I better get going.
You got fooled.
You think I drove you up here to bring you back to life so you go back down there to get killed again?
It's a personal thing, Charlie.
Like you want to stay here till you die.
Well, Patricia.
>> [music] >> Come here.
Sit down and listen here.
You don't really want to marry Brecker, do you?
You know the answer to that.
You won't have to.
But, Dad >> Your father and I will get along all right.
You kind of like this Rush fellow, don't you?
But I don't think we can put Hal off any longer.
We won't put him off.
I'm going into Tyrone and tell him.
I think I'm good for one more trip.
Dad, you don't have to do that.
I don't have to do anything.
Go tell Buck to get the rig ready.
Well, he better go with you. I'm doing this alone.
Thanks for everything, old-timer. If you find a bad welcome down there, come on home.
>> [music] [music] >> You oughtn't to go down there.
Can't buck up against them fellows alone. Anybody knows that. No.
I ain't nursed that yearling back to health for nothing.
I can't let him get killed without half a chance.
>> [music] >> You go back out up the reservation garage.
Well, that's boy.
>> [music] [music] >> Oh, hi.
I thought you were my husband.
Is Pat here?
No, she's not. My husband's not been well, you know, but he got up and went to town anyway.
When he didn't come back, Patricia went after him.
Does Dan have a gun around? Well, he He has all those rifles over there and that little one on the tree there.
You're not here to start trouble, are you, Mr. Rush?
That's just exactly why I'm here, Mrs. Wells.
Well, you You better not take Dan's gun.
He won't like that.
You know, Hal has a lot of nerve leaving me here with you.
You know what I think of you?
Fill it up.
Excuse me, Mr. Dayton. Have you seen my father and Mr. Brecker? [music] No, I haven't, but I think >> you, sister?
Patricia Wells.
Oh, yeah.
I know her, don't I, Dandy?
Come on, May. Back over and sit down.
>> Take your hands off of me.
>> Aw, May. Now, no trouble, huh?
No trouble.
>> [music] >> May, get out of there.
Larry, why don't you get him out of there?
>> [music] >> Come on.
All right, May.
Where's my father? Your father? Well, he went home.
I don't believe you. I would have passed him on the way.
May, go on home.
Look, Dandy.
MAY, I TOLD YOU TO GET OUT OF HERE.
YOU CAN HAVE HIM, SISTER.
I think you stink.
>> [music] [music] >> Hold it.
Who's that? Johnny Rush.
>> [music] [music] [music] [music] >> Hey.
Come back here.
I go away.
Don't nobody move.
Or raise your arm, mister, or I'll blow a hole in your belly as big as your head.
What do you want, Charlie? Johnny Rush.
You won't find him here. Rush moved over to Globe. He's been gone for a month or more.
Don't give me none of your lies, Mr. Brecker.
Johnny Rush ain't been near Globe. He's right, Charlie.
Johnny hasn't been around here in a long time.
Maybe Getty Bicker can tell us where he's at.
Mr. Bicker?
I got word that you killed Johnny Rush.
Is that right?
All right, Charlie. Go on along home now. Look, Dandy.
I don't want to do you no harm.
But I got to ask you to back up there.
Mr. Breaker, I'm asking you or your men to step outside.
We got some business to discuss.
This whole thing is likely to go off.
But nobody knows where it'll go.
It's bound to hit one of you though.
Oh, Mr. Breaker. Don't start anything.
We'll get him later.
Who?
Oh, you're in there close.
I'm going to give it to you quick, Mr. Breaker.
I came out here to talk to you about reclaiming the land in Lonesome Valley.
I want to make a deal for the Rush property, Dan Wells, and mine. You've seen a copy of the latest land survey, Charlie. I don't want to talk about no land surveys. I'm talking about property. Well, if you make me nervous, this here little rifle of General Burden's is likely to go off. I want the land, that's all. Come take time. You got to have papers.
I got the papers.
It's all writ right in here.
And there's a space here for you, Johnny and me.
That's what I want. Now, sign this. I see where you stand. Don't move till I tell you.
Here's your crayon.
And sign right here on the bottom.
All together, move.
I'll back away while you watch.
Stand there with your back turned.
>> [music] >> I'll move now.
I don't want to move.
You right where you are.
Walt, follow that old fool out of there, but don't shoot till you get out of town. And get that book.
>> [music] [music] [music] [music] [music] >> Who did it, Charlie? One of Breaker's men.
Name's Driscoll.
He rides a pinto.
Where's Breaker?
Back in town somewheres.
I made him sign the property back.
He signed his name in my good book, and Driscoll took it.
Are you all right, old-timer?
>> Am I all right?
I was crazy as you are for coming back here.
They got Dan Wells, too. Ambushed him up the trail.
Charlie.
Dad.
One of Breaker's men killed your father.
Ambushed him up the trail.
I took care of it.
Stay with Charlie, Pat.
Son.
Remember what I said about the bow.
It's for animals.
Yeah.
For animals.
I was going to get awful tired of waiting, May. Let's go.
>> [music] >> I told you to take your dirty hands off of me. And you can tell your boss I think he stinks. All right, no more drinks, Dandy. Cut them off. As you say.
Keep your hand where it is, Baker, or I'll run this shaft clean through you.
You know me, Baker?
Yeah, sure.
Don't you forget me.
Use your head, Baker.
I don't know if you got any ideas, Mr. Baker, but just in case, I don't know why he didn't kill you.
And if you don't want your luck to run out, maybe you'd better try someplace else.
Try Globe.
Driscoll!
Who's there?
Johnny [music] Rush. Draw!
>> [music] [music] [music] [music] [music] [music] [music] >> Rush?
Johnny Rush?
>> [music] >> You better ride out, half-breed.
>> [music] >> I can get from here.
That wouldn't be fair.
Even for an Indian.
>> [music] >> Did you plan a fair rush?
You'll come out where I can see you.
>> [music] [music] [music] [music] >> Come on, tracker. Come on out in the half breed.
>> [music] [music] [bell] [music] [music] [music] [music] [music] [music] >> How you feeling, old timer?
Fine.
Just fine.
Everything's solved, old boy.
Just about, I guess. In fact, she's a mighty fine girl, Johnny.
Tell her, son.
Tell her? [music] Tell her what?
There ain't nothing wrong with being part Indian, Johnny.
How did you know?
Your old chief here, he told me.
He didn't think you knew.
Yeah, I've known [music] for a long time.
I've come to be happy about it and proud of it.
It's lovely, Johnny.
Too long no lonely.
>> [music] [music] [music]
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