Grading Scale Reacts | Conway The Machine | Stogie T | Kane Keid | Cassper Nyovest | Frank Casino

Ajouté : 2026-05-17

[00:00:02]Oh, wait a minute. Did it? Oh, there.

[00:00:17]Oh, there it go.

[00:00:19]It just went live.

[00:00:23]All right, let me go into the screen.

[00:00:36]My girl Tracy already in the building.

[00:00:38]What up, Tracy? What up, Ken? Oh, look.

[00:00:40]I'm the late one. They got in there before I can re before I can even reload it.

[00:00:47]No. What's good, y'all? Hold on. I'm trying to get the I got to get the chat over to this other screen so I can actually be seeing what y'all talking about.

[00:00:58]All right, there we go.

[00:01:01]All right, there we go. No. What's good, Alfred? What's good, y'all? Um, my fault. My fault, man. It's been It's been a lot going on, man. Your boy's been I've been having a really busy last like couple weeks, you know what I'm saying? So, it's been kind of busy.

[00:01:17]Corey been kind of busy. I've been doing I've been doing a lot. You know what I'm saying? I've been recording music. I've been doing all kind of stuff. And um I was catching up on some of like the little hip hop news going on. Did any of y'all see the big I don't even know if y'all would know. I don't even know if our audience even know these kind of things, but did y'all even watch the 6ix9ine and Big Bang conversation? I don't even think our audience be knowing nothing about that. But you know, >> I miss that one.

[00:01:44]>> Oh, see, look, bro.

[00:01:46]>> I'm I'm I'mma tell you one thing about Oh, Tracy. Absolutely. Happy Mother's Day to all the mothers out here who take care of their kids. You know what I'm saying? Who who who does the motherly things, not just like cuz I don't want to I don't want to bash the women like on Father's Day. I be hate when they be like, "OH, WE I'M A FATHER, TOO." NO, you're not a father. You're an extraordinary mother.

[00:02:10]So, I be want to send a shout out to the extraordinary mothers on Mother's Day.

[00:02:14]You know what I'm saying? You got your regular moms and you got them also them extraordinary mothers who have to like go over and beyond for their kids. So shout out to all the mothers and the regular moms too. But special shout out to extraordinary mothers and all y'all stay out of Father's Day. Stay out of Father's Day. I don't want to hear y'all talk about mommy and daddy. You're not your mommy. You're a great mommy. You wonderful mommy. Shout out to all the mommies. Um oh Ken said he saw something. Look at Shout out to my boy Ken Patchy. Shout out to Ken. But y'all man, I wish you did see it though, Corey, because like what I really want to have a conversation is 6ix9ine be making some points sometimes. He's annoying as hell, bro. He's annoying. He annoying.

[00:02:55]But he he he be making points, bro. You got to check it out. Check I wish we could react to that a little bit, but it's too long.

[00:03:03]>> Get pause. But like he be making valid points cuz you know what he does, bro?

[00:03:08]He backs you into a corner to stand on what you previously said. That's what he That's what I noticed about him. Like how he how his communication style, like all that yelling and stuff. Like, bro, you going to have to quit yelling at me.

[00:03:20]I'm not with all that dramatic yelling stuff, but also know like that's his character. But like, if you listen to what he be saying, he just backs you into a corner. If you said like you can't tell him why you talking about everybody else business, but then when people was on there talking about him, you didn't say that to them.

[00:03:38]You can't be saying um you got you got these people a 100 years and you did this but you didn't even know my case.

[00:03:45]You didn't know them people was already investigated four years before I even met them. Like he he put you in he back you into a corner and logically he going to win. You know why he going to win logically with the so-called street people, bro?

[00:03:58]>> Cuz to be in the streets, you can't be logical. THERE'S NOTHING LOGICAL ABOUT BEING in the streets, bro. to to wake up every day and say, "I'mma go outside and make decisions that can potentially get me locked up or killed every day. Every day I choose it. And not only do I choose it, I also damn near invite the danger because I want the reputation of people knowing I I handle these type of situations." There's nothing logical about waking up every day and doing that. And then you still got to follow another code with a lot of a bunch of other illogical people. Y'all supposed to have this code of we don't snitch.

[00:04:42]It's kind of illogical. [laughter] You know what I'm saying? It's an illogical process. Not saying and it's the thing to do. Do you know how illogical it is? Anybody who's not in the streets, the people who make the illogical choice will be like you don't understand cuz you ain't a street person. They think you can't understand the logic of their illogical thinking, [laughter] which is illogical.

[00:05:06]>> Philosopher, >> you know, I'm just saying it's all illogical. But like, if you a person like 6ix9ine and you just basically going off logic with a person who's trying to explain the illogical um code of ethics that they all live by, you're going to win the argument because you're going to make the illogical person sound illogical.

[00:05:27]And that's that's what you got to be careful. Like that's why you you got to be one of them street people that understands it's an illogical thing. But you got to add logic to the illogical if you if you're going to win a debate like that with a person like 6ix9ine. Cuz yeah, he told. He know he told. He know he told. He don't run away from telling.

[00:05:46]He say why he told. You know what they say when he say why he told? That's an excuse. Because if you was a real one, you would still hold it down and take take responsibility for your actions, right? Yeah. But that's illogical when they trying to wrap you into a RICO case and they charging you with your own kidnapping. They trying to charge this man with him kidnapping himself because he was a part of the Rico with the people that kidnapped him.

[00:06:09]>> And he only towed on the people that kidnapped him for real.

[00:06:12]>> Say that again.

[00:06:13]>> Exactly. See how illogical that all sounded? That was what happened. But see how illogical it sound, bro. If you going to be in the streets, you got to understand you're making an illogical choice. It's an illogical decision. It's an illogical decision for you to be walking.

[00:06:30]One of your friends say, "Yo, bro, can you give me a ride?" Or not. Say, say you walking, you see your bro, you're like, "Yo, bro, can you give me a ride to the store?" He like, "Yeah, for sure." Y'all ride to the store, y'all get pulled over, your man got a key of Coke and a gun in the car, and the police come and say, "Hey, who kid coke with this?" Your man say, "It ain't mine."

[00:06:50]And now you ain't supposed to say nothing. and you go down for a kid coke and a gun. IT'S ILLOGICAL.

[00:06:57]IT'S ILLOGICAL. IT AIN'T NOTHING LOGICAL. Like your man just basically set you up. He saying it ain't his. Now y'all both sitting down and you f to fight for your freedom for something you know you ain't having nothing to do with. But you got to shut up because you got to be a real one. You got to be a real street ninja. It's illogical, bro.

[00:07:12]But it's logical to the people that lives illogical life.

[00:07:17]Sound crazy, huh?

[00:07:18]>> Sounds like misinformation in politics.

[00:07:20]>> That is what the streets is.

[00:07:23]misinformation in politics over and over again. The streets, bro.

[00:07:28]Can't make can't be trying to make logical sense of this, bro. [laughter] You're gonna always look crazy. Going to always look crazy.

[00:07:36]Cat Williams said, "Ain't nothing worse than talking to a smart dumb mother. I ain't Hey, Tracy. It is like >> facts."

[00:07:43]>> And I and and I ain't judging street people cuz I got street people that I'm cool with. But you know why I'm cool with them? Cuz they understand the streets. IS ILLOGICAL TOOL. [laughter] THEY UNDERSTAND IT. That's where the logic come in. They understand when I'm doing these things is stupid.

[00:08:01]But I'm a I'm I'm I'mma live by the code. But the people I rock with, they all be trying to do other things though.

[00:08:06]They not they not just like I'm in the streets and like that's just my all be all. No, they trying to do other things and finesse other things so they can do bigger and better things. Like that's the balance. And if you and if you're smart, once you get to the other things, you leave the streets alone. That's where the logic comes in. And that's where I think Big Banks at in his life.

[00:08:27]You know, he got to the other things. He left the streets alone, but he still live and carry himself by the codes that he grew up in, which is logical, right?

[00:08:38]But the codes he live by is illogical.

[00:08:43]It may sound crazy to y'all, but it makes sense to me. It makes sense to me.

[00:08:47][laughter] It makes logical sense to me.

[00:08:51]>> Hey, trying to tell you that's a jewel one day. Almost out. Look, >> you might have to put that on the short or something. The short the what's it called? Opus. Opus will help you make it so they Oh, yeah. They kind of he kind of making a point. I'm telling you logical thing. But all right, what we got in the um what we got in the >> archives for today? So, there's a new uh Ren and uh what we call it Webbby.

[00:09:16]>> There's a Stogy Tank Casino. Frank Casino was on that last Sto album. Uh there's a new lyrical drill that came out today. Kane Key that came out. You got that Albby Al Conway the machine. Um and you know Ari's always good for one.

[00:09:35][laughter] >> You know rock Ari. Let's see. Um, matter of fact, let's do let's do Conway. I want to I want to get like some >> You want to kick some off?

[00:09:44]>> Yeah. Let me get some I want some I want some real hair first. Like before we start getting to y'all, you know, young people that get all y'all >> want some Yeah. Let me see what Conway talking about.

[00:09:57]Tracy said, "If you ever seen the Equalizer, then you know." Um, I ain't You smoke with Denzel.

[00:10:02]>> The Denzel one.

[00:10:03]>> Oh, yeah. I definitely seen all three of them.

[00:10:05]>> About the TV series.

[00:10:06]>> Yeah, the TV series. I ain't watched the one queen. All right. I I ain't want to see Queen being no fake uh Denzel. I wasn't on that.

[00:10:13]>> That's that was that was that that was weird.

[00:10:15]>> Nah, she you did you did your thing and set it off, but you know, I'm I want to see, you know, Queen Latif.

[00:10:21]>> I like the Queen in almost everything that she do.

[00:10:23]>> Oh, for sure.

[00:10:23]>> That's just weird for the for the equalizer joint.

[00:10:27]>> Yeah, I wouldn't I wouldn't.

[00:10:30]>> I wasn't on that.

[00:10:34]>> She said, "I'm not watching that." Yeah.

[00:10:36]See, I don't think nobody watched that show. Is it even still on? I don't even know if that's still come on TV, bro.

[00:10:41]I'm sure that got cancelled. I don't knowbody who even watched that show. And it got like three or four seasons or something, too.

[00:10:47]>> Yeah, they like couple seasons for that show.

[00:10:49]>> They really trying to push that.

[00:10:50]>> They was trying, bro. Nobody watched it.

[00:10:52]I don't know one person that's like, "Yo, you know what's fire?" Not one person ever in life.

[00:10:58]>> But you know WHAT IS FIRE, THOUGH? OKAY.

[00:11:00]YOU KNOW WHAT? I'M going to have while we get all that together, bro. I don't know if y'all be watching The Boys. I know I be on my TV show stuff. So, I've been watching The Boys. It's the final season of The Boys and I be seeing like some of the YouTube creators because I be watching like reviews like I don't know. I just like watching like certain channels review like the comic book stuff because they be having all the Easter egg breakdowns. Oh, but like >> I've noticed people like been hating on The Boys this season.

[00:11:27]If you watch The Boys, bro, it's all like I ain't saying it's the it be the greatest. Every show needs to be the greatest. But that's what I hate about people that break down shows now. I don't like the, you know, like this why I want to get away from song breakdowns too at some point because it's like people be taking this stuff way too like serious. If you're watching a TV show, just like if you listening to an album, everything on an album can't be the climax. Pause. You gotta have the I know it's crazy, but you got to have songs that lead up to high points of the album, then parts where the album can bring you back down to sober moments.

[00:12:04]And like that's how you tell the every album should be a story. Some somebody told me a long time ago. Every album should be a story from beginning to end.

[00:12:12]The beginning, the middle, the end.

[00:12:14]That's how it should be told. Just like a movie should have the beginning, the middle, and the end. That's how it should be told. A story. Every story should be the same way. People kill me when they go, "Oh, this episode was just filler." Bro, maybe they're character building. Just watch the damn episode.

[00:12:28]>> They do that with the Star Wars stuff all the time. Yeah.

[00:12:31]>> And they come away and say like, "Oh, this was a this was one of the best ones or whatever." But it be so slow in the beginning because they got to like they got to build the story. They got to build the problem and then how they going to go about and solve it and then they got to do all the ups and down stuff. Like it's just basic storytelling. People just ain't patient.

[00:12:47]I think that's >> that's what's wrong. That's exactly what it is. People want everything right away. Like >> overwhelmed, numb to everything.

[00:12:54]>> It's just like I um I'm in the middle of writing a script, y'all. And I got I gave it to Corey and like >> I got like 50 pages behind me right now.

[00:13:01][laughter] >> It's okay. That's just the first part.

[00:13:03]That's the first half of the first episode.

[00:13:04]>> That's the first half of the first episode. But like even even in the story that I'm writing, I'm I know exactly where I want the story to go. Like I'm the person creating the story. I know what every character is going to do. I know the goods they're going to do. I know the bads. like it's my story. I know what they're all going to do. But if I gave you one episode and in that one episode you knew all my twist and turn to my story, that's a terrible show. That's a terrible show. That's it's terribly written. You shouldn't know everything that's going to happen in the first episode. You can think you do, but you shouldn't. And that's that's what it be, bro.

[00:13:40]>> If it's predictable, I'm not coming back to to to see it. If I'm like, "Oh, man.

[00:13:43]I already know what's going to happen.

[00:13:44]I'm good."

[00:13:44]>> Yep. You you wouldn't even move on to something else. like I don't even want to watch this. And it's like that's kind of where where it's becoming. But that's why I like to do show I I cuz my show breakdowns wouldn't be me saying, "Oh, this episode was terrible." It's like, "Nah, bro. You just JUST BREAK DOWN WHAT HAPPENED." LIKE, NOW IF YOU DON'T THINK nothing happened, then just say like, "Man, this episode ain't really nothing happened." Like, but some people be overly like critical and everything like, "This is ridiculous. Why would home why would why would uh what's my boy? Why would Soulja Boy give the serum to Homelander?

[00:14:16]Because, bro, that was the choice he made. Now, the question is, why did he make the choice?

[00:14:22]>> You know what I'm saying? It don't matter what he did. Let's talk about why he did it. [laughter] That's the kind of stuff I want to talk about when we get to doing like show talk and stuff like, bro, I don't really want to do all that.

[00:14:32]You said the boys too zesty for me.

[00:14:36]>> It do be having some zesty ass scenes. I ain't going to hold you. It's been a couple zesty. It's been some zesty scenes and that [ __ ] I ain't going to hold you. But it be some zesty. It like Yeah, it be some zestiness going on. I'm not going to hold you. But it's like that's the world they building. You know what I'm saying? Like even in our world, bro, it's a lot of zestiness going on in our world. We being risen zestiness going on. It's like it's just like the boys put everything on blast. Like they put the zestiness, they put the politics, they put race, they put uh sexuality, they they put everything on blast. Everything. They put everything on blast 100%.

[00:15:11]It's zest in the world and they put that on blast too. So I ain't Yeah, it definitely get zesty.

[00:15:16]Show is fire but I almost didn't make it through the first few episodes last I did. Yeah, it's a lot of shows like that. Like I think like people always say the second season of the wire they like, oh it's the worst season. Only reason they say that because it starts so slow.

[00:15:28]>> It starts very slow but by the mid midpoint, yeah, it start to pick up but it starts slow. But that to me that's some of the best shows. You got to it's a slow burn.

[00:15:37]>> All right, let's get to my boy Conway. I know he ain't going to slow, bro. He just going to smoke it. I already know he going to just smoke this right off the top. Let's get to it.

[00:15:45]>> Blacks come with the machine.

[00:15:48]>> We here.

[00:15:50]>> Got them both.

[00:15:52]>> Nope. Can't hear nothing in either.

[00:15:56]>> Check. Check. Okay.

[00:16:08]>> Check. Check. Nope. I don't hear nothing in this one either.

[00:16:16]>> Check. Check. Oh, yep. There we go. All right. Yep.

[00:16:20]>> Breaking the internet. You know what it is.

[00:16:23]>> Once again, kind of crazy.

[00:16:30]>> There we Yes. This what I'm talking about. Some grammy grisel to start off one time from New York City.

[00:16:36][singing and music] Drum work [ __ ] Zelda [ __ ] Pulling up something frosty on the arm. [ __ ] [music] flying but it don't cause me no alarm. My dog with me is armed. No thoughts of being harmed.

[00:16:46]Of course I'm still a dawn. [music] Look [singing] to cities.

[00:16:51]>> Sorry I had to interrupt but but all the brothers is all shaking their head [laughter] almost like they trying to do it in unison. I'm like was that planned?

[00:16:59]>> Hey they already know. They already know that he F TO GET BUSY. Matter of fact, turn it up son. So I I I got to get in unison too.

[00:17:05]>> Okay. I got to get in unison.

[00:17:07]>> All right, here we go. Here we go.

[00:17:14]>> No thoughts of being harmed. Of course, I'm still a dawn. Look, I tore cities across seas and beyond. I dare you to play with me like I won't air you. I swear you better play with something safe and be careful. Thought I made it clear to you. I ain't who you compared to. [ __ ] stay away from my [singing and music] release dates. They fearful. Look, give them discomfort like a ligament tear. Do when I looked in his eyes, it was visibly tearful on mics. I turned in the iron might get your ear chewed. I knocked [music] one of them old rap [ __ ] veneers loose. The [laughter] league and I did it.

[00:17:46]>> He said, "I knock one of them old rap [ __ ] veneers loose." Hey, why all the rap [ __ ] got the veneers now?

[00:17:52]>> I ain't nobody got their regular grills no more, bro. Everybody got fake ass teeth. All right.

[00:18:00]tearful [music and singing] on mics. I turn in the iron mic. Get your ear chewed. I knocked one of them old rap [ __ ] veneers loose. I took the league and I did it by year [singing and music] two. Like my home's draft day I wore a fitted from beard goose. I have a ticket for the whip that [singing and music] I stared to. I'm back in that move to end the career too. Hold up. I'm back in that boo and I feel [music] amazing.

[00:18:22]Couple mill in the safe but still I'm saving. You know I'm feeling [music] dangerous. Malice in my heart I'm feeling heinous. I grip the stainless. I hit them in this [ __ ] caving.

[00:18:32]Rearranging. Feel the culture shifting and changing since I came in with the oodles and noodles. Chicken raining.

[00:18:38][music] Wash [singing] out the pot then use it again to whip the cane in.

[00:18:43]>> BRO, WAIT A MINUTE BRO.

[00:18:46]See see this is this >> y'all be talking about what I be listening to Griselda bro. That boy say had the rainman and use the same pot to whip the stop man. Let's man. Let's go, bro.

[00:19:08]>> Whip the oodles and noodles. Chicken raining. Wash out the pot, then use it again to whip the cane.

[00:19:15]>> Hold on. Hold on. Hold on. Let me get that.

[00:19:18]I need that just one more time, bro.

[00:19:21]>> I stainless. I hit them in this [ __ ] caving. Rearranging. Feel the culture shifting and changing since I came in with the oodles and noodles. Chicken raining. Wash out the pot then use it again to whip the cane in. Big ass Mac homie the clip that's hanging. Shoot up your block cuz [singing and music] I don't respond to disarms. Them [ __ ] nameless. I got shooters on the payroll [ __ ] [music] Draco busters. I grew up with the yayo hustles. Gazelle this [ __ ] [ __ ] [ __ ] know we ain't [music and singing] no suckers. Play what you want. [ __ ] ain't going to touch us. We gunning [ __ ] down. [music] They no others. We giving hospital trips, leg broke, crutches. [ __ ] hate they broke. [ __ ] them. Went to my jeweler and spent 250. I did it cuz [ __ ] thought they was richer than me.

[00:20:03][ __ ] never did nothing that really benefit [music] me. Somehow [singing] I still got more money than them significantly.

[00:20:10]In the ring when I whipped the Bentley might let you hold the umbrella for me like Mr. Bentley. You know that block getting broke at half and then I give them both [singing and music] a bath with no soap and rag. [ __ ] sending [ __ ] for me to post and tag, but I'm charging [music] a fee. You got to pay a promotion back. My homie said he bleeding like a [singing and music] open scab. Blissers on his fingers. Had to chop up in open bags. He sneak dissing on his post. That [ __ ] broke [singing] mad. I ain't really tripping, but the broki want to smoking bad. Had his pistol and his jeans loaded. Little [ __ ] stole his bundle. He thought a fiend stole it. I got in the sting and I'm steam rolling. It's the machine, [ __ ] I'm reloaded all the [ __ ] I say the G's quoted Louis shades cost more than your jeans don't it remix the work had the dirty and the clean loaded that light on in the yard [singing] you know that we open yeah >> I already killed your brother and your cousin boy we knocking branches off of your family trees in a road truck down in Miami with skis did my drink champs in a view with the swam in [music and singing] my jeans got off that hospital bed and I plan to be king a dome shot couldn't stop me y'all [ __ ] [music] Can't do a thing. Get made an example of [ __ ] put their hand on machine. Had [ __ ] at your visual with teddy bears, [singing and music] candles and things. You sold your soul to be famous without social media. Bozo, you be nameless. The emerald cut drum work local peace dangling. Met her at Paris North. She smoke three languages.

[00:21:36]Yellow white [music] rose. We don't do stainless before that shady album. I was still getting sink checks and I ain't even blinked yet. Touch that two M's. I was just getting my feet wet. You know I'm the reject. Even when I ain't playing, I still [music] get the Kyrie check. They hope I'm a regress.

[00:21:53][laughter] >> It's like I hit five in a row. It's just a heat check. Lose your life in this game. You can't press reset. Bringing all this money and I got it on reset.

[00:22:06]Aaron at these [ __ ] is my natural reflex machine, [ __ ] >> I saw him, bro. How long he How long he just How long was that?

[00:22:15]>> Uh 4:15. Hey, look. That was 4:15. Did it feel like 4:15? No.

[00:22:20]>> Hell no. It's different levels, bro. All that GOOD. REMEMBER, THAT'S COOL, BRO.

[00:22:26]BUT IF YOU GONNA RAP FOUR MINUTES, YOU BETTER BE RAPPING LIKE THAT MAN just rap for four minutes straight. All right.

[00:22:31]Let that man He got more.

[00:22:33]>> You know what it is, [ __ ] >> They don't. They know now.

[00:22:37]>> You know what?

[00:22:37]>> You want You want me to hear you rap for four minutes, you better be rapping like Conway the machine, bro.

[00:22:43]>> Hey, a work. a work for the drum work, bro. That's what I BE TALKING. THAT'S THAT'S HOW I'M Let's give me a round of applause cuz that's the one I want to start the day off with. Yeah. Yeah. See, now now y'all get to see what what I call That's That's top tier rapping, bro. That's top tier. That kept my attention for the whole four minutes. I didn't feel like it was a lot of filler.

[00:23:05]He had different flows. He had bars. He like to me that's rapping rapping, bro.

[00:23:11]Like I I appreciate and respect what everybody be doing, but if we talking about like I want to hear somebody rap, that's that's what you grade that Corey.

[00:23:21]>> I grade that uh I gradeed a B+.

[00:23:26]>> I'mma let you rock. [laughter] Look, HE KNOW THAT CORY KNOW THAT'S a work cuz his desk [laughter] HAD THE UGLY FACE.

[00:23:34]I'M LOOKING OVER TO CORY LIKE THIS.

[00:23:38]>> You know that's a word. I'm telling you, man.

[00:23:41]>> Cuz that's the kind of rap Cory like. He listen to M beep and all that. So I know he he capping right now. It's okay. It's a work. He know. And he say B+. That really mean it's a work. It's all good.

[00:23:52]It's all [clears throat] good. He say he said putting his mouth to the side. You already know. I mean that's that's his like you say he took a face shot, bro.

[00:23:58]He u he got shot in the head and like he he got uh what it called? Cerebral pausy. I think that's what it's called.

[00:24:04]>> Cerebal something like that. And like his uh his face is like that. But like nah man. Conway. Nice. And like I'll say this about Conway, bro. I actually had heard of Conway like before that cuz he used to be like on DVDs, uh, freestyling and stuff back in the day. And we was like heavy on like we had like every I think we had every hood DVD, bro. I don't even know how we was getting half of that stuff cuz we was getting local stuff that was down south street DVDs, New Jersey. Like we were just ended up with all kind of DVDs. So I remember seeing Conway and like his voice was like a little bit different. Like it was the same but it was different after he got shot. it like it made his voice better because he had to rap differently to kind of get the words out and it just made like kind it made his whole like the aura the whole struggle just felt way different and like he still had bars like like his bars never like he been rapping like top tier but like once he had got shot bro it was like a whole different level of um like his it went up I ain't going to hold you uh do I like Tech 9 >> let me I I never know how to answer this question.

[00:25:10]>> Do I like Tech 9?

[00:25:12]>> Yes, Tech Nine is excellent. Tech 9 is one He's a He's a He's one of the most technical rappers I feel like in the game. Maybe in history like technically like Tech 9 he rap. Do I listen to Tech 9 music? No, I don't. But when I hear Tech 9, it's like I know he especially when I hear him on features but like bigger artists, he fa to cook you. I already know like you about you probably gonna get cooked because Tech is like nice but like do I I don't get into his music. It's a lot of people who I feel like can rap but I just like JCole can rap. I'm never gonna act like JCole can't rap. JCole can rap.

[00:25:51]>> Right.

[00:25:51]>> Do I like JCole music? I just don't.

[00:25:54]>> Only a hand I only like a handful of songs.

[00:25:57]>> You see that's why I can't say I like your music. If I like a couple songs, too, but if I if I only like five songs and you like seven albums in, I'm not a fan of your music. Yeah, that's about what I'm >> saying. Like I just got to be fair.

[00:26:11]>> Yeah, Tracy, it's a lot more respect.

[00:26:12]Like I definitely respect Tech. Like I respect It's a lot of artists like that.

[00:26:16]Like Like I'll give you another one. And And I And I never want to make it like I'm saying people whack cuz I do not think these people whack at all. Like I respect them. They all dead nice. It's like Black Thought.

[00:26:28]Black Thought is dead nice, bro. But I don't want to listen to a Black Thought album like if it ain't with the roots.

[00:26:34]>> Yeah. Yeah.

[00:26:34]>> You know what I'm saying? Like if he had a solo, I don't want to hear that. He nice. He dead nice.

[00:26:40]>> Super nice.

[00:26:40]>> Super nice, bro.

[00:26:42]>> He a beast on the track. I would never want to jump.

[00:26:44]>> Never nice.

[00:26:47]>> Dead. That's what I'm saying. Dead. Much respect. Dead nice. But like I don't want to hear the music.

[00:26:57]You That's why 100,000 irritates me.

[00:26:59]Dead nice. Stupid nice. I need the music solo from you, Andre. I need to hear the solo music right now. The stuff that you make, I can't say I want to hear 1003K solo music.

[00:27:12]>> But he dead nice.

[00:27:13]>> That's a good point. That's That's a That's a hard part about music.

[00:27:16]>> It is, bro. So, I tell people, it's a difference between that's it's like if like I said in the video from last week, when you freestyling versus when you making a song, it's a different thing cuz when you just like rapping, you just trying to make a person say, "Oo, and I like Yeah, he killed the nice little bar." or like whatever. But then when you making a song, it's so many other things you got to like structurally do.

[00:27:37]And just because a person rap really well, like yeah, you can rap. You can give me a 16, have a person come sing a hook and all that, but I that don't mean I'm going to connect to it the same, >> right?

[00:27:46]>> It might be what you wrote is good.

[00:27:48]>> We have songs, we have songs on this channel all the time. That's all I What up C Dub late? What up Cub? We have people all the time and they be thinking like, "Oh, you hating." It's not, bro.

[00:27:57]It's sometimes people can write something that's good. Matter of fact, THIS IS WHERE the grading scale even came from. We the the original concept of the grading scale was the cards.

[00:28:06]That's I came up with because we I think I've said this story plenty of time. I'm gonna make a video out of this so people understand like where the grading scale even came from. But the origins of the whole reaction of it, >> it came from the show >> of us I would I told Craig, yo, because we used to have these little hip-hop debates, so I came up with the idea like, yo, let's just make a show out of it. So, we'll come in here with um car random lyrics, no beats. Nobody know the song. You don't even know the artist. I won't know the artist. We grade the lyrics. Y'all can go to the channel.

[00:28:36]It's all in there. You can probably go to the very first episode we did it. And you can see like over time like we we kept trying to make it better. Shout out to uh T the Goat. T the Goat definitely helped with the graphics and visuals. We actually planned on bringing it back, but the reaction just kind of took over.

[00:28:49]When we were doing that, it would [clears throat] be comments on videos that would say like, "Y'all should just do the songs. Y'all trying to grade the lyrics and you know what I'm saying? But y'all it's different when you hear it in the flow. And at first I'm just like that's the whole point of this is not to hear it in the flow. We just grading what a person write because people like to debate who nicer. But it's like is what they rapping nice or you do you think is nice because the flow the beat like what about what they just rap? So it's like that was the concept because people wanted to hear is in the songs.

[00:29:19]All right cool we'll grade the songs. It wasn't about breaking down the bars because that's what the grading scale was. The grading scale was breaking down the bars. So now when we do the songs, we're breaking down our our thoughts of the songs. It never was changing. It was never to make people think, "Oh yeah, we love everything these people do." No, the whole point was to break it down blindly. Only thing is when we listen to the song, it's not blind. Like we know who we listening to. But I never lost the concept of giving my blind opinion on if I don't know this person. If I'm listening to a song, I've never heard a Harry Mag, I've never heard a Peting Bass, whatever, and you hit play. That's why people like, "Oh, you got to do your research." I would never research a song, bro. I don't research music. I hit play and I say I like it or I don't. And I don't think like because of artists, and it's myself included, bro. I've made music. You know what I'm saying? Myself included. I don't think I should get a benefit of the doubt because of me. If y'all heard my music because of this channel, I want y'all to be like, "Yo, that song just hot." Like I just I just like that song. That song sound fire.

[00:30:21]Don't be like I don't know. I'm listen to it five times because it's it's queas and I'm gonna try to give Nah. IF YOU DON'T LIKE IT, YOU DON'T LIKE IT. IT LIKE IT'S it's it's real easy to me.

[00:30:30]Like we hit play. I give you my opinion.

[00:30:32]It's the same blind reaction that we had when we had the lyrics. Y'all can literally go to the channel and watch those episodes. Like and that came that was my idea. You know what I'm saying?

[00:30:41]Because it was something that at the time for real for real the channel needed a boost. Like we was we was doing podcast episodes getting 10 views. Like I don't I don't want to keep doing that.

[00:30:50]But like no, that's where the concept came from. So the graving scale reacts came from the comments saying y'all should do songs.

[00:30:57]I didn't even know it was a I'mma keep it a buck with y'all. I didn't even know it was this whole thing people did reactions to music. Like I thought we was coming up with something different.

[00:31:05]Okay, we're going to do the songs. But as I was looking into it, I did see it was something where people would listen to songs. So I was like, "All right, well cool. This this will work." And it just Peting Bass hit and then it just became this. But it'll be like, "Oh, you a reactor." Like, "I'm not really a reactor, bro. I hit play and tell y'all what I think." That's it, bro. It's not It's no more than that. It's not It's not death. I'm not going to go home and research. I'm not going to cheat and and break. I'm not doing bar breakdowns.

[00:31:31]That was never Matter of fact, we did that for one song early on. I can't remember what song it was. The video long as hell. It was like a 40minute video. We sat there and was breaking down damn near every bar, right? And you know what they said?

[00:31:46]>> This is too long.

[00:31:47]>> Let the song play. Y'all stopping every other bar.

[00:31:51]>> And it was like, "Okay, well y'all don't like what the hell." I'm like, "What are we supposed to BE DOING?" SO I WENT back and DOING MY ORIGINAL CONCEPT. LIKE, MAN, I'M just going to blindly listen.

[00:31:59]It's something I like. I highlighted and I never change, bro. That's it. But that's like the PSA for people who I don't know who just be I know most people just be coming in. They don't even be watching this type of stuff.

[00:32:10]They just come in and be giving their opinions like, "Bro, what are you talking about?" I've never been a person that do research for music. I wouldn't do research for my own music. You know how much old stuff of my own I come across and I'd be like, "This [ __ ] trash. [laughter] Like, why the hell did I record this?"

[00:32:26]And you know what I do at that point? I don't listen to my own [ __ ] no more.

[00:32:29]Then I got my own stuff and I'd be like like Corey that uh Trust the Hustle.

[00:32:33]>> Yeah, >> bro. That's that [ __ ] gonna be crazy.

[00:32:37]BUT THAT'S LIKE SOMETHING I KNOW I I HAVE LIKE listening to. Even the songs that we I did with Devon, them joint sound fire. And it's like I feel like they fire, but it ain't going to be for everybody. It's going to be people that be like, "No, that ain't my All right, cool. It's music, bro. That's what music is supposed to be. People got to relax.

[00:32:56]That's what TV supposed to be. That's what movies you supposed to either enjoy it or don't. But it's fine. If you see, you know, a movie I just went to see and I was highly disappointed.

[00:33:07]two Rizza and uh Quinton Tarantino dropped a new movie.

[00:33:12]>> I thought you were gonna say the Jackson's or something.

[00:33:14]>> No, I ain't want to see I gotta go see that this week. Wifey want to go see it, but it's called like Two Spoons of Chocolate or something like that. And like I seen clips and I'm thinking like, "All right, I think I kind of know where this might go. I like the actors that's in it. You know what I'm saying? The main cast. I'm like, "All right, I'm down. Pause."

[00:33:32]Bro, I was sleep after about 40 minutes of it. It was so >> you paid to go to and you were asleep.

[00:33:39]>> Took took wifey, bro. I was knocked out, snoring like a mother. Wifey, she bumping me, man. I'm wake up 10 minutes.

[00:33:48]I n back out and she and she like, "Babe, you ain't like it." I'm like, "Nah." But she was like, "Be you just slept on all of it. It was good." So like wifey like this one. She like, "You got to see it again." It's the thing.

[00:33:59]Maybe wifey right. Maybe I was supposed to stay up through the whole movie. But when certain movies and I was this what I just said earlier I'm supporting now this you know it's Rizza and Quinton Tarantino who ain't a you know low budget but it's like I'm supporting people like that movie everybody heard of they got a low little lowbudget I'mma support it >> that movie was boring the hell out of me bro it was so boring >> you was on point with the Hulu series cuz Rizza was was behind that one.

[00:34:27]>> Yeah but you know I watched the the Hulu series. That's another reason why I gave it a a chance too.

[00:34:34]>> But um I will say this, I watch it as a person who just enjoy like um hip-hop. I enjoy series. I enjoy series. But like >> the Wu Tang people was saying like that's not our story.

[00:34:46]>> Yeah. Yeah. The accuracy.

[00:34:48]>> Yeah. The [clears throat] accuracy. Now as a person who is writing the story >> um based off loose I'm say that even about the story I'm writing. is loosely based off of >> things that um I may have experienced.

[00:35:03]Loosely based. It is not completely based like it's not the story of Loyal Fam, which was our little rap group.

[00:35:09]It's not our story, but it's loosely based off of things I know you come across in certain situations. You know what I'm saying? So, like I get loosely basing it, but when you do something like the Wuang Clan series, you can't really be loosely basing it, bro. You either gotta tell that story or like don't tell it. Even like the BMF show, that wasn't the BMF uh story, bro. And I don't need Big Meech or Terry to tell me that it ain't. Shout out to Big Meech and Terry. I can watch that show as a person from Michigan.

[00:35:42]That that ain't that that's loosely based [laughter] off off Big Meech them uh story. That's loosely based. Like I be want to hear the like the real story. Like if you can't tell the real story, just don't tell it. even in the stories we know about.

[00:35:57]I was just telling telling this about the Michael Jackson um story. I was telling this to my bro cuz him and his wife went to go check it out and I was like, "Man, I ain't want to see it yet.

[00:36:04]Me and wifey got to go see it, but I don't know how interested I am in watching it." He's like, "Why not?" I said, "Because, bro, I've seen the same story over and over again. I've seen the Jackson's uh TV series. I've seen other movies." Like, you got to tell me something about Michael Jackson I've never heard. And the thing I don't understand when people telling these like these stories about artists and stuff like that because even with even even with us and I put gave this point to my bro but like even with us as people Corey we could probably take your life and find a certain part of your life maybe say from 21 to 24 maybe you had certain things going on and we can literally write a story based about those three years of your life.

[00:36:47]>> Yeah. We don't have to tell the whole Michael Jackson story.

[00:36:51]>> We can tell the story about say because he said something about he had a lawyer in there or something. Tell me the story about his relationship with his lawyer.

[00:37:00]>> It you I'm sure it's a it's a a rich story about just that alone. Like you like people don't be understanding like from Tupac instead of you telling us the whole story about Death Road or whatever. Like that's cute. Cool. We all know that story. Why don't you tell us the childhood story of Tupac growing up in a household with a mother who was on crack who was also a black panther and with a black like tell us that story, >> right?

[00:37:22]>> That would be more interesting than you telling us the story that we all know.

[00:37:27]>> I want to know the story where he was at that uh that little art school in Baltimore that had Jada Pinkin in it. I bet you I bet you being in that school a whole bunch of crazy stuff was happening.

[00:37:37]>> That story that's a story alone series.

[00:37:40]It's a series. Yeah. Like you you got DIFFERENT WORLD TELL US THAT that's a whole story. You if you think about all the stuff that we all What up my boy King Jay? You think about all the stuff that we all go through in life. It's so many stories to be told from our own lives.

[00:37:55]>> Our own lives. You can tell stories.

[00:37:57]When you got a celebrity like a a key figure like that, you don't have to just center in on like the stuff that we all know. You can tell a lot of different stories from a lot of different angles.

[00:38:08]You can tell you can tell elements of their life that maybe not everybody know that ain't going to embarrass them, >> but it can be like a very interesting story to tell. That's just that's just how I feel like storytelling should go, you know. But all right, so what we got next?

[00:38:26]>> Want to try this uh Frank Casino sto?

[00:38:32]>> Yeah. Let's see what's up. Shout out to my girl Tracy. Gotta get back to work.

[00:38:36]We got a show going out to Chicago. OH, YOU IN CHICAGO, TRACY? YOU KNOW YOU YOU RIGHT IN HERE. You know we be Man, Tracy supposed to let us know what show. What show going on? We We going to the show.

[00:38:46]No, we ain't come to the show. I'm going have to work. I ain't going to hold I'm going have to work. [laughter] But no, let's get it.

[00:38:54][music] >> Yeah. Yeah.

[00:38:56]>> Oh, hold on. I always like this sample.

[00:38:59]This a cheat code. Hold on. Wait a minute. Hold on. I'm going to say this, too.

[00:39:02]>> Yeah. As soon as that hit, I was like, "No, >> I'm going to say this. I'm going to say this. I almost have never disliked the song that used this sample."

[00:39:11]>> So, I'm not going to hold you. He kind of got a cheat code. It's going to be kind of hard for me. Y'all would have to do something super terrible for me to dislike this song. I'm See, this what I TELL PEOPLE. EVEN WHEN IT'S GOING TO BE A GOOD BIAS, I admit my bias. I love this sample. This is a This is a fire sample. And Snowy is not whack. So, I know he not going to have a whack. It's impossible to have. You can't You can't have a bad verse on this beat. Watch.

[00:39:32]Watch. Just watch.

[00:39:33]>> We'll see.

[00:39:37][music] >> Making sure is very real. [music] Make me lol.

[00:39:45]Long trying to parallel for the smell.

[00:39:51]Seems to know [music] me well. Obviously son of Sophie living off karaoke trader go play the trophies [music] for car rollies long nights of one and only cigars [music] emojis phone screens from life twink [music] I will face my fears [music] as I stare in the mirror the ambition is pierce promises I made for [singing] my old days that I [music] would live like a tumble page coming too [music] wage. Yeah, you got to be patient when you got to go to these nine to five, bro. I I feel you. I'm getting too impatient.

[00:40:39][laughter] All right.

[00:40:42]>> [music] >> commercial flight. We the first [ __ ] and for my first tape make hotel drapes on first early morning face. Welcome to the fast [music] pace.

[00:41:00]>> I put away the [music] 85 silhouettes for the Hitchcock. No sweats. Double breast. Take a shot. Better be wet. This ain't no cigarette. I suggest you hold your breath. It's box pressed [music] over breathtaking sunsets both the side of generator life flex immortalize what's on paper and light flesh mindset [singing] more than p [music] same view through the glass pass the eye test still turning left on a jet to the host there's no eggs I left tofu armless stove best upills the roadless shortcomings no rent I know this also [music] I know this right also I know this the right role to go get. You know, I like I like the you know, I like the lifestyle bars.

[00:41:45]Unnoticed, but I know this.

[00:41:47]>> That's that's that's kind of like as a writer, bro. That's kind of one of them biggie moments. One of them like black and ugly as ever. However, like unnoticed, but I know this, >> right?

[00:41:57]>> I know the right roley to go get.

[00:42:00]>> That's fire, bro. Like I I I like stuff like that, bro. I I like people who write like that. I like Sto's writing style. All right. road less shortcomings [music] no rent death. I know this also I know this the right bully to go get some just don't sell dealer spoke Swiss [music] I'm about to wait and list I'm playing my old clip series of my we live life not exist [music] how you take a picture of how to throw hits polar wind breakers I'm really 96 dope [music] never been to Vegas but seen no chips whisp like [ __ ] this your [ __ ] how you let these weirdos here get a sniff the loby's [music] closed they let me blow steam in the no smoke zones.

[00:42:42]It's my vibe, that's all. Welcome to the fast.

[00:42:47]Yeah, >> he smoked that verse. Stoy smoked that verse. I'm not gonna hold you. He He smoked that verse. Shout out to Stoy.

[00:42:56]All right.

[00:42:59]>> No, he talking about the first. It's no way you saying Sto. Nah, Stoy just smoked that verse. All right.

[00:43:07]if I've changed or if I even want to rap still. And to be honest, man, I [music] don't know yet, but I'm covered in God's grace, so I never go back. And I'm not full of myself, but I still like a Rolex. I no longer want to be the richest man in the world. What I want to do is sit back [music] and marry my girl. Break the cycle every day. I'm trying to be like my idol. Uh, not Jay-Z, but J from the Bible. My Lord and Savior, God's [music] heavenly son. They say he wasn't the one cuz he was born in the B. But as time will tell, he's the highest of names. Took my punishment and save me. Although [music] I was to blame. Now I'm a new creature writing his two seeders. Seeing his goodness in the [music] land of the living an evangelist I witness in the plan it was written. How we manage to just pull me from the strands of the wicked. I abandoned all my flesh and now I stand in the spirit. And if the question is [music] who are you then the answer is Christian. Yeah. I stand in the spirit.

[00:43:58]>> Okay. Like I'm going to give a I'm going to give a song a A. I'm going to give a song A. I'm gonna give it a A. I'm gonna give it a A. I'mma give it a A. I'm give it a A. I'mma give it a A. I'mma tell you why, though. But I'mma tell you I'm I'mma give it a critique, too. I'mma give it a A. I like the song, but I'm I'mma tell you. I told you I'm bi I already told you I'm biased. I like the beat anyway. Like >> I already told y'all the work was already done.

[00:44:17]>> It was already done. Like outside of it, if it wasn't that B, maybe I would have given it a B or something. But I'm going to give it a A cuz I'm biased already.

[00:44:23]Now, what I will say is this. This is my critique. My the Christian dude, his verse was his verse was actually fire.

[00:44:28]Like it was a good verse, too. That verse should have went second, bro.

[00:44:32]>> That verse should have went Wait for Stogy.

[00:44:34]>> Yeah, I got to wait for Stoke cuz cuz bro, his verse sound less nice after that Stogy verse, bro. Stogy danced, bro. Some That's the thing, bro.

[00:44:42]>> Difference between the between the artist and and then the person running the label because as the label as a person running the label, >> I got to sell the record and I can't wait. I can't >> You're right.

[00:44:54]>> I can't make the risk to see if people are going to wait for Stogy. I got to get Stogy in because I know that's gonna get me spins in play.

[00:45:01]>> Yeah. Cuz people would just literally skip the third verse of I know you.

[00:45:04]THAT'S WHY YOU SEE I AIN'T ARGUE WITH YOU LIKE YEAH. You rather get the feature her. Yeah. Okay. I got you.

[00:45:09][laughter] You're right. As the artist, >> right?

[00:45:13]>> I ain't I ain't rapping after that, bro.

[00:45:15]>> Put my verse before what Stoy did.

[00:45:18]That's the artist in me though.

[00:45:19]>> That's suicide.

[00:45:20]>> That's Bro, Stoy, he danced on that joint. Stoy Stoy. Yeah, he went crazy on there.

[00:45:27]>> Yeah. That's my critique, though. That's my That's my only critique because the first dude verse was like it was all right. Like it wasn't it wasn't it wasn't crazy but I gota great the whole I just tell y'all it was I'm upgrading the whole song. I would I would like the song that's one of them songs I would like solely because of Stogie verse on there. Like the I get through everybody else verse just cuz I want to hear Stoky's verse.

[00:45:47]>> Can I say that?

[00:45:48]>> But the first dude the first verse I want the whole dude though because his verse was nice. I don't want to act like his was trash. His wasn't trash. It was nice. He was definitely nice. Um, I will give credit. I mean, yeah, the beat did half the work, but y'all just came in with the verses, and this is something where it actually kind of worked >> where it's like, >> actually, I didn't need you to do a whole bunch of extra stuff on the on the hook to slow it down. Yeah, >> just bar it up. The beat's good enough to hold your interest as long as y'all spitting.

[00:46:20]>> Facts. That's why I said that's that's a that's a cheat code beat, bro. That sample is a cheat code.

[00:46:24]>> It is. It is. LIKE IT DON'T MATTER WHAT.

[00:46:26]WE COULD THINK OF PROBABLY 10 songs right now that use that sample and they all fire, bro. It's a Chico. It's like, you know what else is a Chico? The sample from uh the one they used on the Uptown. Baby, we get down. But where's the I can't think of the That >> Oh yeah, the deja vu.

[00:46:46]>> Dja Vu. Yeah, the sample they use, bro.

[00:46:49]That's like a cheat code sample. Like it's it's almost hard to mess that sample up.

[00:46:53]>> Yep. The joint with Peter Guns. Yeah, that's a cheat code sample.

[00:46:56]>> Yeah, that Oh, that >> it don't You can speed it up. You can slow it. IT STILL HITS ON STUFF RIGHT NOW WHEN they sample it. It never It never gets old, bro.

[00:47:04]>> Gode a cheat code.

[00:47:06]>> All right, so what's up next? Hold on.

[00:47:09]Let me see what uh Cub Cub said, "There goes the capitalist organization of society ruining art once again."

[00:47:14][laughter] See, that's what I'm saying.

[00:47:16]Cub, see, he goes to art. He went right to to, you know, >> that's cuz I've had to play both.

[00:47:20]>> Yeah, he's been label owner over here.

[00:47:23]So he went to label owner like, "Man, the hell with that. We need to get this song heard.

[00:47:27]>> I got to get that spin.

[00:47:28]>> Got to get that spin." And I'm and I'm in artist mode like, "Nah, this verse got to go here." He's like, "No, f that." See, those are the arguments you have when you trying to be a rapper.

[00:47:37]>> It wasn't even bro song. I would put Stoki first.

[00:47:39]>> Look, I just take Old Boy off the song.

[00:47:41]Like, we just take your ass off. Stoky, you go first. Yeah, you rap after.

[00:47:45]>> It's like It's like Beanie Seagull when I remember back in the day it was called Thousand Bars. They wrapped over the uh band from Band from TV. I know my boy King Jay remember this cuz BN TV was like you know classic New York sound nor joint but they did the thousand bars and Beanie Seagull and Bleak was on the song at the time. Beanie Seagull was like a newer dude.

[00:48:04]>> Yeah.

[00:48:04]>> When you hear Beanie Seagull verse Bleak, why the hell did you go second?

[00:48:11]>> It's no reason to go second on that joint, bro. I wish we I wish we could find that. Matter of fact, >> look up a thousand bars. Look up a thousand bars. We ain't I ain't going to have to edit this one. But I we just going to listen to this cuz I want y'all to hear this, bro. When like Bleak verse was all right, but if he' have went first, IT WOULD HAVE BEEN LIKE, OKAY, it's like it's setting up for what Beans do. He let Beans go first. Did Beans? I think Beans did go first. Yeah, he definitely went first. Yo, bro. Yeah, bro.

[00:48:42]This classic Beans. Everybody, let's tap in some classic beans.

[00:48:48]>> Classic beans. Yo.

[00:48:50]>> Oh, yeah. Let's go, bro. You going to have a moment.

[00:48:54]>> Oh, come on, man. These like Fleet. I don't even know why Fleek did this to himself. Let's get to it. This ain't no real reaction. WE JUST HAVE CLASSIC HIP HOP moment right here.

[00:49:06][music] You was never known for getting money, [ __ ] You was only known for getting other [ __ ] [music] money, [ __ ] WE AIN'T NO JOKE. Y'ALL A bunch of funny [ __ ] We throw that [ __ ] off. Y'all a bunch of bummy [ __ ] Rockefeller pop bottles with every mill. Pop hollows out of heavy steel sling. [ __ ] the models out in [music] Beverly Hills. Trucks, drops, monitors in every wheel.

[00:49:29]Inherited hustless habits. [music] Learn the bust. Got a le for cars like the rasally rabbit. My squad get the utmost.

[00:49:36]Never [music and singing] disrespected.

[00:49:37]Don't think we disconnected. I look at y'all lame. See y'all ain't no threat.

[00:49:42]Same dudes [music] at dice games that be like no bet. If you ain't going leg, what you come for? [ __ ] [music] harassing me every time I look up like a master and I got the [ __ ] hook up. Got y'all [ __ ] shook up when y'all see [music] me in the rover with the goddamn CP major in the game cuz the game is major.

[00:50:03]Y'all ain't getting no paper. Y'all ain't ball shaver blade bagers.

[00:50:07][music and singing] Them late night stragglers type get a lot of ones to make your lip fatter. Say the [music] chicken chatter for your lip get fatter.

[00:50:14][ __ ] get shattered. It don't matter. I bring it to you at any level that you want. I keep a [music] four in a shovel in my trunk. Put this in your ass and back in the casket. I'm from [ __ ] back [music] loose guns shoots knock out and bruise the [ __ ] away. We back [music] in 1212 if money shouldn't utter a word. What you know about and cutting a bird? Four cars, eight [ __ ] button up furs. Five grand a week spent puffing on her. Only cussing my words when the stress on the nerve. Use the gun with the bird trusting. You heard it doubles. [music] Lord Joe throw a dice on the curb. Pick her up twice every [music] hotter than most. Your cats need to stop and get ghost. I ain't talking about no bread when I'm popping the toast. Sliding up on your post sticking [music] your two choices. You either break down and get broke. What you think is a joke? What's funny about blocks over spot rush [music] tactics and make you show me where the stash at wire hangers pushed in your ass crack. It ain't hard for you to get [music] stuck money especially when the [ __ ] down up money cuz I put a couple of slugs in [music] your gut for a couple of new trunk money [ __ ] get [ __ ] money what you expect only [ __ ] [music] give birth and I protecting they neck I took naps with max and slept with text with a war with different sex strapped [music] for tracks house parties they used to bump out their PJs best rapper best dancer best DJs ain't no more rapping they [music] clapping these days dirty cats with Nasty block in the breezeways shells the pair gazels was saying something I stayed in the pack [music] ring bells playing something now I'm about slinging crack and spraying something been my back playing cracks who laying something when I spit I draw a picture y'all [music] tracing [ __ ] my whole squad eating y'all ain't tasting [ __ ] [ __ ] cop say they lace they [ __ ] [music] or got a trick just smoking chasing this basic my basic [ __ ] smoking L dig in the crates [ __ ] keep a 357 [music] in the the six. Can't wait for the seven to replace THE SIXTH BLEAK. [music] Check it out.

[00:52:25]I live life to the fool. Now these [music] fake tough [ __ ] in these streets think they shook. Now I'm in the cut on some slow motion [music] playing high [ __ ] Listen to my [ __ ] flipping O and [ __ ] And them cats that kill Angelo cliff man. Yeah. What up cat? [music] You smoke weed. [ __ ] that [ __ ] is baggage. See the fifth [ __ ] suck. [music] >> Hold on real quick. Y'all see what I mean though?

[00:52:58]>> See what I mean?

[00:52:58]>> He trying though.

[00:52:59]>> He trying, but you can't.

[00:53:02]>> It's a slow energy drain. It don't I'm telling you that boy M went crazy for like damn near three minutes.

[00:53:11]Bleak wasn't raping 20 seconds before it was like, "All right, man. We go to the next joint. When somebody have a crazy verse like that, bro, >> that's why that's why that's why King Jay say it's B+ work. You're right.

[00:53:22]Because when Blee come on, all the energy leave the song. But like Beans got busy when you got to understand that as an artist, too. Like if we do a joint >> and somebody just go like super crazy.

[00:53:34]>> Nah, bro. We like especially if we all had good verses, but we know you just you just kind of went like noodles. You going last, bro. Ain't nobody trying to follow up that. You shouldn't follow it up. You shouldn't follow it up.

[00:53:47]>> It was just like the joint I played you uh when I was on with Victor Stonyo.

[00:53:52]>> That boy went Yeah, [laughter] that boy went crazy on that joint. And your verse was good. Your verse was good. But your man, he went like I done had those verses with with Rich. I was trying to do everything to [laughter] people. We Hey, look. Shout out to my boy P Swag. We had this joint we did back in the day >> and and P P verse all of us had good verses. I freestyle my verse >> but P had he said one line in his verse and soon as he said that line I was like you going last >> cuz the bar was so crazy to me cuz it was a real it was real too. He had this bar. He was like, uh, I can't I can't remember the setup bar, but he was like, "Me lace a freak. I don't even lace my sneaks." [laughter] >> And it was such a it was such a fire bar cuz he didn't used to lace none of his shoes. So he was like, he was some like a ape and beast in the weeks. Something like um we about to take over the game in a frame of weeks. Me lace a freak. I don't even lace my sneaks. AND IT WAS LIKE, BRO, IT WAS SO it was cra it was cra it was a crazy bar. And I was like, yeah, you going last, bro. That bar alone, I'm like, nah, you going last cuz that was cuz if you knew him, it made the bar that much more fire cuz it's like this [ __ ] really don't lace his shoes.

[00:55:12]>> It was authentic. So it was >> it was it was a it WAS ONE OF IT PROBABLY was to this day to me, bro. It was one of the more >> like authentic moments of like when Pete wrote something that just came kind of out of left field. It was so fire to us.

[00:55:24]We all was in the studio like cuz we I ain't even going to say it.

[00:55:27]>> So when he said it, we like we we messed up the whole take >> LIKE [screaming] [ __ ] THAT [ __ ] SAID HE DON'T EVEN LIKE SNEAKS, MAN.

[00:55:36]>> Shout out to Pete. All right, I'm with you, King J. He should have definitely stayed his ass off that freestyle. You got to just let Beans have that one, bro. Gotta just let Beans had that one.

[00:55:46]Not gonna hold you. All right. Um Hey, hey, Alfred. If if they use that beat, I guarantee they went crazy. YOU YOU CANNOT NOT GO CRAZY on that beat, bro.

[00:55:57]>> If you get that beat and you have a Bro, I I don't probably never want to hear you rap again.

[00:56:02]>> What time we got? One. Okay.

[00:56:05]>> Oh, okay. Yeah. You if you if you get the banner there, >> that's an issue. That's a that's an issue. That's a total up.

[00:56:17]>> Yeah. It's double XXL sources, all of those, bro. Jet like that's an issue, bro. you you can't be not able. It's certain beats. It's just like and then like if you rap over certain beats like I feel like if you make the choice to rap over those like you got to kill them too. Like you got to make sure you you get if you going to do it. It's like when people rap um like uh Cream.

[00:56:42]>> If you going to rap on Cream, bro, the the expectations going to be higher than like a regular freestyle. Certain beats.

[00:56:48]I just even like when people be rapping over uh hold on what's my what's my joint? Um, what's that? Warning, the biggie.

[00:56:59]>> Whenever I hear somebody freestyle, who the [ __ ] this dy [ __ ] When I hear somebody freestyle over that, >> it's like, yo, expectations up, bro.

[00:57:07]Even even like people that be like when somebody trying to do a diss song over, hit them up. Anytime I hear somebody saying they f to diss somebody, I hear the hit them up beat. All right, bro.

[00:57:16]Like, >> you in danger.

[00:57:17]>> You in you? Yeah. You in dangerous territory. Like, my expectations like it's a different grading scale. Like I'm I'm not just You can't just say stuff on certain beats.

[00:57:26]I agree, King J. Some people definitely overestimate their abilities. Like you got to know what you can't what you need to stay away from. Know what your P can't deal with. Like you know another another good freestyle beat too and most people stay away from it for the most part is that uh keep it thorough. That uh Prodigy joint.

[00:57:45]>> That that that beat, bro.

[00:57:47]>> I think Pre did uh Premiere make that one. I think Premiere made that one.

[00:57:51]That was one of my favorites.

[00:57:52]>> That beat is insane, bro. Like when somebody try to freestyle over that beat. Okay. Like I always I ALWAYS HAVE A look like I'm I'm f to be biased, bro.

[00:58:00]Like >> say don't do that.

[00:58:01]>> Yeah. Like it's only a couple people I heard do it where I was like, "Okay, they they they did it justice, too." But like >> that's one of them joints where >> like I was never a big Prodigy fan.

[00:58:13]Right.

[00:58:13]>> That's Alchemist.

[00:58:14]>> Was that Oh, that might have been Ali.

[00:58:16]You right. That might have been Uncle Al. It might have been.

[00:58:18]>> Oh my god. But like when I first heard that, the beat was crazy number one. But that's when I started realizing, no, Prodigy actually Prodigy kind of he got a different type of way he rap.

[00:58:30]>> YEAH.

[00:58:30]>> BUT HE actually can rap cuz Prodigy killed it on Keep It Thor. He he snapped on there, too.

[00:58:36]>> But yeah, >> I I knew you would like that pull.

[00:58:41][laughter] I knew you would like that pull. Pause. But yeah, uh it's it's been a lot of like classic hip-hop beats and it's like when you hear somebody rap over them, it's like, yo, you gota you can't be half assing it. You got to you got to go all the way in. Pause. But the Eminem fall beat. I thought I don't even I don't even know what that one is.

[00:59:02]>> Keeping it gangster is another one. Yep.

[00:59:04]I don't like keeping it gangster. I don't like people try to freestyle over that who don't cuz even Did you hear the remix, King Jay, too? THEY KILLED THE REMIX too with Styles, Jada, and uh Paul Kane and Fab, bro. They like Yeah. Once they did the remix cuz Fab version alone, he he snapped. But then when I heard the remix, it was like, "Yeah, nobody need to touch that no more."

[00:59:25]Like, just leave that one alone.

[00:59:26]>> Yeah. Leave that.

[00:59:27]>> Yeah. Yeah. No more. No more for nobody else. All right, let's see. We probably got time for one more. We got like 15 minutes before we need to >> You want to do the So, we got the Renon Webbby lyrical Joe. The Ren and Webbby is four minutes.

[00:59:45]Miracle Joe is three and a half. Kane Ke is 219.

[00:59:51]>> Hold on. Let's Let's do Kane Ke cuz they think I hate Kane Ke because >> Yeah, they do have the last.

[00:59:55]>> But see, it's it goes TO THE SAME THING I'M SAYING NOW. THAT'S HOW YOU KNOW I'M CONSISTENT, BRO. IT'S THE It goes to the same thing. When I heard that that Stoy T a Reese and um Nasty C that beat it's it's like >> what they did to it.

[01:00:11]>> Bro, I don't think everybody should be touching it. And and I said that in the video like you already fighting up a Yeah, you you fighting up a hill, bro.

[01:00:19]Because like I Yeah, you fighting up a hill. I'm have to check that out. Sh.

[01:00:23]I'm have to go find that. He said, "Of course I heard it, but Fab should have left it alone as well."

[01:00:29]What you mean?

[01:00:31]What you mean f? I know what you saying.

[01:00:34]Wait a minute. I know. I know what you mean. He mean because the way Styles and uh Jada went went on the remix.

[01:00:41]>> He said Fab should have left it alone. I agree, bro. I ain't gonna hold you.

[01:00:45]Styles and Jada verse on there is what's I AIN'T GONNA HOLD FAB. Fab and Paul Kane did that thing, bro. But no, you right. Uh Styles and Jada, they they destroyed it. All right.

[01:00:57]>> Yeah, it's hard. It's certain verses, bro. I was like, I ain't I ain't rapping after that.

[01:01:13]I try to warn him. He knows we don't clips ain't real and we can't be bros.

[01:01:17]Don't you know we ain't drillers and we deep in the streets. We ain't talking about chilling on corners. [music] Corners keeping the [singing] order small door by door. Keep serving 4x4 big swerving. Ignore my former trauma healing a Porsche calculated moves like physics. Flow still going. No limits.

[01:01:32]The motion giving them sickness. Still float your boat. Don't trick us. The fight is real. So trick us. We ain't had this much in the village. And this gift was rap on the shots directed still as the images building horror on the mic sound like a [music] thriller got me over but give me a minute I promise I'll show you why [ __ ] come second you told me I shouldn't address it but it later registered I can [music] accept it plus I'm the only >> hold let me get those back I'm the only one outclassing all of my all of my classmates so I told you don't test us who's got me [music] popping over time, but give me a minute. I promise I'll show you why [ __ ] come second. The naked told me I shouldn't address it, but it [music] later registered. I can't accept it. Hey, plus I'm the only drop at all. I told you don't test this. I try to [music] see that [ __ ] from POV. I can't see. I go before I lose my [music] [music] [ __ ] I risk it and lose it again and I still bet on me. All right.

[01:02:37]telling you. See, you're not messing with some [ __ ] that I told you. It's an uphill battle. This actually hidden though. All right. He flowing again on me. [ __ ] risk and lose [music] again. I still bet on me. How many [music] girl begging for my attention like this [ __ ] can't do it on your own. Need assistance trolling tactics and [music] a podcast gimmick. internet pit impressing you bitching. You don't feel me? Why you keep me in your missions?

[01:03:09]You dissing or admitting I'm standing to [ __ ] If you can't rap [music] with me, don't change the premise. I'll be back. [ __ ] it. Well, I got time today. I got a lot to say. Thought about keeping a brief. That is not the case. I cut them off brief, but that is not the case.

[01:03:23]That's fire, bro. He rapping ON HERE.

[01:03:26]I'M NOT GOING TO HOLD YOU. HE COOKING.

[01:03:27]ALL RIGHT. He cooking.

[01:03:30][music] You dissing or admitting I'm standing to [ __ ] If you can't rap with me, don't change the premise. I'll be back in a second. [ __ ] it. Well, I got time today.

[01:03:39]I got a lot to say. Thought about keeping a brief. That is not the case. I cut them off.

[01:03:45]>> Then he gave you the before that he gave you I got time today. I thought about keeping it brief. That is not the case.

[01:03:51]Then he hit you with the dreadlock. Hey, he he in his pocket. That's what I'm saying. I just hit play. I don't need to research nothing. If it's good, I'm going to know it's good. Hit play again.

[01:04:01]>> [music] >> I'll be back. [ __ ] it. Well, I got time today. I got a lot to say. Thought about keeping a brief. That is not the case. I cut them dreadlocks off. We could run the fake. Y'all [music] [ __ ] raps all pause. I can't even play circulate pictures off a [ __ ] face on a woman's body. What a weird phase. But I hope you [singing] grow all these childish tendencies [music] and weird fantasies.

[01:04:16]But either >> you ain't never had belt of booty, so I handle YOUR DADDY'S DUTIES. NAH. NAH.

[01:04:26]NAH. SEE, LISTEN. HEY, LOOK, BRO. NOT BIAS. WHEN IT'S FIRE, IT'S FIRE.

[01:04:31]THIS MIGHT go to the playlist. I don't Who is he dissing? He dissing. Who is he dissing? Y'all, somebody got to let me know. This boy cooking a little bit. I'm not going to play the young boy cooking.

[01:04:40]All right. King J says he talking ABOUT THE GREATEST SCALE. I DON'T KNOW. MAYBE HE IS, BUT THAT BOY COOKING. All right.

[01:04:49][music] >> Belies, so I handle your daddy's duties.

[01:04:55]Let me prove it. We could start off from [ __ ] and instead of handing you plenty dies. Are you disillusioned? Knock that from cup out your hand.

[01:05:04]Don't act like you ever me [music] crazy. HE MADE NO STOP. He [ __ ] whatever [music] on me.

[01:05:28]Hey, hey, hey. That's the grade. Hey, that's an A, bro. He he chopped that joint down, bro. Hey, good. I I don't even got no critiques, you know. I told you I don't like all that fast flows.

[01:05:45]Usually I cuz everybody do that flow.

[01:05:47]No, he he he was spitting like he was spitting. He was clear. He was precise.

[01:05:51]You could understand everything he was saying. He and like he was actually doing something that a lot of the um I ain't gonna say that a lot of them don't do but the way he was actually using um like he had a it's a word for it. I don't know why I can't think of right now. Like he like the themes he was using.

[01:06:11]>> Yeah.

[01:06:12]>> Like he was Why can I think of the word right now, Corey?

[01:06:15]>> I can't think. It's not a It's not the symbol. It's not what I'm trying to say.

[01:06:19]>> Metaphors.

[01:06:20]>> No, it's not the metaphors. It's something we doing like >> personification. No, like in battle rap it happens all the time. It's like when you have a uh it's not themes. Like why can I not think right now? I ain't even been drinking or nothing today. Like what is wrong with me? I'm have to edit all this out cuz I can't think of the damn word.

[01:06:36]>> Oh, it's going to piss me off. Watch. As soon as we turn the camera off, the word will come to me just like that. But like no, like he um he he did his he did his thing, bro. He he did his thing. Like I like I like the flow he had. I like the bars. I like the hook. Like I like the hook. Like I bet on myself. Like I I I I like I like everything about it, bro. I am I might put that in my personal playlist kind of. And I need to Who was he dissing? Who was he dissing? It was cool.

[01:07:04]>> Point. I like that one.

[01:07:05]>> Yeah, actually. Yeah, I like that. I don't much to say about that. Damn. All right. That That kind of surprised me.

[01:07:10]I'm not going to hold you.

[01:07:11]>> Okay.

[01:07:12]>> All right. All right. What we have?

[01:07:13]Okay. We have Me and Corey got other stuff we got to we got to get done today. But shout out to everybody for coming through. You know what I'm saying? Shout out to my boy Visa in the building, too. King J Alfred for sure.

[01:07:21]My girl Tracy was in here earlier. C Dub, of course. Shout out to everybody that came through to the live stream and everybody who gonna watch it. Shout out to Kane Ke, BRO. THAT'S HOW THAT'S HOW YOU THAT'S HOW YOU I AIN'T GONNA SAY YOU cuz people like your freestyle on there, bro. I told you it could be a me thing, bro. Classic things that I view.

[01:07:37]Classic. I just don't like everybody touching it. Like just pause. Just leave it alone, bro. Like, let them cook that and they good. But like, no, this one that boy cook. Shout out to my boy. I forgot Shane was in there, too. No, not concept, bro. It's a it's a it's a term when we writing, bro. It's a right. It's a It's a Why can't I think of the word, bro? It is going to piss me off. See, I'll be on here five minutes trying to think of the damn word, bro. It will piss me off, bro. It's pissing me off now cuz I can't think of a word.

[01:08:05]Now, I'm going back to thinking again.

[01:08:06]But if I'm on the camera thinking, I just look stupid. [laughter] So, let me just stop thinking. All right, y'all.

[01:08:12]I'm out of here. Dizzle. Peace.