Top 20 BEST Italian Horror Movies!

本站添加: 2026-05-15

[00:00:03][music] [bell] >> One of my favorite corners of film history is classic Italian horror.

[00:00:10]Especially in the 70s and 80s, Italy was a king of making awesome horror flicks [music] marked by buckets of blood, excessive sleeves, highly questionable dubbing, and unmistakably stylish [music] filmmaking. Today, I'm going to be counting down my top 20 favorite Italian horror films. And this is actually this month's Patreon pick. Over on my Patreon at the $5 level and above, you can make suggestions to me on videos you'd like me to do, and then I pick my favorites and have you vote on them. So, if you'd like to join the fun next month, head over to my Patreon. There's always a link in the description below.

[00:00:43]With all that said, my name is Daniel with the Cobweb Channel, and let's get started.

[00:00:48]>> It's I who repudiate you, and in the name of Satan, I place a curse upon you.

[00:00:53]>> Cover her face with the mask of Satan.

[00:00:57]>> [music] >> Black Sunday, from 1960. It really seems only fitting to kick off this list with Mario Bava. Italian horror is really defined by the directors that exploded out of it, and the first master of Italian horror is certainly Mario Bava.

[00:01:13]Now, he's not actually the director of the first ever sound era Italian horror film. That was I Vampire or The Vampire or Lust of the Vampire, however you want to say the title, from 1957, which was directed by Riccardo Freda. But, Mario Bava did uncredited co-directing work on that one. I actually watched it for the first time leading up to this list, and it's pretty good. Not amazing, but I overall enjoyed it. But, Black Sunday is certainly one of the most iconic in this category. It has so many amazing sequences that you will never forget, especially the opening, which is mind-blowingly good with Barbara Steele being executed as a witch, having the mask of Satan hammered onto her face.

[00:01:55]It's so good, creepy, gothic. The best things about the movie are for sure Barbara Steele's performance and how this movie launched her to Italian horror stardom and the amazing gothic atmosphere that's prevalent throughout it. As a story, as a character piece, I do think it's quite lacking. It has a lot of slowness in the middle of it. It begins great, ends great, but it drags there in the middle. It almost seems like a movie that could have been a silent film because while it does have dialogue, the dialogue is not great and like barely matters. You could almost not listen to it. But I do enjoy Black Sunday. It's a really cool gothic witch movie. 19, The Red Queen Kills Seven Times from 1972. So here's where we have to tackle the question, do giallo films count as Italian horror films? There were folks on my Patreon that were questioning that when they knew I was going to be putting this list together.

[00:02:48]My answer is sometimes. I do think a lot of giallo films don't really seem like they're trying to be horror movies.

[00:02:55]They're really straightforward murder mysteries that just happen to have more violent murder scenes than a typical Agatha Christie. Some of those movies I put in there that I did exclude from this list are Bird with the Crystal Plumage, Deep Red, The Case of the Scorpion's Tail, and even Blood and Black Lace. But some giallo movies feel exactly like slasher movies or heavier on gothic supernatural elements and I am going to include some of those today. I realize it's extremely subjective, but I don't really know any other way to do it. This is a giallo that seems very influenced by the Hammer movies and the Vincent Price movies that were big during this time. It's very gothic. It's got a very ghostly element to it. With it not just being someone is going around killing people, but it is a ghost. It's this legend. It's the Red Queen. And the mystery here is really cool. It's got a lot of wild twists and turns. Really good cast. The lead is Barbara Bouchet who is my second favorite giallo actress and it's even got Sybil Danning in here who brings a a of sexiness to the movie, which is important for an Italian horror film.

[00:03:53]And it's got some great kill scenes.

[00:03:54]Like there's one in the back of a car that is so crazy brutal.

[00:03:59]>> [laughter] [screaming] >> 18. [music] Kill, Baby, Kill! from 1966.

[00:04:09]So this is another gothic Mario Bava movie, and of all of his films, this might be the most straightforward classic gothic horror film. It's all about this doctor who comes into this village and discovers the village is haunted by this legend of this ghost girl. And this really delivers as a fun haunting movie with a very creepy little girl ghost who absolutely is going around killing people. There's a serious danger to this. It's very spooky. The atmosphere, like pretty much all Mario Bava movies, is incredible. This is such a beautiful, vibrant, incredibly colorful movie that I just love to live in. And there's this one character who is a witch, who's actually a good witch, and I find that very refreshing for a movie from this era. And she's a really interesting character. Run.

[00:04:56]Kill her.

[00:04:58]Kill her.

[00:05:03]17. Stage Fright from 1987. This is the first, but definitely not the last film on the list directed by Michele Soavi, a fantastic Italian horror director that really emerged by the late period of this genre in the late '80s, early '90s.

[00:05:17]And this is such a cool movie about a cast who's putting on a musical about a serial killer. But when an escaped mental patient shows up and puts on the costume of the stage killer, he ends up killing people, of course, for real.

[00:05:31]Some people consider this one a giallo, but I honestly don't. I really consider this a straight-up slasher. It's not a mystery. You know who the killer is from the start, a very Michael Myers-like character. I love his look for being a slasher, the way he's wearing this giant owl head. It's so weird, so seemingly random, but it really works as a bizarre presence. I can understand if some people think the characters are annoying because there are a lot of really abrasive, loud, theater people, but the main character is very sympathetic.

[00:06:01]She's much more understated, and I really found everybody pretty interesting. And the character work in the beginning is sufficiently entertaining. Well, the middle is definitely straightforward slasher stuff with kills and chase sequences, really good kills. Like this movie is kind of shockingly bloody and brutal even for an Italian movie. It ends with a suspense sequence in the third act that is masterfully done. 16, The Church from 1987, which is probably one of my favorite religious horror movie. It's about these people that are doing some work in this ancient historic church who discovered that the church is a burial site for a massacred group of people, and it ends up being a portal for ghosts and demons and all kind of stuff like that. This is another Michele Soavi movie, and while I do think the story and the character work is actually pretty good. I find these characters fairly likable. It's the visuals that really sends this thing into the stratosphere. It is beautiful both with the atmosphere within this church and also the demonic imagery with a goat monster. I know some folks find this slow. I actually found it a little too slow the first time I saw it, but the more I watch it, the more I just grew to absolutely love it. 15, Zombie, also known as Zombie 2 and Zombie Flesh Eaters from 1979. This is the first Lucio Fulci movie on the list. I love Fulci. I'm such a ridiculous fanboy for him. He is so great. And this is the one that I actually didn't always love as much as I love now. I used to find it just a little boring without enough really going on with the story. But when I really turned around on it was when I saw it on Joe Bob Briggs' show, The Last Drive-In. He did an episode talking about this and another Fulci film, and I still think that's the best episode I have ever seen from him. And I really grew to love this movie through that. I mean, there are so many crazy sequences that have rightfully become iconic in cult film circles. Yes, the zombie swimming with the shark, it's nuts. But also the eye scene with the splinter is crazy and really just any scene where you see the zombies, where they're rising out of the grave, is just visually incredible. I do think it's cool that this is a film that merges together the old voodoo zombie legends that this genre used to be all about and the George Romero style Walking Dead zombies that the genre turned into. This is a middle ground between the two. I think it works pretty well. I think the characters are pretty solid. You got Tisa Farrow in here, Mia Farrow's sister, Richard Johnson. The main guy is Ian McCulloch. They're all good and it's just got a good jungle atmosphere to it.

[00:08:36]14, Island of the Fish Men from 1979. I really consider this the companion movie to Zombie. They came out the same year.

[00:08:45]They both have Richard Johnson. They have a very similar look to them, both taking place in a tropical island location. I do like this movie just a little bit more, even though it's way less iconic, for sure. But I love Creature from the Black Lagoon style.

[00:09:01]And if you want to watch an Italian horror film about those half-man, half-fish creatures, this is a great option. It's directed by one of my favorite Italian horror directors, Sergio Martino. It's got Barbara Bach from The Spy Who Loved Me. And it's about some soldiers shipwrecked on an island who get brought in by these eccentric rich people and they discover there are fish monsters running around.

[00:09:24]It's so fun. I think the mystery as to what are these fish monsters, what are they doing here leads to actually some really interesting things. And I should mention it's got an alternate American cut called Screamers and I believe that's the only one I've actually seen because it's got this whole sequence of some other random characters at the beginning who show up in the island and get slowly massacred by these monsters.

[00:09:46]And I got to say, I think that sequence is amazing. It has astounding atmosphere. It is so gory, so creepy.

[00:09:53]So, I guess I would have to say the American cut Screamers, that's the one I would recommend.

[00:09:57]>> [music] >> I saw a lot of murders when stationed in the city, but never one that made me laugh.

[00:10:04]Lucky number 13, Scream of the Demon Lover from 1970. This is definitely the most obscure movie on the list, but I absolutely love it. It's one of my favorite Italian Gothic films, even better than a lot of the Mario Bava stuff. It's about a woman who is a biochemist, which is already pretty interesting for an old period piece like this, who gets brought to this Gothic castle to work for a baron. And she discovers that he is up to some crazy mad scientist type experiments. There's also this mystery going on where a lot of women from the village are getting murdered, and they also happen to be women that have slept with him as he is sort of a playboy. There's all this suspicion going on around him, and it's such an interesting mashup of different things. Like it's definitely a Gothic romance film. There's a relationship that forms between this woman and the baron that is very Beauty and the Beast-like. There's some Frankenstein stuff going on. There's a scary character in here that almost feels like a proto-Freddy Krueger. And such an intriguing mystery just going all throughout this dark Gothic film. I know from Letterboxd a lot of people don't love this as much as I do, but I just had such a fantastic time checking it out. I think it's so unique, but classic at the same time. Number 12, Mill of the Stone Women from 1960. One of the earliest Italian horror films, but not a Mario Bava film. This one's directed by Giorgio Ferroni, and I think it actually is less slow than a lot of the early Mario Bava stuff. This is a consistently interesting horror flick about this man who goes to work at a wax museum. And I love wax museum horror. I'm a big fan of like the Vincent Price House of Wax. But this one kind of ups the ante on the creepy eerie factor with these wax statues being on this carousel that plays this eerie music. And they're moving on this merry-go-round and all supposed to be dark macabre things throughout history. Like there's a Joan of Arc being burned alive on there. And it's just such a creepy atmosphere. And all I really want to give away about the story is when he goes to work there, he discovers there's something eerie going on with the head artist there. There's definitely something creepy going on with his daughter and she's very drawn to him.

[00:12:17]And it's an interesting intriguing mystery. I think the cast is actually really good. The lead actress is just unbelievably beautiful and really plays the creepy factor very well. This is such a cool obscure curiosity that I highly recommend checking out. Just outside the top 10, All the Colors of the Dark from 1972.

[00:12:36]This is always been a tough one to classify whether it is a giallo or not.

[00:12:40]It's directed by Sergio Martino. It's starring Edwige Fenech and George Hilton. The three of them made a lot of classic giallos together. I'm a big fan of a lot of them, but wouldn't consider most of them straight-up Italian horror.

[00:12:52]But this one is really just a giallo in terms of style, but not in terms of plot. It's really a satanic horror movie about this woman who experienced a miscarriage as a result of a car accident. She's going through a lot of mental health stuff and trauma. And her neighbor suggests that she go see a local cult and go through their black mass ritual. And she does, and wouldn't you know it, that turns out to not have been a very good idea. Edwige Fenech is my favorite actress of giallo films. I think she is so good, unbelievably stunning. And I think this one stretches her acting abilities more than a lot of them. She's very sad, very sympathetic as somebody going through such a horrible thing who's not being pushed in positive directions by the people around her. Everybody's either telling her to just get over it, move on, or telling her to get into a satanic cult. It's very creepy. The black mass ritual sequences are so wild, interesting, very psychedelic '70s. This is actually one of the early films in this genre that really broke through for me and got me obsessed with these kinds of movies.

[00:13:57]Death. Death.

[00:13:58]Death comes sweeping down. He's only eating me. Move aside. Mind your business. This is my business. They pay me for it.

[00:14:06]Cemetery Man. Cracking into the top 10, Cemetery Man. Coming out in 1994, this was really at the tail end of the height of Italian horror. One of the last movies on this list. And I love it because it is so incredibly weird, which is strange because I think on one hand this could be one of the more accessible films on this list. It's starring a non-Italian actor, Rupert Everett, using his own voice, so the dubbing isn't quite as noticeable. It's a genuinely interesting character study as he's this strange sad man who has to watch over a cemetery and kill the dead bodies that are constantly coming back to life.

[00:14:46]>> You claim they come to life within 7 days of burial.

[00:14:49]>> He gets drawn in by a woman who keeps coming there to mourn her husband. There is a hypersexual romance between them that overcomes life and death several times throughout the movie. But it's so incredibly weird. Like it's such a film designed for cult film fans who want something dramatically different. There are so many bizarre plot developments, stuff that I have never seen in any other movie. And it all leads to an ending that's just one of the strangest things I've ever seen in a movie, but I think it is awesome. This movie is funny. It's extremely dark and macabre and violent and off-putting, but awesome all the way through.

[00:15:33]>> A movie that goes beyond temporary fear to everlasting terror.

[00:15:39]>> [music] >> Demons. Number nine, Demons from 1985.

[00:15:45]Directed by Lamberto Bava, the son of Mario Bava and another one of my favorite Italian horror directors. And this is another one that I think could be one of the most accessible Italian horror films for mainstream audiences.

[00:15:58]As it is just such an obviously fun and entertaining wild ride of a movie from start to finish. I love the vibe of it as it takes place in a movie theater. It makes me feel like it's October going to a really fun horror movie event. The stuff with the characters, how it all sets them up, is totally solid enough and makes them likable. And it's fun to see the movie within the movie, but then how it affects the audience and starts possessing them to turn into demons one by one. It's a very Evil Dead style of demon possession, of it turning them into these grotesque monsters that inflict horrific violence on people.

[00:16:39]This thing is wall-to-wall crazy practical 80s gore effects in the most fun way. My favorite sequence is when a demon climbs out of somebody's back. I remember the first time I saw that, which was actually in a theater. I feel very lucky I got to see this in a theater for the first time.

[00:16:58]I was blown away. Like I'd never seen anything like that at the time. It's pretty light on story, but it doesn't need it. This thing is about being scary, being gross, being a thrill ride, and it is amazing at that from start to finish. Number eight, The Wax Mask from 1997. Could be recency bias playing into this one. I just recently saw this for the first time and I was blown away by it. It was so much better than I expected and it was such a pleasant surprise because like I said a little bit earlier, I love the Vincent Price House of Wax and this is really a remake of that and I wasn't expecting that.

[00:17:35]It's that classic story of the crazed proprietor of a wax museum wearing wax masks and going out killing people and using their bodies for his creations. If you're a horror fan, this is just a really classic story and this is one that tells it with heightened violence, effects, sex appeal. It's such a visceral movie from start to finish.

[00:17:56]Still a period piece. It's got wonderful period piece atmosphere but counteracts that so well with the exploitation elements. And it's got a really interesting backstory. It was developed by Dario Argento. He's the producer of this and he intended it to be directed by Lucio Fulci but before he could start work on it, he sadly passed away and it went on to be directed by Sergio Stivaletti who is a special effects artist and the movie was changed somewhat to be more special effects heavy and that worked out really well for me because I absolutely love the effects especially by the ending. It has such a wow ending that blows me away.

[00:18:32]But speaking of a movie almost directed by Lucio Fulci, here's one he actually did direct, The House by the Cemetery from 1981. Peterson was [music] reading up about a certain Dr. Freudstein. He needs human victims. The way he preserves how he stays alive.

[00:18:47]>> This is the last film in his Gates of Hell trilogy. I am a huge fanboy for the Gates of Hell trilogy. We're going to be talking about all of them on this list.

[00:18:55]This one's my least favorite but I still absolutely love it. It's essentially Fulci's bizarre version of a haunted house movie about a family that moves into a quaint New England town. I love the atmosphere of this thing. Into a house discovering it is haunted and there is something absolutely horrific waiting for them in the basement. I mean all these movies in this trilogy have to do with a gate of hell opening. This is the one that's least explicit about that, but it feels like hell has broken loose when it comes to the things that happened to them in this house. If this is anything but a typical haunted house movie, there's so much bizarre stuff that you will not see in any other movie in this genre, but it is so bizarre and creepy, but still a film I can totally get into in terms of the story and the characters. And it does have the greatest character to ever grace the screen in any Italian horror film or any film perhaps, Bob.

[00:19:51]>> Mommy, why does that girl keep telling me I shouldn't go there? The one standing at the window in that house.

[00:19:57]Ah, I guess she had something to do.

[00:19:58]>> Their son Bob who receives the greatest dubbing work ever done in a movie. Ah, I guess she had something to do.

[00:20:05]>> Okay, I can't keep this going anymore.

[00:20:06]Yes, Bob is extremely annoying, but he is such a bizarre crazy thing that I wouldn't have this movie any other way than with Bob.

[00:20:17]>> Bob, you're so slimy.

[00:20:24]Number six, Tenebrae from 1982, which is my favorite giallo although one I consider just as much a slasher as a giallo. And it used to be my favorite Argento movie. I have changed my mind on that mostly due to the fact that this one isn't quite as visually stylish as some of his other movies, especially when it comes to the lighting, it's not as vibrant or colorful. Still got a great style to it, just not as much as a couple of others that I've now put ahead of it. But I still love this movie. I do think when it comes to the story and the characters, this is one of his strongest movies. I actually really like the lead.

[00:20:58]Daria Nicolodi is really good in here as she is in so many Argento classics. The mystery is genuinely interesting with a killer going around slaughtering people based on the kills in this novelist books and that's making him a suspect in all of this. The kill sequences are unbelievable. I mean, you will be hard-pressed to find that many slasher movies with cooler kills that have more just glorious bright red blood splatter.

[00:21:27]Insane stuff that happens in here that I absolutely love and I just love the score. I'm a huge fan of Goblin who scored so many Argento movies. This is one of their best. I've seen this movie so many times and I still never get tired of it. Cracking into the top five, Black Sabbath from 1963. My favorite Mario Bava movie and my favorite of all the classic gothic Italian horror films.

[00:21:50]While I've said that sometimes Mario Bava's movies can struggle with feeling slow, this one is an anthology so its structure really solves that problem and this is one of the few anthologies I've ever seen where I genuinely love every segment. I think they are all incredible. A Drop of Water is the most beloved and it is amazing for having one of the creepiest visuals you will ever see in any movie, one of the scariest versions of a dead body, of a ghost.

[00:22:18]It's got so much dread fueling the entire thing, a dark stormy night atmosphere in amazing colors. Then there's another about a woman being harassed by a creepy caller who's threatening to come kill her and I really think even more than Bava's The Girl Who Knew Too Much which is often classified as the first giallo, this one feels like such a clear precursor to the giallo genre that would explode just a few years later. And then my favorite of the bunch is The [ __ ] of the Lack which is a vampire story based on a classic folk tale with Boris Karloff as one of the creepiest vampires I've ever seen with such beautiful, vibrant, gothic period piece kind of atmosphere. You've also got Boris Karloff introducing each of the segments which is really fun and I know people are going to wonder what is my preferred cut. Controversially, the American AIP cut is my favorite. I like that it's dubbed in English, so you get Boris Karloff's actual voice, and I actually prefer the order of the segments. It works better for me. This is one of my favorite anthologies ever made. I think it is so incredible. But let's keep going with Fulci's Gates of Hell trilogy, The Beyond from 1981.

[00:23:26]This one takes place in New Orleans about a woman who's trying to open up a historic hotel, but of course the hotel is built on a gateway to hell, and when it's opened back up, well, all hell is breaking loose, and there's really no other way to say it. What can I say about The Beyond? Like, this movie is awesome. It is one of the coolest vibes.

[00:23:47]I just love the bizarre, unexplainable nature of the horror of this movie.

[00:23:51]Like, yes, it's a zombie movie. It's definitely got zombies, classic zombie sequences, but it's so much more than that. I mean, so many bizarre things occur because of just the spirit of supernatural evil coming into our world.

[00:24:06]I mean, there's a sequence that's about 7 minutes long of just tarantulas eating a guy alive piece by piece. I know for some people this is one of the clearest examples of Italian horror movies don't make sense, and it's just dream logic, and blah blah blah, but I don't think it's that simple. Like, yes, I don't think Fulci is super concerned with story structure and logic. I know that was not one of his priorities. His priority is much more effects, gore, vibe. But this is just about spiritual evil infecting everything about our world, and it's actually really successful at making me feel the bizarre reality of that, and it leads to an ending that's one of the greatest endings any horror movie has ever had.

[00:24:52]>> It's perfectly normal for insects to be slightly telepathic. Yeah, it's normal for insects, but am I normal?

[00:24:59]>> Kicking off the top three phenomena from 1985.

[00:25:03]Another Argento movie and a film that I just have come to love more and more with time. I am such a fanboy for this thing. Now, it's a teen horror movie ultimately. It's about a young girl played by Jennifer Connelly actually in one of her first roles who goes to a boarding school in Switzerland and discovers there's a string of brutal murders against girls that are happening in this town and she decides to investigate with the help of bugs. This is such a weird movie. It almost sounds like a kids horror movie because it is about a kid who has a telepathic connection with bugs and uses that to solve a mystery. But it's not a kids movie because the gore and the violence is so extreme. And I just love the weird dichotomy of that. You've also got Donald Pleasence in here as a local bug scientist. I don't know the official name.

[00:25:59]Who helps her out as well and encourages her to use her powers for good. He genuinely is really good in the movie and they have like a really sweet kid and grandpa kind of relationship. It's fun to watch her try to solve this mystery. It ends with one of the most bonkers third acts I've ever seen in my life. The film just keeps topping itself in how crazy it [snorts] is willing to get with the visuals, the events, the twist reveals. It's all so insane and I love the music. Like you do have a score here done by Goblin, but it's also got a great soundtrack of a lot of heavy metal and all of it works so well. It is so awesome.

[00:26:37]>> It's useless to try and explain it [music] to you.

[00:26:39]You wouldn't [bell] understand. It all seems so absurd. Their runner-up, Suspiria from 1977, which is the first Italian horror film I ever watched and it blew me away.

[00:26:50]I know a lot of people have kind of struggled to get into Italian horror and like had to watch a few movies before they really got into it. And I on the whole, I didn't really have that experience because I just thought Suspiria was awesome. Now, it is definitely a vibes first kind of movie. It's not super concerned with story structure and with logic. I really don't care about that.

[00:27:14]The vibe of it is so amazing, so unique.

[00:27:17]I actually do really like Jessica Harper in the movie. No, her character isn't super interesting, but I like this actress, so she carries me through the film very well. It feels like a murder mystery throughout most of it. Her going to this ballet school, people getting killed off one by one. The murder sequences are mind-blowing. Like this is my favorite Argento film. That's the boring answer, but it is the right answer. These are the best kill scenes he's ever done. They're so violent, so cruel, but so visually artistically brilliant that you can't help but be happy throughout this whole movie and how well done it is. It's Goblin's best score. It's one of the creepiest musical scores I've ever heard in a horror movie. And it is ultimately a witch film. And I think it is an awesome witch film that leads to one of the greatest third acts I've ever seen with some of the scariest imagery. And there's only one Italian horror film I like better than it. My number one is Lucio Fulci's City of the Living Dead from 1980. A cursed city where the gates of hell have been opened. We've got to You must reclose those gates.

[00:28:27]>> This was actually the first entry in the Gates of Hell trilogy and the one that is the most explicitly about a gate of hell opening. It's a very Lovecraft influenced film about people trying to race against time to close a gateway to hell that was opened by a priest committing a blasphemous act in a graveyard. And if this gateway is not closed in time, then all of hell is going to rule the world. And as much as I said The Beyond is so brilliant about being about spiritual evil from hell infecting the world, this one is even better. It is even more fascinating about those ideas. And the events that happen are even more bizarre, which makes it feel so authentic about this.

[00:29:12]Like once again, you can say it's illogical it's just dream logic, it doesn't make sense. But I really think it goes beyond human understanding, and that's kind of what it's supposed to be.

[00:29:22]Whether we're talking about the maggot storm, which is one of the craziest sequences I've ever seen in terms of what actors had to go through to film something, or the woman literally puking all of her guts out just from seeing a ghostly apparition, or the finale when they really basically go to hell. And it's one of the scariest versions of hell so many of the creepiest zombies I've ever seen. And to top it all off, I actually like the characters in here.

[00:29:50]Catriona MacColl is the lead as she is in all of the Gates of Hell movies.

[00:29:53]She's great in all of them. I'm a big fan of Christopher George. He was big in a lot of 70s, 80s exploitation movies before he passed away not too long after this. But I always love to see him. He's great. This is one of my favorite horror films I've ever seen. Every time like I see something new in it, it blows me away all the more. And it's the reason I think Lucio Fulci is genuinely one of the greatest masters of horror. Before I wrap this up, I just want to send out one final thank you to my patrons. Thank you guys so much first of all for suggesting and voting on this video and for supporting me. It truly means the world and makes this channel possible.

[00:30:26]If anyone else would like to support me and take part in the Patreon pick next month, there's always a link to that in the description below. But today, I want to give a special shout-out to Single Tail, Chris Rivers, and 30 Wings. You all are the absolute best. But what are some of your favorite Italian horror films that I didn't mention? Let me know down in the comments below. And if you're up to it, give me your top 20 ranked from least to best. I think that would be awesome. It would be so much fun to read your list. If you want to hang out with me more, you can click the video on the screen. Thank you guys so much. Don't forget to enjoy yourselves today. Have some fun, and I'll see you next time. Bye.