This 1930 Vitaphone short film 'Bright Lights' (later re-released as 'Adventure in Africa') demonstrates the importance of maintaining authenticity in storytelling, as the character insists on presenting their story exactly as told without distortion or misrepresentation for publicity purposes.
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The Fragments of Color: Bright Lights (1930)Añadido:
or a bowl of jelly. Hey, cut it out there. What's the matter with you?
>> Hey, who are you hitting?
>> I'm hitting you. You got the right to put your hand on. COME ON, GET HEY, GET OUT. HEY, come on now.
You who are fat. Why don't you get hurt to yourself? Who do you think you are?
Me losing one job after another on account of you. I ain't done nothing.
And you? You get all burned up.
>> Who's burned up?
>> You. I never saw such a jealous guy.
>> Hurry, please. I'll get it. I'll this way. I'll come.
Then I'd asked for a few charity benefits at the smartest homes. Of course, it was at one of these where I met my producer, Mr. Harris, and here I am. It isn't very exciting, is it? But I warned you.
>> Well, uh, maybe the boys can hul it up a bit. You know, a little color. We'll >> hulk it up, please.
>> No, no, no, no, no. Please, please, I insist you use the story just as I've told it. I don't believe in misrepresenting oneself to the public for the sake of publicity.
>> Quite right now. No distortion, please.
>> You're right. It goes as is. Word for word. Come on, fellas. Be a peak of a story. Oh, a page.
How do >> Not bad, babe. Not bad. I
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