A Brutal Revolution Fueled by Revenge and Bloodshed | Epic Action Movies | Western

Ajouté : 2026-05-28

[00:00:06]Thomas.

[00:00:55]I've been thinking. Sarge Evans is a tea totler. He don't drink liquor. He don't not a drop.

[00:01:17]Papowski, you ought to get word of this to the colonel.

[00:01:38]Fire boy.

[00:01:50]Are you a fly in the mess hall? Do you see it, Captain?

[00:02:16]It's your responsibility, doctor.

[00:02:18]Medical hygiene.

[00:02:20]I'll get it, Colonel.

[00:02:25]What the hell?

[00:02:29]You missed it. Get that damn fly. That's an order.

[00:02:35]He's here for Colonel Wilcox. There.

[00:02:47]There he is. Up there on the light bulb. He got him.

[00:03:01]Here.

[00:03:02]Here. The nets. Get the nets. Get him.

[00:03:20]Damn fool.

[00:03:22]Stop it. You break it up. Break it up. What do you think this is? This is the army you I think the colonel's off his nut man. A den hut. I heard that, Lieutenant. You think your colonel is off his nut?

[00:03:45]H Is that what you're all thinking?

[00:03:49]Well, hear this, men. I'm going to give it to you loud and clear. A fly in the soup is dirt. A dirty army is a sloppy army. A sloppy army loses battles.

[00:04:07]You know what I'm doing?

[00:04:09]saving your life. There he is again. Get him. Don't move.

[00:04:32]Major, get him. There he goes. That's an order.

[00:04:51]Miguel, blow the horn. Miguel, I said blow the horn. It is banger. Well, tell him to get out of the way. We're in a hurry. Don't be so rude, Clara. We can wait for the gentleman. announce it to you, Dora.

[00:05:06]These people have to be kept in their place.

[00:05:19]The latest model, huh? She's a trainer.

[00:05:28]Out of the way. Vamoose. Vamoose.

[00:05:34]You think Ponchovi is a Mexican bandit?

[00:05:37]You think I will lead you? I can think of better things to do.

[00:05:49]Hold me.

[00:06:28]Maybe you better ride down to post B and see why those two slobs don't Answer you there, soldier. What's your name?

[00:06:43]Papowski, sir. You're the tailor, aren't you? No, sir. I could have sworn you were the tailor. No, sir. Where you going? Down to post on the border. Sir, they phoned in a while back. That is Private Evans phone. Sergeant Wife called him out. But I know for a fact, sir. Evans is a tea to Fine, fine. You make a report on it. But first, you get over to my quarters and ask Mrs. Wilcox for the pressing iron. You know what a pressing iron is, don't you? Yes, sir.

[00:07:08]Fine. And I want you to put a crease in those breaches so sharp it'll cut bacon.

[00:07:11]You understand? Uh, yes, sir. But sir, Private Evans phoned him from post.

[00:07:16]Repeating yourself, Papowski. Now, hop to it, soldier. We want the team to look good for the big horse show, don't we?

[00:07:21]Yes, sir. We can't all be in the glory seat, son. Some of us have to do our part. Just pressy pants, right? Yes, sir. Well, you take care of the pans and we'll take care of the horse. Now hop to it on the double. March.

[00:07:37]It's that crack white Confederate general again.

[00:07:41]There's General Jenkins. General Jenkins. Army of the Confederacy.

[00:07:46]Retired. Look here, General. If some Mexican stole Miss Clara's automobile, you report it to the police. This is the army. The Mexicans run the war path. So, Miss Clara's new automobile. Will you tell Miss Clara? I'm very busy. I can't spare the United States Army to look for her tin Lizzy.

[00:08:05]Listen to me, you chicken colonel.

[00:08:08]You're talking to a general and I'm telling you they're all attacking over Weaver Ranch. Miss Claire is there right now. You send a troop of cowboy over there and take them by surprise.

[00:08:22]Yes, young man. Did you finish?

[00:08:40]What?

[00:09:05]Woo! Heat!

[00:09:37]It's bad here. The train hasn't left yet. Phone the railroad station and get me Colonel Wilcox.

[00:09:47]The line is dead. Close the gate.

[00:10:01]This is Scotty with Poncho Villa. I want to talk to your commanding officer. You need the range vehicle.

[00:10:09]Does an eagle need eyeglasses?

[00:10:12]Get ready to fire, old man.

[00:10:15]Surrender to you, Scotty. Never. Listen, Eager, it's hopeless. You got 20 to1 against you. I don't care if it's 100 to one. I'm not going down in history as the first United States officer to lose a battle to a foreign invader.

[00:10:32]You coming? I came after McDermott Esparo.

[00:10:52]Round five.

[00:11:15]Yeah. Heat.

[00:11:49]Lock them up.

[00:12:20]Look out. Look out.

[00:12:39]Where do you think you're going? To a fire.

[00:12:49]Hey, you know who I am? I don't give a damn who you are. You were going 25 m an hour down Main Street and you I told you to get out of town, Scotty.

[00:13:00]Sheriff, do yourself a favor. Turn around and look at what's coming down the street. But Chachos, nobody leaves town.

[00:13:15]Nobody compendos.

[00:14:11]Up.

[00:14:20]Poncho McDermott. Remember McDermott?

[00:14:28]Hey, Cornell. You don't know of this guy. McDormat.

[00:14:32]Nah, it's not them. Let him go. Let him go. Watch out. Hey, hey, hey.

[00:14:41]No, it's okay. Amos, back your partner.

[00:15:23]Poncho or hold it.

[00:15:28]Fighting and killing in the house of the Lord.

[00:15:34]Poncho, why don't you go be a general?

[00:15:38]Oh, you want to be alone, huh? Yeah.

[00:16:04]Huh?

[00:16:09]I told you no looting.

[00:16:16]And I warned you looters would be shot, didn't I?

[00:16:38]Panchcho, why don't we hold up a train?

[00:16:41]Shut up.

[00:16:51]What time is the next train get in?

[00:16:54]There's an afternoon special at 3:30.

[00:16:57]What kind of a train? Any passengers on it? No passengers. It's a special from Washington for some Mexican general.

[00:17:06]For who?

[00:17:08]General Goyo. Special train taking him back to Mexico City.

[00:17:13]A special train in going on island and it's stopping here. Stops for 10 minutes.

[00:17:21]Oh, it's long enough. Oh, Gracia. My prayers are answered. No, no, no.

[00:17:42]No, never, murderers, faves, destroyers, blasphemy, murderers, and more than this, destroying my furniture.

[00:18:11]family Protestants. Hey, you know what I found out? There's a train coming here at 3:30. It's got guns on it. Yeah, well, we haven't got time to wait. We got to get back across that border and fast. But we need the supplies. What do you want? The whole US army on our backs. Anyway, I'm hungry. And besides, I bet you know the best place in town to eat. Forgive me.

[00:19:03]The bird's flown. How the window Ombre. Ombre. Ombre. Ombre.

[00:19:56]Hallelujah.

[00:20:21]Oh, look at that woman.

[00:20:24]Oh, I don't know. She's all skin and bones.

[00:20:29]Oh, you're crazy.

[00:20:31]She's delicate, refined, and dainty.

[00:20:35]Remember, I must be a tight c. Now, Poncho, she's my wife. She is. She is.

[00:20:42]Oh, you must be some kind of a local.

[00:20:44]Leave a woman like that alone. Problems? Yeah, we hate each other. Well, you cannot keep the poison inside. You must uh you must talk it out. Come. Mhm.

[00:21:02]Pass the salt.

[00:21:09]Well, maybe if you said please. You know, in marriage sometimes it's better to think back to the beginning. Now, Flo, when you first met, he seduced me.

[00:21:25]It was a setup. She trapped me. I trapped you.

[00:21:30]I woke in her house. Bang. The doors locked. The lights went out. I never had a chance. Well, perhaps the second day will be better. Now, think back. What happened?

[00:21:40]He seduced me again.

[00:21:43]I'm going to tell you something. This I got to please let him talk.

[00:21:49]This time it's a different house. It's your uncle Joe's. Uncle Frank. Oh, all right. Uncle Frank's. I walk in the house. Fine. The door locks, lights go out. I never had a chance.

[00:22:01]Well, perhaps that was too far back. Uh, now when he proposed, uh, let's talk about that. I never proposed. I never accepted. Well, you you are married. How did it happen? I'll tell you how it happened. Never mind. I'll tell him myself. I know how you twist. You turn on the lights and you lock the doors.

[00:22:16]It's his turn, my back at her house again. I walk in the house, bang the doors, lock the lights. What kind of a story is that? For heaven's sake, he locked the doors. He turned out the lights. He's the one who did the whole damn thing.

[00:23:10]Now I'm going to say something. Well, what do you mean? I can't get away with the next word. Please. Was there never a time when you two did not hate each other? No. How about the night of the honeymoon? That's a night to remember.

[00:23:25]Yeah, I carried her across the threshold. Guess what happened? Oh, yes.

[00:23:28]Uh, bang. The door locked and the lights went out. And what?

[00:23:36]I've got a pain.

[00:23:38]What do you mean pain? Oh, no, no, no.

[00:23:41]It's What kind of pain? Oh, it's my heart. Oh, please Scotty, get a doctor.

[00:23:46]What kind of a pain work? It's moving.

[00:23:49]It's hurting. Scotty, save me. Let's get him up to his room.

[00:24:10]Now, where does it hurt? Oh, it hurts here and here, here, in the front and in the back. It is hard. All right, please.

[00:24:22]Thank you.

[00:24:31]Outside.

[00:24:33]Outside.

[00:24:41]Army goods. Scott, if you stay, my last words are for you, Scotty. Oh, you're not going to die a poncho. Don't argue with him.

[00:25:08]When I die, I want you to do something for me.

[00:25:12]Promise. Sure. You just name it.

[00:25:16]You killed Goyle. For me, Goyle. Where am I going to find Goyle? You'll find him and soon. Promise.

[00:25:26]Promise.

[00:25:28]Anything. Promise him anything. I promise. I promise.

[00:25:37]Amigo.

[00:25:40]Oh, she loves you, Scotty. And when I'm gone, I I want you to be a good husband after you killed Goyo.

[00:26:00]It hurts bad. Oh, it can't last much longer, Scotty.

[00:26:09]It's that American lieutenant. He got away. We chased him. He will go to warm the American army. Well, we better get ready to move out of here. Do you desent for a doctor? See, get the men ready. You tell me the truth, doctor.

[00:26:34]How long?

[00:26:42]It's his heart. Of course, it's his heart.

[00:26:47]You listen.

[00:26:52]Give me two hearts. Is that possible?

[00:27:05]Hey, wait a minute, Doc. You're not going to operate. Not here. No, we have to have boiling water. Oh, a lizard.

[00:27:34]He don't need a doctor. He needs a change of underwear.

[00:27:38]What he needs is a breath of fresh air.

[00:27:42]I've been busy changing a government doctor. No time to change the underwear.

[00:27:47]If you whisper a word of this to anybody. Professional secret. The oath of hypocrates. Remember, your arm is waiting. Shall I tell them you uh had a miraculous recovery? No.

[00:28:10]Tell them nothing. Let him think I'm dead. We got rid of a lizard. Who knows?

[00:28:15]Maybe we'll find a couple of kukarachas.

[00:28:23]How is he doctor?

[00:28:31]Come here. We have to work fast. But I don't understand. You'll see. But if he dies, we won't collect.

[00:28:43]That was a deal. Sure. Not if he dies of a heart attack. We'll only get paid if we kill him. Go. Go.

[00:29:51]gone.

[00:29:56]But he's already dead. If he's found with a knife in him, Goyo will be told he was stabbed to death. He's not cold yet. Maybe He's in a coma. Good. Will I not pay?

[00:30:45]Honestly, a kamba.

[00:30:59]What time is it?

[00:32:09]Check your mind.

[00:32:33]Heat.

[00:32:37]Heat. Heat.

[00:32:59]Heat.

[00:33:21]Heat. Heat.

[00:33:40]Get it on.

[00:34:12]Goyer. Where is he? There he is. It happened in Washington two days ago. a stroke. We are bringing his body back to Mexico. Oh, no, no, no. It couldn't be. It was the will of God.

[00:34:48]Oh no. If Goyo is dead, what do I have to live for?

[00:35:08]Who decided that you were a hero? Goyo.

[00:35:11]Huh?

[00:35:23]Who decided that he was a hero?

[00:35:49]Hallelujah. Heat.

[00:35:59]Heat. Heat. Heat.

[00:36:37]Fuel, get back. You can't go out there.

[00:36:41]Willox Wilox Wilcox. Where is he?

[00:36:50]Willox. What's happening?

[00:36:53]Willox. Willox.

[00:37:00]You can't go in there, Lieutenant.

[00:37:04]Sir.

[00:37:07]Sir. Colonel Wilcox. Colonel Wilcox.

[00:37:15]Sir, Colonel.

[00:37:18]Hey, you. Stop it.

[00:37:25]Colonel Wilcox.

[00:37:30]Colonel Wilcox.

[00:37:35]Eager. What are you doing here in Columbus? Panchua. The Mexicans they've attacked.

[00:37:44]Poncho.

[00:37:55]Bandits. That's what they are. Bandits.

[00:37:58]Hit and run sneaks. They never give you an honest battle.

[00:38:03]You know, my only fear is they'll slink away before we get a chance to fight. If only just once we could meet them head on.

[00:38:26]Panchcho. Panchcho. Look what I found.

[00:38:33]Po here. Here in the United States, they must feed their turkeys on ice cream and bananas. Feel it. Feel it. How fat. Feel it.

[00:38:45]Hey, Poncho. We got to get going. Come on. Go where?

[00:38:56]Go back. What I know is I came here to pay them back.

[00:39:02]Prieta Karanza Coyo to pay them back for Texas and Arizona and California. Some of it, huh, Bono?

[00:39:13]What do I find in the United States? A big fat turkey. Maybe they're right when they say that he has nothing more than a cheap bandit.

[00:39:23]Oh, I go to laugh in Mexico when I come back with nothing to show.

[00:39:28]And even in my hometown, they will laugh at Via. So where have I got to go?

[00:39:38]What'd you expect to bring then? The whole state of Texas. I don't know what.

[00:39:42]Yes, maybe Texas.

[00:39:50]Have you read this?

[00:40:01]That's me. What does it say? Later. Come on, let's go.

[00:40:10]Could you read it, please?

[00:40:13]March 9th, 1916, Columbus, New Mexico.

[00:40:16]World capitals will be shocked and amazed to learn that Ponchovilla, the bold, daring, colorful leader of the Mexican Revolution, has defied the might of the colossus of the north.

[00:40:30]I'm a living legend. The bold, the daring, the colorful leader of the Mexican Revolution. Eh, we're not pulling out.

[00:40:42]What? You think I want my people to think that punchia run like a thief from the American army? A whole division?

[00:40:49]That division and army? What's the difference? The bigger the better.

[00:40:52]Punchia fights the whole American army.

[00:40:54]That's big Scotty. They're going to love it. Did you? Listen, you lunatic. You kept us hanging around all day so you could get your revenge on Goyle. Now you want to get us all killed for some other crazy idea. Well, not me, amigo. I've had it.

[00:41:11]Scotty, don't go.

[00:41:14]You don't need me. I do. For what to go along with me?

[00:41:22]Even when I am wrong. Heat. Heat.

[00:42:10]Filthy. Take his name. Thompson.

[00:42:21]Fine.

[00:42:44]Colonel V is coming at us. There's an inspection going on, Lieutenant. But Sir V's train is on our track. That'll be all, Lieutenant. If we keep going, it's bound to be a crash. What is your name, Lieutenant? Lieutenant Eager.

[00:43:15]In Santaorita, the track goes through a narrow pass. Now, if we were to block that pass and take up positions on the heights, and Wilcox's train would have to stop, be like shooting fish in a barrel. No, we keep going.

[00:43:31]Why is the train going so slow? I'll go up front and find out.

[00:43:39]Look, Poncho. The Americans are headed this way, and there's only one track.

[00:43:44]They better get off that one track because we're going straight ahead.

[00:44:48]I could run faster than this train. Where's Louise?

[00:45:03]Go upstairs and find out what's happening.

[00:45:30]Get out of here.

[00:46:08]Okay. Go.

[00:46:38]Jam. Heat.

[00:46:49]Hey, out the window.

[00:47:33]Faster. Full speed ahead.

[00:47:57]Colonel, we're all agreed. The place to stop them is the Santaita. We can block the pass and then place our men on both sides. Then when Bea stops, we can mow him down. Keep that bullet chuck full. I want all the steam it'll hold. Colonel, we're on a single track. V is coming straight at us. Let him come. But Colonel, you're crazy. There's going to be a hell of a collision. He killed.

[00:48:23]Cold steel, gentlemen. At full gallop.

[00:48:26]That's what wins battles. More steam, Lieutenant. I want more steam.

[00:48:43]Stay here. One whistle. One whistle.

[00:49:26]Two whistles. Whistle twice.

[00:49:37]He's going to kill us.

[00:49:41]Yeah. You know, if I was you, I'd jump off this train.

[00:50:16]A long long whistle.

[00:50:19]Lieutenant. Lieutenant. A long long whistle.

[00:50:27]George.

[00:50:41]Yeah. Heat.

[00:51:08]Colonel Wilcox. Colonel Wilcox. General Pushing is coming down the hall.

[00:51:13]Blackjack Persing himself and to see you.

[00:51:18]General Wilcox, I've got a Congressional Medal of Honor here for you from a grateful American people. Lox, I'm going to tell you what you really want to hear. Can you hear me, Will Cox?

[00:51:37]Good. Good. I've got my marching orders, Will Cox, from the President of the United States himself. Hot pursuit of Villian to Mexico. Hunt the bandit down, no matter how long it takes. Catch him and hang him. That's what I'm going to do, Will Cox. Catch him and hang him. That's a promise. Did you hear me, Will Cox? Good.

[00:52:48]That's where you'll find him. You think so? I'm sure. Why? Well, I'm away now, Michelle. But I used to ride with Via.

[00:52:59]You did? Sit down.

[00:53:08]You know his habits. Oh, like I know my own. Good. Good. Because it's not just a matter of chasing someone. If you know the man, then you know where to find him. Tell me, what's your name? Poncho.

[00:53:23]Tell me, Poncho, what are his vices? Ah, I don't think he has any. He must have some weaknesses.

[00:53:33]No. Oh, he cannot read and he cannot write. It's like being blind.

[00:54:07]Will there be anything else?

[00:54:16]No, Poncho. If you ever see Vera Poncho, give him a message for me. Tell him every great man was once a bandit.

[00:54:45]Heat.

[00:54:54]Heat. Heat.

[00:55:04]Heat. Heat.

[00:55:24]Heat. Heat. Heat.

[00:56:01]over there, please. He'll feed me. All right. He knows me.

[00:56:29]Stand up. I didn't invite you to sit down.

[00:56:36]That's bad publicity for my business.

[00:56:39]Brent, how much will it cost to reelect you? You've been reading the funny papers again, Owen. Look here, Brent.

[00:56:47]You can't get away with it. You can't put me. I can't, but I will.

[00:56:52]You and every rat that hasn't found a hole to crawl into when that deadline is up. I've heard that before. Just around election time.

[00:57:04]Yes. But get this, Owens. You're a candidate right now for that hot seat up in the big house. And if you're in town by this time tomorrow, you're as good as elected.

[00:57:25]Yes, Mr. Brent. Tell Bair I want him now.

[00:57:33]Well, the headlines tell the truth. You've been dishing it out a long time, Owens. It's your turn now to take it.

[00:57:50]Hello, Bronx. How are you, Flatfoot?

[00:57:54]Butch has been reading the experts. He came away up here to tell me that he didn't like the headline. Yeah, I afraid you wouldn't know where to find me.

[00:58:03]Wrong again, Butch. That's not a bad little hideout you moved your girlfriend into. But if you'd asked me, I could have picked one with a southern exposure. Boy, you're double crossing.

[00:58:13]Wait a minute. Huh?

[00:58:17]Kick in with that present that was slipped yesterday. Present?

[00:58:21]Yeah, a present. Killed there. Don't tell me you've been accepting presents. Yeah, that's the kind of monkey he is. How do you like him now?

[00:58:34]I kind of like him. Is this what you want to take back, Owens? From a pal to a pal.

[00:58:46]Thanks, Butch, for the thought. But the brand's too expensive.

[00:58:52]I haven't learned to smoke them yet. I'll keep the case just to remember you by when you're gone. Where do you think I'm going? Maybe for a ride. You never can tell. Funny guy. Better take this along with you, Owens. As a gentle reminder, I can't read. Wipe your feet on it. Close the door, Butch, from the outside.

[00:59:27]What are you doing tonight, Freezy? It's taken me three weeks to line this up, Chief. But she's as swell as little.

[00:59:34]Well, put her on ice. Send Miss Wallace in.

[00:59:42]Where does Louis Walsh hang out at night? Mostly over at Just Harvey's nightclub. The new one he calls the back door. I think Louis has a piece of it.

[00:59:51]You know, they're in together on the beer racket.

[00:59:58]Still a blonde ma.

[01:00:02]Yep. But still not your type.

[01:00:05]Miss Wallace Reed's jumping out with you tonight. He's taking you to the back door.

[01:00:12]What's the matter with the front door?

[01:00:14]It's padlock.

[01:00:17]Hey, listen. I got a date with my husband tonight. Well, do the same as I'm doing, sweetheart. Put him on ice. I hate to spoil your dates, but this is important. The head look before we were ready. This will bring a showdown between the Owens mob and Louis Walsh.

[01:00:34]Now, Butchers have to make another try to get Louis before they get out of town. If any of them show up at Jess Harvey's tonight, you'll be there. Hit me on the phone quick. We won't be 3 minutes away, right?

[01:00:49]What'll I wear, Blondie? Soup and fish.

[01:00:52]No, you might have disag.

[01:01:02]Oh, my husband's going to be darn to meet you. Oh, yeah. Oh, yeah. Hey, I know. And I know.

[01:01:22]Good evening.

[01:01:29]Well, I hope everything will be all right.

[01:01:54]Diego. What's the matter, Ray?

[01:02:06]No, I'll keep it.

[01:02:11]Punch. I knew it.

[01:02:21]Good evening, Mr. Owen. How are you, Tess?

[01:02:25]Fine. I I got a nice table for you.

[01:02:29]over there.

[01:02:32]Yeah, that's a nice table for somebody else. We'll sit here.

[01:02:40]Let's get to your diaper.

[01:02:57]We've got to get out of here. Louie, shut up. My mom is on her way here. I don't like the look of it. Well, loosen the jippy around Florida later. Yes.

[01:03:18]Scram the lamp. I don't want anything in front of me.

[01:03:28]This looks like the start of a swell evening.

[01:03:32]I'd like to get to that telephone, but I'm afraid Butch will tumble. There's that flat foot again.

[01:03:42]Where? Over there by the orchestra.

[01:03:48]We tried to him one little present that he wouldn't take.

[01:03:53]But we'll give him another one tonight before we leave here.

[01:03:59]Well, here you are, Louis. What's the idea? I didn't order any. Uh, chicken and casserole.

[01:04:11]Okay.

[01:04:14]Thanks. Get on the phone, will you, and find out what's holding up that marble line? I should have been here an hour ago. Okay.

[01:04:24]or chess.

[01:04:27]Yeah.

[01:04:32]Everything all right?

[01:04:35]Sure. It's a nice place you got here. You like it?

[01:04:42]Yeah. And I like the floral decoration. Who's your florist yet?

[01:04:50]like to hold some?

[01:04:53]Yeah. I uh I'll tell you when I I come back.

[01:05:01]Come back.

[01:05:14]Won't take me a minute to work through this call. Ma, sit tight. Nothing will happen. It's the last you. Yeah, I hate I hate you.

[01:05:30]Hello, Bron. Staging a little party for the boys. Sort of a farewell party.

[01:06:07]Hey, wait a minute. I'm next. I'm waiting for this fell to get out.

[01:06:12]Oh, all right.

[01:06:19]Hey, come on. Come on. I've been waiting long.

[01:06:33]Get going.

[01:06:41]Al, dick.

[01:06:47]Stick here.

[01:06:52]Where's Joe? Where's L? Where's Jim?

[01:06:57]You've thrown me down. You've laid me down.

[01:07:35]on my side. Oh my god.

[01:07:48]Come on, Ma. We're getting out of here.

[01:08:20]Well, how are you feeling this morning, young man? Think I could lick the world, doctor. Well, here's the thing that almost licked you.

[01:08:29]Thanks. A nice little souvenir.

[01:08:33]Well, maybe someday I'll be able to give it back to the fellow who gave it to me.

[01:08:37]Oh, I guess you're out of luck about that, Brie. The old gang took it on the run. Oh, by the way, I I almost forgot.

[01:08:46]Here's a postcard that came off for you.

[01:08:48]It's from Cheyenne. It's in bed. What's it say?

[01:08:53]Don't you ever take a vacation.

[01:08:56]Well, I'm taking one now.

[01:09:00]You're not going to spend it here, Breezy. You're going home for that.

[01:09:04]Okay, chief. If you think the department can get along without me. The department will probably go to pieces. Yeah, that's what I was afraid of. Oh, but if it does, I'll save you a piece. Say, where do you live?

[01:09:18]In a little one-horse town about 20 mi in Cheyenne. Well, when the doc says the word, that's where you're going. Well, it won't be long now.

[01:09:46]Look at that turn fool. Crazy lon. Crazy is right. That road for two years. If he don't stop, he's a girl. Sure is. Come on, boys. Let's try to warn him.

[01:10:18]Help. Enemy Shoot me if they Well, where the heck do you think you was going home? It's the only way I know to get there. shops. We ain't used that road for two years. Got a new one. Know all know him? Ever since he had diapers on. I made him his first shaps. Taught him how to ride his first horse. Learned him how to shoot. Boys, meet your boss's son. Rezy Kildair.

[01:11:22]How are you?

[01:11:24]Hello there. Good day.

[01:11:28]Glad to know you boy.

[01:11:30]pleased to meet you.

[01:11:35]Where the heck did you think you were going coming down that road? Home. I told you. And now if the old boat's a thing of the past, how am I going to get there? Like you did when you was a kid.

[01:11:43]A horse bag. Well, I'm ready. Where do we go from here? We're heading for town to meet up with your paw. He's tending a meeting of the new cattleman association. Well, me and Nanny goat and let's start.

[01:12:15]Now this ain't no country for dudes.

[01:12:22]Breezy for this wall.

[01:12:32]Bring your shirt here somewhere.

[01:12:38]You're a top hand now. Everything but the sky piece. There's mine. Thanks. Now then, we're heading for town. We're going places and doing things. Let's get there.

[01:12:55]Well, just tell them you saw me. Hold off that horse and give him a breezy.

[01:13:00]Here he is. Breezy belongs to you anyway. Thanks.

[01:13:24]Turn. Something going wrong with my eye.

[01:13:27]Easy killed there with walrus.

[01:13:30]Well, hang me at him.

[01:13:34]Hello, Breezy. Hello, S. Well, Daddy Bird, how are you? Have you seen your dad yet? Nope. We're looking for him now. You seen him down the street a moment ago? Maybe he's in Joe Carter.

[01:13:45]We're the form of that new association.

[01:13:48]What association? Oh, the independent cattle breeders protective benevolent association someday. And from the looks of things, going to be some association.

[01:14:00]Yes.

[01:14:14]Got a great dad.

[01:14:36]This is Martin Kildair's boy breathing.

[01:14:38]Joe Carter breathing. Joe's knew since you were here. Oh, Carter and I are old friends.

[01:14:47]Yeah, we have known each other for a long time.

[01:14:53]What do you boys have? Right there. Give me a little quick.

[01:15:09]Look at that.

[01:15:12]Oh boy. That touches the spot.

[01:15:15]Real beer.

[01:15:32]Gucci game of pool. Sure. Come on. Thank you, woman.

[01:15:37]I'll pay for 75.

[01:15:45]How long have you been selling this? I had to take in a new partner about a month ago. It was his idea.

[01:15:54]Hey, you seem surprised to see me out. Nope.

[01:16:00]I signed a petition to get you out.

[01:16:03]I am surprised to see you here and back at the old racket again.

[01:16:10]I knew you were responsible for sending me out, but I didn't know that you helped to get me out. You fell in with the wrong crowd. New York Carter, you weren't to blame. You took the rap for Butch Owens.

[01:16:27]I hated to see that that little girl of yours suffer for your mistake.

[01:16:33]She was a nice kid.

[01:16:36]She still is.

[01:16:38]You kind of liked her, didn't you?

[01:16:41]Yes. And she liked me, too. until until I had to testify against you. She changed her mind about you after you set me up.

[01:17:05]You remember Breezy Kill there, don't you? Yes, I remember Breezy killed there. All right, I ought to Joe, you're playing with dynamite again. This stuff will never get you anywhere.

[01:17:35]She's too nice a kid to be working in this atmosphere.

[01:17:38]I couldn't throw that stuff out now if I wanted to. It's too late. It's never too late. I got you.

[01:17:46]Where is he? There he is. There he is.

[01:17:51]I feel like crying. Same here, Dad.

[01:17:55]Gosh, it's good to be home with you again.

[01:17:58]If ever a father needed a son, it's now.

[01:18:03]Well, Dad, I'm home on a vacation, so I load your trouble. Take too long. Come on and get firsthand information, cuz you can learn more by attending this meeting with me than I can ever tell you. Come on, Breezy. Breezy kills are worth. This won't get you anything except a lot of trouble.

[01:18:34]Why do you have to do what they want you to? You've got to quit. We've got to get away from here.

[01:18:41]Every scent I've got is tied up in here.

[01:18:43]I don't care. I better be broken out of it. Away from them.

[01:18:58]When does this happen? It's happening in there now. And that's why this organization is going to be a big help to you gent. We're here to give you protection.

[01:19:09]That's what. And now you'll hear from your president, J. He'll tell you about the benefits to be received from this organization for the small initiation fee of one grand. Mr. BH Owens.

[01:19:36]Well, well, hello, Bron. Her flat. Sorry your little operation kept me from getting here sooner. Like I got here just in time.

[01:19:48]You're a friend of this man. Sure, Dad. Butch is always giving me presents.

[01:19:56]This is a closed meeting, Hilda. So, close the door as you go out. Now, just a minute, Owens. This concerns my boy as much as it does me. And before we join any protective association, we want to know what for. For protection, Mr. Kair, maybe your son can. Well, you can't get away out here. These seem to think this association will do them all good.

[01:20:19]Hence, so that's it, eh? Well, how's he going to get it? by patching gunning the little kids that get in his way about the men they knocked off by this man.

[01:20:41]Sure, they'll raise the price here, but you won't get it.

[01:20:56]All right, push. I can wait. Come on, Dad. The kind of an association you fellas want. You can have it. Wait a minute, Gildair. I'm going with you. Sit down, gents. You both better come back while the membership's open.

[01:21:15]There's only going to be price of beef in this county and no one but members of this association are going to get it. My father was in the cattle business long before he ever heard of you, Butch. And I guess we can get along without you now. Close the door from the outside. Getting kind of careless. But much ought to have been bulletproof.

[01:22:06]I mean, Mr. Kill there. I never thought I could feel this way about it. I'm not a copper out here.

[01:22:14]I heard what you said up there and I I want to be on your side if you let. Now you're talking. And having just stares, I understand why your father said that he couldn't help himself. Well, I'm going to help him.

[01:22:27]And you, if you'll let me.

[01:22:41]Come on. Not here. You s Another bunch of them cows down beyond the ban. I can just see them. Oh yeah. Well, get going.

[01:23:16]The thing is to keep them guessing how everything happened. Before we're through with them, they'll be willing to pay any price for protection. Better go.

[01:23:44]Here's where beef goes down.

[01:23:49]I play my best tune.

[01:23:58]Nice music, eh? Let's get out of here.

[01:24:23]Well, I'll be They just moved down some of your best fears. But Jones, I don't know who they had a machine gun cuz I can hear it. Larry, please come here. Hurry up.

[01:25:16]matter. Funny, Dad. You better stay here and watch the herd. Wall of you come out with us, boy.

[01:25:27]Join association now. Books will be full in no time.

[01:25:48]In case anyone asks you, I haven't left this building a day. Do you understand?

[01:25:53]Yeah, I understand. You've been here all day.

[01:25:58]And don't forget it. You may have to swear to it.

[01:26:36]What? Tell me you didn't In case your father forgets, you remember that we haven't left this building today. You understand?

[01:27:19]If you boys want to join my deers out there in the flat, reach for it. Line them up on the other side of the room and there.

[01:27:30]Where's Jones? He's uh Yeah, I know.

[01:27:33]been there all day. Yeah.

[01:27:39]Now you fell for a cloud and hang on to it.

[01:27:58]Who is it? Open that door. Remember what I tell you. You play with me, your old man, or another rap. Do you get that straight? Last chance.

[01:28:11]Too bad these coppers forget their manners. All was things in on people.

[01:28:17]Ain't got any respect even for ladies.

[01:28:20]I've got lots of respect for a lady. But I hate rats.

[01:28:51]Give it all. Come on, baby.

[01:28:57]Why, you couldn't hit the broad side of a barn with that cannon. You can't blunt me. No honor mean neither. Come on.

[01:29:48]Get up. Don't ever try that again.

[01:29:57]Too bad I had to break into your social activities, Butch. But you'll have 24 hours to finish them, because I'm giving you just that long to get out of town.

[01:30:06]You're what? This Cheyenne country isn't big enough to hold you and me. I'm staying. If you stay, you're on the spot.

[01:30:40]Well, you certainly fix things for me.

[01:30:43]Yes. And for your old man, too, if you double cross me and play along with that copper. And right now, he thinks you belong to me.

[01:30:58]Put it away. All right. You can pick them up. Maybe you don't believe it, Killer, but I want to thank you cuz you did what I haven't got the nerve to do.

[01:31:29]That's all right.

[01:31:34]Breathing.

[01:31:36]Breezy. You don't think that Butch Owens and I are What else would you want me to think?

[01:31:42]Sure. Your is You handed me a wallet when I saw you upstairs with Butch. This last one sure knocked some daylight into me.

[01:32:16]It made me made me realize that that you're okay. Forgive me, please. Let's forget we're out west.

[01:32:31]Let's picture back home in New York again. What do you say?

[01:32:37]You mean like it used to be before you became a copper and dad went away? You said it and you don't think that for Don't say it.

[01:32:55]Excuse me, but say, why don't you not before you enter?

[01:33:39]Hey Joe, set up another Huh? And make it snappy. The boss is saw honey. Take it up.

[01:33:59]Well, what's the next move? What are we going to do now? Well, what do you think? We're going to take Kildair for a ride. A nice long ride. going to put me on the spot. Well, by this time tomorrow, there'll be plenty of weeping around here. You can put your order in for flowers right now. What? Go 20 miles to Cheyenne for flowers. Oh, forget it.

[01:34:28]Just sap. Where's the typewriter? Oh, I left it downstairs. Well, get it as we go out. Come on.

[01:34:38]Butch is going after Breezy. What?

[01:34:40]They're going to take him for a ride.

[01:34:41]They'll do it. No, they won't. I'll tick them off, but the last thing I ever do, operator. Operator, will you answer? Now, you stay here and keep your mouth shut. If you don't, we'll fix him up when we come back.

[01:35:04]Get your typewriter, S. Come on.

[01:35:23]Butch did it, Dad. They said if we opened our mouth, they'd come back and get you. Oh, they did. Eh, well, they'll only get me once.

[01:35:39]Operator, they they don't answer. Oh, they must there must be someone there.

[01:35:44]Let me have it. Operator, please try again. There's no you. They don't. Maybe I could be pushed there.

[01:36:01]Not a chance. You'd have to pass him over the road to do that. I won't use the way I go.

[01:36:33]Yeah, they left in an automobile headed for Kilder's ranch. You got to move. All right, I'll council boys. You phone Pearson and Thomas know the numbers?

[01:36:44]Yeah, yeah, yeah, I know them.

[01:36:50]Okay. H, let me have 294. Hurry up, will you?

[01:37:02]I'm not worried about a few steers being shot. Freezy. I've been working all afternoon. You may have better work, Dad. But when you're playing with Butch Owens, you've got to work fast. I've got every cattleman in this country rounded up to go after Owens. You may have everything set to wipe ganglin out of the West, but it's easier said than done.

[01:37:23]Well, Wally, quick, get the boys. Bush and his mom are going to take Breezy for a ride.

[01:37:59]What a darn fool. What? He want to take a ride with that gang of crooks first.

[01:38:03]You don't understand. He won't come back for him.

[01:38:07]What? But just the same, Breezy. I tell you, I don't like everything's going to be all right.

[01:38:25]Get down. What? Give it to him. That was a close one. It's all right, Dad. They've gone, Dad.

[01:38:49]Dad, I'll pull out of it. All right.

[01:38:57]Sure. Sure you will, Dad. Phone for Dr. Ruth and don't leave until I get back. You come out with me.

[01:39:36]Carter got us word to get here quick.

[01:39:38]The Owens mob just left here. They got my dad. What? You men follow the road.

[01:39:45]We're going to take the shortcut and head them off the rock. Right. Come on in.

[01:40:20]transport.

[01:41:02]Get up in those rocks. It'll take dynamite to get us out of there.

[01:41:36]They're riding right into their range.

[01:41:40]Give me your rope. Now let them come.

[01:42:28]Give it to them. Not yet. They're not close enough.

[01:42:36]Wait till I get them right at the end of the barrel. It won't be long now.

[01:43:58]Get ready.

[01:44:34]So, you're tough, eh? You can dish it out, but you can't take it. Well, you're in a country now where you got to take it. Here's a little you gave to me.

[01:44:44]Don't ain't going to break it. I bet you don't. There's no lawyers here to pull a havius corpus, but there's a gang here that'll pull a rope. Get out.

[01:45:02]Give me a break. Sure, we'll give you a break. We'll give you a rope in a tree that ain't never been used before.

[01:45:47]Still yellow.

[01:45:49]Butch, you couldn't take it.

[01:46:08]Cheyenne from New York. Yep. Back to the big town.

[01:46:13]Now the dad's well again. There's nothing to keep me here. I wish it read the other way.

[01:46:28]You mean Broadway to Cheyenne? Uh-huh.

[01:46:33]Shuck, there's no sense going then alone. Uh-uh.