The Shooting (1966) exemplifies how revisionist Westerns use psychological tension and paranoia to subvert traditional genre conventions, as demonstrated through the film's minimalist storytelling, ambiguous character motivations, and the way suspicion transforms a simple journey into a psychological confrontation.
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🎬 The Shooting (1966) 4K | Psychological Western Masterpiece 🤠🔥 | Jack Nicholson Cult ClassicAdded:
Hold on.
Hey, WHO'S GOING TO ATTACK THIS DEAL? I'M TIRED as hell.
Damn.
Leland Drum, a good friend, shot dead by I don't know what, and buried in this spot by Coley Bullyard, his good friend in April.
HURRY.
>> Who is that down there?
>> Where is that? You calling Who?
>> GASHADE. GASHADE. WHAT'S THE MATTER WITH YOU? You step out. I can see if it's you.
You look that OVER THERE'S A PACK VIEW.
THAT'S FRASER. Ain't it? WELL, SO WHO COULD I BE?
Will it? He's crazy. That's right. It's me.
I will >> set up in the mine for two days. Spooked me crazy. Would have shot anything on two legs moving. Will except you. If I know it was you, I sure wouldn't. Never mind. Just tell me what you're telling me.
>> You should have been here. Will it go on thinking everyone's dead me next?
>> I pull up bever like I said, goalie.
>> Now become calm and tell me in a way I can understand. Where's Coin? Well, like I said, after you was gone, Bill and Coin decided to run into Winslow for the pleasure. Coin says, "Can I go?" He says, "No. Someone's got to watch over stores and things, so you stay, Coley."
Well, then they go off. Not coming back till next morning early.
>> I get weak by them pounding in like hell, Bent. Then I hear them talking mad and arguing. So, as I conclude, they are drunk. I mean to go back to sleep when your brother Coin tears inside you and grabs up his roll mad as I ever seen. I said, "What are you doing, Coin?" "Shut up," he says. "I am taking your horse."
He tears back out. Sure enough, I see him throw onto my shorty and dig out fast. Nurse stands Leland spitting in the dust, disgusted. "How come Coin rode off that away, Leland? He rode a man and a little person down in the streets of Winslow. Maybe it was a child," Leland says. "But did he kill him?" I ask. He's not for sure, but he ain't waiting to find out. And now he's running.
Oh, I hate to hear it, I says. And I crawls back into sleep, assuming Leland done the same.
But damn, if I don't get wake again, Leland's voice I hear, and I don't know who's thinking it's your brother, I open up the flap and look out at Leland drinking coffee. I can't see nothing else. So I ask, "Who you talking to, Leland?" He looks like he's making an answer or to take a mouth of coffee when just like that his face all spitters out spilling in his coffee and all over his cell when none of his face left on will it reckon someone come to settle with coin and a kind of what happened in Winslow and got Leland instead figuring out next I jump back inside scared white give me the whips and jingles so bad will I can't hear catch control myself.
>> Is that the whole way of it, Coley?
>> I believe my mind's all unsatisfied with it.
>> I don't know. See me like if Leland had been involved with the event in Weslo, he'd have wrote off too, wouldn't he?
Like the way you told me coin D.
>> Run a man and a little person down.
That's all he said. Maybe it was a child.
>> Just sitting there getting killed away.
I got no understanding of it at all.
It's a terrible thing.
Give me all your gun.
>> What you want it for?
>> I might be going to need it. So just give it to me.
>> No, I might be just needing it, too. I I don't know. All these happenings.
>> I hate to tell you all why I look like you are, but I've been trailing most the way here, but I don't know who.
>> Where's your own gun? Go and use your own gun.
>> Well, that plainly ain't there. I wouldn't be asking you now, would I?
>> No, sir. No, not with trouble on the way.
>> I'm tired, Coley.
>> That can't give me no sleep. Thought you'd give it to me.
>> What about me?
Sorry, you'll be dependent on me.
Whereas it wouldn't have worked out the other way around.
Well, here I see it.
Just keep an ear, Coley.
>> Sure. Them with a gun can sleep. Zoe ain't been honking night sound, so I can't tell a twit from a twig. Shoot.
I'm as tired as you ever bit.
Will it Hey, Will.
I'm dependent on you. Okay.
Lord, mighty, I'm so hungry I could chop off my own arm.
I wouldn't sit there, Will.
That's right where he was at. Right like you're sitting drinking coffee. Gone stole them stores in the tent. [ __ ] Maybe. Maybe could have been your imagination.
How will you You think? Do like I say.
>> Oh shoot.
I always got a beat on him.
You're going to be a bunch of ugly work, I'll tell you. Just a one hand.
One more thing ain't to my liking.
Oh, Bill, you can have my saddle.
GEORGE, YOU CAN TAKE MY BED.
Can I >> Something's coming. Boys.
Hey, remember Will at How Lean used to sing that song? Remember?
All boys think upon me kindly AS YOU GAZE UPON MY FRIENDS.
YES, SIR.
>> HEY, you crazy. YOU CRAZY. DON'T STAND THAT KID.
Come on, Marty. What's coming?
Go. Will it cover yourself? I AIN'T GOT NO GUN. REMEMBER? I'm not going to be dependent on you. STAND OUT IN THE SKY LIKE THAT.
>> SHUT UP.
>> I SEE SOMETHING. SOMETHING'S COMING.
>> From where?
>> Straight ahead. A BIT TO THE RIGHT.
GET UP HERE, WILL. WHILE THERE'S STILL TIME.
>> JUST ONE.
>> I can't see.
Yeah. Yeah. One.
>> All right, Coley. Get quiet now.
Duck back down. Don't say nothing at all.
It's a woman.
Will you look? Will you just look at that?
>> I'd be grateful if you'd sell me one of your horses.
>> You didn't arrive all to hear a foot.
>> My horse stumbled and broke a leg. I shot him. I'll pay you well for a good horse and for some shelter. And if you would help me please, I need to get my things off my horse.
>> Well, I sure be glad to, ma'am. Wouldn't we will. No trouble at all.
>> I'd like the brown one.
>> The bay?
>> Oh, well, that bay there is Will's. His.
I mean, ma'am, >> I like that one. The main thing is I believe will he does too.
>> I like the brown one.
>> I won't give you that black over there, miss. He belongs to dead man. So you don't have to pay for him.
Coley fetch Leland's pony out just a bridal.
>> What about coins, Will?
>> He looks sto up.
Ellen, I don't want to be stuck with him.
>> Are you looking at me, Mr. Gashade?
>> How do you come by that name?
>> I hear you're a bounty hunter, Mr. Gashade.
>> I wouldn't name myself as that.
>> No, >> was just a way of making wages once.
>> And now >> mining suits me just.
>> Well, you look less than prosperous at it.
How much would you ask to take me across the Seisio to Kingsley?
>> I ain't asking.
>> I told you I'd pay you very well.
>> And I said I'm doing just fine.
>> Look at me, Mr. Gashade.
Without perishing from the tricks of my own mind, how could I possibly get to Kingsley on my own?
>> Well, I ain't the only one who knows the way then. But it's you I'm asking.
>> Please think about it.
>> That's just what I'm doing.
Real nice pony you out here, miss.
Looks to me like you're running to death, though.
Good pony like this hard to come by.
What'd you shoot him for?
>> There ain't a broke or unsound bone in his body.
>> I'll give you 500 now and 500 when we get there.
>> How long would it take? Two weeks?
Three? How much gold could you dig out of this mine in three weeks, Mr. Gashade?
>> Three weeks.
Let me figure. All I'd say being it's a pretty dead hole. Why? Uh, well, it wouldn't be a hell of a much.
Would you say, Will? Yeah, I'd done the best I could for old Lee. By the time I got out my gun to help he was already dead. And what would Will's brother run off? Well, there was only me to do the best I know how. for all drum.
>> It isn't April.
>> What's that?
>> It's March.
>> Oh, his good friend in March.
>> She don't like me much.
>> I don't know.
>> Sure holds out good wages, though.
>> Yep.
But for what she don't say. Take her to Kingsley. She say we'll see.
>> We're going.
>> I don't know.
>> What will?
>> Well, if Coen got in bad, he went and harmmed someone or killed someone.
>> A man and a little person.
>> I'm wondering why nobody's come out here looking after him.
>> Maybe it was a child.
Ma'am, I got a >> water is not clean.
In fact, it's stagnant. Oh, >> please.
>> Oh, hold on.
>> Frogs breed in this water.
>> Not frogs.
>> Well, what then?
>> Oh, other things here.
>> I'm sorry.
>> Well, what is that?
>> Well, it's all I could find. Some type of snakes are known to take a robin in that water.
>> And this water?
>> Oh, yeah. And uh people been known to swallow one of their little eggs and it'll hatch out inside them without knowing it until it's too late.
>> What do you mean too late?
>> Well, suppose it was a poison snake and it hatch out hungry as they do. Well, what's it going to eat but the nearest thing to it? And that's you.
>> Not me because I didn't swallow any of it.
>> Well, you're lucky then. Say ma'am.
Ma'am, uh, I've been considering and, uh, I got an offer to make. Say, ma'am.
>> Yes.
>> I'll take you up to Kingsley like you asked, but now Coley here is going to have to go along with me. And that's why I'm asking $1,000.
Suppose I can pay him, too.
Then there's that five you mentioned when I get you there.
That's it. It's my offer.
All right.
Not fine, but all right.
>> Let's get started.
>> Take it, Joey.
>> No, you take it, Mr. Dashade.
I'm ready to go.
>> We'll go tomorrow.
>> Now?
>> Morning always makes a good start.
>> Would you like to go with me now?
me.
>> Well, sure.
>> Coley, >> take up the bunny then.
>> Coley, >> go on.
>> Coley, >> what? Well, >> back the mule.
>> No mule. I do not intend to be held back by any mule.
>> Rain doesn't hold you back like no fiddles, ma'am.
>> No mule.
Do you know Cross Tree?
>> I do.
>> Well, for there, please.
>> Cross Tree Ain't Kingsley.
>> Never mind. First Cross Tree.
>> Out of the way.
>> By how much?
>> 20 25 miles.
>> Which way?
>> Well, we'll have to go faster then.
Yes, sir. You run on four now, you walk on two later.
>> Frank, call it Look at that splain glanded spamming windb broke damn troop naked gold stumbling corn stuck me with taken short of what was the sound of a nickel hell.
You can't haul no PALE PINK RATTY WIDE DEVIL MULE BEHIND NO HORSES AIN'T GOT THE STRENGTH to switch flies.
No kidding.
This ain't no fun.
Howdy, miss.
We're stopping, I guess.
She saw again pack the grub out of those muse. Let's eat.
>> You could try and be a little more pleasant.
Is that me? Tether and Tony, you sure have a pretty way.
>> I surely don't ask that you be fond of me.
>> Enu fond of me.
Surely fond of me.
Hold it.
>> Not even snake water could be more poisonous than this coffee.
>> Ma'am, uh, do you think that maybe I could call you by your name or something? I mean, of course, uh, miss this or that, you know, and respectful till you knew me better.
>> All right, you just tell me what is your most favorite name.
>> Well, uh, my most favorite name.
>> Let's see. My most favorite name is Glory. Sure is hard to think of a lady type name. Let's see. Uh well uh yeah, there's my mama's name. Know that one. But now I never did call her that though. You know, just mama.
>> That's all right, Coley. You just tell me what was it.
>> Let's see. Uh my daddy call her by uh Hortensia.
>> Well, don't ever call me that.
>> Well, ma'am, just could you tell me what though? H.
She's been japing you, can't you? Since I quit with her before you get trumped on a >> Didn't you hear what you say, Will?
She called me Boli.
She say that's all right. Coley Boyard, his good friend. And I don't know, something's been scratched off.
>> Looks to me like somebody settled with one of them. Yeah, it looked like you're going to want to find out.
>> Well, it don't matter. What about the other one? Will be anywhere?
>> Well, it might be they're just trying to throw us off with this here grave.
>> Well, then I'm thrilled. You mean we ain't following?
>> Hell, I got my duties.
>> How satisfying, >> man? You ain't sleepy.
Come on, let's get started.
>> Where's the mu?
>> I told you to tether the mu.
>> I did, will anywhere?
>> I did, will. I have them right over here. I swear.
See, this is what I catch on.
>> Well, somebody just went and none attached to him.
>> Will you please help me?
I wouldn't do that by you, ma'am.
Fraser's laying back his ears. He just likely let fly.
>> Exquisite.
>> Cursed hellish son. Well, >> blow on your wrist. Oh, shut up.
>> You mind telling me why we're going to cross street? We're going to cross tree, huh? What for? Will it fresh horses?
Huh?
>> That's right. Fresh horses.
>> So long, old funeral.
March.
Get two horses and as much storage as you can pack on behind the three of them.
>> And no Mew, >> no Mew.
>> Only two ponies, Will. How about old Fraser?
>> He's sound. Only two.
>> Wait, Will. See, could I have me a little that money for myself?
>> What for?
>> Oh, shoot. Nothing. Just so I could, you know, get me some doofies. Hell, something.
>> You just get them horses back and uh get yourself a gun.
You just come from over there and seen this friend of mine. Did you? A woman?
Uh, well, that's all right. Uh, I'm traveling right along with her. What's her name? Uh, so Yay.
Huh? Hold on here.
Now listen here. You tell me who she is and what she's doing over there. I'll break you in half.
I'll give you a paper.
>> What do you mean a paper?
>> Writing a letter.
Do you read?
Uh, who gave it to you?
>> Bear.
>> Bear.
>> Bear man. You a bearded man? That's all.
No name.
>> Bear man.
Where'd he go?
Poor sorry sight you are. Hey piece of candy shorty.
Is that shorty?
I will look who this is.
My old shorty all done with a real bad crackfoot.
coin been here.
>> Where's he at? You ask.
>> He ruined him. Traded him off.
Man's going to get rid of him, he says.
Cuz he ain't no use.
>> Well, what did he tell you of Coin?
>> Yeah, it's just nothing.
Coin come here a while back. He just left a couple days ago. The man don't know where his neither cuz I asked him all them kind of things. They don't know nothing about it. Just sold him a horse.
Even poor old shorty.
Hey, Will.
>> What's he running from?
>> Well, he wasn't running. The man didn't say he was. Hey, Will.
Could you give me $50?
>> I want this one. Change my saddle over to this one.
>> Right off.
>> What do you want 50 for?
>> Oh, you know.
So he won't.
>> Well, sooner or later, Cody, >> what's $50, Will? So, let him stand and eat till I get back.
>> I'd like to be asked my preference first.
>> Mr. Cashache, >> you want a piece of candy roll?
>> Now you begin to earn your pay.
>> Kingsley, >> we'll see.
plan to shoot a bit.
>> What if I just up and pull out, eat the money?
>> Unless I know right here and now what you're after.
>> You're not the only one who knows the way.
You looking for something in there?
Day and a half near two days old.
You sure are getting good at that, ma'am.
>> So are you, Cohen?
>> Me?
>> So is Mr. Dash.
>> We're making time.
>> WHY ARE WE ALL THE TIME HURRYING? WHAT?
WHAT'S THE PLEASURE? I'M THE ONE GETTING ALL THE DUST.
And my horse, >> I hear your name, I wouldn't know Would I?
>> No.
>> I don't give a damn.
>> I don't see no point.
>> As long as there isn't any.
>> What's that?
>> Oh, I heard you in the holler. I'm just singing. It's all right. Coley >> had done real well. Now the boss said, "Boy, go and get the >> sure you don't want to lie down."
>> How's the trail?
>> Pretty cold, >> but you'll pick it up.
>> That's what I was supposed to do, ain't it?
>> Not if you're a gold miner, Mr. Gay.
Oh, in the herd and the boss said kill it. So I shot him in the rope with a handle.
Will it go on?
Yes, sir. Damn.
>> Might you some folk, huh?
>> Maybe. So, maybe so he sees us too. You think?
>> Oh, yeah. EC.
What is it?
>> Try expressing it a bit.
Trail breaks off here and heads that way.
Too bad.
>> Wait, where are you going?
>> Kingsley.
>> Oh, follow that.
>> Well, it looked to me like missed dead endio.
That's bad enough. We got to cross part of it to get to Kingsley.
You won't get there that way at all.
>> Then why would someone want to go this way?
>> To get themselves lost is the only reason outside ignorance that I can give.
>> We'll follow it, Mr. Garage.
>> Hell, I don't see nothing. What are we following anyhow?
You think you know who lay down this trail better than I do, miss?
>> How do you know it's going to show up?
What you after?
>> I just can see you. You know, all up in them go darn pretty floods.
>> Hold your horse.
What's this shooting all the time?
You're trying to tell someone where we at. Ain't that so?
>> You're so stupid.
>> You going to tell me what this is all about?
>> I hate you.
>> She just practicing, Will.
What's the matter with you, miss? You got something wrong?
>> She look like sick. Will, >> who got me?
>> That rider back there. Who is he? He's a follower after us.
>> I don't part Will. Can't you see? Oh, now what could you done, miss?
>> She's Walter.
>> Let me help you down all.
>> Say, stop groping at me.
>> Well, you slipping.
>> I'm not.
>> It's just an excuse to touch me.
>> Will you stop staring at me? Get back up on your horse. Mr. Gashade, >> you're feeling that bad, miss? Maybe you ought to light down.
>> How much sun's left?
>> An hour, maybe.
Well, we're keeping on the dark, I guess.
>> You don't like her much, Will, do you?
>> She ain't shown me nothing to like.
>> But you're going along with it then, cuz she's pretty.
>> Hell, pretty ain't nothing. In a pleasure, you're nothing but the eye. Why? Coral snake its ring pretty in a rainbow, but it's got a real mean way of painting is a fact.
>> Well, I'm glad then you ain't crazy after her.
>> No, it's just a feeling I got to see through. Just that.
>> The reason being cuz I am. And I wouldn't want us getting touchy over Miss.
>> Well, you just try and forget about her, Coley.
Because she's got other interest than you.
>> Saying what, Will?
Saying I pretty much believe she means to kill someone.
Can you please help me?
>> Would it be too much to expect that you might have some tea?
>> Tea? I got tea.
Tea? How about that? Ask her if she want a colder and a spoon.
>> I've seen and got a special tea. Special tea.
Tea.
Look.
Leilings cut black comfort tea foresight. R I sweet.
What are you working on him for?
>> He's easier than you.
>> He don't see what I see.
>> Maybe he's the more useful to me.
>> You think that he's going to be able to lead you on his trail in his plesio?
Huh?
>> If you won't, maybe.
>> Maybe nothing, miss. He may go planting after you like a little doggy, but he can't lead you nowhere.
>> Well, he can't stop me either.
>> Now, leave me alone and let me sleep.
>> That's how I done.
>> Give me that disgustingly stupid.
>> What's the matter? He wouldn't give the wrong signal for you this time.
What it mean? Huh?
Come in or stay off?
>> Who's out there?
>> Who is it?
No, please don't put your hand anywhere near your gun. He can see you.
Who the hell is out there?
Billy Spear.
What's the trouble?
>> Nothing, Billy.
It was a mistake.
>> A mistake?
He that one we seen way back ain't he?
>> What you want with him?
>> He did something.
See how she looked like him?
>> Hell, I don't see that. He's about as unfriendlike a thing as I ever seen.
>> No, sir. I don't like him.
>> Well, I hope you're going to keep that to yourself, Cody.
>> Why should I? What do I care?
>> For the reason being out there is a higher gun if ever I seen one.
And I don't want you to do nothing to put yourself in the way of it. Okay.
>> Well, if you say okay.
Shoot. Real strong and the pretty a way he got himself up.
What's that you got there?
>> I just a game. You're supposed to get them little buck shot in the fell's eyes. See the same into his mouth. It's real hard to do. I ain't been able to yet.
This is Billy Spear.
>> He wasn't to join us until later, but now it doesn't matter. He's here. He'll be going on with us.
>> That figures, >> Mr. Gashade, but does that figure us now as three or as four? Well, let me see.
Whatever you brought him along for, one thing it ain't is for fallen side. Or you wouldn't had to shoot up half the countryside to get him here.
So, figuring it that way. I ain't displaced and I'm still earning my pay.
>> Well, hey, you got them in every one of them. How about that?
>> Hey, I got another one, too, but with a niggorous face. You want to try?
>> Good. Then I hope we'll make an effort now to all try and get along.
>> So we'll get started say in 3 hours.
>> Say sun up.
>> Hey, look, miss. There's one of them pretty little blue jay birds. Make a wish. A true sign of good luck.
How's that, silly spear?
>> Real sharp. Poor draw.
These are the last trees you going to see for a while. So, if you're planning to shoot anything else up, then Yes, sir.
These here appear to be as fresh as yesterday's, miss. And there ain't no hurry to them. Like they don't think they're being followed, and they don't care.
>> It shouldn't take us too much longer to catch up to them, should it?
>> Yeah, miss. I say they. The one we've been following got joined a little ways back by another. These tracks is made by two horses.
>> Two men.
Let's go.
>> Hold on, miss.
>> Leave me alone, Gashade. And I can see the trail easily. I don't even need you.
>> Billy.
Hey, you got no wipes here. You can use mine.
Hold on.
Hold out.
>> You can feel that, can't you? That horse going lame.
No. No. That ain't going to make no difference to the horse. It's going to make a difference to you, that's all. Be it's your grub you're tossing off, not mine.
You're well to instruct everything. even yourself.
Quit with that.
I say something to you.
I don't give a curly hair, yellow beard, double dog damn if you did.
I'm going to blow your face off.
She w up on old Frasier. She going to be pretty nasty for him.
>> You want to walk?
>> No, but hell, why wouldn't she get on behind me?
>> If you don't shake your mind loose at her, I got no respect for you. Damn it.
You don't remember her near shooting your head off?
What?
>> I got a funny feeling. I don't even know if to say or not.
>> Well, don't then. Just try shutting up.
Damn it. I don't want to lose this horse.
>> Okay. Okay. Well, I'm likely just spooking again anyhow.
>> Triple them wages and triple them again.
I ain't going that far. And you just move to me one more time about her and I'm going to knock you down without a word.
>> I wasn't talking about her.
>> Well, you went and give up your horse, too. So easy. It makes me sick. And here you are now. burden of mine.
>> I'm sorry, Willlet.
>> Well, just shut up. I can't take no more of you. No, sir. For all the dirty, rotten, galling hate about things, it ought never above the ground, be called a woman. No, sir.
>> I've lost it. Will you please go ahead now?
>> Take on Coley then.
Right down and change the damn packs.
>> No, you take him.
>> You want to ride with me, boy?
Leave him.
You better be jing.
>> I ain't.
>> Mr. Gashade, it's not a bad idea.
We'll make better time and then we can come back for him.
You need this pack, Coley.
Take it off.
>> Will. It's all right. You ain't staying.
>> You see? You see, just this minute, he's taking up time.
I have to insist that he stays.
>> Come on, you get back up here, Coy.
He'll ride you just fine.
You see the way of it, Coley?
You'll be all right here. You just bite it easy.
I'll come back for you.
>> How long you think that'll be, Will?
Bring me over the guns, boy.
Not long.
They ain't got left but one sack of grub.
Ain't no way of knowing it. I ain't going to lead them straight into hell.
move on.
Goalie, find some shade.
Oh, we're waiting, miss.
Could I get my things out of there?
Oh, I almost forgot.
Thank you, Chloe.
>> It's all right.
>> See y'all later, I guess.
>> You want to ride with me, boy?
>> Okay. I'd soon not get left behind here like this.
How'd you like the way I done Leland drums? Like I say, I'll blow it off the first word out. Go sit down over there.
And think on this.
As far as your voice going, Carrie, ain't too far for me to turn right round and hit you in the eye.
Your brain going to fry out here. You know that.
All right.
It's easier to stay behind.
>> If I let you go, too. Would you go?
>> Do you hear what I'm saying?
>> I could have left anytime.
>> I'm talking about now.
>> I got my reasons for staying.
>> Reasons.
There ain't going to be no kill.
>> The reason Mr. Gashade for a hunt is the kill.
>> Are you talking to me?
>> No. Billy >> feel like you was.
>> It was just myself.
I've read a person's thoughts.
>> Many times.
>> You never take those off, do you?
>> He talking to me?
>> Not even with a woman.
>> What do you have to say?
He knows why you're here.
I wouldn't worry after your friend. You know, he's got a real relaxing time compared to us.
>> No, that's right. No worries. He's where I want him. Back there. Clear and safe for you.
Look at that.
>> Wait, I'll go first now. Billy, keep him back away.
Who is he?
That's Kirk.
You know him?
She paying you good for this.
>> Good as you.
>> Twice as much wouldn't buy you off.
>> Yeah. I figured you'd likely do it for nothing.
>> Nearly nothing.
>> What for?
For her?
What does she mean to you?
>> She liked me.
>> You know anything about her? Her name even ask her.
What lies in that direction?
>> More the same.
>> No, but beyond that >> Kingsley, >> you're right. Kingsley Gashade, not hell.
>> What about him? He don't interest you?
>> No, not now. His leg's broken.
>> Who is he?
>> Just a friend.
>> Friend, huh? Like me and him? Yes, like you and Billy.
>> Where's his horse? I don't see no horse.
>> He must have wandered away. You thinking of Coley?
>> Yeah, he could have used it. You being you're leaving that poor Jay laying out there staring up at the sun.
>> I left him some water.
>> Well, ain't that something?
>> Why'd you just shoot him?
Billy, did you ever leave behind a friend?
>> I never did have one.
>> How about you, Willlet?
>> It's different.
>> He's better off where he's at.
when >> this Mornings.
>> Let's eat him.
>> No, Billy.
>> You don't want any?
>> It's candy.
It's all I got to give. I'm sorry.
Don't mention it. And I'm real sorry, too. I can't help you none. Being as I got to catch him as fast as I can.
Yanderly that way, you say.
Oh. Oh, sure. I I'll be back for you, me and Will. I hate to leave you laying, you know.
Well, say here, you take one of these two. Which one you like, Dannon?
I'm surprised most people wouldn't have chose at him.
Huh? What?
I said it's all gone.
Quit with that. I don't like that what you're doing.
This horse is going.
So is his.
How long to catch up? It depends on who's going to last. Him or you Good night.
Wow, I'm back.
Yep.
Heat.
Don't do it.
Why did you do that?
>> He draw on me first. He was going to shoot. Ask him.
>> It's too bad.
But he should have stayed behind.
>> He didn't like me. That's why you should have known to not draw on me.
>> What are you doing?
I know that feeling, gashade.
I've carried the burden of it longer than you.
That would be your final foolishness, you know.
You hate me too.
Get down.
>> Falling. He's falling.
>> Can you see him?
>> Making for that ride.
Shoot him.
COME BACK AND SHOOT HIM.
BLOW UP. DAMN IT.
REMEMBER, I GOT THE WATER. DON'T forget Heat. Heat.
Heat. Heat.
Down.
Down.
Coin
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