IN PLAIN SIGHT !! | Criminal Minds Episode 4 Reaction

Added: 2026-05-05

[00:00:00]Hey, how you doing, beautiful? You wearing your pajama pants, your comfy home clothes, watching me at work being a little bofish. Putting me on your second monitor for the vibes. Put me on the television screen on your mobile device. How's it going?

[00:00:19]How you doing y'all? Welcome back. We're here with more of Criminal Minds. I've been loving this show so far. I'm so excited to see what we get into next because Gideon's my number one rage baiter and I'm so down to see what he gets into this time. So, hit that like button, subscribe button, leave a comment down below to feed the algorithm quads. Check us out over on Patreon for early access to reactions unfiltered, uncensored, uncut for only $5 a month.

[00:00:43]But hey, no pressure. It's only if you want to support the channel a little bit extra. Anyways, let's get into it. Code word for today's know you did not skip this intro is um cough. I had to cough so bad during that entire intro and I tried so hard to hold it until the end and I whatever cough. Let's get into it.

[00:01:03]>> Yeah.

[00:01:06]>> Oh, we're doing that stair thingy. The little step stool thing. Yeah, that thing.

[00:01:10]>> Oh my god. My mom had one of these every morning.

[00:01:14]>> It drove me crazy.

[00:01:14]>> Every woman got one of these.

[00:01:19]Oh my. Exactly like that. Oh god. Same color and everything.

[00:01:23]>> Uh-oh. That window is open. Oh, someone's coming through that for sure.

[00:01:25]Dog. Someone is coming through that for I don't like it. I don't like it.

[00:01:31]Nope.

[00:01:32]>> Oh god.

[00:01:33]>> Nope. I don't like it. I don't like it.

[00:01:34]It's a beautiful kitchen. That is a gorgeous kitchen. Did you see that? The wrap around and the island in the middle.

[00:01:42]>> Yeah. I mean, I personally would have gone for a darker color on the cabinets, but that's just me.

[00:01:46]>> Oh. I don't mind because we have the dark marble on the countertop and I don't expect Oh, >> yeah. But like a a nice like redder cherry like >> Oh. Oh, look a cherry. Oh, you know what? You're so right. Oh, so much this dining this dining room table. Actually, you need more of like a little bit more of a red finish on it, though. But yeah, cherrywood is is such an excellent It's such a nice deep color. Yeah.

[00:02:05]>> Yeah. I'd be loving it, >> bro. This shit's so ominous.

[00:02:12]>> Oh, she's like getting living her best life. This is so [ __ ] up. Hey yo, behind you.

[00:02:18]>> Oh, the mirror shot. The mirror shot.

[00:02:21]>> Oh, never mind. They didn't use the mirror. They did not use the mirror.

[00:02:28]>> Their camera shots are insane.

[00:02:30]>> Yeah, >> like the transitions.

[00:02:32]>> Oh god.

[00:02:34]>> Oh Jesus.

[00:02:35]>> Just left the body. Already murdered and left the body. Okay.

[00:02:38]>> And left a [ __ ] note on the mirror.

[00:02:40]>> Yeah. Wonder what that says.

[00:02:42]>> Oh, it's so sad.

[00:02:43]>> Jesus.

[00:02:44]>> Oh. Those are those the prank candles or Oh, no. He just can't pull the boat. Oh, I I think I think it's I think it's the prank candles.

[00:02:50]>> They're going to come back.

[00:02:51]>> Yeah. Okay. Yeah.

[00:02:52]>> No, keep going. Keep going.

[00:02:55]>> Know by 50.

[00:02:56]>> Hope you like chocolate.

[00:02:58]>> That's what I'd be saying to men, you know. I hope you like chocolate.

[00:03:03]>> Definitely having fun.

[00:03:04]>> Make a wish.

[00:03:05]>> Can I take this hat off?

[00:03:06]>> I wouldn't.

[00:03:08]>> Yeah, keep the hat on.

[00:03:10]>> I'll be honest. I would [ __ ] rock that hat if I got one on my birthday.

[00:03:13]Say [ __ ] less. I have one.

[00:03:18]>> Okay. Yeah. Well, good luck. You got 360 days.

[00:03:22]>> I know your birthday just passed, but I'm hoping to that [ __ ] >> Oh, are you going to come down for Christmas?

[00:03:30]>> For Christmas?

[00:03:31]>> Yeah. KMA?

[00:03:32]>> KMA. I mean, it's probably the only time I could get off.

[00:03:35]>> Yeah. And I could get you I can make you a nice Christmas chapo hat.

[00:03:41]>> I'm going be honest, dude. I'm like the low-key the biggest Christmas hater. I don't think you want me.

[00:03:46]>> Okay, you are. Sure, that's fine. But I make amazing Christmas cookies and desserts and dectibles and you get to be the byproduct of that. So, >> we just went over I'm anorexic now. I don't I can't eat that stuff.

[00:04:01]>> Okay, ED aside, >> I'm joking. I'm I'm joking. I'm joking.

[00:04:04]I'm joking.

[00:04:05]We take ED seriously here on the channel, but I mean, you do have you do have definitely an eating disorder of some sort going on, but we we won't go into that. Anyway, anyway, anyway, >> anyway, Christmas cookies.

[00:04:18]>> Christmas cookies. Aunt ate two days ago, by the way. Any um >> I ate a But I ate so much.

[00:04:25]>> That's like That's actually So, you know what? Nope.

[00:04:28]>> I didn't even off recording. Off recording. I'm off.

[00:04:31]>> Separate conversation. Separate conversation.

[00:04:32]>> We were talking about it prior and we're Yep. Nope. All right.

[00:04:36]This is why we make a lot of dark jokes because it reflects our own lives.

[00:04:39]Yippee.

[00:04:40]Yippee.

[00:04:42]Anyway.

[00:04:43]>> Anyways, Christmas.

[00:04:44]>> Christmas. Yes. So, I give you a fancy hat.

[00:04:46]>> Thoughts? And if you ever pout, I'm taking a picture of you in the hat pouting.

[00:04:51]>> That's fine. Just don't put that picture on the internet.

[00:04:53]>> Oh, no. That's fine. I'll probably frame it in my house.

[00:04:57]>> Wait, do you have a piano?

[00:04:59]>> Um, >> we did in the house. I don't know if the owners took it or not.

[00:05:06]>> I would have I would have enough time to learn a Christmas song on the piano.

[00:05:11]>> That'd be wonderful.

[00:05:12]>> I could flex I could flex on the hose.

[00:05:15]The hose being the hose being Richard, of course.

[00:05:17]>> The hose being the hose being my fiance.

[00:05:20]Thank you. Thank you.

[00:05:24]Okay, I went back so we could actually hear what they're saying when they walk in.

[00:05:27]>> Party's over.

[00:05:28]>> Oh man, >> they're calling him the Tommy Killer.

[00:05:30]Six women raped and murdered in their homes in the last 3 weeks.

[00:05:33]>> Jeez. Oh Jesus.

[00:05:35]>> It's not Christmas themed.

[00:05:37]>> Rapid escalation. You think he's regressing to a psychopathic frenzy?

[00:05:40]>> No. He's too controlled for that.

[00:05:42]>> Diego.

[00:05:43]>> You know the rock opera. All of the sun blues his victim's eyes wide open.

[00:05:47]>> Oh.

[00:05:47]>> Oh god.

[00:05:48]>> Oh, that's why her Oh no. They were >> Oh [ __ ] >> Wait. What was written on that mirror?

[00:05:55]>> And feel them.

[00:05:57]>> Oh [ __ ] >> Oh. Oh.

[00:05:59]>> Oh. Okay.

[00:06:00]>> Oh, got the heebie-jebies from that man.

[00:06:03]>> I'm going to keep bringing up Christmas plans during this because that made me deeply uncomfortable.

[00:06:10]>> That my role is limited to being the one who looks in the mirror.

[00:06:13]>> Oh, that's what he said.

[00:06:14]>> Brenda Sams was found yesterday by her children when they got home from school.

[00:06:18]>> Oh, that's horrible.

[00:06:19]>> Possibly a wire.

[00:06:20]>> No weapon left the scene.

[00:06:22]>> He also started leaving messages at the fourth scene. Uh, this was on the mirrors. Fair lady, throw those costly robes aside. No longer may you glory in your pride.

[00:06:31]>> I've come to summon you away this night.

[00:06:34]Uh it's a ballad from the late 1600s.

[00:06:36]>> Or you just randomly know that.

[00:06:38]>> Yeah. Essentially a woman begging death to live. You should see what comes in when you type the word death into a search engine.

[00:06:44]>> Reed, no wonder you can't get a date.

[00:06:45]>> Hey, >> again, it's one of those situations where Morgan is such a massive dick, but I also but he's also like has his good likable moments. It's very strange, you know?

[00:06:56]>> Low blow, man.

[00:06:57]>> Yeah. Like what?

[00:06:59]>> He can't get he can do for plenty of reasons.

[00:07:01]>> Yeah. And I'm sorry. What did you say?

[00:07:03]>> What?

[00:07:09]>> That threw me off so much.

[00:07:12]>> The eyes are the thing, the signature, but necessary for the emotional release.

[00:07:16]That's what he's there for.

[00:07:17]>> Yeah, that's right. People used to write poems about talking to death.

[00:07:19]>> Balance.

[00:07:20]>> Whatever.

[00:07:20]>> You think they'll ever run out of new things to do to their victims?

[00:07:23]>> That was that was actually a redundancy for him to say poems. I mean for I have to say ballads after because poems ballads are poems. So it's encompassing.

[00:07:32]You don't even need to specify a subcategory. So >> wait what? Wait what?

[00:07:36]>> Ballads are poems. So him specifying ballads is just unnecessary. It's a redundancy because he already said poems.

[00:07:44]>> I think he's trying to but I think he's trying to clarify that it is like a specific type of poem.

[00:07:48]>> Yeah. But there's also high views about it and those are also you know and limicks if we really want to go there.

[00:07:54]Right. Like it's I don't think you need to specify particular unless we're talking about specific weather being mentioned.

[00:08:00]>> He needs to specify.

[00:08:01]>> No you.

[00:08:04]>> No you.

[00:08:05]>> No you.

[00:08:08]Oh, she's got her apron on and she's grabbing fresh lemons.

[00:08:13]Man, these women are all very wealthy, huh?

[00:08:15]>> No, I think this was actually just the middle class in the early 2000s.

[00:08:18]>> Oh, [ __ ] man. The housing economy. Oh, Jesus. To me, that's like opulence, you know? That's that's that's a wretched [ __ ] for real.

[00:08:26]>> I'm special agent Hotcha. This is agent Jerro, our leazison.

[00:08:28]>> I appreciate you coming out.

[00:08:30]>> Thanks. Hope we can help.

[00:08:30]>> Oh yeah, they all just got straight to work. Yep.

[00:08:39]>> This is getting I'm getting I'm getting like severely sad, man.

[00:08:42]>> I don't like the way they're doing that.

[00:08:44]Like he's evil, man. Like we get it.

[00:08:46]>> We get it. He's evil. Like [ __ ] >> My name is Death. Have you not heard of me?

[00:08:51]>> Are they all parents? So, I guess that could be like a connecting factor of some kind.

[00:08:54]>> Yeah, there I mean if the killer got mommy issues, the yo, who would I suspected, you know?

[00:09:02]>> Imagine having mommy issues losers.

[00:09:05]>> Couldn't be you, right? Couldn't be you, dog.

[00:09:07]>> Yeah. No, would never be me.

[00:09:09]>> Mommy issues to be found.

[00:09:10]>> Conversations between death and his victims was a fairly popular literary and artistic theme throughout the Renaissance.

[00:09:17]>> She going to suck his dick, huh?

[00:09:19]Yeah, they definitely go [ __ ] in the office at some point. I can tell.

[00:09:23]>> That's crazy.

[00:09:26]>> Strikes during the day in upper middle class neighborhoods.

[00:09:28]>> And then and then after and then at some point, okay, I'mma call it quarter pocket. You ready? She going to ride that dangling, right? And at some point, Morgan going to tease Reed being like, "Oh, you a verge. Oh, this is why you can't get a date." And then she going to be like, "Yeah, but he had this good [ __ ] last night." You know that kind of moment.

[00:09:48]Yeah, you there.

[00:09:50]>> It's just No, no. I mean, you might be cooking, but this is like our dynamic is very weird. This is like a conversation I would expect to be having when I was like 17 in a high school locker room.

[00:10:06]Like, I was going to say it's kind of weird that you're the guy in this relationship, but like >> Yeah. Yeah, I am.

[00:10:12]>> It It is what it is.

[00:10:14]>> It really is what it is, man.

[00:10:17]Looks to be about a five square mile radius. So he probably has a vehicle.

[00:10:21]>> You want to see that crime scene? Still taped off. The husband won't go back inside.

[00:10:24]>> Oh, >> let's go.

[00:10:25]>> All right. So, we need >> Yeah, I can't blame him to be honest.

[00:10:28]>> What does the other sexual >> Looks like what he's written at the scenes are most of the first three verses of the same ballot. It's only one part of the conversation. There's no betw twix. Uh, death speaks, but the lady never answers.

[00:10:40]>> Maybe he feels like their bodies are answering.

[00:10:44]Oh, tomato. We make two ovens.

[00:10:47]>> Oh my god. Yeah, you're right. Two ovens. Oh, nice. That's a big fridge, too. What a great kitchen. Oh, man.

[00:10:53]>> I miss living in the house that had the the island kitchen set up like this.

[00:10:56]Like, I actually got so much more done.

[00:10:58]>> Yeah.

[00:11:01]Oh, >> stabbing.

[00:11:04]>> Oh, man. She's making dinner.

[00:11:06]>> Our guys went over it pretty well.

[00:11:08]>> Local officers aren't trained to look for the things we look for. hate, insecurity, fear, anger.

[00:11:13]>> I kind of like that he had a little bit of push back like, "Hey, our guys already went through this." And it's like, yeah, that normally you would have a bit more friction with like, you know, some dude, some FBI dudes rolling up into your jurisdiction being like, "Oh, we going to solve this [ __ ] right?"

[00:11:24]Like it's >> I kind of like that they do that a little bit, >> but he's still respectful.

[00:11:28]>> Yeah. They still got their egos about him.

[00:11:30]>> Just a very soft way of doing it rather than a more aggressive outbursty kind of way. They like, "Dog, these neighborhoods are too [ __ ] nice, man. Holy shit." You know, they got a HOA with all them green grass and shrubberies. Look at that.

[00:11:46]>> Not even that nice.

[00:11:47]>> Look at the grass.

[00:11:48]>> You know, actually, you could argue they might not even have an HOA.

[00:11:51]>> Look at that house. Triple garage.

[00:11:54]>> HOAs are such a like they're such a modern thing. They've actually like uh contributed to like a lot of like the downfall of society in my opinion because like they're so strict on what they can allow that like people aren't allowed to like express freedom in their own homes anymore because you got to follow the rules. [ __ ] >> You know what? You're right. But my goal is to infiltrate the HOA in my area so that way I can become the alpha Karen.

[00:12:15]So I have I have goals and aspirations in life.

[00:12:20]>> Hell yeah.

[00:12:20]>> But also triple garage in the back.

[00:12:26]Oh.

[00:12:28]>> Oh my god.

[00:12:31]>> Rich with mommy issues.

[00:12:34]>> There may have been another attempt. Six blocks from the station house.

[00:12:37]>> And the attacker got away, but Ellen and I are headed over there right now.

[00:12:40]>> I wish she would have stabbed him.

[00:12:41]>> Let us know if you identify a suspect.

[00:12:42]Might have been another attack not far from your station.

[00:12:45]>> Where you going?

[00:12:46]>> Over there.

[00:12:46]>> Well, units are already heading that way. We can get more accomplished here.

[00:12:49]>> If there's an arrest, what we find here will help you prosecute.

[00:12:52]>> Yeah.

[00:12:52]>> Scene won't be pristine forever.

[00:12:53]>> Knock yourselves out.

[00:12:54]>> Thank you. The unsup went through the back, right? The family room. It's the window full of print dust.

[00:12:58]>> Okay.

[00:12:59]>> Oh, he's going he's getting in the mind of him.

[00:13:02]It is cool that they're all like behavioral analyst, but they all actually have like their own way to do it.

[00:13:06]>> Yeah. I wish they wore gloves, though.

[00:13:09]>> Well, I don't think they need to anymore. The scene's already been like >> Oh, yeah. They're already They're already done with it. Yeah. Like the husband should have been moved in by now, but he doesn't want to. Yeah.

[00:13:16]>> Okay. Not that easy to maneuver. That means I'm a little bit athletic.

[00:13:19]>> Yeah. All right. very mildly. But >> he's able to overpower like all these women consistently. He has to be athletic, right?

[00:13:28]>> Yeah. What's up with all that?

[00:13:31]>> Yeah. Why is he taking out all the good China?

[00:13:36]>> Man, I got a question.

[00:13:38]>> Do you think that lady still finished making dinner >> afterwards?

[00:13:42]>> Yeah. Or did you order like a pizza?

[00:13:44]>> I would like to think that she she wanted to finish making that would be like a good ass meal.

[00:13:50]>> It really was. Yeah, >> then she probably couldn't eat it, unfortunately. But >> Mhm.

[00:13:54]>> lucky woman.

[00:13:55]>> Oh, no. She didn't finish.

[00:13:56]>> Probably not feeling so lucky right about now.

[00:13:59]>> Oh, >> he was black, 6 feet tall. I watched him run out that back door.

[00:14:03]>> Intracial serial sex crimes are rare.

[00:14:05]>> Are they impossible?

[00:14:06]>> Uh, no.

[00:14:07]>> Then what you want?

[00:14:08]>> Only to provide you with information.

[00:14:09]>> Wait, did we see the guy in the beginning when he climbed through the window?

[00:14:12]>> Talk to her.

[00:14:12]>> No, we didn't.

[00:14:13]>> No, he was wearing gloves. He was wearing gloves.

[00:14:15]>> Wear gloves. Yeah.

[00:14:16]>> Yeah. I'm not even calling I'm not even going to be like, "Oh, he's being racist. He's probably not even a black man." Sometimes what happens is your racial biases subconsciously will make you accusatory, which [ __ ] sucks, but he might have just genuinely think that what he saw was true, even if it's not.

[00:14:33]>> No, I think he's a racist, man. I'm going say it. I'm not I'll say it.

[00:14:38]>> Just the way he said it no was a six foot tall black. I don't know, man. That just sounded hateful.

[00:14:43]>> Yeah, it sounded some type of way. Yeah.

[00:14:45]But you could be right. Like >> yeah, >> your riches.

[00:14:48]>> I guess like if you see it, if that's what you saw, like you're gonna say it like distinctly, right? So >> I mean like I've I'm someone who was like uh who's like seen in uh back in university days. Um there was like this sort of like thing called like soma labs and stuff like that in which you would uh kind of uh do like experiments and then you could also like you know participate to get like some some little bit of little bit of schmuckeroons if you want to participate in it too. Uh, and like racial biasy training was one of them for like under psych. And I uh, yeah, I I I learned a lot back then about how like especially when it came to statistics of like like people who are white tend to have like like just very unconscious way stronger racial biases than people of color. And it was like it really opened my eyes towards like people who like misrepresent because they aren't even conscious that they're misrepresenting. And I was like, "Wow." It's I don't know. It's very interesting cuz I try not to see >> What do you mean? What do you mean misrepresent?

[00:15:54]>> Like they misrepresent information because they themselves believe that's what they saw. Like they perceive it that way. Like if they're given like the same scene as me, they might perceive it differently because they their racial biases they don't even realize that they're doing it consciously. like they just just they it's like innate to them because of their own lived experience.

[00:16:12]And like that's like that was a very hard thing to come to terms with too, right? Cuz like a part of your brain is like they being racist. What the [ __ ] is this? Cuz it because it it can be but sometimes it's like oh like they aren't even aware. Doesn't make it better. Just makes it what it is, right?

[00:16:29]>> Yeah. They don't even know they're doing it.

[00:16:31]>> Yeah. which like doesn't again doesn't make it better, but it explains what it without it being malicious, which I think matters.

[00:16:38]>> That's that's I I was going to actually say it's not malicious, but it's Yeah, it's still relevant.

[00:16:43]>> Exactly. Exactly.

[00:16:44]>> Yeah.

[00:16:45]>> You don't want to ask me questions. Not until you're ready. I'll be right behind that doorway. I didn't even know it was in the house. Is that common?

[00:16:52]>> Yes.

[00:16:53]>> God. Yeah. That's so sad. And she already started talking instantly.

[00:16:57]>> She had a workout video on step aerobics with the platforms. Step up. Step down.

[00:17:01]Step up. Step down.

[00:17:02]>> Where's the platform?

[00:17:03]>> Hey, that's a great question. Where is the Oh, stored away. Oh, the the killer stored it away.

[00:17:08]>> A lot of time here.

[00:17:08]>> What? So, he vacuumed.

[00:17:09]>> What a guy.

[00:17:10]>> And there's no marks on the platforms.

[00:17:11]The broken things. She must have already been dead or incapacitated when he did that.

[00:17:14]>> Symbols.

[00:17:16]Your riches. Gold garments, jewels, bright.

[00:17:19]>> So, he is targeting rich people. Just saying.

[00:17:21]>> Ever feel like there's something right in front of you? You just can't see it.

[00:17:24]>> Yeah. Usually right before a woman dumps me. Hey, he slapped me from behind to pull me down on the floor. He was so strong.

[00:17:32]>> Good for her for fighting. Damn, she a fighter.

[00:17:35]>> The man ran out the door. He was a black man. Bill was sure of it. But I only remember his eyes.

[00:17:41]>> What color?

[00:17:42]>> I kept staring at him.

[00:17:43]>> Were they blue? Cuz >> if he's going to kill me, then he's going to have to look at me while he does.

[00:17:48]>> That's what he likes, though. Uh-oh. She doesn't even know that.

[00:17:50]>> He just kept staring back at me through the ski mask.

[00:17:54]>> Ski mask.

[00:17:56]Oh no, your husband saw a a black ski mask. It said black man. Uh-oh. And we know he's wearing gloves. So it's like uhoh.

[00:18:05]>> The versus why didn't he leave him at the first three murders? I mean, this ballot is 10 verses long just on the death side. He's got plenty to work with. Isn't something that he has to do for an emotional reason? Then why start?

[00:18:14]>> Find out when the press ran the first story on the sunset. After which victim?

[00:18:18]>> What are you thinking?

[00:18:19]>> Attention seeking.

[00:18:19]>> Attention.

[00:18:20]>> Yeah.

[00:18:20]>> The first story ran the morning after the fourth victim was found.

[00:18:23]>> The increase.

[00:18:25]The offender in this new attempt is a black male. Crossracial. That doesn't happen.

[00:18:28]>> But there was no sexual component to his crimes. Let me wear a ski mask.

[00:18:34]>> We're ready. How to make Tommy contact us.

[00:18:36]>> Okay. We get the eye color.

[00:18:41]Okay.

[00:18:41]>> He has a kind of killing kit that he carries.

[00:18:44]>> The crime scenes are far enough apart that he needs a vehicle will be well kept.

[00:18:47]>> Do you think he's biracial?

[00:18:48]>> Oh, now you're cooking.

[00:18:50]>> Mhm.

[00:18:50]>> So I What do you think he is? Like an electrician? We believe he watches the victims for a time, learns the rhythms of the home, knows his time.

[00:18:56]>> Yeah. He's like an electrician or like a power company worker. And so he'd be he'd be going around like inspecting [ __ ] and then he's like, "Oh, look at this house. Look at this house."

[00:19:04]>> Technician works with his hands.

[00:19:05]>> Yeah. And Dexter, uh, it there was like these guys who were like palm tree cutters and they did it around like those electrical pole wire things, right?

[00:19:16]>> Yeah.

[00:19:16]>> So I was thinking Yeah. So since we're not doing palm trees, I'm thinking those electrical poles that can scout people out.

[00:19:22]They were saying like, you know, skilled technician, whatever. Yeah. Electrician.

[00:19:26]Boom.

[00:19:27]>> When death comes, poor and the rich are exactly alike.

[00:19:30]>> So, he's poor.

[00:19:31]>> Probably middle class. Why does he glue their eyes open?

[00:19:34]>> Venub is an exploitative rapist. For this type of rapist, the goal is more related to the victim watching him than the act itself.

[00:19:43]>> This is very uncomfortable.

[00:19:45]>> His victims, they represent whatever it is that's controlling, and he wants that control back. And a final point, he is white. The attacker was black. He is not the Tommy killer.

[00:19:56]>> Mrs. Gordon's husband came home at the same time that he always does. The Tommy killer would HAVE KNOWN THAT.

[00:20:00]>> OH, the unsub knows when he walks into a house, he's going to kill the woman who lives there. So, there's no need to wear a ski mask. Oh, it was a random black robber.

[00:20:12]>> I see.

[00:20:12]>> Wait, it's just a random person. That's crazy.

[00:20:15]>> Oh [ __ ] Random black robber. Cra Oh [ __ ] was a random robber period. Right.

[00:20:21]>> Well, I mean, yeah. I mean, he probably was black. Not because he's Robin, but because the guy did identify. Fair enough.

[00:20:28]>> Wow.

[00:20:29]Man has to be a robber. That's crazy.

[00:20:32]Coming from you.

[00:20:35]>> Oh, no.

[00:20:39]Half of me is is is cooked.

[00:20:42]>> I'll write I'll write the Google doc.

[00:20:43]It's >> Thanks, man. Appreciate it.

[00:20:45]This is why we're As the victim's age goes up, generally the attacker's age goes down. Mrs. Gordon told me that there's a young man who delivers groceries to their home. He fits a lot of what we're describing here.

[00:20:57]>> On Tommy, >> you have a tip line for the public.

[00:21:00]>> Yes.

[00:21:00]>> We have a technician at Quanico who can tap into your phone system.

[00:21:03]>> He's going to call us.

[00:21:04]>> And when the 11:00 news leads with the capture of a 6' tall black man in connection with his crimes, he's going to be furious. Furious enough to call.

[00:21:12]>> Uhhuh.

[00:21:13]FBI, you're under arrest.

[00:21:17]>> He tried to run and didn't give.

[00:21:19]>> It would be really awkward if he didn't.

[00:21:21]Yeah, that'd be really awkward. Uh >> oh.

[00:21:23]>> Are you the Tommy Killer?

[00:21:24]>> He confessed to Mrs. Gordon's attack before we even got to the car.

[00:21:27]>> Oh, >> should make the 11:00 news.

[00:21:31]>> You know what? Thank god when I said when I said black robber, it was right.

[00:21:35]Thank you. But yeah.

[00:21:37]>> All right. I'll stop right in the dock for now.

[00:21:40]>> Yep. Yep. Yep.

[00:21:40]>> Save it for tomorrow.

[00:21:43]Every day, every day is a blessing, buddy.

[00:21:46]>> All I need is 15 seconds on the phone to nail this perve.

[00:21:51]>> Oh, he mad. Oh, he mad. Mad >> the You got to clean up the soda.

[00:21:58]>> No, I got to clean that up.

[00:21:59]>> Oh.

[00:22:00]>> Oh, >> he's getting yelled at.

[00:22:02]>> Oh.

[00:22:03]>> Oh. Oh. And he's subservient to his wife. His wife an angry angry ass woman.

[00:22:07]Okay. That's why he taken out other other Okay. Oh, I see. I see. Oh, this is Oh, this is not good. Either a wife or a mom.

[00:22:15]>> We're still waiting. Garcia.

[00:22:17]>> Oh, that would be crazy if it was still a mom.

[00:22:19]>> Yeah, he might be old as [ __ ] with mama.

[00:22:21]>> You think it's weird that I knew that ballad?

[00:22:23]>> I don't know how it is that you >> Oh, no. It got to him.

[00:22:26]>> It did get to him. Yeah.

[00:22:28]>> You think that's why I can't get a date?

[00:22:30]>> Oh, no.

[00:22:31]>> No. That's why you can't get a date.

[00:22:33]>> Oh, there we go.

[00:22:34]>> Oh, [ __ ] Well, now I'm getting called out.

[00:22:38]>> Yeah. Reed is yourself insert, buddy.

[00:22:40]Peneli six.

[00:22:42]>> I wish.

[00:22:43]>> Incompetent sons of [ __ ] >> I'm not that smart.

[00:22:45]>> I don't make mistakes. I am death.

[00:22:48]You'll see now tomorrow. And while I'm taking her, I'm going to be thinking of you.

[00:22:54]>> But I got nothing. I got >> Let me work on this.

[00:22:56]>> She says she got nothing.

[00:22:57]>> Nothing.

[00:22:58]>> Oh [ __ ] >> Oh [ __ ] How did that happen? Oh, he works for the telephone company in which the telephone wise.

[00:23:09]>> Yay. Yeah, >> the telephone company.

[00:23:12]>> I mean, that's basically the electrician, you know.

[00:23:14]>> Yeah, cuz that's the only reason why I could see her not being able to like pin it down or something.

[00:23:20]>> They got job, BUT SO OH, NO.

[00:23:23]>> We have an undercover car for each of your teams and the entire >> lock that door behind you.

[00:23:27]>> All right. He might make a mistake today. He's angry and he probably hasn't done the kind of surveillance he'd like.

[00:23:34]>> Oh, a lot of jugs.

[00:23:37]lawn care, mailman. I'm just saying every job I see.

[00:23:42]>> Hell yeah. You know what? Do you think Do you think your selfinsert is Gideon?

[00:23:47]Ironically, the really old white man.

[00:23:49]>> You know what? I do be giving off really old white man vibes. So, fair enough.

[00:23:52]>> Well, you I mean, you kind of do be laying out the scene like he does. Just saying.

[00:23:57]>> Okay. Yeah. Yeah. I'll give myself Gideon [ __ ] >> Like, you're like you just did it.

[00:24:01]You're like, "Oh, the two ladies, male man." Like, that's what he does. He [ __ ] visualizes the whole world.

[00:24:07]>> Yeah. Yeah.

[00:24:08]>> That see him right there. That's basically you spitting image.

[00:24:12]>> Yo, you're so right, man. I'd be I'd be one to one for that for real. Yeah.

[00:24:14]Yeah. You're right. You're right.

[00:24:16]>> Almost a classic move for an exploitative rapist to force a victim to watch.

[00:24:20]>> What?

[00:24:21]>> We're missing something about it.

[00:24:22]>> All he said was tomorrow. He didn't specify morning.

[00:24:26]>> Reed, this guy's got to spend a lot of time in that house. He needs it to be morning.

[00:24:29]>> Yeah.

[00:24:30]>> But then on the other hand, the other victims live more than a mile in either direction. I hate not having a plan.

[00:24:34]Yeah, this kind of sucks that we're just staking.

[00:24:36]>> Actually, it's more like we're looking for a needle in a pile of needles.

[00:24:41]>> He's trying to piss him off.

[00:24:42]>> Needle would stand out in a haste.

[00:24:43]>> He's trying to piss him off. He's rage baiting, bro.

[00:24:46]>> A particular needle >> in a pile of needles.

[00:24:49]>> I mean, he's right, but like, bro, he's just rage baiting.

[00:24:52]>> He's rage baiting him, bro. Like, you know what? The Gideon has not been rage baiting this episode. It had to be somebody else.

[00:24:59]Oh, what what in the [ __ ] is that park job? Did you see that? What is this?

[00:25:05]>> What? I just parked on it. What?

[00:25:08]>> Go back. Let's go back.

[00:25:09]>> Pull into your driveway, [ __ ] They didn't Oh, they are pulled into their driveway. Oh, it's just a really short >> That's chill.

[00:25:18]>> Oh, >> yo. How come How come those people in the back got their garbages out, but no, no one else says here, "Huh? Garbage down?"

[00:25:24]>> Yeah. Yeah. Was a garbage day. Did I put their bins away? What's happening?

[00:25:28]>> Can I help you folks with something?

[00:25:29]>> FBI. Sorry.

[00:25:31]>> Yeah. Back off. PD doubled the patrols in these neighborhoods, then doubled them again after the fifth and sixth.

[00:25:36]How can he not have been seen?

[00:25:37]>> What?

[00:25:38]>> He's a cop.

[00:25:39]>> Getting an idea.

[00:25:41]>> No. Blackheaded gross beak.

[00:25:42]>> Gross beak.

[00:25:44]>> We knowing birds. He's an old man.

[00:25:45]That's what they do.

[00:25:46]>> Carson Well said all the birds who belong to our sex have prettier feathers. As males have got to try to justify their existence. We spend all our time screaming, "Look at me. Look at me. Mommy."

[00:25:56]>> Which is what the guy is doing cuz he's killing rich women with with kids.

[00:26:00]Mommy, look at me. Just saying it's a son of >> a mother who has money and influence or power possibly lost it all financially >> to see him. He vacuumed. Scene is about domination. He positioned everything exactly the way he wanted it.

[00:26:15]>> Including her where she's looking. Where she's looking >> so they could watch the attack. Why are they all facing away from it? In that position they couldn't see him during.

[00:26:23]He wanted them to see him afterward.

[00:26:26]>> Oh [ __ ] >> Power line worker >> for repairmen. cross referenced with the murders in San Diego.

[00:26:33]>> Damn, I was kind of cooking that. Why did I go with electrician? I said power line worker. I had it, man.

[00:26:38]>> You were right there. You got it. You basically got it.

[00:26:40]>> Electrician.

[00:26:41]>> What a [ __ ] idiot.

[00:26:42]>> I only got the phone thing the moment that she that like Garcia couldn't track it. I was like, "Okay, that's her whole thing." So >> Hey, he's just looking for a pole. Got tape. Of course he does. He's a repair man and we have his name.

[00:26:55]>> We have his name. Is is sounds right Jason a saying?

[00:26:59]>> No. Who's Jason?

[00:27:01]>> He said sounds right Jason to Gideon. I thought was it like a saying? I I don't I'm not familiar with it.

[00:27:07]>> Oh no. I Me either if it is.

[00:27:09]>> Oh okay.

[00:27:12]>> You want some juice big boy? You want some juice?

[00:27:14]>> That's why I use the same voice when talking to babies too.

[00:27:18]>> Yeah.

[00:27:19]>> Holy [ __ ] bro. That giant ass fridge.

[00:27:22]>> That is my god. It's brilliant.

[00:27:24]>> And jump scare.

[00:27:26]Oh, damn. They faked us out.

[00:27:28]>> Are they playing with the baby? Oh, they are. Oh, [ __ ] >> Oh, that's creepy.

[00:27:31]>> Oh, they're feeding the baby.

[00:27:33]>> Oh, I don't like that at all.

[00:27:35]>> Oh, that's terrible.

[00:27:37]>> Okay. Can this guy die? I don't want him arrested. I want him dead.

[00:27:40]>> Yeah, it'd be cool if he was dead.

[00:27:42]>> Yeah.

[00:27:43]>> Oh, no. We have to shoot him on site 30 times.

[00:27:46]>> Where are your technicians? They're all out in the field. Listen, I need Franklin Grainy right now.

[00:27:52]>> Franklin Grainy. What a [ __ ] name.

[00:27:54]>> Oh my god. Please don't hurt me. Please.

[00:27:58]Oh god. Okay.

[00:27:59]>> Walk and you'll be all right.

[00:28:00]>> He's on service calls in the area of Orange and Chandler.

[00:28:03]>> Oh god.

[00:28:05]>> Whip that [ __ ] around. Murder him.

[00:28:08]>> Oh, okay. We're cooking. There's his truck. Now you just you just got to get on the truck and look for the window you can see. You know what house he's in.

[00:28:15]Boom.

[00:28:16]>> This is his truck.

[00:28:17]>> Oh god.

[00:28:18]>> Yeah. Just look for the window with line of sight and you know which house it is.

[00:28:21]It's >> Oh god. I'm sorry. I'm going to just >> Am I wrong? Does this makes it just just go in his ladder thing and now he's going to get on the floor anyway.

[00:28:28]>> See which window you can see out of.

[00:28:29]Yeah. Yeah. No, I'm with you. I'm with you on that. Yeah. Someone just go inside of that. Look look look to see which window they can see into and boom.

[00:28:36]>> Yeah.

[00:28:40]>> My heart is pounding by the way. My god.

[00:28:45]>> Uhoh. Bicious.

[00:28:46]>> You know what it is always him who finds finds a person. And >> oh there comes some rage bait.

[00:28:57]Holy [ __ ] >> Yeah. You know what? Yeah. Valid.

[00:29:02]>> Hey kid, you're ratting us out. We're trying to sneak in.

[00:29:05]>> 875 Orange back door.

[00:29:08]>> Okay. I'm glad he instantly called the backup, but now he's not proceeding without the backup. Okay, never mind.

[00:29:14]>> Hey, I mean the kid the mom's missing.

[00:29:16]Like you got to ask.

[00:29:17]>> Yeah, you you need Yeah, it's not a Yeah.

[00:29:22]Oh god, dude. I would have to sell the house and move. There's no way I'm staying in that house after. Like, there's just >> [ __ ] lutely gone.

[00:29:28]>> Yeah, >> I'm never going back to the house. Some of the higher movers like I'm out.

[00:29:33]>> [ __ ] burn the bed, actually.

[00:29:35]>> Yeah. Just Oh god.

[00:29:37]>> Never think of me.

[00:29:45]>> I'll shoot her.

[00:29:46]>> No, you won't, Franklin.

[00:29:47]>> Jesus. [ __ ] >> I will. If you hurt her, I'll kill you.

[00:29:50]>> Classic rage bait. We caught a low life burglar. You didn't turn out to be Tommy after all.

[00:29:54]>> That's [ __ ] up.

[00:29:54]>> You will remain uncaught. After a while, people will forget you. You'll be nothing.

[00:29:58]>> Oh my god. Yes. Rage bait him more.

[00:30:00]>> Put the gun down.

[00:30:02]>> Master rage bait.

[00:30:03]>> Yeah, he's so good.

[00:30:05]>> Face is splashed across every newspaper and TV. Dummy killer. Franklin Granny Bundy Dmer Granny. Whole world know.

[00:30:10]>> Yeah. Notoriety, buddy. That's what you want. You want mama to see you.

[00:30:14]>> You can be famous or you can be invisible.

[00:30:16]>> Tell everyone.

[00:30:17]>> I have a media specialist outside right now.

[00:30:19]>> Promise.

[00:30:20]>> Yes, sir. I promise.

[00:30:21]>> Okay. Okay.

[00:30:23]>> No hesitation, too. It's very believable.

[00:30:26]>> Yeah.

[00:30:26]>> Away from the gun.

[00:30:27]>> Shoot him anyways. Ah, no. Sorry. My bad.

[00:30:30]>> Shoot him. [ __ ] shoot him anyway.

[00:30:31]>> Shoot him.

[00:30:33]>> I mean, be to be honest, that guy's going to die in prison anyways. But >> Oh, true. Yeah. Yeah. You're right.

[00:30:41]Thank you.

[00:30:46]>> [ __ ] >> Rose Kennedy wants >> Oh, that's even You know what, man?

[00:30:50]Yeah, cuz like the the lift thingy wasn't even out yet. It's still lowered.

[00:30:55]>> So, that makes sense.

[00:30:56]>> He could just he could just move it to wherever he wanted to.

[00:30:59]>> Yeah. Yeah. So, you'd have to like raise it all the way up then look around even then you don't know which distance he raise it up all the way too.

[00:31:05]>> Oh, look at them playing chess.

[00:31:06]>> Yep.

[00:31:07]>> Got to have something for you.

[00:31:08]>> Oh, yeah.

[00:31:09]>> Forgot to give it to you at the party.

[00:31:10]>> Oh, birthday present.

[00:31:11]>> You don't give birthday presents.

[00:31:14]>> Wow. The red skins. It's a VIP box.

[00:31:17]>> Wow. Damn, the show's so dated they're not even called the Redskins anymore.

[00:31:24]>> Oh, that's crazy.

[00:31:25]>> And he got him two tickets so he can ask out a girl aka blonde lady. H >> Yeah. Oh, >> D.

[00:31:31]>> No, he's just going to take he's just going to take him. He doesn't understand that implication.

[00:31:35]>> I honestly didn't even know this was football.

[00:31:36]>> You're going to love it.

[00:31:37]>> We are. You're coming with me, right?

[00:31:39]>> No.

[00:31:39]>> Boom. Easy.

[00:31:40]>> Someone else on a Skins fan.

[00:31:42]>> Mhm. He set you up.

[00:31:44]>> Only person in the world who call you Spence.

[00:31:46]>> Yeah, >> J. She's a huge Redskins fan.

[00:31:49]>> Oh my god. The wingman, bro. You kind of called that [ __ ] >> Yep.

[00:31:54]>> And then you gave him the tickets.

[00:31:55]That's your self insert.

[00:31:56]>> Oh my [ __ ] It is. I am getting it as a selfinsert. [ __ ] >> bro. I'm telling you, you you got the mind. It's just you just happen to be a 60-year-old white man. Like, I don't know what to tell you. Okay. He's definitely like not 60, but >> Yeah. And you and you are and you're a Reed, and I just Yep. Here we are, buddy.

[00:32:13]>> Cool. Where's my Redskins tickets?

[00:32:14]Hello.

[00:32:18]Checkmate.

[00:32:20]>> Oh, >> he got poo boom. He got a checkmate. Oh, >> he growing up before our eyes.

[00:32:30]We're a fan of football.

[00:32:35]Yippee.

[00:32:37]>> It's kind of night. What? You know, I'm glad they had like a nice ending after that [ __ ] horribly dark episode, man.

[00:32:42]>> That was such a dark episode, man. That was such a [ __ ] up episode. We really needed a lighter tone at the end. We really did. Oh, thank God.

[00:32:51]That was some That was some punches, man. Well, thanks for watching, YouTube.

[00:32:56]We'll catch you later. Thank you, love, and support always. Don't forget to like and subscribe. We will see you next time. Bye.