Season 1: Episode 7 (Part 1) Gospel & Inspirational Special

Ajouté : 2026-05-18

[00:00:00]station one voice only one can rise >> the clashes day on ladies and gentlemen the next on stage that will be clashing here is cherubam choir class >> cherubam choir lad Ladies and gentlemen, I will now invite a representative from the Cheraban choir to pick whatever they're going to be clashing on. A representative, please open.

[00:00:54]Let's see the amount on your check.

[00:01:03]What's written there?

[00:01:06]>> Gospel.

[00:01:08]>> Gospel. Ladies and gentlemen, you were waiting without hope, without time. Together you keep running. There's mercy in your eyes. To fulfill the law and prophets to a bird from a draw of endless glory to a bravery.

[00:01:56]Praise the father.

[00:01:59]Praise the song.

[00:02:03]Praise the spirit.

[00:02:06]Threeing blood of glory.

[00:02:13]Majesty.

[00:02:17]Praise forever to the king of kings.

[00:02:25]Praise the glorious.

[00:02:32]praise gloryst to the king of peace.

[00:03:01]coming and to reconcile the Lord to redeem your creation.

[00:03:09]You did not despise the cross.

[00:03:13]For even in your suffering, you s to the other side, knowing this was our salvation.

[00:03:23]Jesus for a savior.

[00:03:29]Praise the Lord.

[00:03:32]Praise the sun.

[00:03:35]Praise the spirit.

[00:03:43]I glory forever to the king of kings.

[00:04:11]Morning that you rose. Mother of heaven held his breath till the storm was moved for good. For the lamb coner there and the res and the angels do for the source of love till the father restored and the church of Christ was born and the spirit be the gospel truth of all shall shall fail.

[00:04:52]By his blood and in his name in his freedom I am free for the Lord Jesus Christ who has resurrected me.

[00:05:07]Resurrected me.

[00:05:16]Heat. Heat. Heat.

[00:05:26]Oh, praise forever to the king of peace.

[00:05:41]Praise God. Praise the king.

[00:05:55]All gloryst ever to the king of kings.

[00:06:17]Praise forever to the King of Kings.

[00:06:30]Praise forever to the King of Kings.

[00:06:44]Praiseful ever to the King of Kings.

[00:07:02]>> We pray grace comes upon you cherubam choir of Cameroon. The judges are here to decide that. Let's turn to the judges. George Fate, I love you.

[00:07:19]Caribbean choir.

[00:07:25]I made a mistake that uh uh Minister Itam made during our last episode which was call you guys before give you the scores before you get to the end of your performance. You guys started on a really high note. But then again, the key mistake that I've noticed so far with a lot of choirs is the mishap that happens at some point in time in synchronization, especially when you want to change the tempo of the song. If you don't get it right there, it ruins everything and before you get back on track because you guys were going well, you went off, then you got back on track. But that getting out of line just just got me really pissed because I was looking forward to so much from you people today.

[00:08:10]And you have what we call the numerical advantage. You are going your singing the whole place is trembling. I was enjoying the lead singer so much people when I messed up and you made me to get angry but like I said I don't this score on a high so pretty high anyway. So you guys have an 80 on 100.

[00:08:32]Clap is much 80 on 100 from judge fate.

[00:08:40]Why didn't you give me 100? How I just annunciated the mistakes they made and you guys caught lesser than the last episode. I'm not happy at all. People should not do this again. Pray that you are not at the bottom to be doing crash.

[00:08:54]Let this moving on. praying that they don't get to the bottom too. Church magazine, don't give us that stare.

[00:09:02]Please be nice.

[00:09:11]So, as usual, I will begin with the beautiful things that were done.

[00:09:17]The volume control was near perfect near near.

[00:09:24]So, It was soft when it had to be when it had to be. I'm sorry. It was high when it had to be. And uh the play with the volume was absolutely beautiful.

[00:09:42]Tenner and Bas for most of the song on key at least when the choir was.

[00:09:53]So huge appreciation for your turn and your bass because those two like to fly at least they were grounded this time.

[00:10:06]I'm not saying out and apparently nothing. I'm just saying they could have made it worse but they kept it on track.

[00:10:17]Now the next good thing will move into the bad thing.

[00:10:24]The good thing you did was you kept it simple.

[00:10:28]The performance was simple.

[00:10:31]The bad thing about that was it was too simple.

[00:10:39]I almost felt like I was at one of those uh masses or services in church where it's just there.

[00:10:55]Everything is in front of me.

[00:10:59]Nothing I did not expect. Not even one.

[00:11:04]Even your two two modulations I heard them coming. I was sitting here and expecting them.

[00:11:11]So maybe in your next performances just give me a little more wow. I beg you I know you can do it. This number this ability and the fact that you able to control your volume that well tells me there's a lot of technical work that you are doing. Now make the technical work go into your tonality.

[00:11:34]All right.

[00:11:36]So, keys, tone, pitch.

[00:11:44]Keep those good.

[00:11:48]Exactly as I said because I think you can do better.

[00:11:55]I'll give you a 68.

[00:11:59]68 on 100.

[00:12:02]68 on 100 from George Maxim. Thank you so much, Mean.

[00:12:20]for performance.

[00:12:53]Breath control.

[00:13:10]lead singer, lead vocal Fore! Foreign! Foreign!

[00:13:35]for Okay, GIVE IT FOR George Me. Thank you so much. I bet you you will not be disappointed if they are not going to clash in the bottom too.

[00:14:17]Auntie Christmas. Thank you so much for being generous. Josh F feet. Thank you, George Maxim. And thank you, George Mayel. Ladies and gentlemen, cheering to you as they make their way off the stage.

[00:14:32]Amen.

[00:14:35]>> From the baby angels, we now move to the choir of angels. They are about to thrill us tonight. And I guess I hope I trust the three judges wouldn't be disappointed this time around. Given the fact that we have a generous judge like judge faith. Given the fact that we have a very strict judge like Maxim and the international marvel I guess and I like I said I trust they will be true. Choir of angels ladies and gentlemen all the way from Bmen.

[00:15:16]The tradition is for us to pick from here and know what we are clashing on.

[00:15:21]Behind me, we have the beautiful faces and handsome faces of the choir of angels all the way from Bamea. They are going to be sending me a representative to know what they're clashing on.

[00:15:41]Open.

[00:15:49]What did the angel of the Lord tell you in that envelope?

[00:15:52]>> Gospel.

[00:15:53]>> Gospel. Ladies and gentlemen.

[00:16:21]Hos to might to be my I am now you.

[00:17:36]Oh my god.

[00:18:06]I was my I was my true Oh Yeah. Heat.

[00:19:10]I see.

[00:19:36]Sh.

[00:19:39]We should never see.

[00:19:43]We should never see.

[00:19:52]Oh, heat, heat.

[00:20:17]Heat.

[00:20:21]Heat.

[00:20:31]Awesome.

[00:20:44]Mother Hi, Sheree. High five.

[00:21:07]I'm coming for vocal training.

[00:21:10]How did you do that thing?

[00:21:13]How did you do it?

[00:21:15]Where is it coming from? Um, George May will say from here. I don't know if that one is under the armpit. Where is it coming from? All right, ladies and gentlemen. Beautiful one for the choir of angels all the way from Bamea.

[00:21:30]Judge Maxim, I'm going to start with you.

[00:21:55]I will start with the good as usual.

[00:21:59]So the volume play very very good.

[00:22:07]I means I heard the expression when the volume was high. Uh same expression when there were diminuendos and pianos lovely volume play. The harmony was good. that's when executed properly because one or two sections where the harmony was um not harmoning.

[00:22:36]Now I have issues with number one some of the diction language but I did hear a lot of uh words that did not end.

[00:22:49]I had issues with um ends of phrases, musical phrases, not uh literary phrases. Musical phrases, some of them did not get to completion. They were just in the air somewhere.

[00:23:07]I have uh I have issues with uh some of the gandos into the high notes, especially from your soprano.

[00:23:19]The gzandos were not too too too too too well executed.

[00:23:24]Could be better, could be better, could be better, could be better.

[00:23:29]So with all that beautiful work and in my true father Christmas spirit, let us leave it at a high score of 74.

[00:23:48]7474 from George Maxim. Thank you so much.

[00:23:54]And Judge Marl.

[00:23:56]>> Yes, son.

[00:23:58]>> Are you pleased? I must confess that the choir of angels is bold to have sung a song in a dialect that is not theirs or in a language that is not, you know, their mother tongue. Yeah. So for that you can applaud for yourself.

[00:24:23]Nevertheless, I didn't like your beginning, your start. It was too cold and shy and the smile you always give us. Where did it go to?

[00:24:40]I have an impression that today you you are just faking it. The smile you you know we that's what I felt. I'm feeling that within the smile you you gave us today didn't come from your soul. It didn't come from within. I saw it just like this. And some people were not even smiling at all. In fact most of you were not smiling as usual you know. So I noticed there was something I don't know if it it is fear especially with the lead singer you started in a very very poor way today it was so cold but you caught up you know within the lines from the middle towards the end I saw how you were coming back but I can I can say maybe it was so because the song started in a language that is not well known, you know, to you and when you got into the French at least.

[00:25:48]Okay.

[00:25:53]You have you have let me say so you have adversaries if I can say that literal translation but you have to work harder for today. I have decided to give you a 69.

[00:26:12]Thank you very much, George Marvel. The generous fate.

[00:26:20]I'm beginning to think like that generous is not really a good term. I'm beginning to think that you guys are not giving me that name for the right reasons. Don't look at me, Coach Maxim.

[00:26:29]Don't. Anyway, choir of angels. You guys can sing like you can sing your your hearts out. I think you're the true definition of what they call a choir. Like when you guys you you sing to the point where it's like you want to pass out, but then you have to know that there are also people that want to sing sing more than the way you're singing. But I personally loved tonight's performance more than I did the last episode. I think that there was an increase in the consciousness of what's at stake. It's 2 million franca and like Mr. will say, it's big money everywhere. at at the start of the your your performance tonight, I I would buy in what coach May said. It was slightly timid, but then as you progressed, it was amazing. But there is one thing.

[00:27:16]Imagine that I had to rate you off just the first 5 seconds. You have to win me over as quickly as possible. So, I loved the performance in entirety. I honestly do not have so much critic, but that was my main issue. and especially the the touch you added at the end that it gave it a little bit more vibe because like I said it is very tricky when you're doing a popular song. So good job tonight guys. I believe you can do better. Like I said you did better than you did the last time. So I'm scoring you guys and 87 on 100. 87 on 100 for choirs of angels.

[00:27:57]Thank you. You're not in black and white today.

[00:28:03]Thank you. You're giving us another uniform. We don't know. We're praying that next episode you'll be here maybe in red and white. We don't know. But we'll bless God. Thank you, LADIES AND GENTLEMEN. GIVE IT UP FOR CHOIR of Angels all the way from Btown.

[00:28:28]Seven stands for perfection.

[00:28:31]Seven here on the stage battling for the grand prize. Ladies and gentlemen, Kora Clash to you on every platform, on every social media handle. It is Ayawa Clash and on our site is ww.coraclash.com.

[00:28:48]Ladies and gentlemen, next on stage we are inviting the Celestra Corros >> to left and we have one standing behind me. We have the Celestial Chorus. Ladies and gentlemen, they are about to clash but we don't know the category. We will be having a representative to pick what they'll be clashing on tonight. Ladies and gentlemen, a representative.

[00:29:37]What do you see?

[00:29:39]Soul slash inspirational.

[00:29:42]>> So inspirational. Ladies and gentlemen, my favorite winds are cold. The wind is blowing my free.

[00:30:09]I see the kids in the trees with nothing to eat. We were m to blind pretending not to see the need.

[00:30:21]I s disregard of broken water and warm men.

[00:30:32]to follow the fight and walk the way you know cuz I got no place to go. That's why I want you to know I'm standing with a man in the mirror.

[00:30:49]I see him to change his ways and all me will be if you want a better place.

[00:31:16]I feel love a selfish kind of love is that I realize there are some I broken heart I must free out the no way to go. That's why I'm with him. I'm standing with the man of the world.

[00:32:06]I'm asking change and all this will be the world change.

[00:32:31]Oh yeah.

[00:32:35]Heat. Heat.

[00:32:54]I'm starting with the man.

[00:33:04]I know this will be your change.

[00:33:16]I'm sorry.

[00:33:19]>> Oh yeah. asking me way better.

[00:33:26]>> No message for you to make the world a better place to collect yourself and then make the change.

[00:33:46]Oh yeah.

[00:33:58]I'm going to make a change for what's in my amazing amazing amazing celest.

[00:34:15]Ladies and gentlemen, if you see glow to your skin, it is ww.coraclash.com.

[00:34:23]Let's turn to our judges. What do you have to say, Josh Magazine?

[00:34:32]So, I grew up listening to Michael Jackson and uh this song, this song, Man in the Mirror.

[00:34:57]It's one of the songs that touched me the most in that bad album.

[00:35:06]It's a very vocal song. It's a very powerful song. It's a very rich song.

[00:35:12]And if we're going to perform Man in the Mirror, we need to have it as near Michael Jackson as possible.

[00:35:26]as near Michael as possible.

[00:35:31]I'll start with the chord progressions. Uh it's here, it's there. You're not singing on the same chords. You're not moving on the same progressions.

[00:35:47]The keyboard is playing different progressions. You're singing different progressions.

[00:35:54]Second, the lead. I I think you just sang again.

[00:36:00]You almost sang like you were in your mirror, in front of your mirror, in your bathroom. Yeah, I know. It's man in the mirror.

[00:36:07]It was not man in the It was not woman in bathroom mirror.

[00:36:12]Yeah, you almost sang like you just uh let me just sing the thing. It's a powerful song.

[00:36:20]I really wish you let us feel that emotion.

[00:36:24]It's a beautiful message. Absolutely beautiful message.

[00:36:30]Absolutely beautiful message. So I still say ah ordinary.

[00:36:40]That's that's the that's the word I can use. I'll say it's ordinary. And uh we want extraordinary. I I really expect extraordinary.

[00:36:51]So 61 >> 61 from Judge Maxim. Ladies and gentlemen, let's take it to Judge Me.

[00:37:05]Judge Maxim, I will not blame you.

[00:37:09]I understand why.

[00:37:13]But I must say that you look beautiful today. Celestial Chorus, you look beautiful today. Better than in the other rounds. Come on, a round of applause for yourselves.

[00:37:29]You have beautiful voices and the choice of your song was a good one. Yes. But I have noticed that you people have a serious problem with creativity.

[00:37:47]creativity.

[00:37:48]Why that gap along you know the song in the middle yourselves? Do you notice the gaps right? There was one gap. You you were just dancing. Yes. You would tell me you were dancing and everything but you that was enough space for you to create something to come out with your own. You get it? That space like that where you were you were dancing. I was expecting you to lift me up, lift my soul, but I didn't have it.

[00:38:21]And I know you have it in you. You You can bring it out. Creativity.

[00:38:28]Creativity. Creativity. Please work it out. Creativity. Creativity.

[00:38:33]I think I said it in the previous round and I'm still repeating it. Creativity.

[00:38:40]Create. Bring it out. What is that thing that will make your own different from the others or from the original? Always bring that touch, that little touch. But if not, compared with other, you know, performances from the previous round, I like it. And I've given you 70 on 100.

[00:39:05]70 on 100. Josh, thank you so so much.

[00:39:10]anytime. Sean, >> I love you, George F. Take it up.

[00:39:14]>> I love you, too. And of course, I love uh Celestial Cross as well. So, you guys were really sad yesterday. I could feel the sadness when you were leaving. But your faces look brighter today. I think you guys also feel that today's performance is way better than yesterday. I don't know what not yesterday, last episode. But I don't know what went wrong. But I think that if you continue in this same light, you're going to get better. But then the thing is how much how many more chances do you have? That's the issue. So if you are bottom and you're given another chance for instance, the moment you come back, you should be headed for the top, not second, not third. And I don't think that you guys have that in mind yet.

[00:40:04]Forget about every other choir. You're here to own the stage. own it like people who truly and honestly want to win that 2 million and I don't see that yet. I've seen improvement. Honestly, I enjoyed tonight's uh performance more than the last episode. I also want to make a comment on the lead singer. I think there is a lack of finesse. If a song is this popular and there is a tendency for us to easily sing along it, you must be able to be remarkable in your performance. For a song like this one, you are supposed to be the one who leaves no room for any mistakes whatsoever. So, if you carry a song like this one, body it entirely. With that being said, I'm scoring you guys a 76 on 100.

[00:40:56]76 on 100. One voice, one stage, only one can rise. Ladies and gentlemen, give it up for Celestra.

[00:41:13]>> Who is winning? We don't know yet.

[00:41:16]Ladies and gentlemen, the clash is still on, but we about to drop two to go to the bottom two. And ladies and gentlemen, since the competition is still ongoing, we are inviting the next choir on stage. Harmony choir.

[00:41:38]>> Harmony Choir to you ladies and gentlemen. Tonight is that night is that clash night and they are here to do the thing that they know how to do best.

[00:41:49]Ladies and gentlemen, a representative 2 trillion tonight.

[00:42:08]Let's see if the gods of the land actually agree with you people. No, read it out.

[00:42:14]>> Soul and inspirational.

[00:42:16]>> So inspirational. Ladies and gentlemen, when the night has come, I look at you And no more the only light be see.

[00:43:00]No, I won't be afraid.

[00:43:05]No, I won't be afraid.

[00:43:11]Just as long as you stand by me.

[00:43:21]So stand by me.

[00:43:30]Stand by me.

[00:43:40]Stand by me.

[00:43:43]Stand by me.

[00:43:56]The sky that's been should crumble and fall through the mountain.

[00:44:10]shoulder to the sea.

[00:44:18]>> I was cry I was cry. No, I would share the tears just as long as you stay stand by me. Heat. Heat. Heat.

[00:44:47]Yeah.

[00:45:01]Whenever you're in control by me.

[00:45:22]Stand by me.

[00:45:28]My name might I stand by me.

[00:46:10]Stand by me.

[00:46:12]Stand by me.

[00:46:15]Stay by me.

[00:46:23]Perfect articulation.

[00:46:25]You know, I would say stand, but today I heard it like stain. Oh, nice.

[00:46:32]Same me, darling. That's what I heard.

[00:46:36]So, it's not darling, it's darling.

[00:46:39]All right, ladies and gentlemen, to the judges. May they Yes, Sean. Um, beautiful performance out there. Thank you, Harmony. Thank you.

[00:46:50]Thank you. It was harmonious. Thank you so much. I was thrilled. Um but you should know that the song that you choose is um a legendary song and uh you have to be well, you know, grounded to sing and perform this song.

[00:47:14]So I don't know why the choice of your lead singer. Why? I don't know if there is no one else among you who has a preon vocal that vocal power to take the lead for this song. I don't know. I felt yes you. You out there the rest. Yes. Yes.

[00:47:36]Powerful. But the lead singer even though she she was trying to catch up towards the end but it was not that. No no no no no no no no no no no no no no.

[00:47:46]Perhap she can be better in another genre, right? But this song in particular needed a powerful vocal touch.

[00:47:58]And I believe there is one among you who is able for this song. So please next time look into the lead singers, the choice of the lead singers with respect to the the song that you have to perform. Okay. Yes, you can do better because you have it within you and u you look beautiful also.

[00:48:24]>> Yes. Yes. So I I'm giving you a score of 70 on 100.

[00:48:30]70 on 100 from judge M. Ladies and gentlemen, let's tend to judge fate for this particular performance. I think uh days and tenner did it for me like they carried the song on their backs and like we are going to run and whether the ladies are going with us or not, the authors and the sopranos are going with us or not, we don't really care. And I really loved that. I could feel them.

[00:49:02]And I think that's the reason why I'm scoring you people like this because today's performance is for me lesser than the last episode.

[00:49:13]Yes. Than your second performance.

[00:49:17]And just I don't want to repeat what coach me said, but I think that you you should work on that especially with regards to lead singer and the course of the performance. You came back powerfully but like I said like we all have agreed you don't have time to rectify a mistake later. You start powerfully and you have very powerful voice. I think you did you did the I think two of the the the solos the last time if I'm not mistaken.

[00:49:45]Yeah. So just like there's always room for improvement. The thing is to make sure that you know that you don't have many chances. Okay. So, I'm going to be taking away two points from what I gave you the last time. So, don't make that mistake again. 81 on 100.

[00:50:03]>> Thank you very much. Let's conclude with George Maxim.

[00:50:11]So this song defined a generation.

[00:50:19]When King wrote Stand by Me, it defined an entire generation.

[00:50:28]It's a powerful song, powerful message.

[00:50:32]Has been reproduced over a thousand times.

[00:50:40]And uh when you decide to reproduce it for another time, you have you have to keep the song. It I have issues with your tonality.

[00:51:00]I have so many issues with your tonality. I do not even know where to begin. But in quite a few important moments of the song, especially when you're doing the oo, especially when you're doing the ooze, you ooh out of key.

[00:51:20]So let's remember that. Keep that tonality. You use instruments especially remember stay on them.

[00:51:30]I I saw a lot of character lacking in the lead. Uh George M was saying something.

[00:51:39]I think I I'll call it character. Yeah.

[00:51:43]It was almost like we h let's sing.

[00:51:47]Let's sing. I didn't feel you needed somebody to stand by you.

[00:51:54]I really didn't feel you needed someone to stand by you. So, I'm looking for a little more character when you're going to reproduce iconic songs like that.

[00:52:04]Other than that, other than that, you're beautifully dressed and uh as George Faith said, your bass and your tenner is absolutely magnificent.

[00:52:16]I think the ladies have to reproduce the same energy. All right. If we all produce the same energy by Santenno is giving it will be much much better. So for that in my true father Christmas nature >> you liar.

[00:52:38]>> Mhm.

[00:52:38]>> In my true father Christmas nature.

[00:52:40]Let's take it to 67.

[00:52:47]The Leonard Fairmindedness uh George Faith said you are a liar and indeed you're a liar.

[00:52:55]>> I thought it was going to be 100 but that's fine. That's fine. Thank you Judge Maxim. Thank you for being the nicest, the finest, the best harmony choir.

[00:53:07]I just want to see you smile.

[00:53:11]Give it up for them, ladies and gentlemen, as they make their way off the stage.

[00:53:20]>> From plus 50 to 12 and now we're down to 10. Ladies and gentlemen, the last on the stage performing either gospel or soul inspirational is no other but Rickby Coral of Cameroon.

[00:53:43]We are here again tonight ladies and gentlemen to conclude the phase of either gospel or inspirational but I don't know what they have in this envelope. I'm going to ask the representative to pick and read.

[00:54:13]The last for the best reading.

[00:54:18]>> Gospel.

[00:54:19]>> Gospel to you ladies and gentlemen.

[00:54:50]Bless the Lord.

[00:54:52]The Lord the sun to see what I Let's be singing in the evening.

[00:55:32]Bless the Lord, oh my soul.

[00:55:36]Oh my soul, worship his holy name.

[00:55:45]Sing like never before.

[00:55:49]Oh my soul worshiping the holy name.

[00:55:59]for me when my shel and my time has fallen forever.

[00:56:34]Oh, I am Jesus.

[00:57:00]Lord Jesus, I am only God.

[00:57:46]I worship your holy name.

[00:58:04]Bless the Lord, oh my soul. The soul worship his holy name.

[00:58:35]Savior.

[00:58:43]Bless the Lord. Bless the soul.

[00:58:49]My soul.

[00:58:52]My soul. I worship his name.

[00:58:59]Sing like never before.

[00:59:04]Oh my soul, you worship your holy name.

[00:59:23]Oh, she was >> Wow.

[00:59:41]Uncle Conductor, come I've noticed now and I will ask you.

[00:59:46]It's like you conductors are always fixing something. This I don't know. Let me try it. Bless the what?

[00:59:55]>> What? Bless the Lord. Let's go.

[01:00:03]>> I'll show you people confusion.

[01:00:05]Ladies and gentlemen, GIVE IT UP for this wonderful choir. We have no say but our judges. Judge Faith the Exceptional.

[01:00:16]Oh, I'm tired of the atala.

[01:00:21]Don't atalu me again. It's almost like trying to bribe me to say something that is not the truth. Rhythmic corral. I think there's something about you people making mistakes and correcting yourself.

[01:00:34]Making mistakes and correcting yourself and confusing my judgment at the end of the day. You guys failed me a couple of times, but then again, you found a way to to back it. I don't I what fail me?

[01:00:48]Because where do I start from?

[01:00:52]The the the the tone quality at some point was really really amazing. But then again, in the course of uh the performance, you guys lost it. I don't know if it is because the performance stretched you or had a lot of you know there was a lot of dynamism in your performance but then again if you are being dynamic or trying to try out new things you need to have mastery at every level if not like I said you're going to confuse me one minute I'll be like okay they exceptional then the minute I'll be like they are me I'll leave the rest of the talking for the crawl coach Maxim and no tatam very sweet. So >> very bitter, not sweet.

[01:01:35]>> So 81 81 on 100 for Rick me coral. Ladies and gentlemen, let me let me twist this now. They say save the last for what the best or the best for the last. But we'll save the meanness for the last. May Sean, are you kidding me?

[01:02:09]Hey Rey Coral of Cameroon, you look good.

[01:02:17]>> You're always on point. there with regards to your uniform. You look very good. That's good. Keep it up. But I would like you to know that to whom much is given, much is expected.

[01:02:30]Please, much is expected.

[01:02:33]And as I told you previously, I believe in you. You have it.

[01:02:42]You have it. You have given us a coral touch. In fact, you have given a coral touch to this song, this particular song.

[01:02:52]And I want you to know that indeed you are in the clash and it is going to clash.

[01:03:00]So I have given you 82.

[01:03:09]Now are the boys available? Put your hands in your pocket. All the boys put your hands in your pocket. Touch that thing. Touch it. Touch the touch it.

[01:03:17]Because this judge, he will not spare you. Judge Maxim, let's hear you say something.

[01:03:26]As usual, let's start with the good.

[01:03:29]So, uh, I must commend your courage for picking this song.

[01:03:36]Uh it's a very very very vocally complicated arrangement of the song.

[01:03:46]Uh so respect for even trying the outfits are beautiful.

[01:03:56]Yes, me. Yes. Yes.

[01:03:58]>> Don't try it. Please.

[01:04:00]>> The outfits are beautiful.

[01:04:03]The number is absolutely amazing.

[01:04:07]Bigger number, more volume. More volume when it's not controlled means unintended modulations. There were one, two, three, four of them in this one performance.

[01:04:26]Yeah. One, two, three, four. They were not intended. Keyboard is tried. The guy was pressing the thing but we picked it up somewhere.

[01:04:38]Uh I have a second issue with the balance in the leads.

[01:04:44]When leads are selected their their power their energy should be near equal because otherwise it becomes one lead and some shadow.

[01:04:59]So the lead was obvious and the shadow was obvious.

[01:05:05]You always have to balance that energy, balance the power and the voice, balance the production.

[01:05:11]So overall, because you did so wonderfully tonight and uh in my true father Christmas spirit, I'm feeling very happy tonight. I see the smile that me has and the smile that faith has.

[01:05:36]>> Nobody should ever trust you on this coral clash. Yes. They should not forget about what he's saying. Oh, okay. Should not be that they not want you.

[01:05:46]>> All right. So in the in the same spirit of generosity of thanksgiving I've thankfully given you 72 >> and one will think that with that cause boys you were supposed to give like 95.

[01:06:06]>> Thank you.

[01:06:07]>> And you talked of 72. Anyways that's a good mark. Ladies and gentlemen, it's been good. It's been wonderful tonight.

[01:06:16]The last choir on stage. Are they going down or they're going up? Let's hear what the judges will concern and get back to us on ww.corlash.com.

[01:06:29]Give it up for them, ladies and gentlemen, as they make their way off the stage.

[01:06:40]>> One voice only one can run.

[01:06:47]Clash.