Seduction and Jealousy: That Splendid November | Italian Cinema Classic

追加: 2026-05-26

[00:02:30]ا เ He is dead.

[00:03:54]I think that But what did you feel when Dad died?

[00:03:58]Reason peeled sugar.

[00:04:00]Nothing. Did you cry, sir?

[00:04:03]No, I went to get some ice cream.

[00:04:07]How beautiful, look at me. Nino, look.

[00:04:11]Dad always brought us good luck too. Do you remember Dad well?

[00:04:18]Yes, very well. He once slapped me because I told a lie.

[00:04:24]Let's go home, Umberto, it's late.

[00:04:25]One moment, please.

[00:05:12]Hey, Umberto.

[00:05:15]Hello Nenuzzo.

[00:05:20]So, you understand, I'll pick you up tomorrow morning at 9:00 and take you to Zafferana. And now run to your mother who is waiting for you.

[00:05:28]Good night. Hello uncle.

[00:05:30]HI. Are you tired?

[00:05:34]No.

[00:05:38]Eh, but dad, was the concept similar? No, not at all. Mom!

[00:05:46]Oh, I was finally starting to worry.

[00:06:13]Ah.

[00:06:23]Wake up, wake up, guys. Umberto, there are gifts. The gifts from the dead have arrived.

[00:06:31]Good morning mom.

[00:06:34]And you don't come right away.

[00:06:39]Come on, hurry up, Nino. There are gifts.

[00:07:01]Nothing, nothing.

[00:07:09]You know, Mom, I like to think that it's the dead who bring the gifts.

[00:07:14]But are they the dead? They always come on the night of November 2nd. Come on, help me with water, water, fire, water, water, little fire. Fochetto.

[00:07:36]Here it is.

[00:07:58]Pope.

[00:08:11]No, no, look carefully. I found it.

[00:08:22]I found the gift. Nino, Nino, I found the gift for you. All right. But how? Don't you want to see what it is?

[00:08:32]No, it doesn't matter. Open. It 's dad's gift.

[00:09:00]Thank you.

[00:09:01]It's gorgeous. It's a diving watch.

[00:09:04]I wonder if the dead will bring it to me too. Count the days too. November 2nd.

[00:09:23]Biaggio and Cettina also come to the villa.

[00:09:25]Yes, yes.

[00:09:26]Ah, Aunt Cettina, the one who ran away with Uncle Biati.

[00:09:30]Umberto. And how are they doing now? Do they get along?

[00:09:33]Yes.

[00:09:42]So, Nina, what have you decided?

[00:09:44]Concetto says that the winter courses are more serious.

[00:09:47]Summer courses are too rushed.

[00:09:49]I would advise you to leave immediately at the end of the month.

[00:09:53]But I really don't know if I want to go to England. What use is English to me to be a cher?

[00:09:59]And haven't you yet understood that without English nothing gets done?

[00:10:03]I want to stay here.

[00:10:20]Assumed conscience bless. Pcio hands.

[00:10:23]Lawyer. Good morning, madam. Hi Ni. How did you get there? Handsome. High. You have made yourself happy as a man.

[00:10:31]Mr. Alfio and the others. I'm sorry, they were expecting you here at 11, they've been at the cemetery for a while now. Okay, thanks.

[00:10:38]Let's go.

[00:10:39]Yes, let's go.

[00:10:41]HI. I'm hired to carry the suitcases. But what are you doing?

[00:11:07]in unit domina jesuisto animera Hi.

[00:11:32]HI.

[00:11:34]So the tribe is complete.

[00:11:38]They're beautiful, huh?

[00:11:40]What dignity.

[00:11:50]HI.

[00:11:51]HI.

[00:11:53]Look, Toreddo and his mace never leave each other.

[00:11:59]Amalia is always one step away from madness, but the masterpiece is Uncle Alfio. He shot himself at 25 out of love for his sister-in-law. He was paralyzed.

[00:12:10]Now he doesn't like Aunt Maria anymore and would like to throw her and her crutches away.

[00:12:15]Hey, we'll make ourselves like them too. Let peace be had.

[00:12:23]No, we are not like that, we never will be. Are you really sure about this? Welcome.

[00:12:34]Bye bye.

[00:12:36]Bye bye bye.

[00:12:38]HI.

[00:12:42]Hello Marot. Hi, you never have enough money.

[00:13:08]What a beautiful day. He really has to leave.

[00:13:15]But yes, I told you I'm busy.

[00:13:16]Please come back soon.

[00:13:18]Mom, we're going to go through the house then.

[00:13:20]Hello lads.

[00:13:21]HI. Have a good trip.

[00:13:23]Tell us something, fig, don't be late, but I recommend it.

[00:13:28]No, Dad. Hi mommy. HI.

[00:13:34]HI.

[00:13:55]Let's go, Nino.

[00:14:00]Juliet.

[00:14:03]Hey, wait for me. Let me see.

[00:14:08]We're doing badly, huh? Breast 1 cm. You do n't grow anymore.

[00:14:16]Eh, the chest has grown.

[00:14:18]Stop it. Mimi, come here.

[00:14:20]Mimì, what are you doing?

[00:14:22]Look Nino.

[00:14:23]Help! Leave me alone! Help! Stand still!

[00:14:29]Leave me alone!

[00:14:31]We're not kids anymore!

[00:14:33]Help!

[00:14:36]Leave me alone!

[00:14:40]Come here Juliet! Stand still! Stand still!

[00:14:45]Uncle Alfio, you'll still leave the sulphur mine to yourself.

[00:14:49]Enough with this story about Uncle Alfio.

[00:14:52]If you want to know, the sulphur mine is already in the name of my mace.

[00:14:55]Better.

[00:14:55]So, to you who Etna leaves you.

[00:15:20]How have you changed? You even have a beard this year.

[00:15:34]Tor faeddo. Maria don't tear the files. Okay, okay, don't freak out. Toredo, bull, bull.

[00:15:45]Here I am.

[00:15:46]So, here it is. Open it, open it.

[00:15:54]Oh, great.

[00:16:04]No, Juliet, come here.

[00:16:14]Here you are.

[00:16:16]Oh, beautiful. You are magnificent. How much?

[00:16:21]Yes, eh. I told you, you idiot. You wanted to give him a five. I knew Santo Stefano was in dire straits.

[00:16:27]Come, come, come to the study. Excuse me.

[00:16:31]Hey, I bet that old mummy even promised you the percentage.

[00:16:35]Eh, eh, tell me the truth. He promised you the percentage, eh.

[00:16:38]No, but I I Ah, I know. Every time I see a princess you love her.

[00:16:57]Poor Torgio, if only he had so many qualities.

[00:17:04]But why don't you find us a wife?

[00:17:06]Oh, if it were up to me. It's Ido who doesn't want it. But he wasn't in love with that Cirreal girl.

[00:17:12]Ah, Kigano, I really wish he had never allowed her to set foot in the house.

[00:17:16]Why don't you marry him? So between him and uncle Alfio you remain a virgin. No, what do you say?

[00:17:23]Great idea. And the heritage remains in the family.

[00:17:58]Here they are. I arrive. Madhouse.

[00:18:02]Lisa, where are you? Where have you gone?

[00:18:06]Cti.

[00:18:06]Ah, welcome.

[00:18:08]Thank you. Like you?

[00:18:10]Eh, good, good.

[00:18:11]Hello aunt.

[00:18:12]HI. HI.

[00:18:13]Hello little ones. Here, these are with you.

[00:18:15]HI.

[00:18:16]Hi Elisa. And Biaggio. She was in Palermo, she's coming tomorrow. But am I wrong?

[00:18:24]How beautiful!

[00:18:24]Oh, this is Nina.

[00:18:30]How big you've become, Ninuzz! You know, he seems like a different person to me.

[00:18:38]How long has it been since I saw you? Two summers always ago. No, more, more.

[00:18:44]It's almost scary. They grow every day, don't they?

[00:18:49]I remember you were so small, you were a little flower.

[00:18:55]And time passes so quickly.

[00:19:00]Hey, wake up and say hello to your aunt like this.

[00:19:07]It's too early to play ladies. I am your aunt Cettina. Give me a kiss right here.

[00:19:16]Well, what do you do? You turn red.

[00:19:23]Absorbed.

[00:19:24]Eh, where did you put me this year?

[00:19:26]A blue room. This year the voice black room pemo orders of dozzio. Did I need anything from you, Mrs. Cettina?

[00:19:40]No, no, you're welcome. Thank you.

[00:19:40]Good night.

[00:19:41]Good night.

[00:19:41]Good Ninzo. Come, help me unpack my bags. Let's hope there are no mice in the closet.

[00:19:51]Enough, I'm suffocating.

[00:19:54]Take this.

[00:19:59]Everyone finish it right now. Uncle Alfio made a mistake. Onward.

[00:20:25]Open the suitcase.

[00:20:31]Spices.

[00:20:36]Um, there should be a pair of slippers. Will you get them for me?

[00:20:44]Here, those yes, yes, exactly those.

[00:21:07]But you never speak?

[00:21:10]No, good.

[00:21:14]Let's go up. Here, put this one back.

[00:21:23]There, in the second drawer.

[00:21:29]Here, take these too.

[00:21:36]My head is spinning a little.

[00:21:38]Uncle Alfio's wine is strong, huh? Ah, that's Biaggio's. I forgot to give it to you.

[00:21:44]Let's hope he doesn't need it.

[00:21:47]Why?

[00:21:49]The mafia. The mafia.

[00:21:56]I think I drank a little too much. I'm going to get my face wet so we can finish up later.

[00:22:04]And this too. Here.

[00:22:15]Good night fig.

[00:22:17]Good night. Good night. Can you pass me the comb? Have you noticed? Tonight there were 13 of us at the table.

[00:22:47]You're superstitious. And you?

[00:22:49]I do not.

[00:22:51]Me, yes, very much. I already feel better. Do you know what we do?

[00:23:00]Now enough with the suitcases, we put them on top of the wardrobe and don't think about them anymore.

[00:23:06]Come on up.

[00:23:13]That's it.

[00:23:22]Thank you.

[00:23:26]You are an angel. Are you tired? Are you sleepy?

[00:23:36]I do not.

[00:23:37]But you have to go to sleep.

[00:23:40]I'm so sleepy I can't see anymore.

[00:23:44]Good night.

[00:23:54]Good night.

[00:24:18]Nenuzzo, the light bulb must have burned out, and yet this one doesn't turn on.

[00:24:28]And maybe the light bulb is misguided. But I don't understand anything about it. Look at us for a moment.

[00:24:37]There should be a plug somewhere.

[00:24:40]Here it is.

[00:24:41]Oh, good. Do you remember? The same thing happened 4 years ago, when we slept here with mom.

[00:24:52]Oh, yes, that's true. Now I remember.

[00:24:56]What was it?

[00:24:58]Spring? Yes, it was Easter.

[00:25:00]Ah, yes, yes, we were all there. What a mess. They tucked us all in and put us in this bed.

[00:25:09]You were right here next to me, do you remember? I also have the bad habit of always sleeping sideways. Poor Nino. Well, now goodnight. Go up.

[00:25:32]Don't close the door, I don't like feeling closed in. You do n't sleep. I can't sleep either and I do n't feel like reading. I do n't know, but I haven't been able to read for some time now.

[00:26:04]Nice grandparents.

[00:26:07]Did you see how satisfied they both look with this villa?

[00:26:13]They wanted to create something that would last.

[00:26:17]And in fact here everything lasts.

[00:26:21]Nothing is ever moved or thrown away, on the contrary, it accumulates. Did you see Uncle Alfio with that necklace, how he caressed her?

[00:26:31]He loves objects and people, he crushes them without batting an eyelid. Are you lucky enough to be going to London?

[00:26:42]No, I don't go there anymore.

[00:26:43]Are you crazy? What would be the point? What changes?

[00:26:47]Instead, everything changes. And do you know why?

[00:26:51]Because there you will no longer be anyone. You will no longer be the son of the son, the grandson of the grandson, the friend of the friend, this Sicilian mafia. That is, I will be zero in reverse. You will be yourself and if you make a mistake it will be your fault.

[00:27:05]You'll see that when you get on the plane everything changes, everything is forgotten, everything.

[00:27:17]To forget, I would have to spend my life on a plane.

[00:27:20]Why not? Better than staying in this sacred brothel.

[00:27:25]But what are you doing, Mimi? Yes, Accettina sleeps in the room next to yours. Did you know?

[00:27:38]The black sheep of the family is free in her own way, but above all she is cheerful.

[00:27:46]Cheerful as I do n't feel like talking. Listen to me Nino leaves.

[00:27:56]Why don't you go to London?

[00:28:01]I want to see how far we can go.

[00:28:22]Heroin for the uncle.

[00:28:33]Here are your drops. Ah! Ah!

[00:28:47]Good morning.

[00:28:48]Good morning. Well done.

[00:28:50]Good morning. Mary. Good morning.

[00:28:52]No, here, ma'am. Oh, thanks.

[00:28:54]Take that other one. I like to remove the cable ties myself.

[00:29:06]Who is Moto?

[00:29:07]Oh, and Maria, we can't even talk.

[00:29:10]HI.

[00:29:12]HI.

[00:29:13]But do you want to stop eating all that honey? Look, you're getting fat.

[00:29:18]Come with me.

[00:29:19]Where? And do you want to come?

[00:29:33]Ah, yes, yes.

[00:29:35]But now we're going to get a lot of thorns.

[00:29:38]No, I have the knife, I know what to do. They should be eaten now, while they are still fresh and wet from the frost. It 's delicious. I often came here with a schoolmate of mine, my first love, fifth grade. We gave each other big kisses, big kisses on the cheeks. So once my aunt Tecla surprised me and made me remain kneeling on the chickpeas, a sort of medieval torture.

[00:30:13]Ah, I gritted my teeth, I said to her, "My dear old maid, I'm a newcomer like you.

[00:30:21]I want to be beautiful, free, loved, and happy."

[00:30:28]Well, what happened? Did you get sad all at once? No, not me.

[00:30:34]And instead, yes. And you can't hide it.

[00:30:38]Here, I peeled this for you.

[00:30:41]You idiot, we'll eat another one together.

[00:30:44]And uncle Biaggio.

[00:30:45]Like Uncle Biaggio?

[00:30:48]Oh, you mean when we met?

[00:30:52]They say I ran away with him. I liked that there was something bad about it.

[00:30:56]Cettina is Uncle Biaggio. Here, Cettina.

[00:31:17]Cettina.

[00:31:19]But eh where there was travel.

[00:31:26]Here it is.

[00:31:29]Voyage.

[00:31:29]Hey, did you see? Did you see what's there? Eh, he finally decided to come.

[00:31:38]It's a real pleasure for me. How beautiful you are.

[00:31:42]Oh, thanks.

[00:31:43]Come on, Sasà, don't tell me you didn't remember it. On. Well, if I were you, I'd be very jealous. And why? Are beautiful things meant to be admired?

[00:31:51]No, otherwise someone who keeps doing them.

[00:31:55]You are a true philosopher.

[00:32:13]Goodnight, Nino.

[00:32:14]Good night.

[00:32:41]Wait.

[00:32:45]Viaco. Ah.

[00:33:16]What's up? Nino, mom, I fell.

[00:33:21]Go over there, I'll be right there.

[00:33:26]Go over there, go.

[00:34:36]Oh, what a shame! Another journey.

[00:34:38]Come on, try this. And there it is very bad. Ah!

[00:34:44]Eh, another one. Oh!

[00:34:48]Ah, what a shame! It's your fault.

[00:34:50]Try again.

[00:34:51]But no, it's a journey, it's a journey that doesn't know how to pull off.

[00:34:54]Wait, look. Try mine which are well dosed. Here it is.

[00:34:58]Yes, let's see this time. Hey, hello?

[00:35:02]This one here.

[00:35:02]I'm ready.

[00:35:05]Oh, but it's your fault.

[00:35:07]Let's see this other one. Go.

[00:35:10]You attract very badly.

[00:35:12]Enough, enough.

[00:35:13]And girls at home knitting.

[00:35:15]Nino, come here for a bit. Try it for a moment.

[00:35:19]Yes, yes. Here, have fun.

[00:35:28]Well. Well done, Nino. Still.

[00:35:36]Good, good boy. She 's good, huh. Sasà, because Uncle Biaggio pushes her into the arms of that Sassa. Why does he do it? Is that her?

[00:35:53]Why doesn't he rebel?

[00:35:55]Why is it made like this?

[00:35:57]Sicily was that and had to remain that.

[00:36:00]But why would you like a woman you loved, beautiful, dark-haired, spacious and so young, half-eaten like an anchovy.

[00:36:11]Ah, Alfio, and then Sicily is not a woman.

[00:36:15]And as a woman? Anyway, anyway a face, a face like yours, including yours. All faces that can be read, even if they don't speak.

[00:36:27]What do you mean? I say, I say, it 's not difficult for me to read inside you.

[00:36:35]If you can read inside all of us it must be uplifting.

[00:36:39]No, not at all edifying. But true. And I could tell you what you think one by one. Because you have it written right there on your face. Well, if you want to know, I can guess some of them too.

[00:36:52]About Turigo, for example, or about Aunt Amalia or about you.

[00:37:04]And then your system is beautiful. You buy all the things that others are willing to sell.

[00:37:11]I'm a predator, all right, but do you know why I do it? Because I love objects, as I love that painting, as I keep this house just like this, exactly as my grandfather built it. Why is she beautiful? Because it has a face.

[00:37:22]Ah, why does it have a face? Are you crazy, Alf?

[00:37:25]Eh, you'll say I'm crazy. Okay, I know, I know, I'm crazy, but not crazy enough to build the houses you build.

[00:37:30]Yes, I'll put the money in.

[00:37:31]Yes, good.

[00:37:32]And do they pay you well?

[00:37:33]Yes, you earn. It is true. Destroying.

[00:37:37]No, that we destroy. Let's build.

[00:37:39]Let's build.

[00:37:39]What? But do you know what you're building?

[00:37:41]Neon prisons. Oh!

[00:37:42]But which prisons? Alfio, are you staying at a hotel?

[00:37:45]Yes, reinforced concrete hotels. All the same, so sad that when you're in it you don't even know what part of the world you're in.

[00:37:53]And he who doesn't know where he is doesn't know who he is. You got it all wrong. All right. So let's leave Sicily as it is, eh? Like a museum. You shouldn't have allowed yourselves to get your hands on Sicily.

[00:38:06]And he who doesn't know where he is doesn't know who he is.

[00:38:12]No one should have allowed this and instead you reduced her to a [ __ ].

[00:38:18]Nino, what a way of speaking.

[00:38:20]Shut up, you. She's as right as a prostitute or, if you prefer, as a [ __ ].

[00:38:26]The world is changing.

[00:38:28]Go ahead.

[00:38:30]Stay updated, Alfio.

[00:38:32]Get this straight into your head. Not me, I don't change. All right Nino. But what are you doing? Oh, don't worry, it brings good luck, it brings good luck.

[00:38:43]How do you say? Dino Providence. Hey, what are you waiting for? Why?

[00:38:58]Wait, come to bed.

[00:39:02]Here, come here next to me.

[00:39:06]Pleases. Stupid.

[00:39:09]So so. Certainly so.

[00:39:41]Pleases? Yes.

[00:39:49]You know that Yes, dear, you know very well.

[00:40:36]Yes, that's fine. Yes, please, don't keep me waiting, please. Well, then this afternoon at 5:00 at the notary. HI.

[00:40:52]What a drag. I really have to go back to Catania. I'm sorry to leave you via Biaggio. Yes, yes. Are you going to Catania, right?

[00:41:02]Eh. Ah, yes, yes.

[00:41:03]So, can you take me?

[00:41:05]Yes, but it's quick.

[00:41:06]Yes, I'll do it right away. 2 minutes only.

[00:41:09]You know it? Nino, be careful of Umberto. I'll be back soon.

[00:41:15]Careful.

[00:41:16]Ah, hello.

[00:41:41]Until a few years ago, there was always someone telling me what I had to do or what I shouldn't do, and I believed them. My mother was so beautiful, so serene. How could I think she was lying, that she didn't even believe what she was saying?

[00:42:00]I wish I could be as confident and simple as my father. Eh, I have some.

[00:42:07]You know what it's like to desire someone for years, to the point that others don't exist.

[00:42:13]Not being able to talk about it to anyone, not even her, the person you have. And for many reasons you continue to keep it all inside in silence.

[00:42:24]I know, we become attached to silence as if it were a disease, but ultimately silence is better than discovering that heaven doesn't exist.

[00:42:32]You know, sometimes I feel like I have to decide something, but I don't even know what or how I should do it.

[00:42:46]If we continue to stay here we will sink.

[00:42:49]Look at our family. All the same, corrupt, cystic, too cystic.

[00:42:57]Air, Nino, air. This is an infected prison. Let's go away, let's drop everything.

[00:43:04]No, I'm staying all or nothing.

[00:43:23]Wait for me.

[00:43:25]Well, what have you been doing all day? Have you disappeared?

[00:43:30]And at dinner, you didn't open your mouth. I feel like a drunk tonight.

[00:43:55]Well.

[00:43:58]Help me unhook the dress here.

[00:44:01]Yes.

[00:44:04]Tonight I wish I were 17 like you. Move over. But what are you doing? Let me pass.

[00:44:16]Rather. Open the window. It almost feels like summer, huh. Turn around for a moment.

[00:44:34]You can turn around.

[00:44:37]Ah, it's hot.

[00:44:41]I need to get wet in the cement.

[00:44:42]Explosion.

[00:44:48]How nice it would be to take a shower. But it's not here.

[00:44:52]Who knows what grandparents did. Maybe with some jugs. Do you know what we do? I'll stand in the tub, you fill two jugs and pour them over me. Eh. Uh, okay. All right.

[00:45:04]These are already full, but maybe the water is cold.

[00:45:06]No, that's fine. But how? That's right. Eh, I can't shower naked in front of you, Nino.

[00:45:19]Climb up on the ladder and pour water on me from above. It will be a perfect shower.

[00:45:26]Let's hope so.

[00:45:27]Ah, slowly, slowly. Don't let it consume immediately. On the shoulders it's fine like this.

[00:45:31]Oh, good. Wonderful. I feel reborn.

[00:45:37]Here, now get your shoulders here. Ah! It 's over.

[00:45:42]Wait, hurry up.

[00:45:49]Hurry up Nino.

[00:45:50]Here, now there's this other one. Come on, I'm cold.

[00:45:57]So, Nino. Well, what is it?

[00:46:00]Last night, while we were having dinner, I saw Sasà courting you.

[00:46:06]The court?

[00:46:08]But he's not unpleasant. But how did you notice it?

[00:46:12]He always had his hand under the table.

[00:46:15]And with that you were touched.

[00:46:18]What did I get? But yes, the legs.

[00:46:21]Say, you start to get interested in certain things early.

[00:46:24]Eh, I saw, I'm sure.

[00:46:29]Well, that's enough now, eh. Pour me some water and then go over there.

[00:46:37]Bravo! Oh!

[00:46:58]How beautiful, I really feel like a different person.

[00:47:01]And now explain this story of Sasà to me carefully. Do you know that this is the first time I've heard a boy imagine a story like this?

[00:47:09]So, he had his hands under the table and I had my legs under the table. Well, I couldn't keep them on, could I?

[00:47:19]And what does that have to do with anything?

[00:47:20]And what does that have to do with it?

[00:47:21]And I told you, I was looking and I realized he was touching you. It is not so. That's not true, my darling. My husband was there, my brother was there, the whole family was there and you were there. Well, maybe he tried, but I grabbed his hand and took it away.

[00:47:42]No, that's not true, I didn't see you.

[00:47:44]And instead I did it. I even kicked him. Wouldn't you have noticed? Of course I would have noticed.

[00:47:51]It must have been a moment you didn't look at. I was always looking at you.

[00:48:00]But I say, what do you care about these things? I am sorry. That's better. I was afraid that I was a defender of the family, that I didn't want strangers to disrespect me.

[00:48:16]No, I'm not. But Sasami is very unpleasant.

[00:48:21]He's just a vulgar man, he only has his money.

[00:48:24]Yes, maybe. But I enjoy it and it's not unpleasant at all.

[00:48:32]But what are you doing? Come here. I noticed that you like it. Do you want to stop? Now you're getting on my nerves. Stand still.

[00:48:48]And what if I liked it? You did n't move away when he leaned against you.

[00:48:57]And with that you laughed, you were all red.

[00:49:01]You looked at him one way.

[00:49:04]And what was I supposed to do? Scream or whimper? There was no need. I just had to not look at her too much.

[00:49:12]But you know you're a good guy. You're scolding me like a jealous husband. I 'm not jealous. I'm just saying this to state things as they are. To be honest.

[00:49:25]The truth. You see yourself on things that don't matter.

[00:49:31]that mean nothing.

[00:49:43]You're shaking. Do you need effect? Me too Nino, but for Nino you go out Nino. For goodness sake, it's November. I'm telling you, it feels great. Come. It's a paradise.

[00:50:41]It's palmonite.

[00:50:59]No.

[00:51:01]place of this saint.

[00:51:55]Change the music, change the music, come on.

[00:52:29]o It missa esto. Thank you.

[00:53:08]How beautiful! 300 then. Oh, beautiful, right? Make 300 to gold. Oh, good.

[00:53:13]They are axes.

[00:53:14]Ah, practically only two seats.

[00:53:16]Such a powerful engine. Wasted. Well, dear lady, two seats and that's enough for me. I have no family. She is so beautiful and splendid. Do you want to try it? Why don't you try it? It's funny. And then Sasà is a very skilled driver.

[00:53:32]So come on, let's try this feat.

[00:53:35]Uncle Biaggio wants to remain a widower.

[00:53:44]Come on, don't worry. Let's take a trip to Catania and I'll bring her back to you safe and sound. Don't forget, I'll be waiting for you for lunch.

[00:53:56]Go!

[00:54:09]Nino, come with me to the house. I do n't feel like it now.

[00:54:18]I'll wait for you there afterwards. Do you want me to read you the newspaper? Do as you wish.

[00:54:37]And you know he doesn't want him to be sorry, let him go.

[00:54:47]Lauti absent for a year as you battin there when you want.

[00:55:16]The one absent as a battino.

[00:55:26]O.

[00:57:12]Well, what's wrong with you now?

[00:57:14]But do you love me?

[00:57:17]Please, why did you want that? And you? Why? Do n't you love me?

[00:57:39]Today my father died.

[00:58:30]Ah, you're back, see? From here to Catania it's a sprint and not even an hour.

[00:58:34]Why don't you stay for lunch with us?

[00:58:35]And thank you, my cupboard is waiting for me. I can't leave her alone. In the evening we go to bed early and watch television.

[00:58:43]You have to be patient, unfortunately. I am a very affectionate son, I have this weakness. Until we meet again.

[00:58:49]She found the best solution.

[00:58:57]Bye bye bye bye. Ah. Are you pale?

[00:59:59]Hm.

[01:00:40]What did you do in the car with Sas? Are you crazy? You scared me.

[01:00:45]You made love to it, didn't you?

[01:00:48]Look, this really makes me angry. It's possible that at your age you act like a kid. You still haven't understood that these things are never talked about.

[01:00:58]You don't talk about them, you do them.

[01:01:01]And leave me.

[01:01:04]Rosaries.

[01:01:05]Sh. Wake up everyone. Mmm. Giarusa.

[01:01:08]Thank you, Mrs. Cettina. Thank you.

[01:01:09]Where do I put them?

[01:01:10]Put them in the kitchen.

[01:01:17]That's it. Thank you, ma'am. Thank you. Have you ever gotten out of the car?

[01:01:33]No. I mean, yes. We went to a bar for a coffee.

[01:01:36]Which bar?

[01:01:37]Eh, what do I know, a bar on the street? I don't remember. But what do you want me to tell you? Why do you keep pestering me with these questions?

[01:01:44]Because I don't believe you. I don't believe you anymore. And he's quiet.

[01:01:49]I ended up making myself heard by everyone.

[01:02:17]I have to help my husband.

[01:02:19]But which one to help?

[01:02:21]That guy is an idiot, even if he's my brother. Do you know where the right place is for him? The prefecture.

[01:02:27]the prefecture with the fixed salary and paperwork.

[01:02:36]M But don't you understand that this way he'll end up not being able to stand Noscia anymore?

[01:02:47]I am your sister-in-law. We ca n't forget this, Alfio. Even for my daughter who is now grown up.

[01:02:56]Yes. Okay, let's talk about it another time.

[01:03:00]Now let me sleep. You can never have enough. I see how you change from one moment to the next, how you behave with me, with Sasà and with Uncle Biaggio.

[01:03:23]Ah, this is nice. Looks like I can't even sleep with my husband now.

[01:03:30]But what was I supposed to do?

[01:03:34]Yes I know. I was wrong to be nice to you the other night.

[01:03:39]I'm only realizing it now. Did n't you like me? Of course I liked you.

[01:03:49]And now don't act like a jealous child anymore, there's no reason. And then Sasà is banal, he even bores me and instead he amuses you, he constantly indulges you. It 's because you're driving me crazy with all these interrogations. You have to stop.

[01:04:05]I tell everything.

[01:04:07]All what?

[01:04:08]That you were with me and with Sasà. and tell whatever you want, because whoever believes you, and even if someone does believe you, they keep it to themselves, because they don't want to know, they don't want anything to change.

[01:04:20]You remain a jealous boy and I remain Uncle Biaggio's wife.

[01:04:23]I can't take it anymore. Tell me what to do. I'm killing myself. Well done, what a great solution. And then who will give you back your life?

[01:04:34]Don't do this, you need to be more open.

[01:04:40]more natural.

[01:04:43]We have no other choice.

[01:04:46]If I'm sure you haven't tired of me, I'll wait even for years.

[01:04:50]Nobody will notice anything.

[01:04:54]You have to learn to control yourself. You ca n't go on like this. How should I make you understand this?

[01:05:03]We are together. You want it so bad you're dying for it.

[01:05:10]But now it's not possible. It 's not possible.

[01:05:13]Why? Why? Why?

[01:05:18]One night I stumbled into your room, you were sleeping a deep, peaceful sleep.

[01:05:23]I felt your breathing and I was so happy. I saw you taken away from everyone and only mine.

[01:05:37]Let's go to the big house now. Let's go.

[01:05:39]No, I told you no. Not now. Are you still seeing Assass a te Ao tonight? It is not true. I'm only going to you to please your magic.

[01:06:14]These are black. The lightest ones are the ones I wear. Absolutely not black.

[01:06:20]Please, give me yours, go on, let's do it in a moment.

[01:06:28]You have to be careful with that boy, Annino. Hmm, he thinks too much. Woe betide anyone who stops to think. Life is made up of moments, just discard the bad ones, don't you think? Throw them behind your back, forget them.

[01:06:43]The ideal would be not to experience them, but Nino ca n't do it.

[01:06:48]Don't you see it? Eh, it's closed. One moment he's on cloud nine, the next he seems crazy. He should be with his friends, with the young people, with Mimi, with Giulietta who eats him up with her eyes. Try to get them together, try to get them to see each other more often.

[01:07:09]But now Nino is going to London.

[01:07:12]Ah, yes, yes, I know. You send it to London.

[01:07:14]Hmm. It's convenient this way you and the concept cettina. Well, what did I say? What's wrong?

[01:07:21]I'm not shocked, you know? In fact, I think you're doing a great job.

[01:07:27]A father, of course, cannot be replaced, but a husband can.

[01:07:33]But, Elisa, you should stop with this black. I don't pay attention to it anymore.

[01:07:39]But what's the point in growing old before your time? Ah, you see, after all Nino is different from the others.

[01:07:51]He believes in things and sticks to them. You might go to London and end up back here a week later.

[01:08:00]He would like to change the world and he is only 17 years old.

[01:08:07]Come, look at yourself.

[01:08:12]Look, leave me alone now. I have to call Sasà. Yes, certainly.

[01:08:42]Ready?

[01:08:45]Yes, certainly.

[01:08:47]What would it be like?

[01:08:50]Why not? Let's not argue the way you want. Yes, yes, yes, agreed. If that guy thinks he can screw us, he's wrong.

[01:09:03]Well, sure. Oh god, we're trying to fix everything. Until we meet again.

[01:09:17]I'm not giving up on it.

[01:09:20]I'm moving on.

[01:09:22]You do as you wish. It means I will receive the money in another way.

[01:09:38]Sit here so you can see better.

[01:10:39]Why so much? What is it? I 've seen it at least 10 times, I never understood anything.

[01:11:01]Do you read the booklet? No, because you read it another sentence.

[01:11:07]And did you understand anything?

[01:11:09]No, eh, I'm going to smoke a cigarette. I'll be right back.

[01:11:42]You said they weren't coming, but what do you care? I hate him. Check!

[01:12:34]Please, stay still. เฮ Ah, what?

[01:13:33]Good evening. Hi Sasà. But what are you doing here? Did you tell me you weren't coming?

[01:13:41]I changed my mind.

[01:13:42]Ah, did you let yourself be convinced? Eh, eh, yes. Let's all go to dinner. You are my eyes. Oh no, are you crazy? Look, there are quite a few of us, eh? We're going to ruin you tonight.

[01:13:51]Patience.

[01:13:55]Why didn't you call me and let me see how beautiful you look tonight? You're kind, but there are too many people this evening. There's my nephew, my sister, my husband. I still could n't resist.

[01:14:08]When will we see each other again?

[01:14:09]But I don't know, you have to ask me right now. Be careful, my husband is here.

[01:14:15]Oh, Biaggio, I've made up my mind. I build with you. I never doubted myself. Did you know that tonight we almost split the company, your husband and I? I don't believe it. You get along so well.

[01:14:32]But what about that boy?

[01:14:34]He has a strange face. You'd think that But no, he's a boy, don't worry.

[01:15:24]Good! I have n't missed a single good shot so far. I, on the other hand, can't give one.

[01:15:31]Hey, look Sasai, the dog is pointing. Come, don't go.

[01:15:40]But what are you doing? Come back with the others.

[01:15:42]When we are together. I do not know. As soon as possible, I told you.

[01:15:54]Nino, come with Ah.

[01:17:17]Nice, huh?

[01:17:21]Yep, they're pretty fat this year. Let's take it, eh. So, let's go to the Bassaro's house.

[01:17:41]Do a shoot where is Aunt Ceina? I don't know. she went with St. My God, let him find her.

[01:18:51]Go and find it.

[01:19:05]that you find it.

[01:20:28]Nino, what are you doing here? Nino, go away.

[01:20:38]But what do you want to do?

[01:20:42]No, Nino, no, no,no, it 's not that No, why are you made like this? Happy Birthday! Hurray!

[01:22:22]The first kiss.

[01:22:25]Come, come to your uncle.

[01:22:29]Here she is, caraus primenoctis. Did you see that I learned my lesson quickly?

[01:22:43]Too soon.

[01:22:46]So, go for a swim.

[01:22:48]Yes. I wish you much happiness, my daughter.

[01:22:56]Thanks dad.

[01:22:57]You are really good. You seem like a little Madonna to me.

[01:23:12]Come on, come on, what are you doing? Crying. I'm not going away forever.

[01:23:35]Hey, wake up! Aren't you going to give your niece a kiss?

[01:23:52]Everything went well.

[01:23:54]Yes, that's for sure.

[01:23:57]Happy birthday Nino. See you soon.

[01:24:08]Nino.

[01:24:10]Nino, come here.

[01:24:18]Well done, very well done.

[01:24:21]Hello aunt.

[01:24:21]Well done, well done, daughter.

[01:24:25]Hello Toretto.

[01:24:27]Bravo.

[01:24:28]Well done Nino.

[01:24:30]Bravo.

[01:24:32]Bravo. Bravo.

[01:24:34]Good.

[01:24:36]Bravo!

[01:24:38]HI!

[01:24:39]Bravo! Well done Linuzzo, well done! Very much!

[01:24:51]Laugi un anno ari quando ti guardasi! There would always be a feeling there.

[01:25:43]Mau io solo mi impacci Solo na triu Shadua Shadia e nutarilla.

[01:26:31]One year you'll be there when I go to you.

[01:26:47]Audi used to feel common.