The Devil Wears Prada: Anne Hathaway & Meryl Streep’s Iconic Press Tour Looks🥤 Rumour Juice

Añadido: 2026-05-06

[00:00:00]The Devil Wears Prada is back after 20 years.

[00:00:02]>> [music] >> And yes, the press tour is exactly what you'd hope for. A full-on fashion moment. Because honestly, would you expect anything less from Anne Hathaway and Meryl Streep? [music] The press tour started in Mexico City in March, and right away it felt like the film never left. Anne stepped out [music] in a fringed Schiaparelli dress that was all about drama, the kind of look that turns [music] heads the second you walk in.

[00:00:25]Meanwhile, Meryl went in a completely different direction with [music] a fiery red Dolce & Gabbana suit, sharp and powerful. And together, they just worked. [music] It was elegance meeting confidence with a little bit of attitude on both sides.

[00:00:39]And they didn't slow down there. At another appearance in the same city, [music] the styling started to feel familiar in the best way.

[00:00:47]Meryl leaned into Miranda Priestly territory with a structured Schiaparelli [music] shirt dress, polished, controlled, unmistakably in charge. Anne, on the other hand, gave us full Andy Sachs glow-up energy in a sequined Stella McCartney look. You could almost see the storyline reflected in their outfits.

[00:01:05]Then the tour moved to Asia, >> [music] >> and the styling felt even more intentional.

[00:01:10]In Tokyo, Anne Hathaway wore Valentino haute couture [music] in black, white, and red with sculptural ruffles [music] that gave the look movement and a bold edge.

[00:01:22]Right beside her, Meryl Streep appeared in Chanel >> [music] >> in a red dress with black and white detailing and fringe that added texture and flow.

[00:01:30]Together, they echoed the iconic color palette of The Devil Wears Prada, but in two very different striking interpretations. And speaking of color, yes, >> [music] >> cerulean made its return. You knew it would. That sweater is not just blue, it's not turquoise, it's not lapis, it's actually cerulean.

[00:01:50]Anne wore a cerulean sweater in Tokyo, a subtle but very deliberate callback that fans immediately [music] caught. It added a playful twist to her look, especially next to Meryl's [music] sleek black ensemble.

[00:02:02]But Meryl didn't ignore the reference either. She later stepped out in her own cerulean J. Crew sweater during [music] an appearance on The Late Show with Stephen Colbert. A small detail, but if you know, you know. You're wearing a sweater that was selected for you by the people in this room from a pile of stuff. From there, Shanghai brought a shift in tone. Meryl Streep wore a silky Saint Laurent look in deep blue, simple, sleek, and [music] quietly powerful.

[00:02:29]Anne Hathaway went the opposite way in a soft Susan Fang dress full of frills and airy volume that felt light and playful.

[00:02:37]Together, they mirrored Miranda's strict, controlled [music] energy and Andy's softer, more expressive side, like their characters [music] translated into fashion.

[00:02:46]Then came Seoul, where the fashion took another turn, and both actors once again leaned into the movie's signature color [music] palette.

[00:02:54]At one event, Meryl Streep wore a sharp black Celine look with a statement belt, clean and minimal, while Anne Hathaway countered with bold red Balenciaga leather, >> [music] >> bringing strong contrast and edge. Still in Seoul, they switched it up again.

[00:03:08]Meryl appeared in a striking [music] red Prada ensemble, while Anne went in a different direction with a structured white Vaccarello top and black leather pants, >> [music] >> keeping it modern and effortless. And then, the fashion story culminated at The Devil Wears Prada 2 world premiere in New York [music] City. But here's the real question: How does the 2026 red carpet compare to 2006? Let's take a look at how the cast's style has changed over the years.

[00:03:34]>> [music] >> Starting with Anne Hathaway, because she understood the assignment both times.

[00:03:38]>> [music] >> For the 2026 premiere of The Devil Wears Prada 2, she stepped out in a bold red gown that had just the right amount of drama.

[00:03:46]>> [music] >> It's voluminous, it's sophisticated, and there's a subtle vintage feel to it that makes the whole look land perfectly.

[00:03:53]It feels modern, but still connected to the film's DNA, [music] and that's exactly what you want from a premiere like this.

[00:04:01]Now, compare that to 2006. Back then, Anne kept it simpler with a scarlet gown that mirrored the film's iconic red font. Clean-cut, minimal fuss, but those [music] shoulder details added just enough personality. And then there's Meryl Streep, because of course she had to make a statement. In 2026, she didn't just [music] show up, she arrived as Miranda Priestly. The red cape, the black gloves, the sunglasses, >> [music] >> it's giving power, control, and zero tolerance for nonsense. It's one of those looks that doesn't ask for attention, it just commands it. But if we rewind to 2006, [music] the energy was completely different. She wore a delicate white beaded dress that felt [music] softer, almost understated.

[00:04:43]Still elegant, still refined, but nowhere near as commanding. It's like the quiet introduction [music] before the full Miranda takeover we're seeing now.

[00:04:52]Moving on to Emily Blunt, because her evolution might be one of the most satisfying. In 2026, she went [music] full drama in a soft pink gown with a huge voluminous skirt, romantic, bold, and giving that modern princess energy that just works on her.

[00:05:09]Emily's husband, John Krasinski, showed up in a sleek velvet suit [music] to support her. Together, they're one of those couples who just naturally compliment each other, polished, stylish, [music] and effortlessly in sync. Now, think back to 2006. Emily's look was much more low-key, a fitted magenta dress, simple sandals, nothing too dramatic.

[00:05:29]>> [music] >> It matched her character's early energy perfectly. A little unsure, a little understated. [music] And seeing her style evolve from that restrained minimal look to the full-on drama of 2026, it [music] just hits differently. Then we have Stanley Tucci, who looked effortlessly fashionable at both premieres. In 2026, he showed up in a black velvet blazer with sleek sunglasses, polished, [music] sharp, and modern.

[00:05:54]But even back in 2006, his tailoring was already spot-on. The look was more classic back then, but [music] still just as stylish. Some things really don't change.

[00:06:03]Side note, what skin care routine are they all on? Because it's been 20 years and they haven't aged a day. We need answers.

[00:06:10]And the 2026 [music] premiere didn't stop with the main cast.

[00:06:14]The guest list was stacked. Lady Gaga showed up in a black mermaid gown that felt classic, >> [music] >> but with that signature edge she always brings. It's polished, but never boring.

[00:06:25]Of course, Anna Wintour was there, too, serving exactly what you'd expect.

[00:06:28][music] Structured, powerful, and completely in control. The bold stripes paired with a navy coat, effortless authority. [music] And Simone Ashley brought the drama in a striking green dress with a modern twist, finished off with metallic heels that pulled the whole [music] look together.

[00:06:44]Then there's Heidi Klum, who went for a green gown with a dramatic silhouette [music] and textured fabric. Bold, elegant, and impossible to ignore.

[00:06:52]>> [music] >> And honestly, this year's premieres are really delivering when it comes to fashion. Because it's not just The Devil Wears Prada, earlier, [music] Wuthering Heights also turned into a full-on masterclass in method dressing >> [music] >> with the cast stepping into the mood of the story through every detail of their looks. But really, it all began with the LA [music] premiere, and that's where the tone was set. Margot stepped out in Schiaparelli and fully [music] embraced that dark, gothic romance energy. A lace corset, a black to deep red skirt, and just enough drama to feel slightly ominous. And yes, people couldn't stop talking about the Elizabeth Taylor Taj Mahal diamond necklace.

[00:07:30]Some praised the vintage glamour, while others raised concerns about its historical background. So, the reactions were clearly divided. London raised the stakes again. This time, Margot chose a sheer custom Dilara Findikoglu gown with corsetry and [music] rope detailing inspired by Victorian symbolism around hair and mourning.

[00:07:47]>> [music] >> And the detail fans can't stop discussing, Robbie paired her look with a replica of Charlotte Brontë's mourning bracelet, originally woven from her sisters Anne and Emily's hair, a thoughtful historical nod. She moved from [music] sharp tailoring to full romantic drama effortlessly. Alexander McQueen precision, >> [music] >> Dilara Findikoglu boldness, Thom Browne structure, Galliano theatricality, >> [music] >> Vivienne Westwood romance.

[00:08:14]Then shifting into Cavalli's sultry elegance, Margiela's avant-garde artistry, >> [music] >> and back to Ashi Studio's dreamy gothic fantasy.

[00:08:22]And here's the thing, none of it felt random. Every look felt intentional, cohesive, [music] connected to the film's atmosphere.

[00:08:30]She wasn't just changing outfits, she was exploring different facets of the same [music] story through fashion. As for Jacob Elordi, he kept it simple and understated at every premiere, letting Margot shine and take all the spotlight.