RE9 Leon ASMR M4F | Get In The Car | Detective Kennedy Ep.2

追加: 2026-05-07

[00:00:02]Rain makes people careless.

[00:00:05]They look down, pull their collars up, move faster than they should.

[00:00:10]You didn't. Smart.

[00:00:14]You took the long way to the blue door, stayed under the awnings, used the glass to check your reflection without stopping.

[00:00:22]Good, but not good enough.

[00:00:32]Good. You're keeping your pace.

[00:00:35]Don't change it.

[00:00:37]Second shadow on your right. No, don't look.

[00:00:41]Keep walking.

[00:00:44]He's been with you since Mercer. You almost lost him at the corner.

[00:00:49]Almost.

[00:00:52]Don't turn around.

[00:00:54]It's me.

[00:00:56]Keep moving. When I say it, you move now.

[00:01:01]Get in now. Inside.

[00:01:05]Good.

[00:01:08]Seat belt.

[00:01:10]No, don't look at me like that. The car is safer than it looks. My driving record less so. But tonight, we're keeping all four wheels on the ground.

[00:01:25]Keep your head forward. Don't turn around. Mirrors enough.

[00:01:31]Yeah, we've got company.

[00:01:34]Count the wipers.

[00:01:36]One. Two. Good. Stay with that. You're not panicking. That's why you're still here.

[00:01:48]Listen, I'm going to lose him at the next turn. When I do, you don't speak for a minute. You don't look back and you let me think.

[00:01:57]Understood.

[00:02:00]Good. There it is. He's getting impatient.

[00:02:04]That's useful.

[00:02:08]And there. Lost him. Don't relax yet. That was one pair of eyes. There are more.

[00:02:18]Now you can look at me.

[00:02:21]Yeah, that expression again.

[00:02:24]You're already calculating what went wrong.

[00:02:28]Good. Keep doing that. It'll keep you alive.

[00:02:34]About last night. Don't interrupt. The kiss was cover mostly.

[00:02:41]We're not unpacking that here. Not with company still in the neighborhood.

[00:02:47]Now tell me what you didn't say back there. Start with Marlo. And be careful how you say that name. I don't like the way you hesitated at the club. That wasn't curiosity.

[00:03:01]You said his name like it already cost you something. So we're not starting from zero anymore. We're starting from whatever you're not telling me.

[00:03:11]Relax. I'm not asking you to trust me.

[00:03:15]Not yet.

[00:03:16]Just talk.

[00:03:19]You heard his name before. Where?

[00:03:24]No, don't give me the stage answer. I've already heard that version. Give me the one you almost said.

[00:03:34]There. Doside. That tracks who was with him.

[00:03:42]Don't rush it.

[00:03:44]You don't forget faces like that.

[00:03:46]Especially not the ones you keep pretending not to look at.

[00:03:51]Yeah, that's better.

[00:03:54]Gray Suit wasn't alone. He never is.

[00:03:58]Which means you weren't just watching the room. You were part of it. Not by choice, but close enough.

[00:04:08]Damn.

[00:04:10]I was hoping this would stay simple.

[00:04:13]Guess that was optimistic.

[00:04:16]Listen carefully.

[00:04:18]You're not going to the blue door tonight.

[00:04:22]Yeah, I know that was the plan. Plans change. That door. Either someone's waiting behind it or someone wants you to think it's safe.

[00:04:34]I don't like either option.

[00:04:37]So, we adjust. You stay with me. No detours, no improvising.

[00:04:43]You move when I move. You stop when I say stop. And if I tell you to disappear, you don't argue. You just go.

[00:04:54]Good. There it is again. That look.

[00:04:58]You're deciding whether to trust me.

[00:05:02]Don't. Not like that. Trust me enough to stay alive. That's all I'm asking for tonight.

[00:05:10]Yeah, that's the right answer. You did good back there. Better than good. Most people would have run. You didn't. You thought. That's rare. Don't lose that. I might need it.

[00:05:26]We're going to circle twice. Make sure nobody picks us up again. Then I'll decide where you go.

[00:05:33]Try not to look disappointed. You're not the only one who had plans tonight.

[00:05:39]Mine didn't involve a tail and a moving target or you.

[00:05:47]That part's new.

[00:05:49]And before you say anything, don't.

[00:05:52]We're still working. Stay with that.

[00:05:56]We're not done yet. Not even close.

[00:06:00]Open the glove box slowly.

[00:06:04]There's a folded map inside. No, not that one. The old one.

[00:06:10]Yeah, that unfolded across your knees.

[00:06:14]Careful with the corner. It tears if you look at it wrong. Same as half the men in this town.

[00:06:21]Find Mercer.

[00:06:23]Now follow it down to the docks.

[00:06:26]Pier 12. You see it?

[00:06:29]Good. That's where my missing man was last seen three nights ago.

[00:06:36]Alive. Anyway, your hands stopped moving.

[00:06:41]Yeah, I noticed.

[00:06:44]Tell me what you heard. Take your time.

[00:06:47]No stage version. Just the words.

[00:06:52]A number. Say it again. 12. Dock. 12.

[00:06:58]Same pier. Different mouths calling it different things. And a flower. What flower?

[00:07:06]White Chameleia.

[00:07:09]That's not liquor. That's a marker.

[00:07:13]White Chameleia. Doc 12. Marlo.

[00:07:18]Three words people keep dying around.

[00:07:21]This just got uglier and more expensive.

[00:07:26]Usually those travel together.

[00:07:30]Hold on. Car behind us. No headlights for two blocks. Now he's got them on.

[00:07:37]Cute. Bad trade craft.

[00:07:41]Fold the map. Not all the way. Keep pier 12 showing. If something happens, you take that with you.

[00:07:49]No, don't give me that look. I said if.

[00:07:53]And I don't plan on letting if happen.

[00:07:57]Hand on the door handle. Not to open it.

[00:08:00]Just know where it is. Good. Feet braced.

[00:08:04]You listen well when you're scared.

[00:08:07]That's not an insult. It's useful.

[00:08:12]Easy. That was the boring version. You should see the one command keeps yelling about.

[00:08:20]Still with me?

[00:08:22]Good. Breathe.

[00:08:26]He missed the turn for now.

[00:08:29]You're shaking a little.

[00:08:32]Don't hide it. It's just your body catching up. Give me your hand.

[00:08:38]No, the one not trying to murder my upholstery.

[00:08:42]Yeah, there cold. Of course it is.

[00:08:48]Rain, fear, bad men. Worse timing. Hell of an evening.

[00:08:54]Keep your hand under mine. Just until it stops shaking.

[00:08:59]I know you don't like being handled. I'm not handling you. I'm keeping track.

[00:09:06]There's a difference.

[00:09:08]Your pulse is fast. Mine, too.

[00:09:13]Don't look so surprised. I'm good. Not made of stone. Most days.

[00:09:20]About the blue door. We still need it.

[00:09:23]Just not tonight. Someone wanted you to walk there alone. That means they either knew our plan or they knew yours before I did.

[00:09:32]I don't like being late to a secret. Bad for business. Worse for keeping people breathing.

[00:09:39]We're going somewhere quiet. Not my office, not the club. A back room over a closed Taylor shop. One staircase that complains louder than it should. Two exits, three locks, and a chair that might survive the night if neither of us insults it.

[00:09:58]Don't worry, I'll go easy on the furniture.

[00:10:02]You though, you're going to tell me the rest. The part you keep pressing behind your teeth. The part that made you stop breathing when I said Marlo.

[00:10:12]Don't answer yet. Think first. Lies are faster than the truth. That's why people use them.

[00:10:20]But you don't have to give me everything. Not tonight. Give me enough to keep you alive until morning. That's the deal.

[00:10:29]There. You want to say his name again?

[00:10:32]Go on.

[00:10:35]Marlo owed you something.

[00:10:38]No, not money. That looks too old for money.

[00:10:42]A favor or a promise?

[00:10:46]Yeah, there it is. He promised to get someone out.

[00:10:52]Who? Don't shut down on me now. I'm not asking so I can use it against you. I'm asking because whoever that is may be the reason people are dying.

[00:11:03]And if you're tied to them, then this stopped being my case the second you stepped into my car.

[00:11:10]Hold that thought. Left side. Black car at the corner. Same one. He doubled back. Better than he looked.

[00:11:19]Still not good enough. Keep low. Not down. Low. I need you able to move.

[00:11:28]hand on the map. Don't lose it. Whatever happens, that map stays with you. And before you start making that brave face, don't. I hate that face. It makes people do stupid things for good reasons.

[00:11:44]There's a narrow cut behind the pharmacy. If I take it clean, we lose him. If I don't, well, then my driving record gets another witness. Hold on.

[00:12:00]See all four wheels more or less you all right?

[00:12:11]Good. He didn't follow.

[00:12:14]Either he lost us or he wanted us here.

[00:12:18]That's the problem with a city like this. Every safe corner looks rented.

[00:12:24]Stay still a second. Let me check.

[00:12:27]No movement, no footsteps, no headlights.

[00:12:31]For now, look at me. Not the window. Me. You did exactly what I told you. That kept both of us breathing. So before your head starts telling you what you should have done better, tell it to take a walk.

[00:12:47]Preferably into traffic.

[00:12:50]Metaphorically, mostly.

[00:12:54]You're still holding the map. Good. Keep it close. Don't get distracted by it.

[00:13:00]We're not out yet. But you earned this.

[00:13:05]Easy. Just your coat. Shoulders wet. If you sit there shivering, I'm going to have to listen to myself. Be right again. Terrible burden.

[00:13:15]There. Warmer.

[00:13:17]Don't thank me. Just keep breathing.

[00:13:20]About earlier. the kiss. I said it was cover and it was. But if you're going to sit there pretending you didn't feel the second part, that's your business.

[00:13:34]Not a very convincing performance, but your business.

[00:13:39]Now we move back rooms two streets over.

[00:13:43]When we get there, you walk on my left.

[00:13:45]If I touch your back, you stop. If I take your hand, you move. If I say run, you run. No questions, no looking for me.

[00:13:57]I know you don't like that one. Neither do I. Still saying it. The city changes after midnight. Not quieter, just more honest. The respectable doors close. The useful ones open.

[00:14:13]And somewhere between the docks, the club, and a name nobody says twice unless they mean it, you got caught in the middle. Maybe by accident, maybe not.

[00:14:26]Either way, doll, you're not walking it alone anymore.

[00:14:33]We're here. Back door. No light over it.

[00:14:37]Good. I hate helpful lighting. Take the map. Tuck it inside your coat. Deep.

[00:14:44]Good.

[00:14:47]Listen. No talking outside. No questions in the stairwell. You keep close enough that I can feel where you are. Not because I don't trust you. Because I trust this city less. Ready?

[00:15:02]No, that wasn't convincing. [snorts] Try again. [clears throat] Better.

[00:15:11]Come on. Stay in my shadow. Easy. Step over that broken glass.

[00:15:19]This alley's got charm if you're a rat or a lawsuit.

[00:15:24]Keep your head down. Doors ahead.

[00:15:27]Hold still.

[00:15:30]Inside.

[00:15:32]Up the stairs. Quiet. Yeah, that's the staircase. Told you it complains. Just ignore it. I do mostly in now. Breathe.

[00:15:50]You can talk here. No one hears through these walls unless they've got a drill and a death wish.

[00:15:58]Sit. Chair by the table. No, not the red one. That thing's a trap with legs. Use the other one. Good map.

[00:16:10]Put it on the table.

[00:16:13]Good. Now point to the place you heard about. Don't say it first.

[00:16:19]Point.

[00:16:21][sighs] Pier 12. White Chameleia. Marlo.

[00:16:26]That's a triangle.

[00:16:28]And triangles usually mean somebody's using two points to hide the third geometry. Finally useful.

[00:16:37]You're smiling. Small one. I'll take it.

[00:16:42]Now, the person Marlo promised to get out. Tell me who.

[00:16:47]Yeah, I figured it was someone you cared about. People don't go quiet like that over strangers. Not twice.

[00:16:56]A sister?

[00:16:58]No, not sister. Friend, singer.

[00:17:05]Same club before you.

[00:17:08]And now she's gone.

[00:17:10]That's why you were watching the room.

[00:17:13]Not for gossip, not for tips. You were looking for the men who took her. That's not nothing. That's a reason. Reasons get people killed. Good ones, especially.

[00:17:28]Don't apologize. I haven't accused you yet.

[00:17:33]Bad joke. Little late.

[00:17:36]Forget it.

[00:17:39]Look at me a second. You don't have to sell me the grief. I can see it. Under the rouge, behind the stage smile, and the way you say Marlo, like the word has teeth. I believe you. I don't believe everything yet, but I believe that part.

[00:17:58]And now I know why someone wanted to know whether you'd make it to the blue door. You're not just a witness. You're unfinished business.

[00:18:07]Hey, you're shaking.

[00:18:10]Not subtle either.

[00:18:13]Come here. No argument.

[00:18:17]There. Easy. I've got you.

[00:18:22]Breathe slow.

[00:18:26]That's it. Again.

[00:18:30]Good. You're all right.

[00:18:34]Room's locked. Stairs are clear.

[00:18:38]Nobody's getting through that door without me hearing it. So, stop fighting it. Just stay here a second.

[00:18:46][sighs and gasps] Yeah, that's better.

[00:18:52]You're still holding on.

[00:18:54]Didn't say to let go.

[00:18:58]Eyes here. Slow.

[00:19:02]Good.

[00:19:04]Better.

[00:19:05]You feel that?

[00:19:07]That's your breathing settling.

[00:19:10]Mine, too.

[00:19:13][sighs] Good.

[00:19:15]Don't move.

[00:19:17]Not yet.

[00:19:19]Your eyes just dropped to my mouth.

[00:19:23]Yeah, I noticed for a second there. I almost forgot we were working.

[00:19:33]Don't move. That wasn't the building.

[00:19:38]Two knocks. The blue door signal, huh?

[00:19:42]Cute. Not smart. Under the table now. No argument.

[00:19:52]Good. Map stays with you.

[00:19:58]No, don't look at the gun. Look at me.

[00:20:01]If this goes bad, back stairs, left at the landing, door sticks, kick low. You understand?

[00:20:10]Good. Well, guess the city found us.

[00:20:16]Stay quiet, baby doll. And whatever happens, don't come out until I say Marlo better be worth the trouble.

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