The Only Ryan Gosling Movies That Aren't Literally Me

Ajouté : 2026-05-31

[00:00:43]Hey.

[00:00:44]Hey, it's okay.

[00:00:46]It's okay.

[00:00:47]Open your mouth.

[00:00:49]What?

[00:01:00]You owe me a new bike.

[00:01:03]Right?

[00:01:05]Earl.

[00:01:06]Where's that bell, man?

[00:01:09]Talk to me.

[00:01:14]I'm sorry.

[00:01:35][ __ ] [ __ ] crisis.

[00:01:44][ __ ] Oh, [ __ ] [ __ ] crisis.

[00:01:52]EVERYBODY GET DOWN ON THE [ __ ] [screaming] FLOOR!

[00:01:58]YOU!

[00:01:58]GET UP!

[00:02:00]GET THE [ __ ] UP.

[00:02:02]LOOK at the [ __ ] bag for money.

[00:02:05]Don't look at me. Put your No faces.

[00:02:07]You, get up.

[00:02:10]Get up.

[00:02:11]Get up.

[00:02:12]Get up.

[00:02:13]Get the [ __ ] up.

[00:02:14]Get that [ __ ] money. Put that [ __ ] money in there. I can't make change.

[00:02:18]What are you doing? Throw it over.

[00:02:22]Okay. I'm sorry. I'm sorry. Throw it over.

[00:02:25]I'm sorry.

[00:02:27]I'm sorry. Where's that guy back THERE?

[00:02:29]THE [ __ ] GUY. HEY, GUY.

[00:02:32]GET UP.

[00:02:33]THROW THAT OVER. YOU BETTER NOT [ __ ] THIS UP.

[00:02:37]Jesus Christ. I'm sorry.

[00:02:41]This [ __ ] [ __ ] Get the [ __ ] down.

[00:03:01][ __ ] [laughter] [ __ ] Get the [ __ ] out.

[00:03:17]Hello 5, we're pursuing robbery suspect north on Brandywine. Black jumpsuit, black helmet.

[00:03:27]Hello 5, suspect is turning into Bell Cemetery.

[00:03:35]In Bell Cemetery, pursuit of suspect on motorcycle.

[00:03:41]Going towards Wire Street.

[00:03:57]>> Appears to have a flat on rear tire.

[00:03:59]Heading out of Boylston, he's headed towards State. Got him up at State.

[00:04:05]Got him blocked at barricade at State Street.

[00:04:13]SUSPECT SUSPECT IS GOING DOWN STATE STREET. HE got around the barricade at Boylston.

[00:04:21]Heading south on Boylston, HEADING TOWARDS STATE.

[00:04:25]HEADING TOWARDS TO PLYMOUTH.

[00:04:29]SUSPECT DOES HAVE A FLAT TIRE ON THE REAR.

[00:04:33]10-4, got a visual of motorcycle heading south on Elmwood.

[00:04:39]Heading west on Stanford.

[00:04:45]He is heading north on Plymouth.

[00:04:48]>> [music] [screaming] >> Get down!

[00:05:02]Good for pursuit.

[00:05:18]What are you doing?

[00:05:20]Come here. Come here. How you doing with you? Yeah.

[00:05:23]Come here. Okay. The [ __ ] over here.

[00:05:25]Okay. I'm not going to hurt you. Just get upstairs.

[00:05:27]Get upstairs!

[00:05:45]I'm a at Plymouth. I need a back up unit for the southeast corner of the house. I have the northwest corner secured. Get out over there.

[00:05:52]>> [panting] >> Get out of here.

[00:06:51]GET DOWN. GET DOWN ON THE GROUND. GET DOWN ON THE GROUND. IS ANYBODY ELSE INSIDE? YES, SHE'S UPSTAIRS.

[00:07:07]POLICE! BRO.

[00:07:09]BRO, don't hang up.

[00:07:18]I'm in trouble.

[00:07:21]Um I'm in some lady's house.

[00:07:35]Bro, would you do a favor for me, please?

[00:07:39]Just one thing, I'll never ask for anything again.

[00:07:42]Police!

[00:07:52]Look, don't tell him about me, okay?

[00:08:08]Okay.

[00:08:19]>> [music] >> They're in almost every movie.

[00:08:25]You just don't know that they're there.

[00:08:28]Cuz that's the job.

[00:08:32]They're the unknown stunt performers.

[00:08:36]And they get paid to do the cool stuff.

[00:08:40]>> [music] >> They also get paid to take it on the chin.

[00:08:48]And everywhere else, if you know what I mean.

[00:08:51]>> [music] >> Oh, that's that's me.

[00:08:56]Colt Seavers.

[00:08:57]Getting blown up and hiding my face in a muddy puddle.

[00:09:00]Which isn't ideal when you're trying to look cool in front of Jody.

[00:09:05]Who you just so happen to have a major crush on. She's a camera operator.

[00:09:10]Who's definitely going to achieve her goal of being a big time Hollywood movie director.

[00:09:16]I don't want to over romanticize it or anything, but I think what Jody and I got's the kind of thing you can only really find in the movies. Hey, Jody.

[00:09:24]Hey Colt, thanks so much for the stunt chats.

[00:09:26]>> Stunt chats, I love them anytime.

[00:09:29]Hey, Tom needs to see you at the monitor. Uh-oh.

[00:09:32]We're in trouble. She's talking about Tom Ryder, who happens to be the biggest action star on the planet. Wait, why am I explaining this?

[00:09:40]You know Tom Ryder is. He's Tom Ryder.

[00:09:43]Anyway, I've been a stunt double for 6 years now.

[00:09:47]Flying it?

[00:09:53]What happened? What's up? Guess we're going again.

[00:09:57]You know Tom and Gail?

[00:09:58]There's a lot of grumbling and a bunch of hand gestures over at the monitors, so I'm not sure what's going on there, but let me guess, too much face.

[00:10:07]31 for me? Um Jody, right? You can see that is not my chin. I mean, look at my face. Look at my jaw compared to his jaw. It's like his chin is off. Yeah, let's have him replace his face. It's like Mr. Potato Head. No offense or anything, but you know.

[00:10:21]>> Oh, yeah, no. [clears throat] Sorry, I got lost in your beautiful jawline.

[00:10:25]Streamy. No, listen. We're just saying it's not working for us, okay?

[00:10:29]Let's go again.

[00:10:31]Oh, yeah. No, we're going to have to go again. Okay. Yeah. 100%.

[00:10:34]I don't know, man. Do you think um Try to make some magic? Maybe you can do it backwards or something. I don't know.

[00:10:39]It's just less face.

[00:10:41]>> Yeah. The woman freebasing the Diet Coke is Tom's producer, Gail. She's been making him look good for years. And it's not always easy. Give us some. Oh, I'm going to I can't complain. I'm working with my dream girl on my dream job.

[00:10:56]We got to switch the pick points to the front. I'm living the dream.

[00:11:03]Jody, go to two.

[00:11:07]Do you have a question for me?

[00:11:09]Uh yeah, just look just now like you wanted to ask me something. Oh, I was going to go for a spicy margarita to work, and I was wondering if you drink spicy margaritas.

[00:11:19]Um well, just to keep it professional, I can only have one spicy margarita, because if I have two, I start making bad decisions.

[00:11:27]Well, you know, drinking margaritas is all about making bad decisions.

[00:11:31]Which reminds me, um after this job, I got to go sit on the sand [music] somewhere. And I was wondering, I was going to ask you a question.

[00:11:39]Tell me.

[00:11:42]Do you have any towels that I could borrow?

[00:11:45]Yeah, I have some towels. You know it's so dangerous to swim alone.

[00:11:50]Well, I would ask you to, you know, be my swim buddy, but I don't know if you have a bathing suit. Wait a Wait a second, what do you call that across the pond?

[00:11:58]We call it a swimming costume.

[00:12:03]Imagine that.

[00:12:05]After this, you and I could both be on a beach somewhere in swimming costumes, drinking spicy margaritas, making bad decisions.

[00:12:14]Imagine that.

[00:13:06]Cutie, you okay?

[00:13:09]I need you to step back. You're not helping.

[00:13:30]>> What's that saying? Pride comes before the fall. Well, they don't mention that it sticks around afterwards, too.

[00:13:39]Jody tried so hard to be there for me.

[00:13:41]She really did. I just I couldn't do it.

[00:13:47]Then I just disappeared completely.

[00:13:51]Well, at least I thought I did.

[00:14:09]Cycle the Agena.

[00:14:12]Turning it on.

[00:14:13]Turning it off.

[00:14:39]I'm going to cycle the Acme pillow motor valves.

[00:14:43]Switching AD up to pitch.

[00:14:46]Roll out to pitch.

[00:14:54]You want me to do it? Order confirmed.

[00:14:59]Separate from the Agena.

[00:15:03]Setting Agena to allow remote command.

[00:15:05]Switching on the DDC.

[00:15:07]Make sure you give it extra thrust so we don't smash into the Agena. On my mark.

[00:15:10]I'm done.

[00:15:13]Two.

[00:15:15]One.

[00:15:32]>> Com talent 13%.

[00:15:34]It's not the Agena, it's us.

[00:15:51]>> [screaming] >> Gemini 8 coming back into range in 3 2 1. This is CSQ checking our com link.

[00:16:05]How do you read?

[00:16:09]Gemini 8, how do you read? We have serious problems.

[00:16:13]We're tumbling end over end up here.

[00:16:15]We're disengaged from the Agena.

[00:16:18]Okay, we got your spacecraft free indication here.

[00:16:22]What seems to be the problem? We're rolling up and we can't turn anything off. We're continuously increasing a left roll.

[00:16:29]CSQ flight. Go ahead, flight. Did he say he cannot turn the Agena off?

[00:16:34]Uh no, he says he's separated from the Agena and he's in a roll and he can't stop it.

[00:16:39]Flight, their roll meter reads 270 and rising. At that rate, they'll be passing out in about 40 seconds.

[00:16:47]Paul.

[00:16:49]Paul.

[00:16:53]Trying to stop the rate.

[00:16:55]It's currently at >> [panting] >> Yep.

[00:17:38]Getting on.

[00:17:48]We can.

[00:18:11]Close the RCS breakers.

[00:18:16]Dave, Gemini, did you say you were closing RCS breakers?

[00:18:22]Are you initiating RCS?

[00:18:26]Gemini, I can't hear you. Are you closing RCS breakers?

[00:18:32]You will not be able to control your attitude.

[00:19:01]Okay.

[00:19:02]We're regaining control of the spacecraft slowly in RCS direct.

[00:19:09]Roger.

[00:19:11]Roger, copy. We're pulsing the altitude slowly. It's all roll rate.

[00:19:15]You're trying to kill our roll rate here.

[00:19:26]Move this back to one ring.

[00:19:29]Copy.

[00:19:31]>> [screaming] >> I want emergency landing options. We've been too focused on how much fuel there's left.

[00:19:46]Bob, what do you think?

[00:19:49]I think you better land now.

[00:19:55]Deek.

[00:19:56]Jan's outside.

[00:20:14]Jan, the ship is stable. They're going to be all right.

[00:20:17]He's okay, Jan.

[00:20:18]I need you to go home. Fine. Turn the box back on.

[00:20:21]I'll see what I can do.

[00:20:22]>> Now, turn the box back on. Now.

[00:20:26]All the security protocol is on.

[00:20:28]>> give a damn.

[00:20:29]I've got a dozen cameras on my front lawn, Deek. Do you want me telling them what's going on?

[00:20:33]Jan, you have to trust us. We've got this under control.

[00:20:36]>> No, you don't. All these protocols and procedures to make it seem like you have it under control.

[00:20:42]But you're a bunch of boys making models out of balsa wood. You don't have anything under control.

[00:20:52]Naha Rescue 1 will be on station at splashdown with a flotation card. Did you get the call signs?

[00:21:01]Uh, yeah. It's Naha Rescue 1, Naha Search 1.

[00:21:08]Well, I'd like to argue with them about the going home, but I'm not sure how we can't.

[00:21:15]Yeah.

[00:21:18]I just keep thinking, is there anything else that we forgot?

[00:21:24]We did everything as far as I know.

[00:21:40]Gemini 8 saw two complex vehicles launched on the same day on time.

[00:21:46]We saw flawless rendezvous and docking.

[00:21:49]All of which is tended to be overshadowed by the malfunction, but uh uh I think we should focus on the progress resulting from the mission.

[00:21:59]The board would like to focus on the malfunction.

[00:22:02]Neil, what was the decision to separate the near Gemini?

[00:22:09]You mentioned that the rate of revolution was more than once a second.

[00:22:13]How near were you to being unconscious?

[00:22:14]Did you think to use the Gemini to stabilize combined craft? We did.

[00:22:19]This was uh not successful.

[00:22:23]As I said, we initially assumed that the anomaly was with the Gemini control system. Since there was no way to know that its thruster was causing the If we could have uh isolated each of Gemini's thrusters if we had that capability in the moment.

[00:22:39]I don't France. Did you have any feeling of anxiety after the failure of the thruster? In the midst of the spinning, did you seem to realize or feel the presence of God closer than other times?

[00:22:50]This is so hard on the heels of the loss of Charlie Bassett and Elliot See. Do you question whether the program's worth the cost in money and in lives?

[00:23:14]>> Mhm.