This Lovecraftian horror short film illustrates how artificially maintained environmental conditions can create supernatural phenomena that sustain something beyond natural existence, demonstrating that unnatural cold air in a boarding house room was not merely a physical condition but the mechanism by which a deceased entity was kept in a state of continued existence until the mechanical system failed.
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Abyss || “Cool Air” - Black and White Lovecraftian Short FilmAjouté :
[music] >> You ask me why I am affected by cold air as I am.
Why it repels me more than it does others.
I can only answer by relating the circumstances. [music] In the spring of 1923, I took lodgings in a boarding house in New York.
A shabby establishment, but not remarkable in any unusual respect.
[music] I was assigned a room on the third floor.
It was soon made known to me that one room in the house was to be avoided.
Room three.
No reason [music] was offered beyond the statement that it was kept cold.
At first, I assumed this to be a matter of poor heating.
I was soon disabused of that notion.
For the air near that part of the hall did not behave as air ordinarily does.
It did not warm or circulate with the rest [music] of the building.
It remained in a state of unnatural consistency.
I was informed by the landlady that the room was occupied by a physician, a Dr. Muñoz.
She spoke of him as eccentric [music] and reclusive.
He did not leave his room.
He conducted his own treatment there.
I took no [music] special interest in the matter at that time.
I first became aware of him indirectly.
Not through meeting, but through effects. [music] There was a mechanical hum at irregular intervals [music] from behind the door.
And a constant discharge of cold air which no structural [music] explanation appeared to account for.
I began to suffer from recurring [music] attacks of illness during my stay.
Weakness and sudden loss of vitality occurring without apparent cause.
On one occasion, I was overcome in the corridor outside room three. [music] In my distress, I knocked upon the door.
It was opened [music] only slightly.
And I was admitted into the room beyond.
A blast of cold air issued forth which was wholly unnatural in degree and quality.
Within, I saw [music] Dr. Muñoz.
He was a man of cultivated appearance, though markedly pale and cold to the touch.
He did not inquire into my condition in the manner of a common practitioner.
He examined me [music] briefly.
And proceeded at once to adjustment.
Whatever was administered to me was of a nature I cannot describe [music] with precision.
Only that my condition was relieved in a remarkably short time.
After this, I returned to him on several occasions.
[music] It became evident that his treatment was effective where others had failed.
No change was observed in his appearance during this period, [music] nor in his manner, nor in the state of the room.
It remained uniformly cold, artificially so.
I came to rely upon his ministrations.
The explanation of his condition was given to me as a matter of course.
He suffered from a disorder requiring constant low temperature.
Any rise [music] in heat would prove dangerous to him.
This was maintained by mechanical refrigeration apparatus within the room.
I accepted this explanation without further inquiry, until the night the machinery failed.
There was a breakdown in the refrigerating system, and within a short time, the temperature of the room began to rise.
During the night, the condition [music] of Dr. Muñoz altered abruptly, not through gradual decline, but through immediate collapse of function.
When the room was finally entered, he was found in a state which [music] made further speculation unnecessary.
It was then that I learned the truth of the matter.
I examined the records of the boarding house, then the public death registry [music] to which his name led.
There I found the entry, Dr. Carlos Muñoz, years deceased at the time of my residence.
Yet the room in which I had conversed with him remained in continuous occupation during all that time.
And I now understand >> [music] >> why I cannot endure the sensation of cold air.
For it was not [music] merely a condition of the room.
It was the means by which [music] something that had already ended was maintained in a state of continued existence until the maintenance ceased.
>> [music] [music] [music] [music] [music]
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