The exhibit successfully reframes the human body as a canvas for high art, finally bridging the gap between elitist fashion and the diverse reality of our existence. It is a necessary evolution that treats the designer’s craft with the intellectual gravity it has long deserved.
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Deep Dive
Ahead of Met Gala, Anna Wintour previews new fashion exhibit that seeks to ‘reclaim’ body types thatAdded:
is a collective thread that is audible.
The curator in charge of the Costume Institute for bringing this >> [applause] >> This is my favorite day of the year and also my most terrifying one, even several decades in.
Costume art threads re- reweaves the threads of connection between art and fashion that designers for centuries have pulled through.
It's about everybody and it's about every body. Nude bodies and classical bodies, corpulent bodies and disabled bodies and the way both fashion and art can shape our imaginations.
So, none of it would be possible this year without four women.
First, our co-chairs, Beyoncé, Nicole and Venus Williams.
Each of whom have fought not just to succeed, but to keep growing after that success.
Lauren Sanchez Bezos, our honorary chair, far from simply lending her name, came to every important meeting full of enthusiasm and good ideas.
Lauren is willing to shake up society with risk-taking and an upbeat spirit that is as boundless as her energy.
And she and her husband, Jeff, have shown with this event that they genuinely genuinely care about giving back.
The Met has always understood something the rest of the world is finally catching up to. Fashion is art.
The designers we celebrate tonight are true artists. The Costume Institute is the custodian of their work, the way the Met is the custodian of any great painting or sculpture.
That's what this museum definitely understands. It is my honor to introduce the legend and my friend, Venus Williams.
>> [applause] >> Fashion has always been a big part of my life. I remember I still remember my mom sewing my first tennis skirt for my professional match. I was 14 years old.
I was just about as tall as I am now and I went out there swinging in my mom making my first skirt and I fell in love then. I fell in love with watching something come to life like that and it gave me a deep appreciation for fashion at its core. How it's made, how it moves, how it makes you feel and how it tells a story, how it create memories and how a lot of the times, as we'll see, how it makes history.
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