When individuals are subjected to systematic oppression and trauma, they may develop a psychological response where they become willing to perpetuate violence against others, not because they are inherently evil, but because they have been destroyed by the very systems they are forced to destroy; this creates a tragic cycle where victims become perpetrators, and society's tendency to label such individuals as 'monsters' prevents us from addressing the underlying systemic issues that created them.
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EREN killed 80% of HUMANITY. So why do we defend this MONSTER | WHY.VILLAIN
Added:Before you decide he was the villain, ask yourself one honest question.
If the world showed you nothing but cages your entire life, wouldn't you eventually burn it down just to feel what open air tastes like?
You've already made up your mind about him. Most people do.
It's easier that way.
We label things monsters so we don't have to sit with the discomfort of what they actually are.
But tonight, we're going to sit with it.
We're going to look at the boy before the world broke him.
The child before the crime.
The human being the world was already destroying before he decided to destroy [music] it back.
This is not a defense of what Eren Yeager did.
This is a mirror.
And you might not like what you see in it.
Born into the cage, he was not born angry. No one is.
Eren Yeager was born into a world that had already decided the terms of his existence before he took his first breath.
A boy with a mother and a home.
But surrounding all of it, three walls.
Not walls of stone really.
Walls of permission.
Walls that said, "This far.
No further.
This is the shape of your life.
This is the size of your freedom.
Be grateful you're alive inside it.
Even the birds that flew over those walls, he watched them.
He envied them.
A child envying a bird.
Let that land. We never ask why the animal broke from its cage.
We only ever mourn the damage it caused on the way out.
The day everything ended.
They talk about the day the Colossal Titan breached Wall Maria like it was an event.
A historical incident.
It wasn't.
For Eren Yeager, was the moment the last soft thing inside him was eaten. Not killed. Not destroyed.
Eaten.
He watched his mother consumed while he was carried away, screaming her name into wind that didn't care.
And somewhere in that screaming, in that absolute helplessness, something in him made a decision his conscious mind wouldn't understand for years.
It decided never again. Not never again for me.
Never again for anyone.
No matter what it costs. No matter who pays it.
Is that monstrous?
Or is that the only logical conclusion a traumatized 9-year-old brain could reach when the world offers it nothing else?
Because here is what we don't talk about. This happens in our world right now.
Children who survive atrocity don't become okay.
They become something else.
Something quieter.
Something that waits.
And we call it trauma when it's silent.
We call it terrorism when it speaks.
The world outside the walls He crossed the walls. He found the world he had been dreaming of his entire life.
And the world wanted him dead.
Not because of anything he'd done.
Not because of his choices, his crimes, his nature.
Because of his blood. Because of what he was born as.
Sound familiar?
The world beyond the walls didn't greet Paradis with diplomacy.
It sent children as weapons.
It taught little boys to hate themselves so thoroughly that they would volunteer to die for the people who humiliated them.
And when Eren understood the war was never going to end, the last door inside him closed quietly.
No one heard it shut.
History does not create monsters from nothing.
It assembles them slowly, carefully, from suffering it refuses to acknowledge until it's too late.
>> [music] >> The rumbling.
Let's be precise about what Eren Yeager chose.
He chose to kill 80% of the world.
Say that again.
Sit with that number.
There is no version of that sentence that ends with the word hero.
But here's the question history keeps asking.
The question we keep refusing to answer.
What were the other options?
Negotiation?
With a world that had been planning their extermination for decades?
Diplomacy?
With nations [music] that trained children as suicide soldiers?
Surrender?
To people who saw Paradisans as subhuman?
He tried, you know.
He tried the other ways first.
And every door he knocked on was barred from the inside by people who needed his people dead to feel safe themselves.
There is a word for what happens to a human being when every nonviolent path is eliminated. [music] We don't use it.
We prefer the word monster.
It asks less of us. We have always done this.
We have always called the violence that protects power necessary and called the violence that challenges it evil. The difference between a war criminal and a war hero is almost always who wrote the history.
Almost always who survived.
The tragic truth.
Here is what no one tells you about Eren Yeager.
He knew he was the villain.
He knew. He had seen it.
He had seen everything, all of it, through the power of the founding Titan.
Every future, every consequence, every grave.
He chose it anyway.
Not because he was evil, because he was tired.
Tired of a world that demanded his people apologize for existing.
Tired of a cycle that had no end unless someone was willing to absorb the weight of ending it.
Tired in that way that lives inside the bones after too many years of surviving things you were never supposed to survive.
He didn't want to be the monster. He just wanted to feel freedom.
He wanted the trees. He wanted the ocean.
The real ocean.
Not the one in the books.
The one you could stand in.
The one that had no walls on either side of it.
But that boy died the day he was carried away screaming a name into the wind.
What walked out of those woods wasn't a villain. It was a wound that learned to walk.
We will call the next one a monster, too.
We will be horrified.
We will mourn.
We will build memorials and then we will do nothing about the walls we built.
The cages we maintain.
The people we were already destroying slowly, quietly, legally long before they decided to destroy [music] us back.
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