In classical music, the transition from the dominant key back to the tonic key at the end of an exposition creates a satisfying sense of resolution, as demonstrated in Mendelssohn's Octet in Eb Major where the composer achieves an effortless, almost inevitable return to the home key.
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Musical Tension in Mendelssohn's Octet in Eb MajorAñadido:
So, here we go. This is the end of the exposition. Exciting music, but we have to get back to the home key. We've gone to the dominant, and now we have to go back to the tonic. So, how does he do that? Here we go.
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