This video provides a lucid explanation of how voice leading dictates scale structure, effectively demystifying the functional necessity of the melodic minor. It is a concise yet insightful look at the structural logic that underpins Western tonal harmony.
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Melodic Minor is the Best Minor追加:
So, it is at this point that I would like to discuss a simple demonstration which gives a good reason as to why melodic minor is written the way it is.
Firstly, if we were to add simple dominant tonic harmonies over a major scale, say A major, then we could hold the dominant and tonic harmonies over these respective scale degrees.
If we translate this to say the modern incorrect writing of A natural minor or harmonic minor, something is audible.
Both sound ugly because of the notes of the scale not working harmonically with the accompanying chords.
>> [music] [music] >> If I do the same thing now with melodic minor, suddenly things are much smoother.
>> [music]
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