Shutter Island (2010) | First Time Watching | Movie Reaction | Asia and BJ

Hinzugefügt: 2026-05-21

[00:00:16]What's good YouTube fam? It's your girl Asia >> and it's your boy BJ and we back like we never left. We got to give major major love to all of our supporters, to all of our movie family for holding us down and just holding us down the right way. Now, tonight guys, you guys see that thumbnail. We're about to be checking out Shudder Island. Now, we've been looking for a really, really, really, really good thriller movie to watch.

[00:00:39]>> I'm excited to get into it. First time watching this. I don't know what it's about. I did see though, like you said, it was a it was a thriller.

[00:00:45]>> It says thriller. Yeah.

[00:00:46]>> So, I don't know. I don't know what to expect in this, but I'm thinking it's going to be good. I always get excited about the thriller. So, let's jump in.

[00:00:55]If you're new, welcome in. Make sure you like and comment, subscribe, smash the notification bell so you don't miss any videos from Asia and BJ. Tap into our Patreon, check out all of our unedited, uncut videos, behind the scenes footage, Patreon post, and access to all of our TV series as well. You guys, we're watching The Boys and Stranger Things right now over on Patreon. So, make sure y'all hop in, okay? It's absolutely free to sign up to be a member. So, make sure you at least come over there and just get in on the fun stuff. Okay? So, all of that to say, I'm ready to get into this. All right. All right. All right.

[00:01:27]All right. So, the movie of the night, Shutter Islands together, Teddy.

[00:01:53]Oh, >> what they call it?

[00:01:56]It's a lot of water.

[00:01:59]>> It I don't get it. Some people get like so sick from like water being on water waves like that. I just >> You remember that one lady that just kept throwing up and throwing up and throwing up on that boat that we was on?

[00:02:11]>> Like violently sick >> on water like that. And I freaking love it.

[00:02:18]>> Look how fast they moving.

[00:02:21]You >> okay, boss?

[00:02:23]>> The more waves the better. She's my new partner. That's right. How long you been with the Martians? 4 years.

[00:02:32]What about you? You got a girl?

[00:02:34]>> May. I was.

[00:02:38]>> I was briefing about the institution before you left.

[00:02:42]>> All I know is it's a mental hospital >> for the criminally insane.

[00:02:48]>> Criminally insane.

[00:02:50]>> Okay. This what you was looking for. You about to get what you was asking for.

[00:02:54]We'll be casting off as soon as you two are ashore.

[00:02:56]>> Why?

[00:02:58]>> Storm's coming.

[00:02:59]>> Oh. Oh, they going to be here for a while.

[00:03:02]>> So, they dropping them off and then they going to leave, >> right?

[00:03:05]>> Was gentlemen, welcome to Shatter Island. I'll be the one taking you up to Ashcliffe.

[00:03:10]>> Ashclft.

[00:03:16]>> Oh god. Boys seem a little on edge right now, Marshall. We all are.

[00:03:22]>> What am I missing? Why they strapped up so deep?

[00:03:25]>> Right? Cuz they they just got into the car. We just got here. What?

[00:03:29]>> And they pulled up 45D.

[00:03:34]>> Is something going to come out the trees?

[00:03:42]>> Look like a fortress.

[00:03:47]They treating this like this is a high security like a maximum security prison.

[00:03:51]Red brick building on your right is ward A, the male ward. Ward C is that building on the bluffs.

[00:03:59]>> Dangerous patients are housed there.

[00:04:01]Admittance to Ward C is forbidden without the written consent and physical presence of both myself and Dr. Collie.

[00:04:08]>> Mhm.

[00:04:09]>> You act like insanity is catching.

[00:04:11]>> You're hereby required to surrender your firearms. When inside a penitentiary, the officers of that institution have final authority.

[00:04:18]>> Okay.

[00:04:21]Gentlemen, you will not get through this gate with your firearms.

[00:04:24]>> And what are we here for exactly?

[00:04:26]>> Why are they here?

[00:04:29]>> What do you say we go find Dr. Collie?

[00:04:33]>> Are they there to talk to a patient?

[00:04:35]>> They said they better go see the doctor.

[00:04:37]>> When did she escape?

[00:04:38]>> At his prison.

[00:04:39]>> I'm afraid Dr. Collie will have to fill you in on the situation.

[00:04:43]>> Protocol.

[00:04:44]>> She escaped.

[00:04:45]>> We take only the most dangerous damage patients and it's all due to Dr. college the hospital for people our society knowledge >> and they just outside walking around cutting trees and stuff with and sharp objects.

[00:05:04]>> Oh, >> is that boat still at the at the pier?

[00:05:08]>> Oh, to leave.

[00:05:09]>> Yeah.

[00:05:10]>> Oh, wait. Oh, wait. Uh-uh.

[00:05:13]>> I'm going to go get back on the boat.

[00:05:15]>> He believes in the work we do here.

[00:05:16]>> What would that be exactly? A moral fusion between law and order and clinical care. Pardon me, Jack. A what?

[00:05:22]Between what and what used to be the kind of patients we deal with here were shackled and left in their own filth.

[00:05:32]We drove screws into their brains. We submerged them in icy water until they lost consciousness or even drowned.

[00:05:39]>> What?

[00:05:41]>> These are all violent defenders, right?

[00:05:44]They've hurt people, murdered them in some cases. In almost all cases, yes, >> almost all.

[00:05:50]>> Female prisoner >> patient >> Rachel Solando escaped sometime in the last 24 hours >> last night.

[00:05:57]>> Solando.

[00:05:58]>> She considered dangerous.

[00:06:00]>> You could say that. She killed all three of her children.

[00:06:04]>> She drowned them in the lake behind her house. She took them out one by one, held their heads under till they died.

[00:06:09]Then she brought them back inside and arranged them around the kitchen table.

[00:06:12]She ate a meal there before a neighbor drove by.

[00:06:17]And what about the husband?

[00:06:18]>> He died. She's a war widow. She starved herself when she first came here. She insisted the children weren't dead.

[00:06:25]>> Didn't that look like the lady that was just waving ahead?

[00:06:27]>> That look like Demi Moore a little bit.

[00:06:32]>> Wow.

[00:06:34]>> A little more prone to seasickness.

[00:06:36]>> Ah, dehydration. Yeah, >> I'm boss.

[00:06:38]>> Yeah, >> in that case, you're quite right. The simpler the better.

[00:06:42]>> I think he's saying things, too.

[00:06:44]She came back for a midnight round. She was gone.

[00:06:48]>> Okay. Ain't no posters on the wall. So, she didn't go out that way, >> right?

[00:06:54]>> She left here barefoot. Come on, Doc.

[00:06:56]She couldn't get 10 yards in that terrain.

[00:07:00]>> Awesome.

[00:07:02]>> I'm talking about you better search every every inch of this room cuz she found a way.

[00:07:12]The law of four. Who is 67? I >> have no idea what the law of four is, though.

[00:07:18]>> It's not a psychiatric term.

[00:07:20]>> I'm afraid not.

[00:07:21]>> What did it say? The law of four.

[00:07:23]>> We're going to have to hold on to this.

[00:07:25]Of course.

[00:07:26]>> And you say she had to come through here.

[00:07:28]>> It was almost like like a riddle.

[00:07:30]>> Going to need access to the personnel files of all the medical staff, the nurses, the gods, the orderly.

[00:07:34]>> Take your request under consideration.

[00:07:36]>> We're going to need to speak with the staff. Why wouldn't they want to?

[00:07:39]>> Cuz he need he need to talk to everybody, >> right?

[00:07:41]>> There's no way she could escape that room.

[00:07:43]>> No. And she definitely didn't get off of this island.

[00:07:48]>> So where she at? Hiding in the rocks.

[00:07:51]>> It's 11 miles to the nearest land and the water's freezing.

[00:07:55]>> Damn.

[00:07:57]>> She'd have drowned and been crushed on the rocks and her body would have washed back up on shore.

[00:08:03]>> Well, she didn't. Okay.

[00:08:05]>> Oh, look at them swelles.

[00:08:07]>> No way. She could get there. The base of those cliffs are covered in a thousand plants with thorns as big as might.

[00:08:12]>> You said yourself, Marshall, she's got no shoes.

[00:08:15]>> Okay. So, >> yeah, we ain't going in there.

[00:08:17]>> She got to be on the inside if she didn't come out.

[00:08:19]>> It's an old lighthouse sewage treatment facility. I'm calling this off for THE NIGHT.

[00:08:24]>> LET'S GO, BOYS.

[00:08:26]>> The lighthouse.

[00:08:29]>> [ __ ] >> Who else does she have to pass to get down here?

[00:08:33]>> Me.

[00:08:34]>> Not Tommy.

[00:08:37]I hadn't seen nothing.

[00:08:39]>> And you were at your post all night.

[00:08:41]>> Yeah, but I didn't see a thing.

[00:08:43]>> He li his eye contact.

[00:08:48]His eyes moving around.

[00:08:50]>> I maybe went to the bathroom.

[00:08:53]>> You breached protocol.

[00:08:55]>> Does anyone here know what she did before that? Anyone?

[00:08:58]>> Somebody got to know something.

[00:09:00]>> You were there. Was there a doctor present?

[00:09:01]>> Yes, Dr. Sheen led the discussion. He's Rachel's primary. the psychiatrist who directly oversees her care.

[00:09:09]>> We're going to need to speak with Dr. Sheen.

[00:09:11]>> Where?

[00:09:12]>> Afraid that won't be possible.

[00:09:14]>> Why? What?

[00:09:16]>> His vacation was already planned. He'd been putting it off too long.

[00:09:19]>> You're in a state of lockdown.

[00:09:21]>> He did it.

[00:09:23]>> Patient has escaped and you let her primary doctor leave on vacation.

[00:09:29]>> Red flags. Red flags. Red flags. Red flags.

[00:09:32]>> He's suspicious for sure. You have the phone number for where he's gone.

[00:09:37]>> Anybody there? I'm sorry, sir, but it's all down. All the lines. The storm's hitting the mainland like a hammer.

[00:09:42]>> Of course, the phone is not working, but we >> Is it because of the weather? I think it's because of the weather.

[00:09:47]>> Yeah, that's what he said.

[00:09:49]>> If you care to drop, right, >> we can talk then, right?

[00:09:52]>> We have been talking, Marshall.

[00:09:56]>> Something ain't right.

[00:09:57]>> I know >> something's not right. I'm suspicious of him, too, >> cuz cuz how did she get off of the island and her doctor on vacation?

[00:10:04]>> Yeah.

[00:10:05]>> Got to say, I'm thinking I got the wrong line of public service. This is a little overwhelming. It was constructed during the Civil War, the same time as the military fort housing ward C.

[00:10:16]>> If anybody wanted to hide in somebody in a house like that, >> they could do it.

[00:10:22]>> Commander was called Marshall. I can see why.

[00:10:25]>> Forgive me, gentleman. My colleague, Dr. Jeremiah Nyrick.

[00:10:29]Doctor Who.

[00:10:31]>> You don't indulge in alcohol. Isn't it common for men in your profession to embark?

[00:10:37]>> I always heard it was overrun with boozers and drunks.

[00:10:41]>> Not that I've noticed.

[00:10:42]>> What's that iced tea in your old glass there?

[00:10:46]>> You have outstanding defense mechanisms.

[00:10:54]>> Men like you are my specialty. Men of violence. I said you are men of violence. I'm not accusing you.

[00:11:04]>> No.

[00:11:04]>> Please, please edify us, doctor.

[00:11:08]>> Okay, cuz what does that mean?

[00:11:16]>> What?

[00:11:20]>> Okay.

[00:11:20]>> Oh, >> walked away from a physical conflict.

[00:11:24]enjoy it because retreat isn't something you consider an option.

[00:11:28]>> That was like the third little flashback.

[00:11:31]>> Who raced you? Wolves.

[00:11:35]>> Very impressive defense mechanis.

[00:11:38]>> Wow.

[00:11:39]>> Look inside his face, too.

[00:11:47]>> Okay. I'm not saying that he right, but >> he must have been in World War II.

[00:11:56]This got to be World War II. Sheesh.

[00:12:06]>> Uh uh uh. No, you don't.

[00:12:14]>> Just go to sleep. Last kiss. Good night.

[00:12:17]>> We're going to need those files on Sheen.

[00:12:19]>> OUT OF THE QUESTION.

[00:12:20]>> [ __ ] OUT OF THE QUESTION. [ __ ] SO, WHO THE HELL IS IN CHARGE here anyway? Huh? Huh?

[00:12:25]>> Dr. Nyaring acts as liaison to our board of overseers. He relayed your request and it's been refused.

[00:12:32]>> They don't have the authority.

[00:12:33]>> We're going to file our reports and we're going to hand it over to him.

[00:12:36]Whoever's boys taking the ferry back in the morning. Come on, Chuck.

[00:12:40]>> And that's that on that. If y'all not going to work with us, we don't want to work here.

[00:12:43]>> Yeah.

[00:12:44]>> And I already feel like something is up.

[00:12:45]The way they pushing back on >> getting the fouls and stuff, giving them access to everything.

[00:12:50]>> Yeah.

[00:12:52]I don't think >> and he just seem like he don't have a care in the world in the Odley's quarters >> and he seems unbothered in general.

[00:13:00]>> Something tells me that fairy ain't going to be there for them to leave the island.

[00:13:06]>> They can't get a hold of the so-called doctor.

[00:13:09]>> Rachel Solando didn't slip out of a locked cell barefoot without any help.

[00:13:14]>> Right.

[00:13:14]>> I think she had a lot of help.

[00:13:16]>> I think so too. in his mansion right now rethinking his whole attitude. Maybe in the morning we'll be bluffing.

[00:13:23]>> I didn't say that.

[00:13:25]>> Hey, Ray Mad.

[00:13:30]>> The law of four.

[00:13:32]>> Who is 67? 67.

[00:13:37]>> Right.

[00:13:38]>> Jesus. Are you ever sober anymore?

[00:13:40]>> Killed a lot of people in the war.

[00:13:44]Is >> that why you drink?

[00:13:46]>> Are you real? No, she's still here.

[00:13:50]>> Who?

[00:13:51]>> She.

[00:13:53]>> She never left.

[00:13:55]>> Remember when we stayed in the cabin in the summer? Teddy, >> she's here. You can't leave.

[00:14:06]What am I watching? Tell me where she at.

[00:14:10]>> I'm just in a box, too.

[00:14:12]>> No, I am.

[00:14:20]Everything is crumbling.

[00:14:24]>> Go. You're here. I'm not. You have to face that.

[00:14:32]>> But she is.

[00:14:35]So is he.

[00:14:38]Who?

[00:14:43]>> You have to let me go.

[00:14:48]Damn.

[00:14:51]From flesh to ashes.

[00:14:59]>> That's one of them dreams you wake up confused. Wonder what happened to her.

[00:15:02]>> Oh wow.

[00:15:04]>> Like how did she die?

[00:15:05]>> I have this radical idea that if you treat a patient with respect, listen to him, try and understand, you just might reach him.

[00:15:15]these patients. Rachel Salando was on a combination of drugs meant to keep her from becoming violent, but it was only intermittently effective.

[00:15:23]>> Intermittently keep referring to your patient in the past tense.

[00:15:28]>> Look outside, Marshall. Why do you think?

[00:15:33]>> I don't like the way that felt when he walked away. Past tense.

[00:15:37]>> Last nurse survivor. The face was permanently disfigured.

[00:15:41]>> Can't wait. Why would he be referring to them as patents?

[00:15:45]>> You could see it in her eyes. She liked to be naked. Suck.

[00:15:50]>> Oh god.

[00:15:50]>> Okay, Mr. Breen.

[00:15:52]>> All right, we Okay, next.

[00:15:55]>> She wanted me to pull out my thing so that she could laugh at it.

[00:16:02]>> We need to ask you some questions. Okay.

[00:16:04]When I cut her, she screamed.

[00:16:08]>> Not Not that.

[00:16:09]>> That wasn't the response I was looking for. We here to talk about Rachel Solando.

[00:16:13]>> You know that she drowned her own kids.

[00:16:15]This is This is a sick [ __ ] >> and they're not going to get anywhere with this.

[00:16:21]>> He's a ghast.

[00:16:23]>> Nurse. Maybe maybe she had kids, huh?

[00:16:27]Is trying to make ends meet.

[00:16:30]>> Oh, the nurse that he cut.

[00:16:33]>> You tore her face off. Do you know what she was afraid of? You. Could you stop that?

[00:16:40]>> What is he doing that for?

[00:16:42]>> Please stop. DO >> YOU KNOW A PATIENT in me, Andrew Ladus?

[00:16:45]DO YOU?

[00:16:46]>> NO. NO.

[00:16:51]>> Come on. Got him.

[00:16:53]>> He said, "Man, take me to my room." This guy crazy.

[00:16:57]>> Maybe we should find a different tactic perhaps.

[00:16:59]>> Man, whatever he was doing, it was it was driving him crazy.

[00:17:05]>> The sound of that pencil on the paper.

[00:17:07]>> Mrs. currents. These seem quite normal.

[00:17:10]>> I have my dark days. I The difference is uh most people don't kill their husbands with an axe.

[00:17:16]>> Oh god.

[00:17:17]>> Okay. What's your use?

[00:17:18]>> What can you tell us about Rachel?

[00:17:20]>> Keeps to herself.

[00:17:21]>> And Dr. Sheen was there that night.

[00:17:24]>> Dr. Sheen.

[00:17:26]>> What's he like?

[00:17:27]>> Okay. Nice. Um not hard on the eyes, as my mother would say.

[00:17:32]>> Not hard on the eyes.

[00:17:34]>> Did he ever make it pass at you?

[00:17:35]>> No. Dr. Sheen's a good doctor. You would never know.

[00:17:39]>> Why does everybody seem so weird?

[00:17:41]>> Yeah, it's not adding up.

[00:17:42]>> It's like everything is just >> That's what's making everything difficult, too.

[00:17:52]>> What did she say?

[00:17:56]>> Did you ever meet a patient named Andrew Lus?

[00:17:59]>> Andrew Leis?

[00:18:02]>> No, she lying.

[00:18:04]>> Never heard of it. Oh, she definitely know Andrew Latus.

[00:18:08]>> That might have jogged her memory.

[00:18:10]>> She used practically the same words as Collie and the nurse. Like she'd been told exactly what to say.

[00:18:14]>> Who's Andrew Lus?

[00:18:15]>> Great. Cuz I thought I missed that. Who is Andrew Latus?

[00:18:19]>> Andrew Latus. He was a maintenance man in the apartment building where my wife and I live.

[00:18:26]Andrew Lus lit the match that caused a fire that killed my wife.

[00:18:32]So, what does that have to do with this?

[00:18:37]>> I don't know. It's some kind of connection.

[00:18:40]>> He burned down a schoolhouse, killed two people, said voices told him to do it.

[00:18:45]First, he went to prison, then he got transferred here.

[00:18:48]>> Oh, pretty sure he's NOT IN WARD B. THAT LEAVES W C.

[00:18:53]>> I COULD BE DEAD. A lot of places to hide up out of here. Only one place no one would really notice.

[00:18:58]>> Uh-oh. Where's it at?

[00:18:59]>> The lighthouse. Not the lighthouse. Oh.

[00:19:04]>> Oh, the lighthouse.

[00:19:09]>> She said something to you back there, didn't she? She wrote it.

[00:19:13]>> Run.

[00:19:15]>> Nothing but run. Run from what? And who?

[00:19:21]>> Watch out.

[00:19:22]>> Oh, >> come on. Up there. God, that wind is so gusty.

[00:19:31]>> UHOH.

[00:19:32]>> OH, you better help me get in that mausoleum.

[00:19:41]>> When we got through the gates at Dark Al. The SS Dodd surrendered.

[00:19:46]>> White flag.

[00:19:48]>> Common Dawn tried to kill himself before we got there, but he botched it. It took him an hour to die.

[00:19:56]>> That's why, right? That's him right there. Okay.

[00:19:59]>> He saw all the bodies on the ground.

[00:20:03]Too many to count.

[00:20:06]>> Goodly. Look at that. They're all like froze together.

[00:20:11]>> Yeah. Yeah.

[00:20:16]>> Those images you could never get out of your head.

[00:20:23]>> Now I see why he all messed up.

[00:20:25]That is horrid.

[00:20:27]>> Too many to imagine. So yeah, the the gods surrendered. We took their guns. We lined them up.

[00:20:33]>> Oh, >> what if >> they've already surrendered?

[00:20:52]Oh my god.

[00:20:56]It wasn't warfare. It was it was murder.

[00:20:59]>> That's a war crime.

[00:21:01]>> I started doing some checking on Ashcliffe. A lot of people know about this place, but no one wants to talk, you know? It's like it's like they're scared of something.

[00:21:10]>> Mhm.

[00:21:12]>> How exactly fighting the commies from an island in Boston Harbor?

[00:21:15]>> By conducting experiments on the mind.

[00:21:17]>> And you think that's going on here? M >> he's a mess. But it's pretty clear from what he tells me they're experimenting on people here.

[00:21:27]>> What?

[00:21:30]>> How do you believe a crazy guy?

[00:21:32]>> That's the beauty of it, isn't it? Crazy people, they're the perfect subjects.

[00:21:35]They talk.

[00:21:36]>> Uh-huh.

[00:21:37]>> They don't And you ain't going to believe them.

[00:21:40]>> So, what are you really here to do, Ted?

[00:21:41]>> I'm going to get the proof and I'm going to blow the lid off this place.

[00:21:46]>> Oh, he's going to blow the whistle.

[00:21:47]waiting for a chance to get out here and then suddenly they need a US marshal.

[00:21:51]>> I got lucky there was a patient escape.

[00:21:53]>> This luck doesn't work that way.

[00:21:55]>> Mhm.

[00:21:56]>> We came here for Rachel Salando. Where's one shred of evidence she even existed?

[00:22:00]>> There's no way they could have known I'd be assigned to this case. There's no way.

[00:22:03]>> Well, you were looking into them. They were looking into you.

[00:22:08]>> Get you here. Now they have you. Now they have a spa here. Now >> we're right on quue. Marshall, are you out here? This is Deputy W.

[00:22:21]>> Uhoh.

[00:22:22]>> We're getting off this goddamn island.

[00:22:24]You and me. Come on.

[00:22:28]>> He said, "We think off the island." Oh, this getting too weird.

[00:22:33]>> Maybe that's what what's really going on. That's why everybody acting so weird.

[00:22:40]>> This thing is turning into a goddamn hurricane. And this investigation starting to point fingers in the wrong direction, too.

[00:22:46]>> You had no idea what that second line could refer to.

[00:22:49]>> Who was 67? None of us do. Nothing comes to mind.

[00:22:52]>> Mm- What?

[00:22:58]>> 67.

[00:22:59]>> What is he getting at?

[00:23:01]>> 24 patients and 42 patients in wards A and B, which means there's a total of what? 66 patients.

[00:23:07]>> That is correct. Yes.

[00:23:09]>> 67.

[00:23:11]Who? Where's the >> Rachel Solando is suggesting that you have a 67th patient? Doctor, >> who's six? Who >> didn't McFersonen tell you the good news? Rachel's been found. She's here.

[00:23:26]>> Where?

[00:23:27]>> Safe and sound.

[00:23:28]>> What?

[00:23:32]>> How long Rachel been here?

[00:23:36]>> Rachel is a bad actress.

[00:23:38]>> And it look like ain't nothing wrong with her at all. Who are these men?

[00:23:41]>> Police officers, Rachel. They have a few questions.

[00:23:45]>> I think I think Rachel's a paid actor.

[00:23:47]>> She just appeared in thin air.

[00:23:48]>> She is not a real person.

[00:23:50]>> I made breakfast for Jim and the children, packed Jim's lunch, and he left. And I sent the children off to school. I decided to take a long swim in the lake.

[00:24:00]>> A long swim?

[00:24:01]>> Last night?

[00:24:03]>> After that? Uh >> I thought of you, girl. What? What?

[00:24:10]>> I don't know what you're talking about.

[00:24:12]>> Don't you know how lonely I've been to?

[00:24:17]>> You're gone. You're dead. I cry every night.

[00:24:21]>> Babe, >> don't don't don't ask me.

[00:24:25]>> Not I don't God.

[00:24:30]>> Who do she think he is?

[00:24:32]>> Jim. She said Jim died. Rachel, it'll be all right. Everything's going to be all right. Okay.

[00:24:41]>> Uhoh. She about to do something.

[00:24:43]>> My gym's dead. So, who the are you?

[00:24:47]>> I thought you said I was Jim.

[00:24:49]>> She playing games.

[00:24:54]>> I thought she was about to whisper something in his ear.

[00:24:57]>> But you saw how he reacted to her when she hugged him. Something how he reacted though.

[00:25:02]>> Going to have to ask you to go down into the basement. There's food, water, and >> I think they gave him. Uh-uh.

[00:25:12]>> Boss, you okay?

[00:25:17]>> She didn't pass something on to him.

[00:25:21]>> What's wrong with you?

[00:25:23]>> Take these, Marshall.

[00:25:24]>> Uh-uh. I'm not taking nothing from no psych word.

[00:25:27]>> Open your head, filled you with razors, and shook it as hard as they could. Take the pills, Marshall.

[00:25:31]>> He don't need to take it. He don't >> take the pills. Don't No.

[00:25:38]>> And he did it anyways.

[00:25:42]>> Oh god.

[00:25:46]>> Oh, he he ain't going to never be the same.

[00:25:52]>> I think they doing an experiment on him.

[00:25:56]>> Who is that? That's the warden. It looks like an exmilitary.

[00:26:02]>> I think they doing something, babe. They doing something.

[00:26:04]>> You think they're doing it to him? You You think this just the start of it?

[00:26:08]>> Yes. Because was he always having these like crazy thoughts? And look, was this going on before he came over here?

[00:26:19]>> Yeah. Yeah. See, he already got PTSD from the war.

[00:26:22]>> Okay. But >> what's here that's setting him off like this?

[00:26:28]It just seemed like when when when he touched Rachel. I don't know.

[00:26:39]>> Oh my god.

[00:26:42]>> You should have saved all of us.

[00:26:46]>> Dang. Look at that. Like a It's just a train >> full of corpses. I don't know.

[00:26:53]>> Look, now he back in the house again.

[00:26:58]That's the other guy that got slashed.

[00:27:00]>> Latest or latest? Andrew.

[00:27:04]>> Latest.

[00:27:06]>> No hard feelings, right?

[00:27:10]>> This is in his dream that he dream.

[00:27:13]>> He's seeing stuff.

[00:27:14]>> Something for later cuz I know how much you need it.

[00:27:21]>> Clock's ticking, my friend.

[00:27:27]Uhoh.

[00:27:38]Oh, >> why? I could get into trouble.

[00:27:45]>> He about to pick her up.

[00:27:46]>> What in the world?

[00:27:48]>> I can't believe it.

[00:27:50]>> Why didn't he see me? I tried. I I wanted to, but by the time I got there >> Oh, the guilt trip again.

[00:28:00]>> Uh, >> he going backwards.

[00:28:05]What the hell?

[00:28:07]>> Aren't they beautiful?

[00:28:13]>> You got to be kidding me.

[00:28:14]>> I think the medicine I think it's the medicine that's got him like having these trips.

[00:28:23]Don't it don't it look like all of a sudden he's been admitted to the psychiatric ward?

[00:28:27]>> Yes.

[00:28:31]Who >> the law of four who is 67?

[00:28:41]>> That's his girl.

[00:28:43]>> Leus isn't dead. He's still here. You need to find him, Teddy. You need to find him and you kill him dead.

[00:28:52]This is wild. This is freaking wild.

[00:28:55]What the heck?

[00:29:00]>> See, that's one of the memories he don't want to leave. He don't want to leave that memory.

[00:29:04]>> Backup generators failed. Whole place is gone.

[00:29:07]>> That means >> what do you want to do?

[00:29:09]>> Go outside.

[00:29:10]>> It's the boat here.

[00:29:12]I'm >> trying to tell you outside.

[00:29:14]>> Look, look, look. They said that the sales is going to open up, too.

[00:29:18]Maybe we'll run into Andrew Lus.

[00:29:23]>> Now they're going towards where all the >> George.

[00:29:26]>> He told me this is where they keep the worst ones.

[00:29:29]>> This where they keep the real crazies.

[00:29:31]>> All he remembered was people screaming day and night. No windows. An iron bars everywhere.

[00:29:39]>> Oh gosh. This this look like the >> look like Alcatraz.

[00:29:43]>> If you see one, don't try to restrain them yourselves. These kill you. All right. Get your asses moving then.

[00:29:50]>> So you go first.

[00:29:51]>> You ain't got to tell me twice.

[00:29:52]>> Okay. Why you walking around by yourself?

[00:29:58]>> Where is everybody?

[00:30:00]>> It's almost like it's deserted. Like nobody's >> I know. Oh my gosh.

[00:30:09]Oh god. What is it? Something.

[00:30:12]>> He's here.

[00:30:12]>> Who?

[00:30:13]>> Latest.

[00:30:15]>> I can feel him.

[00:30:17]Why are we back here?

[00:30:19]>> Oh, there he go. There he go. There he go. T Why is he chasing his man?

[00:30:26]>> Oh, not into the dark. We definitely not going into the darkness.

[00:30:29]>> He tripping. He tripping. He tripping.

[00:30:34]>> Oh no. Oh, they done went into the unknown.

[00:30:38]What? Babe, look. I'm not doing I feel like we in a haunted house at this point. No freaking way.

[00:30:49]>> NO.

[00:30:56]>> I don't want to leave here. All right.

[00:30:58]>> Okay.

[00:30:59]>> Why would anybody want to?

[00:31:01]>> No.

[00:31:03]>> You know how a hydrogen bomb works.

[00:31:06]>> WITH HYDROGEN. WITH HYDROGEN. OH, >> THAT'S FUNNY. CLOSE.

[00:31:11]>> It implodes. Creating an explosion.

[00:31:18]>> Yeah. Yeah. Do you >> Somebody please get this man. Get him the hell off of me.

[00:31:24]>> Okay.

[00:31:29]>> Oh, he trying to get him out of there.

[00:31:32]>> Golly, he trying to make him go night.

[00:31:34]Oh, >> shoot. He did it first.

[00:31:36]>> Catch them, not kill them. He jumped us.

[00:31:39]>> Give me a hand with him.

[00:31:43]>> Technically, he did.

[00:31:44]>> Take a walk.

[00:31:47]>> Balls for this.

[00:31:48]>> Why? No.

[00:31:49]>> That's insane.

[00:31:50]>> I'm not Why leave him by himself defenseless like that, >> man? There's no way.

[00:31:56]>> Okay, something is up.

[00:32:02]Oh god, babe. Nope.

[00:32:05]Gosh.

[00:32:13]Oh, God.

[00:32:27]>> Is that gate broke?

[00:32:29]>> Oh, this the real Arkham Asylum.

[00:32:31]>> You told me I'd be free at this place.

[00:32:35]Is that him?

[00:32:37]>> Vadus, >> after all the talks we had, after all the lies you told me, >> they say I'm theirs now. They say I'll never leave here. Your man's about to go out.

[00:32:53]>> It's about exposing the truth.

[00:32:55]>> It's about you, >> ladies. It's all put apart. I was incidental. A way in. That's not here.

[00:33:04]George Noise, who did this to you, George, you >> tell me how they got you here.

[00:33:09]>> They knew.

[00:33:10]>> They know what?

[00:33:12]>> This is a game. All of this is for you.

[00:33:15]Been alone much since you got here. I've been with my partner. You never worked with him before, have you?

[00:33:21]>> I know people like I I trust this man and they've already won.

[00:33:26]>> Who is George?

[00:33:30]They're going to take me to the lighthouse. They're going to cut into my brain.

[00:33:36]AND I'M ONLY HERE BECAUSE OF YOU.

[00:33:42]>> She's dead. Let her go.

[00:33:45]>> Let her go.

[00:33:46]>> Tell him, Daddy.

[00:33:49]>> Let it go.

[00:33:50]>> Tell him about the day you brought me my locket.

[00:33:52]>> You got to do it.

[00:33:53]>> Oh, I told you my heart was breaking and you asked me why.

[00:33:57]>> Oh, God.

[00:33:59]She's going to kill you.

[00:34:00]>> Well, which one is it?

[00:34:02]>> You want to uncover the truth? You got to let it go.

[00:34:05]>> He ain't going to be able to let it go.

[00:34:07]>> YOU HAVE TO LET IT GO.

[00:34:08]>> I CAN'T. I CAN'T.

[00:34:11]>> I wouldn't be able to let it go.

[00:34:13]>> I know. Who? Who would?

[00:34:16]>> Then you'll never leave this island. No.

[00:34:21]>> This is crazy.

[00:34:23]>> He was transferred out of here. If he's not in W, there's only one place he can be.

[00:34:29]>> The lighthouse.

[00:34:30]>> In the lighthouse.

[00:34:32]>> Lighthouse.

[00:34:35]>> This island about to drive him crazy.

[00:34:37]>> Boss, we got problems. Pierce and Cali are in the building.

[00:34:41]>> Just keep going. You belong here.

[00:34:45]>> So, do you think that the guy is there to set him up?

[00:34:47]>> Where were you?

[00:34:48]>> Yeah.

[00:34:49]>> After we got that guy to the infirmary, I took a little detour to patient records.

[00:34:53]>> Yeah, I think so.

[00:34:55]the only thing in his files. There's no session notes, no incident reports, no photographs, just this. It was weird.

[00:35:00]Yeah, take a look. I'll >> look at it later.

[00:35:03]>> He just pop out of nowhere.

[00:35:04]>> Okay, >> look it over later. That's all.

[00:35:07]>> And then when the guy took him off, remember, he said, "No, you go. You You don't come."

[00:35:12]>> Yeah.

[00:35:12]>> I'm going to that lighthouse and find out what the [ __ ] is happening on this island.

[00:35:18]>> It's about time you and I want to know what's going on on this island. Okay, so the lighthouse is where they conducting all these experiments for real.

[00:35:25]>> Where they doing the labbotoies?

[00:35:27]>> Yeah. What >> the hell can I say to you to stop you?

[00:35:29]Why? Why would you want to, Chuck?

[00:35:31]>> Climbing down there when it's dark is a thin step short of suicide.

[00:35:36]>> Maybe you better sit this one out then.

[00:35:38]>> You're acting like what? Like what?

[00:35:40]>> What the hell happened back there in those cells, Ted?

[00:35:44]>> You do not want to know.

[00:35:45]>> Now he don't trust anybody.

[00:35:48]>> What do you think the weather's like in Portland, Chuck? Could you blame him?

[00:35:54]>> I'm from Seattle.

[00:35:56]See, I'm going on alone.

[00:36:00]>> Key word is alone.

[00:36:01]>> I said alone.

[00:36:03]>> Fine.

[00:36:07]>> You going to go to the lighthouse by yourself?

[00:36:08]>> I don't think I can go by myself. And I definitely am going to take heed to what the man said in the sale about what they doing over there and him not leaving this island right about now. you going to be my partner until you're not going to be >> because >> it definitely felt like the guy was telling the truth.

[00:36:27]>> Yeah.

[00:36:28]>> About a lot of stuff that he was saying in the cell.

[00:36:31]No access.

[00:36:32]>> I knew it wouldn't take long, but I couldn't get to it. The tide was up.

[00:36:36]>> Where'd he go?

[00:36:40]>> Chuck.

[00:36:42]Chuck.

[00:36:42]>> Okay. See, that's the third red flag.

[00:36:44]>> Chuck, go.

[00:36:54]Oh.

[00:36:56]Oh, no.

[00:36:59]>> Face first.

[00:37:00]>> Somebody.

[00:37:00]>> Wait a minute. Is that really him though?

[00:37:05]>> Did somebody push him?

[00:37:12]>> Oh, that's the paper that is he that's what he after.

[00:37:15]>> That's the paper he had.

[00:37:23]See, I told you his mind playing tricks on him.

[00:37:26]>> What the absolute heck?

[00:37:29]>> You are freaking lying.

[00:37:31]>> This remind me of the Scarface song.

[00:37:37]>> When you see one rat, you better believe it's another thousand coming out.

[00:37:43]>> What? I need for him to get off this rack.

[00:37:49]Is them the kind of rats that eat people?

[00:37:51]>> They're the kind of that that eat flesh.

[00:37:56]>> Uh, >> I know.

[00:38:03]>> What?

[00:38:05]Who are you?

[00:38:07]>> I'm Teddy Daniels.

[00:38:08]>> You're the marshall.

[00:38:09]>> Would you mind taking your hand from behind your back, PLEASE?

[00:38:13]>> WHY? WHY? I WANT TO MAKE sure that what you're holding won't hurt me.

[00:38:17]>> I'm going to keep this if you don't mind. Why are you up here? Who are you?

[00:38:22]>> Where did she come from?

[00:38:25]>> Is she just >> Is she really there?

[00:38:29]>> Rachel Solando. Did you kill your children?

[00:38:33]>> I never had children. I was never married.

[00:38:37]And before I was a patient at Ashcliffe, I worked here.

[00:38:43]>> What? I was that Dr. Marshall. You think I'm crazy?

[00:38:47]>> No. No. I know.

[00:38:48]>> And if I say I'm not crazy. Well, that hardly helps, doesn't it? It's the copious genius of it.

[00:38:52]>> Right. Right now, you seem a little bit >> just just a tad bit >> crazy. Just >> Once you're declared insane, then anything you do is called part of that insanity, reasonable protests or denial, valid fears.

[00:39:06]>> Survival instincts are defense mechanisms.

[00:39:09]>> You're smarter than you look, Marshall.

[00:39:10]That's probably not a good thing.

[00:39:14]What happened to you?

[00:39:15]>> I started asking about these large shipments of sodium amatl and opium based hallucinogens.

[00:39:19]>> Amatl heard of a transorbital labbotomy. These at the patient with electroshock and go through the eye.

[00:39:28]Pull out some nerve fibers. Makes the patients much more obedient. It's barbaric.

[00:39:33]>> What?

[00:39:34]>> Sounds medieval.

[00:39:36]>> You know how pain enters the body, Marshall. The brain controls pain. What if you could control it? Is that what they doing at Obama? Look, >> the North Koreans used American PS during their brainwashing experiments.

[00:39:49]They turned soldiers into traitors.

[00:39:51]That's what they're doing here.

[00:39:55]>> People will look back and say, "Here, this place is where it all began. We tested patience on Shudder Island."

[00:40:02]>> Oh man.

[00:40:04]>> Girl, we got to go.

[00:40:07]But they can't let you leave. I am a federal marshall. They can't stop me.

[00:40:11]>> Any past traumas in your life?

[00:40:13]>> That's why the girl say run.

[00:40:15]>> She did say run and she just asked about past traumas.

[00:40:18]>> Why would that matter?

[00:40:19]>> Because they're going to point to some event in your past and say it's a reason you lost your sanity.

[00:40:23]>> They can say that about anyone. Anyone at all?

[00:40:25]>> The point is they're going to say it about you.

[00:40:28]>> Mhm.

[00:40:29]>> And you'll never leave the island.

[00:40:31]>> Any funny dreams lately? Trouble sleeping?

[00:40:36]>> And you you ate the food in the cafeteria and drunk the coffee they gave you. You tell me at least that you've been smoking your own cigarettes.

[00:40:42]>> I say I was going to say >> you said something about the cigarette.

[00:40:45]Did you say >> going to No, but I was going to say something about the cigarettes. I'm like they probably lacing those cigarettes.

[00:40:50]>> Takes 36 to 48 hours for first the fingertips and eventually the whole hand. Seen any walking nightmares lately, Marshall?

[00:40:57]>> Oh my god. Several.

[00:40:59]>> Now let's open the skull and see what happens if we pull on this kind. They learned it from the Nazis kind.

[00:41:04]>> Damn.

[00:41:05]>> This where they create the ghost.

[00:41:07]>> Oh my god.

[00:41:09]Who knows about this?

[00:41:10]>> Everyone.

[00:41:11]>> The nurses, the the the the orderlys.

[00:41:14]They they couldn't possibly know.

[00:41:15]>> Everyone.

[00:41:16]>> That's what's wrong with you.

[00:41:17]>> Youard how she said it.

[00:41:19]>> Everybody.

[00:41:20]>> I'm convinced.

[00:41:20]>> That's why everybody seemed like they scared to talk.

[00:41:23]>> MK Ultra originated on Shudder Island.

[00:41:25]>> And see these bright lights. You can't stay here. Afraid if they come looking for you, they might find me. I'm sorry, but you have to go.

[00:41:32]>> Where am I supposed to go?

[00:41:33]>> The only way off the island is a ferry, and they control it. You'll never leave here. What about >> ever?

[00:41:39]>> Ever. Ever.

[00:41:40]>> I had a friend. I was with him yesterday, but we got separated. Have you seen him?

[00:41:44]>> Marshall, you have no friends.

[00:41:46]>> Damn.

[00:41:48]>> Right now, I'm not seeing a way out of this.

[00:41:50]>> That summed it up. No, I feel you on that.

[00:41:53]>> I'm not saying a way out of this because >> the way she explained it, he's never leaving this out.

[00:41:59]>> He's never leaving and they're in a lot of trouble and he's in danger.

[00:42:04]>> So, everybody's in on it. Everybody knows.

[00:42:06]>> Yes.

[00:42:07]There you are. We were wondering when you'd show up, but have a seat.

[00:42:12]>> He better play everybody close to the chest right about now.

[00:42:15]>> You enjoy God's latest gift?

[00:42:17]>> What?

[00:42:18]>> God's gift.

[00:42:20]>> When I came downstairs in my home and I saw that tree in my living room, it reached out for me like a divine hand.

[00:42:28]God loves violence.

[00:42:30]>> What?

[00:42:31]>> What?

[00:42:32]>> What are you talking about? God, >> why else would there be so much of it?

[00:42:36]It's in us. It's what we are.

[00:42:39]>> Oh, this is the the warden.

[00:42:43]>> Wage war and we burn sacrifices that are interret the flesh of our brothers. Why?

[00:42:47]Because God gave us violence to wage in his honor.

[00:42:51]>> I thought God gave us moral order.

[00:42:53]>> I think it is him.

[00:42:54]>> There's no moral order at all. There's just this. Can my violence conquer yours?

[00:42:59]>> Damn, that sound like a challenge. Not violent.

[00:43:03]>> Yes, you are. You're as violent as they come. I know this because I'm as violent as they come.

[00:43:10]>> Charlie thinks you're harmless. That you can be controlled. But I know different.

[00:43:14]>> You don't know me.

[00:43:15]>> Oh, but I do. You don't.

[00:43:16]>> Oh, I know you. We've known each other for centuries.

[00:43:19]>> It's got to be the longest ride.

[00:43:21]>> If I was to sink my teeth into your eye right now, would you be able to stop me before I blinded you?

[00:43:27]>> Oh my goodness.

[00:43:28]>> Did you catch that? sink my eye. Sink my teeth into your eye.

[00:43:32]>> Give it a try. Ask the spirit.

[00:43:35]>> That's crazy.

[00:43:37]>> Why would you ask that question? What kind of question is that?

[00:43:41]>> Because God gave us violence. If you ask him, >> though, for some reason, he's he's starting to he's starting to look more like a patient now.

[00:43:50]>> Yeah.

[00:43:50]>> Than a uh than a >> deputy. A worker.

[00:43:53]>> Just looking at your island.

[00:43:54]>> Oh, I forgot you're leaving now that Rachel's been found. Rachel.

[00:43:58]>> Apparently, there was an unidentified man in Ward C yesterday. He subdued a highly dangerous patient quite handily.

[00:44:04]It seems you had a long conversation with a paranoid schizophrenic, George Noise.

[00:44:14]>> You seen him, doctor?

[00:44:16]>> Whom?

[00:44:16]>> My partner, Chuck, >> where is >> you don't have a partner, Marshall? You came here alone.

[00:44:20]>> What?

[00:44:21]>> He said you came here alone.

[00:44:22]>> I'm trying to do something that people, yourself included, don't understand. And I'm not going to give up without a fight.

[00:44:28]>> I can see that.

[00:44:30]>> Keyword, fight.

[00:44:32]>> So tell me again about your partner.

[00:44:33]What partner?

[00:44:34]>> I wouldn't say nothing else about it.

[00:44:36]>> So was he there or was he not there?

[00:44:39]>> Right now I can't answer that question.

[00:44:41]I'm honestly I can't answer that question. He said you came He said you came to the island by yourself.

[00:44:50]>> I'm not convinced that he came to the island by himself. I think they want to tell him that like to make him feel like he's crazy. No, he didn't come there by himself. Rachel said they going to try to make you feel like you >> they going to turn everything against you to make you feel like you're crazy, >> like you belong there.

[00:45:07]>> Who was smoking at the top of that mountain at the top of the rock?

[00:45:10]>> I don't know. But you but you saw how he tried to get him a cigarette.

[00:45:13]>> Yeah.

[00:45:14]>> And he he took out his pipe and used his pipe.

[00:45:16]>> Going somewhere?

[00:45:17]>> Heading out to the fairies.

[00:45:19]>> Ah, I'm afraid it's the other way. Find you someone who can take her to the doctor.

[00:45:24]>> You mother.

[00:45:25]>> What's this?

[00:45:26]>> Yeah.

[00:45:27]>> What you going to do?

[00:45:29]>> Kill me.

[00:45:30]>> What you was going to do?

[00:45:32]>> Wounds can create monsters. And you you are wounded, Marshall.

[00:45:38]>> Oh, see now like the reverse psychology.

[00:45:40]>> You must stop it.

[00:45:43]>> Got him.

[00:45:44]>> Reverse psychology. He was trying to use it.

[00:45:47]>> Now he a monster. poked his ass.

[00:45:55]>> And where does he go? Where is he gonna go?

[00:45:57]>> He making a lot of noise.

[00:46:00]>> I'm just trying to figure out what are you doing, baby.

[00:46:06]>> Girl, stop talking to me. Stop talking to me.

[00:46:09]>> Should have came back again.

[00:46:10]>> It's my partner. If they are hurting him, if they're holding him against his will, I've got to bring him out. I'm sorry, honey. I love this thing because you gave it to me. There's one tiem.

[00:46:35]This is where your trauma comes together.

[00:46:39]Two traumas hand in hand.

[00:46:42]>> How?

[00:46:43]>> There's no way. I mean, how it is close enough for him to swim? No. Hell no.

[00:46:49]That is far. That dude, >> that's actually far.

[00:46:55]>> Oh, he bold. He better than me. I couldn't do I couldn't do it.

[00:47:02]>> Oh, they definitely trying to keep people out of the out of the lighthouse.

[00:47:07]>> Don't move. Stay where you are.

[00:47:09]>> I'm not going to kill you.

[00:47:12]Just I'm just going to put you out for a minute. I'm just >> going to beat you up for a second.

[00:47:20]>> There's definitely something going on in that lighthouse. Why would they have >> Why else would they be guarding it like that?

[00:47:24]>> Exactly.

[00:47:28]>> Now, you know the last lighthouse movie we watched with the lighthouse, >> what was going on in the lighthouse?

[00:47:34]>> Okay.

[00:47:36]A lot of a lot of crazy psychotic mess was going on.

[00:47:44]There is nobody in there.

[00:47:47]>> Nobody. Nothing.

[00:47:52]>> There is nobody in this lighthouse.

[00:47:54]There's nobody there.

[00:47:57]>> Why are you all wet, baby?

[00:48:00]>> What did you say?

[00:48:01]>> You know exactly what I said.

[00:48:03]>> Why are you all wet?

[00:48:04]>> The rifle's empty, by the way.

[00:48:09]He so charged her now like he ready to do it.

[00:48:13]>> He charging her like he trying to get down to business.

[00:48:15]>> What the heck?

[00:48:17]>> You blew up my car. I really love that car.

[00:48:21]>> Dr. Solando, she told me about the neuralptics.

[00:48:25]>> Did she know? And when was this?

[00:48:27]>> I found a doctor in a cave.

[00:48:31]>> I don't doubt it considering she's not real.

[00:48:35]Oh, >> your delusions are more severe than I thought. You're not on yours. You're not on anything, as a matter of fact. And what?

[00:48:42]>> Huh?

[00:48:43]>> Withdrawal.

[00:48:44]>> From what?

[00:48:45]>> Chloromisine. The same thing we've been giving you for the past 24 months. So, for the past 2 years, you you you've had somebody slipping me drugs in Boston. Is that it?

[00:48:55]>> Not Boston.

[00:48:58]You've been here for 2 years, a patient of this institution.

[00:49:02]>> You are freaking lying. You are freaking lying.

[00:49:06]>> Copy of the intake form. You broke in towards C4. Proof of the 67th patient.

[00:49:10]If you'd gotten it to the mainland, you could have >> 67th.

[00:49:13]>> So, he is the 67th patient. I promise you I was going to be like, you should look at what the paper says.

[00:49:20]>> I've had enough of THIS [ __ ] >> WHERE'S CHUCK? WHERE IS HE?

[00:49:23]>> LET'S try this another way.

[00:49:25]>> Oh my god.

[00:49:26]>> No. Am I correct?

[00:49:28]>> Don't you even talk about her, don't you?

[00:49:29]>> I'm afraid I have to.

[00:49:32]Edwards, Daniels.

[00:49:34]>> Notice anything these four names have in common?

[00:49:36]>> If you've done anything to my partner, doctor, that is a violation of >> focus. Andrew, what do you see?

[00:49:42]>> Andrew.

[00:49:43]>> Edward Daniels has exactly the same 13 letters as Andrew Ladis. The same as Rachel Solando and Dolores Chanel. The names are anagrams for each other.

[00:49:51]>> Tactics.

[00:49:53]>> Your name is Andrew Leis, the 67th patient at Ashcliffe. He's you, Andrew.

[00:49:58]You were committed here by court order 24 months ago. You're one you can't forgive yourself for. So you invented another self.

[00:50:05]>> We saw him get off the boat.

[00:50:07]>> He >> You can dismiss as lies. Andrew, >> my name is Edward Dan.

[00:50:11]>> I've been hearing this fantasy for 2 years now. I know every detail.

[00:50:16]>> You're violent, trained, dangerous.

[00:50:18]You're the most dangerous patient we have.

[00:50:20]>> Whoa.

[00:50:22]>> Oh my god.

[00:50:23]>> The warden and the board of overseers are determined something be done. It's been decided that unless we can bring you back to sanity now, permanent measures will be taken to ensure you can't hurt anyone ever again.

[00:50:34]>> Oh my goodness.

[00:50:34]>> Permanent measures. What does that entail?

[00:50:36]>> They'll lobomize you, Andrew.

[00:50:40]>> They're going to put a hole in his brain.

[00:50:42]>> I understand.

[00:50:44]>> This is unbelievable.

[00:50:45]>> Stand just fine.

[00:50:46]>> They're going to try to turn him into a vegetable. You >> You going to tell the US Marshall's office that he's a defense mechanism?

[00:50:57]Where you been the whole time?

[00:51:02]>> He's starting to look more and more like a patient.

[00:51:04]>> I've been your primary psychiatrist for the last 2 years. I'm Lester Sheen.

[00:51:08]>> Sheen?

[00:51:10]>> Radical cutting edge roleplay ever attempted in psychiatry and it would bring you back. I thought that if we let you play this out, you get to see how >> you've had the run of the place for two days. Tell me, where are the Nazi experiments? The satanic os.

[00:51:26]>> Babe, I think they playing tricks on him.

[00:51:27]>> No, >> I really think they playing mind games.

[00:51:30]>> I don't think so. I really don't.

[00:51:33]>> It don't work.

[00:51:36]>> Andrew, please don't.

[00:51:37]>> What just happened?

[00:51:41]>> Whoa. It's a prop.

[00:51:43]>> Damn gun.

[00:51:45]>> It's a toy, Andrew.

[00:51:47]>> Oh my god.

[00:51:49]They say he was the most violent.

[00:51:51]>> Andrew, your children, >> Henry, we never had any children.

[00:51:56]>> Your wife drowned them at the cabin by the lake.

[00:52:00]The little girl, the one you dream of.

[00:52:03]>> I never had a little girl.

[00:52:04]>> The one who tells you over and over that you should have saved her.

[00:52:07]>> How does he know that?

[00:52:08]>> Name was Rachel. Are you going to deny that she ever lived?

[00:52:11]>> Oh my god.

[00:52:13]>> Andrew, are you >> the kid? Those are his and those are kids that will powd on each other, right?

[00:52:22]>> Yes.

[00:52:22]>> That will that will land on top of each other.

[00:52:28]>> So they didn't die in the war.

[00:52:29]>> Got him just outside of Oklahoma. Must have stopped 10 places in between here and Tulsa could sleep for a week. Loris, >> her her feet are wet.

[00:52:44]She looks like she's wet.

[00:52:46]>> She just got out of the lake.

[00:52:48]>> Why are you y'all wet?

[00:52:49]>> I missed you. I want to go home.

[00:52:51]>> You are home.

[00:52:53]>> She want to go home?

[00:52:54]>> Where are the kids?

[00:52:56]>> They're in school.

[00:52:57]>> It's Saturday. School's not in on Saturday.

[00:53:00]>> My school is >> Why? Why she look a little She look >> Did you Did you see that devilish grin?

[00:53:08]Look. No, don't go to kids.

[00:53:16]Put them at the table. We'll dry them off and change their clothes. They'll be hunting dolls.

[00:53:22]>> What?

[00:53:24]Oh my god.

[00:53:28]>> Did she say take them on a vacation?

[00:53:32]>> Set me free. We'll give them bats.

[00:53:35]>> If this ain't the sick twisted >> twisted so much. meant it.

[00:53:43]>> He did it. He did it. He gave it to her.

[00:53:49]>> Damn.

[00:53:53]>> Andrew, that's why he's no longer a deputy.

[00:53:58]>> Why are you here?

[00:53:59]>> Because I killed my wife.

[00:54:01]>> And why did you do that?

[00:54:02]>> Because she killed our kids. After she tried to kill herself the first time, Dolores told me she she had an insect living inside her brain. She could feel it clicking across her skull, just pulling the wires just for fun.

[00:54:17]>> Pulling the wires.

[00:54:18]>> She told me that, but I didn't listen.

[00:54:21]>> Wow.

[00:54:24]>> My name's Andrew Lus and I murdered my wife in the spring of 52.

[00:54:30]>> There it is. This is so freaking just >> That's the unadulterated truth.

[00:54:41]>> Then why start the movie the way that the movie starts then?

[00:54:44]>> This did not go the way that I thought it was going to go.

[00:54:46]>> Because I wouldn't have been half as confused.

[00:54:48]>> Good.

[00:54:49]>> Neil, you can't complain.

[00:54:53]>> Oh, trusty cigarette.

[00:54:56]>> Got to get off this rock, Chuck. Back to the mainland. Whatever the hell's going on here, it's bad.

[00:55:07]>> Hell no.

[00:55:09]He said, "Nope."

[00:55:10]>> Worried part of they're not going to catch us.

[00:55:12]>> That's right. We're too smart for them.

[00:55:14]>> Yeah, we are, aren't we?

[00:55:20]This is crazy. This is crazy.

[00:55:28]Which would be worse? To live as a monster or to die as a good man?

[00:55:33]>> Teddy.

[00:55:35]>> Uh-oh. Uh-oh. Teddy about to get out of here.

[00:55:41]>> Teddy ain't going out like that.

[00:55:44]>> What you mean? Teddy not going to be going anywhere anytime soon.

[00:55:49]It is over.

[00:55:51]>> Why we looking at the lighthouse?

[00:55:53]>> Because Don't tell me Don't tell me it's still going down in the lighthouse. Oh man. Oh man.

[00:56:02]>> I feel like it was worth it. Okay. Okay, you can talk.

[00:56:05]>> I'm going to say right now >> this was worth the watch. I just love the way that this movie was put together. First and foremost, I love the way that it was put together as far as the plot, as far as just the theme from A to Z. I just feel like it's a masterpiece.

[00:56:21]>> It's it it is. I feel like you have to watch this like and now I got to go back and watch this whole thing because I feel like all the like the little pieces of like information, all the what is it?

[00:56:32]The gems of information they were dropping throughout the movie and you weren't catching it because you just thinking that you looking at this man and and them treating him wrong and trying to make him feel crazy the entire time. You don't know. I'm I'm tired of these type of movies. I'm tired of them playing with me.

[00:56:49]>> You know what though? You You know what though? It's like it's like you can see the progression throughout the movie cuz at the beginning of the movie I was convinced he was a deputy.

[00:56:57]>> I was too the entire time.

[00:56:59]>> I was convinced that he was an active deputy that was just dealing with some with p with PTSD from the war. That that's what it felt like from the beginning. I promise you probably like three fourths way through the movie it's like you could see the transformation in him. It seemed like it's he was like more of the patient because I'm like when I was looking at him I was looking like >> his eye he start looking tired and start looking >> more more like a patient than he is like somebody that's in there to investigate stuff >> and it seemed like from from point A to point Z from the time that the movie started him as a deputy by the time the movie ended he was a fullblown patient.

[00:57:37]That's insane and crazy. But the part that the part that threw me off was when he was trying to look for the lady and he found her in a cave. And I'm like, how the hell is this lady just out in the middle of nowhere living in a cave?

[00:57:48]>> They can't find her. They out here walking around cuz >> And me and you, we sitting here convinced that he talking to a woman in a cave. 10 minutes later, I'm like, I feel dumb as hell.

[00:57:57]>> Not only that, but then he climbed down the rock and the man wasn't actually there ON THE ROCK. CHUCK wasn't even there.

[00:58:02]>> No, he wasn't there. I I said that too.

[00:58:04]I was like, I don't think Chuck is down there. I think in the cigarette I think the cigarette was something that he probably had been smoking he had threw down >> and he left it there. When he came back it was still there. He probably Oh god.

[00:58:16]>> So it was him he he was by himself the entire time. So Oh. So for those two days he basically ran away.

[00:58:23]>> Yeah.

[00:58:24]>> Cuz they was trying to catch him for two days. So for two days he was by himself.

[00:58:27]He wasn't talking to any Well, he was talking to somebody.

[00:58:30]>> He was >> he was talking to somebody >> the entire time. This entire time he was talking to himself. The next time I watch a movie and I find out that they talking to their self the entire time of the movie, I'mma have something to say about something because stop making me feel crazy.

[00:58:46]>> I know, man. I >> We saw that in American Psycho.

[00:58:49]>> We saw it in American Psycho. Uh the Silence of the Lambs.

[00:58:53]>> Silence of And the one that we just watched with the one that was playing crazy the entire time. What was that?

[00:58:59]where he got to the end and he was fighting to get him out of the out of the jail to plead insanity and the entire time he was just playing >> Yeah. Yeah. Yeah. Yeah. I know what you're talking about. The one with um Ed North.

[00:59:10]>> Yeah.

[00:59:11]>> Yeah. Ed Norton. Edward Norton.

[00:59:13]>> Were where was that one where he was playing crazy too or itself?

[00:59:17]>> Primal fear with Richard Gear.

[00:59:19]>> Yeah. Yeah. Yeah. Yeah. No. No. No. No.

[00:59:21]No. No. Okay. I as as far as like out out of like the top psychological movies that we've watched as far as like psychological horrors or mysteries, however you want to put it, >> thrillers by far a >> after Silence of the Lambs >> by far.

[00:59:35]>> After Silence of the Lambs, I got to put Shut the Island like right below that.

[00:59:38]There's probably some other ones out there that we haven't watched that are probably like some really really good psychological thrillers, but I'm just trying not to be a prisoner of the moment.

[00:59:46]>> But Leonardo DiCaprio, he he pulled his role off like magnificently. And and who was and who was his wife? That lady look like Taylor Swift. That's Taylor Swift.

[00:59:55]>> Babe, everybody is not Taylor Swift.

[00:59:57]That is not Taylor Swift.

[00:59:58]>> At the end, that looked like Taylor Swift.

[01:00:00]>> That did not look like Taylor Swift.

[01:00:02]>> She had the hair, the curly hair, and everything.

[01:00:03]>> Babe, don't say that out loud. Don't No, don't tell nobody else that >> she just looked kind of like >> No, she did.

[01:00:10]>> Well, who's the actress? We got to look it up cuz for cuz at the end at the end when she was walking up to him and she hugged him cuz you know when she was wet I was like I've seen her like five six seven eight times in this movie. She look like Taylor Swift.

[01:00:22]>> The only thing that confused me then like if all of that is the case then why would they start the movie of him getting off the boat with with the doctor the doctor or the partner so to speak? Because I feel like that was like the one thing that would have changed everything in terms of maybe how you saw the outlook of this movie, how you looked at it.

[01:00:42]>> I think that I think Go ahead.

[01:00:43]>> They got off the boat. He throwing up and everything. So where did he come from?

[01:00:48]>> Cuz he was on the boat. He was throwing up. I think that's the genius of Martin Scorsesei.

[01:00:53]>> I think that's just the genius of Martin Scorsesei. Just the way that the movie is put together because you're not under that impression when the movie starts.

[01:01:00]>> Okay. Martin Scorsesei. Like if you out there and you watching this and you see this, we need to have confused for a while >> because I need to pick your brain on how this was put together and how the heck did you even come up with something like this because this was this >> the labbotoies, you know, the the the the drugs, the sanities. I'm just like by the end of this movie, it's going to feel like I need to be admitted. So the man that crazy when he was in the cell when he when they went into sea together >> when he kept lighting the match >> he Yeah. So that man wasn't really there. I'm okay.

[01:01:36]>> No, I think he was I think he attacked him >> but he said that it was because of you.

[01:01:40]I'm here because of you like he said like this was your fault like and he explained it and I was h god. And he had the little p the little things to tell cuz the girl said that they scared him straight with that kind of stuff. So maybe it was like he was Oh god, he he was all in his head.

[01:01:57]>> He was living rentree in his own head the entire time.

[01:02:00]>> Changed the name and everything. Okay.

[01:02:04]>> So at the end of the day, if you got to put a tag or a title on this movie, hands down, definitely a psychological thriller.

[01:02:12]>> Yeah.

[01:02:12]>> One of the best that we've seen thus far. Psychological is the underlining word in that sentence because what great movie though. This is good. This is good. I like the fact that it got me and the twist in it like took me out. Okay, but great great great movie y'all. I know I just said everything I'm saying and I'm talking noise, but no, this was good.

[01:02:34]>> We're not cis and ebook, but we both give it two thumbs up.

[01:02:37]>> I give it two thumbs up. So, y'all chime in. Let us know what y'all think about this. anything you want to explain so that when I go back and watch this again later on tonight that everything puts it all together for me or stuff I should have saw before, please put it in the comment section cuz now I'm this I'm going to be thinking about this until until I see what y'all got to say.

[01:02:58]>> Yeah.

[01:02:59]>> If y'all enjoyed it, give us a big thumbs up, like, comment, subscribe, smash notification bell so you don't miss any videos from Asia and BJ. And if ain't nobody else told you I love you.

[01:03:08]We gonna see y'all in the next video.

[01:03:11]Yeah.

[01:03:13]Bye.

[01:03:14]Crazy booby, baby. Yeah, baby. Yeah.

[01:03:21]Can't get enough. Can't get enough.

[01:03:25]I need it, babe. I need it, baby.